Ismail Halit Kadare
|Born||28 January 1936|
Gjirokastër, Kingdom of Albania
|Occupation||Novelist, poet, essayist, screenwriter, playwright|
|Genre||Subjective realism, dystopia, satire, parable, myth, fable, folk-tale, allegory, and legend.|
|Notable works||The General of the Dead Army|
The Fall of the Stone City
|Notable awards||Prix mondial Cino Del Duca |
Man Booker International Prize
Prince of Asturias Award
Order of Legion of Honour
Park Kyong-ni Prize
Neustadt International Prize for Literature
|Spouse||Helena Kadare (née Gushi)|
|Children||2; including Ambassador Besiana Kadare|
Ismail Kadare (Albanian pronunciation: [ismaˈil kadaˈɾe]; spelled Ismaïl Kadaré in French; born 28 January 1936) is an Albanian novelist, poet, essayist, screenwriter, and playwright. He is a leading international literary figure and intellectual. He focused on poetry until the publication of his first novel, The General of the Dead Army, which made him famous internationally.
In 1992 Kadare was awarded the Prix mondial Cino Del Duca; in 1998, the Herder Prize; in 2005, the inaugural Man Booker International Prize; in 2009, the Prince of Asturias Award of Arts; and in 2015, the Jerusalem Prize. He was awarded the Park Kyong-ni Prize in 2019, and the Neustadt International Prize for Literature in 2020. In 1996, France made him a foreign associate of the Académie des Sciences Morales et Politiques of France, and in 2016, he was a Commandeur de la Légion d'Honneur recipient. He has been nominated for the Nobel Prize in Literature 15 times. Since the 1990s, Kadare has been asked by both major political parties in Albania to become a consensual President of Albania, but has declined.
His nominating juror for the Neustadt Prize wrote: "Kadare is the successor of Franz Kafka. No one since Kafka has delved into the infernal mechanism of totalitarian power and its impact on the human soul in as much hypnotic depth as Kadare." His writing has also been compared to that of Nikolai Gogol, George Orwell, Gabriel García Márquez, Milan Kundera, and Balzac. Living in Albania during a time of strict censorship, Kadare devised cunning stratagems to outwit Communist censors who had banned three of his books, using devices such as parable, myth, fable, folk-tale, allegory, and legend, sprinkled with double-entendre, allusion, insinuation, satire, and coded messages. In 1990, to escape the Communist regime and its Sigurimi secret police he defected to Paris. His works have been published in 45 languages. The New York Times wrote that he was a national figure in Albania comparable in popularity perhaps to Mark Twain in the United States, and that "there is hardly an Albanian household without a Kadare book."
Kadare is regarded by some as one of the greatest writers and intellectuals of the 20th and 21st centuries, and as a universal voice against totalitarianism. He is the husband of author Helena Kadare, and the father of United Nations Ambassador, and UN General Assembly Vice President, Besiana Kadare.
Early and personal life
Ismail Kadare was born in the Kingdom of Albania during the reign of King Zog I. He was born in Gjirokastër, an historic Ottoman Empire fortress mountain city of tall stone houses in southern Albania, a dozen miles from the border with Greece. He lived there on a crooked, narrow street known as "Lunatics' Lane."
His parents were Halit Kadare, a post office employee, and Hatixhe Dobi, a homemaker, who had married in 1933 when his mother was 17 years old. On his mother's side of the family, his great-grandfather was a Bejtexhi of the Bektashi Order, known as Hoxhë Dobi. He was born into a Muslim family; Kadare himself became an atheist.
Three years after Kadare was born, Italian Prime Minister Benito Mussolini's troops invaded Albania and ousted the Albanian King. Italian rule followed. Kadare was nine years old when Mussolini withdrew Italy’s troops, and the Communist dictatorship in Albania began.
Kadare attended primary and secondary schools in Gjirokastër. He then studied Languages and Literature at the Faculty of History and Philology of the University of Tirana. In 1956 Kadare received a teacher's diploma. He lived in Tirana, Albania, until he became a resident of France in 1990.
