Chinese ritual mastery traditions

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Chinese ritual mastery traditions, also referred to as Faism (Chinese: 法教; pinyin: Fǎjiào; literally: "religion of the rites"),[1][2] or Folk Taoism (Chinese: 民间道教; pinyin: Mínjiàn Dàojiào), Redhead Taoism or Redhat Taoism, constitute a large group of Chinese orders of ritual officers who operate within the Chinese folk religion but outside organised Taoism.[3] The "masters of rites", the fashi (法師), are also known as hongtou daoshi (紅頭道士), meaning "redhead" or "redhat" daoshi ("masters of the Tao"), contrasting with the wutou daoshi (烏頭道士), "blackhead" or "blackhat" priests, of Zhengyi Taoism who were historically ordained by the Celestial Master.[3]

Zhengyi Taoism and Faism are often grouped together under the category of "daoshi and fashi ritual traditions" (道法二門道壇). Although the two types of priests have the same roles in Chinese society—in that they can marry and they perform rituals for communities' temples or private homes—Zhengyi daoshi emphasize their Taoist tradition, distinguished from the more vernacular tradition of the fashi.[3][4]

Ritual masters can be practitioners of tongji possession, healing, exorcism and jiao rituals[5] (although historically they were excluded from performing the jiao liturgy[3]). The only ones that are shamans (wu) are the fashi of the Lushan school.[5]

The fashi[edit]

A folk Taoist ritual master in China.

The ritual masters (法師 fashi) are defined, in opposition to formally ordained Taoist priests, as:[6]

«Lay practitioners beyond formal organisations whose lineages are vocational rather than hereditary. They live in the communities or among the families they serve or travel through villages and towns of the country, performing exorcisms, establishing protection, and effecting cures among the populace.»

They are known by different names throughout China, other popular ones being "ritual officers" (faguan) as they at times call themselves,[7] or "redhead" Taoist priests (紅頭道士 hongtou daoshi). There are also localised names, such as "orthodox lords" (duangong), "altar masters" (zhangtanshi), or "earth masters" (tulaoshi) in Guizhou.[8]

They are also in competition with other orders who perform similar services: monks and tantric masters under the auspices of Buddhism, and tongji media.[6]

The difference between ritual masters and gods' media is that instead of being subject to territorial gods like the media, the ritual masters can marshal the powers of local gods.[7]


Taijitu symbols are used also in ritual masters' traditions.

Lushan school[edit]

The Lushan (Mount Lu) school (Chinese: 閭山派; pinyin: Lǘshān pài, also Chinese: 閭山教; pinyin: Lǘshān jiào or Chinese: 閭山法教; pinyin: Lǘshān fǎjiào), also known as Sannai school (pinyin: Sannai jiao; literally: "religion of the Three Ladies"), is present in Fujian, southern Zhejiang and Taiwan.[9] It is very active nowadays, and is related to the worship of the goddess Chen Jinggu or Lady Linshui, who is very popular in the same area.[9] It is also related to the cult of Wang Laomu, and competing with Maoshan Taoism.[9]

The tradition shows similarities with Yao and Zhuang ritual traditions, and has incorporated elements of Tantra, such as the use of mudra and vajra.[9] Lushan fashi perform rituals as the head of celestial troops while invoking the "Three Ladies" (sannai): Chen Jinggu and her two disciples, Lin Jiuniang and Li Sanniang. Although Lushan fashi are men, in performance they wear the ritual red skirt of Chen Jinggu and a crown or headdress with the words "Three Ladies" painted on it.[9] Lushan fashi also practice a shamanic voyage rite called "crossing the roads and the passes" (guo luguan).[9]

Pu'an school[edit]

The Pu'an school (Chinese: 普唵派; pinyin: Pǔǎn pài) is present in west-central Fujian and southern Jiangxi.[10] The historical figure of the monk Pu’an is worshipped by the practitioners as their "founding master" (zushi).[10] Their texts, rituals and iconography incorporate Tantric themes adapted in a Taoist style, and have elements of the Zhengyi and Lushan traditions.[10]

Xujia school[edit]

The Xujia school (Chinese: 徐甲派; pinyin: Xújiǎ pài) is another form of ritual masters.[2]

See also[edit]


  • Taiwan Folk Religion Society. Faism and Folk Religion 2009, 法教與民俗信仰學術研討會論文集 2009. 文津, Tai bei shi : Wen jin, 2011.09. ISBN 9789576689451
  • Yu-chi Tsao. On Ritual of Pu-An Fa-Jiao (普唵法教): The Case Study of Hexuan Taoist Altar in Tainan. Graduate Institute of Religious Studies, 2012.
  • John Lagerwey. China: A Religious State. Hong Kong, University of Hong Kong Press, 2010. ISBN 9888028049
  • John Lagerway. Popular Ritual Specialists in West Central Fujian. Shehui, minzu yu wenhua zhanyan guoji yantao hui lunwen ji. Taipei: Hanxue yanjiu zhongxin. 435–507. 2001
  • Edward L. Davis. Encyclopedia of Contemporary Chinese Culture. Routledge, 2005. ISBN 0415241294
  • The Lady Linshui: How a Woman Became a Goddess. In: R. Weller and M. Shahar (eds). Unruly Gods. Divinity and Society in China. Honolulu: University of Hawai’i. 1996
  • Lushan Puppet Theatre in Fujian. In: Daniel L. Overmyer (ed.). Ethnography in China Today: A Critical Assessment of Methods and Results. Taipei: Yuan-liou, 243–56. 2002
  • Julian F. Pas. Historical Dictionary of Taoism. Part of: Historical Dictionaries of Religions, Philosophies, and Movements Series. Scarecrow Press, 2014. ASIN: B00IZ9E7EI
  • Livia Kohn. Introducing Daoism. JBE Online Books, 2009.
  • Randall L. Nadeau. The Wiley-Blackwell Companion to Chinese Religions. John Wiley & Sons, 2012.
  • Dick van der Meij. India and Beyond. Routledge, 1997. ISBN 0710306024


  1. ^ Faism and Folk Religion 2009.
  2. ^ a b Yu-chi Tsao, 2012.
  3. ^ a b c d Pas, 2014. p. 259
  4. ^ Edward L. Davis. Encyclopedia of Contemporary Chinese Culture. ¶ Daoism (Zhengyi tradition)
  5. ^ a b Lagerway, 2010.
  6. ^ a b Kohn, 2009. p. 9
  7. ^ a b Nadeau, 2012. p. 140
  8. ^ Van der Meij, 1997. p. 478
  9. ^ a b c d e f Edward L. Davis. Encyclopedia of Contemporary Chinese Culture. ¶ Lüshan jiao (Sannai jiao)
  10. ^ a b c Edward L. Davis. Encyclopedia of Contemporary Chinese Culture. ¶ Pu’an jiao