List of mezzo-sopranos in non-classical music
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C4) to the A two octaves above (i.e. A3–A5). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3) and as high as "high C" (C6).[1] The mezzo-soprano voice (unlike the soprano voice) is strong in the middle register and weaker in the head register, resulting in a deeper tone than the soprano voice.[2]
The term mezzo-soprano was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In non-classical music, singers are primarily defined by their genre and their gender not their vocal range.[3] When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to the singer's perceived vocal range.
The following is a list of singers in country, popular music, jazz, heavy metal, classical-crossover, and musical theatre[4] who have been described as mezzo-sopranos.
List of names
[edit]Go to: A • B • C • D • E • F • G • H • I • J • K • L • M • N • O • P • Q • R • S • T • U • V • W • X • Y • Z |
See also
[edit]- List of contraltos in non-classical music
- List of sopranos in non-classical music
- List of tenors in non-classical music
- List of baritones in non-classical music
- List of basses in non-classical music
- Voice classification in non-classical music
Notes
[edit]- ^ Some sources also refer to Adele as a contralto[8][9]
- ^ Bedingfield is also referred to as a contralto[39]
- ^ Buckley is also referred to as a soprano[69]
- ^ Cyrus is also referred to as a contralto[106]
- ^ Fitzgerald is also referred to as a contralto[51]
- ^ Some sources also refer to Franklin as a soprano[150]
- ^ Gomez is also referred to as a soprano[166]
- ^ H.E.R. is also referred to as a contralto[183]
- ^ Some sources also refer to Hudson as a contralto[191][192][193] and a soprano[194]
- ^ Some sources also refer to Jenkins as a soprano[202][203][204]
- ^ Some sources also refer to Lee as a soprano[245][246][247]
- ^ Some sources also refer to Lipa as a contralto[257][258]
- ^ London is also referred to as a contralto[265]
- ^ Some sources also refer to Lorde as a contralto[269][270][271]
- ^ Some sources also refer to Lovato as a soprano[277]
- ^ Mina is also referred to as a soprano[323]
- ^ Some sources also refer to Nhung as a soprano[354][355]
- ^ Phương is also referred to as a "mezzo alto"[369]
- ^ Some sources also refer to Roche as a contralto[408]
- ^ Some sources also refer to Smith as a soprano[436][437][438]
- ^ Some sources also refer to Summer as an alto[462][463][464]
- ^ Tràm is also referred to as a soprano[481]
- ^ Some sources also refer to Ware as a soprano[490][491][492]
References
[edit]- ^ Appelman, D. Ralph (1986). The Science of Vocal Pedagogy: Theory and Application. Indiana University Press.
- ^ Identifying the Fab Four Singing Voices
- ^ Axelrod, Alan, The complete idiot's guide to jazz, Alpha Books, 1999, pp. 68-69 (ISBN 0028627318). See also Tarasti, Eero, Signs of music: a guide to musical semiotics, Walter de Gruyter, 2002, pp. 157-178 (ISBN 3110172267)
- ^ For a detailed description of the differences between the operatic and musical theatre voice see Björkner, Eva, Why so different? Aspects of voice characteristics in operatic and musical theatre singing Archived 2018-11-23 at the Wayback Machine, KTH School of Computer Science and Communication, 2006 (ISBN 9171785183)
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