He is married to Albanian author Helena Kadare (née Gushi), and has two daughters. His daughter Besiana Kadare is the Albanian Ambassador to the United Nations, Albania's Ambassador to Cuba, and a Vice President of the United Nations General Assembly for its 75th session.
Early literary career
When Kadare was 11 years of age, he read William Shakespeare's play Macbeth. He recalled years later: "Because I did not yet understand that I could simply purchase it in a bookstore, I copied much of it by hand and took it home. My childhood imagination pushed me to feel like a co-author of the play."
He became entranced by literature. At age 12 Kadare wrote his first short stories, which were published in the Pionieri (Pioneer) journal in Tirana, a young Communist newspaper for children. In 1954 he published his first collection of poems, Boyish inspirations (Frymëzime djaloshare). In 1957 he wrote a poetry collection entitled Ëndërrimet (Dreams).
At 17 years of age, Kadare won a poetry contest in Tirana, and thereby earned authorization to travel to Moscow to study at the Maxim Gorky Literature Institute. He studied literature during the Khrushchev era, doing post-graduate work from 1958 to 1960. His training had as its goal for him to become a Communist writer and "engineer of human souls," to help the Communist Party construct the new Albania. In Moscow he met writers united under the banner of Socialist Realism--a style of highly idealized art approved by the Communist government characterized by the depiction of revolutionary Communist values, such as the emancipation of the proletariat, by adding to it elements that made it appear desirable and romantic. Kadare also had the opportunity to read contemporary Western literature that had been translated into Russian during the Khrushchev Thaw period, including works by Jean Paul Sartre, Albert Camus, and Ernest Hemingway. Kadare regarded Maxim Gorky's teachings as deadly to true literature. He rejected the canons of Socialist Realism, and committed himself internally to do the opposite of what Communist dogmatics taught. He also cultivated contempt for the party hacks and the nomenklatura, an attitude which, he writes, was the product of his youthful arrogance rather than of considered political opposition. He managed to get a collection of his poems published in Russian, and in 1959 also wrote his first novel, The City with no Signs, intentionally defying the rules of Socialist Realism. The City with no Signs is instead a powerful critique of socialist careerism, and hence of Albanian socialism.
Kadare returned home in October 1960 on Albanian orders, before Albania's breaking of political and economic ties with the USSR. He lived the next 30 years in Tirana; years later, his former apartment was made into a tourist attraction. He worked as a journalist, became editor-in-chief of the literary periodical Les Lettres Albanaises (Albanian Letters; published simultaneously in Albanian and French), and then contributed for five years to the literary review Drita and embarked on a literary career.
At that time Kadare had a reputation for poetry. In 1961 he published a volume of poetry entitled Shekulli im (My Century). The Albanian youth liked his works, and for them he had something new to say. His future wife Helena, then a schoolgirl, wrote a fan letter to the young writer, which eventually led to their marriage in 1963.
Kadare wrote one of his earliest pieces in the 1960s, a poem entitled "The Princess Argjiro." It takes as its theme the origins of his hometown, and transforms a centuries-old myth of a legendary Princess Argjiro who was said to have lived in the 15th century and jumped off Gjirokastër Castle along with her child so as to avoid being captured by the Ottomans. The poem was denounced and an official reader's report was commissioned, which maintained he had committed historical and ideological errors. Kadare was criticized implicitly for disregarding socialist literary principles.
He managed in 1962 to publish in a literary youth journal an excerpt from his first novel, camouflaged as a short story under the title "Coffeehouse Days". It was then banned immediately after publication, contributing to his reputation for decadence. Kadare was advised by his close friends not to tell anybody about the actual novel, so it stayed in his drawers for decades until the Communist regime fell in 1990.
In 1963, at 26 years of age Kadare published his novel titled The General of the Dead Army, about an Italian Army general and Italian priest who, 20 years after World War II, are sent to Albania to locate the remains of fallen Italian soldiers and return them to Italy for burial. The novel was criticized by official literary critics, and then ignored as if it did not exist. The reason was that Kadare had flouted the Socialist Realist style, and ignored the Albanian Communist Party. The novel was thus in stark contrast to those of other Albanian writers of the time, who glorified the Communist revolution. The novel inspired three films: Luciano Tovoli's 1983 The General of the Dead Army (Il generale dell'armata morta) in Italian starring Marcello Mastroianni and Michel Piccoli, Bertrand Tavernier’s 1989 Life and Nothing But (La Vie et rien d’autre) in French starring Philippe Noiret, and Dhimitër Anagnosti's 1989 The Return of the Dead Army (Kthimi i ushtrisë së vdekur) in Albanian starring Bujar Lako. Though it is his best-known novel, and Kadare views it as good literature, he does not view it as his best work.
In 1964 he wrote Përse mendohen këto male (What are these mountains thinking about?). His next short novel, The Monster (Përbindëshi), published in the literary magazine Nëntori in 1965, was labeled "decadent" and banned upon publication; it was Kadare's second ban.
By the mid-1960s, the cultural censorship thaw of the early part of the decade was over, and conditions changed dramatically. In 1967, Albania launched its own Cultural Revolution. Kadare was exiled for two years along with other Albanian writers to Berat in the countryside, to learn about life alongside the peasants and workers. Two Albanian dramatists were at the time also sentenced to eight years in prison each. Albanian writers and artists encountered indifference from the world outside Albania, which did not speak in their support.
International breakthrough (1970–80)
The General of the Dead Army was Kadare's first great success outside Albania. The French translation by Isuf Vrioni, published in 1970 in Paris by publisher Albin Michel, led to Kadare's international breakthrough. In the ironic novel, an Italian general and Italian Army priest return to Albania 20 years after World War II, to find and bring back to Italy for final burial there the bodies of Italian soldiers killed in the war. The French publishing house published the novel without Kadare's knowledge or permission, as it was free to, as Albania at the time was not a signatory to the Universal Copyright Convention and there was no copyright protection. Once the book appeared in France, it was translated into most European languages.
After the success of the novel in the West in 1970, the older generation of Albanian writers and dogmatic literary critics became extremely embittered against the "darling of the West": "This novel was published by the bourgeoisie and this cannot be accepted", said a report by the Albanian secret police. Kadare's enemies in the secret police and the old guard of the Albanian Politburo referred to him as an agent of the West, which was one of the most dangerous accusations that could be made in Albania.
In 1971 Kadare published the novel Chronicle in Stone, in which the narrator is a young Albanian boy whose old stone city hometown is caught up in World War II, and successively occupied by Greek, Italian, and German forces. The novel has been described as "magic realism." John Updike wrote in The New Yorker, that it was "a thoroughly enchanting novel — sophisticated and accomplished in its poetic prose and narrative deftness, yet drawing resonance from its roots in one of Europe's most primitive societies."
After Kadare offended the authorities with a political poem entitled "The Red Pasha" in 1975 that poked fun at the Albanian Communist bureaucracy, he was denounced, narrowly avoided being shot, and ultimately as a punishment was sent to do manual labor in a remote village deep in the central Albania countryside for a period of time; he was also barred from publishing for years. Kadare reacted, after his return to Tirana, by beginning to camouflage his works and publish his novels as "novellas".
In the 1970s, Kadare abandoned contemporary themes in his literature and escape to myths, legends, and the distant past, in order to create a nobler Albania, of the era of European humanism, as a challenge and counterweight to the official glorification of the Communist period as the most glorious period in the history of nation. He took historical themes from the Ottoman Empire in order to denounce Communist Albania with allusions.
In 1978 he published the novel The Three-Arched Bridge, a political parable set in 1377 in the Balkans, narrated by an Albanian monk. The New York Times called it "an utterly captivating yarn: strange, vivid, ominous, macabre and wise."
In 1980 Kadare published the novel Broken April, about the centuries-old tradition of hospitality, blood feuds, and revenge killing in the highlands of north Albania in the 1930s. The New York Times, reviewing it, wrote: "Broken April is written with masterly simplicity in a bardic style, as if the author is saying: Sit quietly and let me recite a terrible story about a blood feud and the inevitability of death by gunfire in my country. You know it must happen because that is the way life is lived in these mountains. Insults must be avenged; family honor must be upheld...." The novel was made into a 2001 Brazilian movie entitled Behind the Sun (Abril Despedaçado) by filmmaker Walter Salles, set in 1910 Brazil and starring Rodrigo Santoro, which was nominated for a BAFTA Award for Best Film Not in the English Language and a Golden Globe Award for Best Foreign Language Film.
The Great Terror (1981–90)
In 1981, Kadare published The Palace of Dreams, an anti-totalitarian fantasy novel written and published in the heart of a totalitarian country. In the novel, an authoritarian dystopia (the imaginary U.O.S.; the United Ottoman States) through an enormous bureaucratic entity (the Palace of Dreams) collects every dream in the empire, sorts it, files it, analyses it, and reports the most dangerous ones to the Sultan. Kadare had camouflaged an excerpt of the novel as a short story and published it, alongside some of his other new novels, in his 1980 collection of four novellas, Gjakftohtësia (Cold-bloodedness). Because of its seemingly historical nature, the excerpt went unnoticed by the censors. The following year, under the same title, Kadare managed to sneak the whole novel into the second edition of Emblema e dikurshme (Signs of the past); due to the fact that the story had already been green-lighted once, it managed to escape the attention of the censors once again.
However, once The Palace of Dreams was published, people started noticing how much the novel's setting resembled the inner city of Tirana and the totalitarian atmosphere in Albania. Accordingly, an emergency meeting of the Albanian Writers Union was called, Kadare was accused by the president of the Union of deliberately evading politics by cloaking much of his fiction in history and folklore, and The Palace of Dreams was expressly and severely condemned, in the presence of several members of the Albanian Politburo. Kadare was accused of attacking the government in a covert manner, and the novel was viewed by the authorities as an anticommunist work, a mockery of the political system, and an open opposition to Communist ideology. As a result, the work was banned—but not before 20,000 copies had been sold. The authorities were initially reluctant to imprison or purge Kadare, as he had become an internationally recognized literary figure and it would have caused an international backlash – which, given the country's rapid economic decline, the government wanted to avoid at all costs. Western press reacted to the condemnation of The Palace of Dreams, and protests mounted in the West in defense of the author. Of all his books, it is the one Kadare is most proud of having written.
Communist Albanian ruler and ruthless dictator Enver Hoxha presided over a Stalinist regime of forced collectivization and ruthless suppression from the end of World War II until 1985. He initiated a process of eliminating Kadare, but backed off due to Western reaction. There was, however, a nightly presence of thugs outside Kadare's apartment. Albanian historian and scholar Anton Logoreci described Kadare during this time as "a rare sturdy flower growing, inexplicably, in a largely barren patch."
In January 1985 Kadare's novel A Moonlit Night was published, only to be banned by the authorities. On 9 April 1985 Hoxha fell into a coma; the next night he died, aged 76. On the evening of the ailing dictator's death, members of the Union of Writers, the Albanian Politburo, and the Central Committee of the Communist Party hastily organized a meeting in order to condemn Kadare's latest novel Moonlit Night.
That same year Kadare wrote the novella Agamemnon's Daughter – a direct critique, set in the 1970s, of the oppressive regime in Albania. It was smuggled out of the country, with the help of Kadare's French editor Claude Durand.
In 1990 Kadare requested a meeting with Albanian President Ramiz Alia, at which he urged him to end human rights abuses, implement democratic and economic reforms, and end the isolation of Albania. Kadare was disappointed with Alia's slow reaction.
Political asylum in France (1990–present)
In October 1990, after he criticized the Albanian government, urged democratization of isolationist Albania—Europe's last Communist-ruled country (then totaling 3.3 million people), and faced the ire of its authorities and – the final straw – threats from the Albanian Sigurimi secret police, Kadare sought and received political asylum in France. He defected to Paris; since then he has lived primarily in Paris, and temporarily after a time in Tirana. He had decided to defect because he had become disillusioned with the Government of Ramiz Alia, legal opposition was not allowed in Albania, and he had become convinced "that more than any action I could take in Albania, my defection would help the democratization of my country." The New York Times wrote that he was a national figure in Albania comparable in popularity perhaps to Mark Twain in the United States, and that "there is hardly an Albanian household without a Kadare book, and even foreign visitors are presented with volumes of his verse as souvenirs."
The official Albanian press agency reacted by issuing a statement on "this ugly act," saying Kadare had placed himself "in the services of the enemies of Albania." Some intellectuals, at great personal risk, publicly supported Kadare, whom the authorities had declared a traitor. Poet Dritero Agolli who headed the Albanian Writers' Union said: "I continue to have great respect for his work." Due to his popularity, the authorities did not find enough support against him, and his books were not banned.
After receiving political asylum and settling in France, Kadare was able to write in complete freedom. His exile in Paris was fruitful and enabled him to succeed further, writing both in Albanian and in French.
His 1992 novel The Pyramid is a political allegory set in Egypt in the 26th century BC, focusing on intrigues behind the construction of the Great Pyramid of Cheops. In it, Kadare mocked any dictator's love for hierarchy and useless monuments. In some of Kadare's novels, comprising the so-called "Ottoman Cycle", the Ottoman Empire is used as the archetype of a totalitarian state. In 1993, the novel was awarded the Prix Méditerranée Étranger in France.
In 1994 he began to work on the first bilingual volume of his work with the French publishing house Fayard. The same year he wrote on command, in Paris, for the french editor Flammarion, the essay "La légende des légendes" (The legend of legends) that was immediatly translated to french and published in 1995.
Kadare's 1996 novel Spiritus marks a narrative and compositional turning point in his literary career. In it, two ghosts return to a post-Communist world. The influence of this novel is felt in all of Kadare's subsequent novels. It deals with a group of foreigners who are touring Eastern Europe after the fall of Communism and hear exciting rumours during their stay in Albania about the capture of the spirit from the dead. As it turns out, the spirit is in fact a listening device known to the notorious secret service as a "hornet".
In 1992, Kadare was awarded the Prix mondial Cino Del Duca international literary award in France. In 1996 he was made a lifetime member of the Academy of Moral and Political Sciences of France (Académie des Sciences Morales et Politiques), one of the five Academies that make up the Institut de France learned society, in the chair vacated by the recently deceased philosopher Karl Popper. In 1998 he was awarded the international Herder Prize in Austria. In 2003 he received the Ovid Prize international award in Romania, and the Presidential Gold Medal of the League of Prizren from the President of Kosovo.
In 2005 he received the inaugural Man Booker International Prize in the United Kingdom for the full body of his work. In his acceptance speech, Kadare said: "We propped each other up as we tried to write literature as if that regime did not exist. Now and again we pulled it off. At other times we didn't."
In 2015, Kadare was awarded the bi-annual Jerusalem Prize in Israel. Speaking of the relationship between Albania and the Jews, Kadare said: "I come from one of the few countries in the world which helped the Jews during World War II. I believe the number of Jews there grew from 200 at the start of the war to 2,000 by the end. The population always defended the Jews, whether during the kingdom, under Communism, or after it. He noted that during the Holocaust Albanians refused to hand Jews over to the Nazis, and many Albanians went to great lengths to protect Jewish refugees who had fled to Albania. He also noted that Albania and Israel share in common the experience of "fighting for survival" in a sometimes hostile neighborhood.
In 2016, Kadare became the first Albanian Commandeur de la Légion d'Honneur recipient, with the award being given to him by French President François Hollande. That year he was also awarded the Albanian National Flag Decoration, Albania's highest decoration, by Albanian President Bujar Nishani. He won the 2018 International Nonino Prize in Italy.
That year Kadare was also named Grand Officer (Grand officier) of the Legion of Honor by a special decree of French Prime Minister Emmanuel Macron, and thus was ranked among the 250 world-renowned personalities honored by France. The Legion of Honor is the highest state title awarded by France.
Kadare was nominated for the 2020 Neustadt International Prize for Literature (described as the "American Nobel") in the United States by Bulgarian writer Kapka Kassobova. He was selected as the 2020 laureate by the Prize's jury. He won the 2020 Neustadt International Prize for Literature. In his acceptance speech, he observed: "There is no room for literature in the Marxist vision of the future world." His nominating juror wrote: "Kadare is the successor of Franz Kafka. No one since Kafka has delved into the infernal mechanism of totalitarian power and its impact on the human soul in as much hypnotic depth as Kadare."
He also won the 2020 Prozart Award, given by the International Literature Festival "PRO-ZA Balkan," for his contributions to the development of the literature in Balkans.
Kadare has received the President of the Republic of Albania "Honor of the Nation" Decoration, and the French state order “Cross of the Legion of Honor”. He is also a member of the Academy of Albania, the Berlin Academy of Arts, and the Mallarmé Academy, and was awarded honorary doctorates in 1992 from the University of Grenoble III in France, in 2003 from the University of Pristina in Kosovo, and in 2009 from the University of Palermo in Italy.
Kadare has been nominated for the Nobel Prize in Literature 15 times. He said the press has spoken about him being a potential Nobel Prize winner so much, that "many people think that I’ve already won it".
Kadare is considered to be one of the greatest living writers. The London newspaper The Independent said of Kadare: "He has been compared to Gogol, Kafka and Orwell. But Kadare's is an original voice, universal but deeply rooted in his own soil". The New York Times said his fiction has been compared with that of Gabriel García Márquez, as well as Milan Kundera, and The Christian Science Monitor wrote he has also been compared with Dostoevsky and Isak Dinesen. Translator and biographer David Bellos wrote that "In some ways, he’s like Balzac." Critic Richard Eder called him "a supreme fictional interpreter of the psychology and physiognomy of oppression."
Kadare's literary works were conceived in the bedrock of tiny Albanian literature, almost unknown before in Europe or the rest of the world. With Kadare it became known, read, and appreciated. For the first time in its history, through Kadare, Albanian literature has been integrated into wider European and world literature.
Kadare's oeuvre is a literature of resistance. He managed to write normal literature in an abnormal country – a Communist dictatorship. He had to struggle to get his literary works published, going against state policy. At times even putting his life at risk. Dissent was not allowed in Albania. Kadare noted: "That was not possible. You risked being shot. Not condemned, but shot for a word against the regime. A single word."
Kadare devised numerous subtle strategies and cunning stratagems in order to outwit Communist censors. He used old devices such as parable, myth, fable, folk-tale, allegory, and legend, and sprinkled them with double-entendre, allusion, insinuation, satire, and coded messages.
His oeuvre in general has been in theoretical and practical opposition to the mandatory Socialist Realism required by the State. Kadare challenged Socialist Realism for three decades and opposed it with his subjective realism, avoiding state censorship by using allegorical, symbolic, historical and mythological means.
The conditions in which Kadare lived and published his works were not comparable to other European Communist countries where at least some level of public dissent was tolerated. Rather, the situation in Albania was comparable to North Korea or to the Soviet Union in the 1930s under Stalin. Despite this, Kadare used any opportunity to attack the regime in his works, by means of political allegories, which were picked up by educated Albanian readers. Henri Amouroux, a member of the Académie des Sciences Morales et Politiques of France, pointed out that Soviet dissidents including Solzhenitsyn published their works during the era of de-Stalinization, whereas Kadare lived and published his works in a country which remained Stalinist until 1990.
By 2020 most of his approximately 80 novels, plays, screenplays, poetry, essays, and story collections had been translated into different languages. His works have been published in 45 languages.
Among his best-known books are The General of the Dead Army (1963), The Siege (1970), The Ghost Rider (1980), Broken April (1980; blood feuds in the highlands of north Albania), The Palace of Dreams (1981), The Pyramid (1992), and The Successor (2003; regarding the mysterious death of Hoxha’s handpicked successor, Mehmet Shehu).
The following Kadare novels have been translated into English:
- The General of the Dead Army (Albanian: Gjenerali i ushtrisë së vdekur)
- The Siege (Albanian: Kështjella)
- Chronicle in Stone (Albanian: Kronikë në gur)
- Broken April (Albanian: Prilli i thyer)
- The Three-Arched Bridge (Albanian: Ura me tri harqe)
- The Palace of Dreams (Albanian: Pallati i ëndrrave)
- The Concert (Albanian: Koncert në fund të dimrit)
- The File on H (Albanian: Dosja H: roman)
- The Pyramid (Albanian: Piramida)
- Elegy for Kosovo (Albanian: Tri këngë zie për Kosovën)
- Spring Flowers, Spring Frost (Albanian: Lulet e ftohta të marsit)
- The Successor (Albanian: Pasardhësi)
- Agamemnon's Daughter (Albanian: Vajza e Agamemnonit)
- The Blinding Order (Albanian: Qorrfermani)
- The Fall of the Stone City (Albanian: Darka e Gabuar)
- The Accident (Albanian: Aksidenti)
- The Ghost Rider (Albanian: Kush e solli Doruntinën?)
- Twilight of the Eastern Gods (Albanian: Muzgu i perëndive të stepës)
- A Girl in Exile (Albanian: E penguara)
- The Traitor's Niche (Albanian: Kamarja e turpit)
- Essays on World Literature: Aeschylus • Dante • Shakespeare (Albanian: Tri sprova mbi letërsinë botërore)
- Stormy Weather on Mount Olympus (Albanian: Stinë e mërzitshme në Olimp)
- The Doll: A Portrait of My Mother (Albanian: Kukulla)
Works published in Albanian
The complete works (other than the essays, poetry, and short stories) of Ismail Kadare were published by Fayard, simultaneously in French and Albanian, between 1993 and 2004. Kadare's original Albanian language works have been published exclusively by Onufri Publishing House since 1996, as single works or entire sets. Published in 2009, the set of complete works constituted 20 volumes.
The dates of publication given here are those of the first publication in Albanian, unless stated otherwise.
Novels and novellas
- "Literature led me to freedom, not the other way round."
- "It was only a phrase that went from mouth to mouth and was never quite swallowed."
- "The days were heavy and sticky. All identical, one the same as the other. Soon they would even get rid of their one remaining distinction, the shell of their names: Monday, Tuesday, Thursday."
- Apolloni 2012, p. 25
- Llazar Semeni (5 October 2020). "Albania's writer Ismail Kadare awarded Neustadt Prize". AP News.
- "Ismaíl Kadaré – Laureates – Princess of Asturias Awards for Literature 2009". The Princess of Asturias Foundation.
- "Ismaíl Kadare, Prince of Asturias Award Laureate for Literature". Fundacion Princessa de Asturias. 24 June 2009. Retrieved 12 March 2017.
- Jose Carlos Rodrigo Breto (2018). Ismail Kadare: La grand estratagema (in Spanish). Barcelona: Ediciones del Subsuelo. pp. 317–318. ISBN 978-84-947802-0-2.
Y que este libro sea el principio de toda una serie de ensayos que pueda cosntruir para abundar y ahondar en la obra del escritor que considero como más importante del Siglo XXI, y uno de los más importantes de la segunda mitad del Siglo XX.
- Nilanjana Roy (17 January 2020). "The Doll by Ismail Kadare — a mesmerising autobiographical novel; The Albanian novelist weaves the life of his mother with his country's tumultuous past". The Financial Times.
- Evans, Julian (16 September 2005). "Living with ghosts". The Guardian.
- Ismail Kadare. Chronicle in Stone; A Novel, Arcade, ISBN 9781611450392.
- Kadare, Ismail (2020). The Doll: A Portrait of My Mother. Catapult. ISBN 978-1-64009-423-9 – via Google Books.
- Lozano, Laurent (11 February 2015). "Albanian author wins Israeli award, unruffled by Nobel; Ismail Kadare wins Jerusalem Prize, talks of country's efforts to save Jews during Holocaust". The Times of Israel.
- Ismail Kadare (10 October 2011). "Ismail Kadare Reflects on Gjirokastër, Albania". Newsweek.
- Zerofsky, Elisabeth (17 November 2020). "Ismail Kadare Attributes His Writer's Gift to His Mother". The New York Times.
- Boyd Tonkin (27 January 2020). "A house divided; The Doll by Ismail Kadare reviewed". The Spectator.
- Peter Carty (25 August 2012). "The Fall of the Stone City, by Ismail Kadare (trs John Hodgson); Truly, the dinner party from hell". The Independent.
- Peter R. Prifti. "Ismail Kadare, Albanian writer", Britannica. Retrieved 24 January 2018.
- Novruz Shehu (11 August 2006). "Gjenealogji krijuese hoxhë Dobi, stërgjyshi poet i Kadaresë: duke gërmuar në rrënjët e shpirtit letrar të shkrimtarit të njohur". Biblioteka Kombëtare e Shqipërisë. p. 42. Retrieved 29 October 2019.
- John Sutherland (19 March 2016). "A Girl in Exile by Ismail Kadare". The Times.
- John Murray (25 January 1998). "Books: The orphan's voice; He's been nominated for the Nobel Prize 15 times, was awarded the Legion d'honneur last year and his output is colossal. So why isn't the Albanian novelist and poet Ismail Kadare better known?". The Independent.
- Thomson, Ian (15 January 2006). "Observer review: The Successor by Ismail Kadare; Ismail Kadare has turned the decline and fall of Albania's bloodthirsty dictator into a superb thriller, The Successor, says Ian Thomson". The Guardian.
- Barry Davis (6 February 2015). "Book Review: Albanian freestyle; After three of his novels were banned by the Albanian dictatorship, Ismail Kadare began to express himself through mythology and history". The Jerusalem Post.
- "Ismail Kadare împlinește 85 de ani". Asociația Liga Albanezilor din România. 28 January 2021.
- "Life and tomes of a man for all seasons," South China Morning Post, 24 July 2005.
- "Ismail Kadare – Winner of the 2020 Neustadt International Prize for Literature". Neustadt Prizes. 13 March 2020.
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"Romani Gjenerali i ushtrisë së vdekur i Ismail Kadaresë, i botuar në vitin 1963, u kritikua nga kritika zyrtare, mandej u hesht sikur të mos ekzistonte fare, për t’u shfaqur prapë në vitin 1967 si një version i ri i romanit, natyrisht me disa kompromise të vogla, të cilat prapë nuk e kënaqën kritikën zyrtare, por as nuk e dëmtuan dukshëm veprën; assesi romani nuk arriti të deformohej siç e donte doktrina socrealiste. Ndryshe nga Shuteriqi, Musaraj, Abdihoxha etj., që glorifikonin revolucionin dhe socializmin; ndryshe nga idealisti Petro Marko që udhëhiqej nga ideja e internacionales komuniste; ndryshe nga Dritëro Agolli që kritikonte lëshimet e sistemit, por jo sistemin, – Ismail Kadare me romanin e parë kishte injoruar stilin socrealist, kishte shmangur heroin pozitiv, kishte harruar qëllimisht rolin e Partisë në zhvillimet aktuale dhe kishte treguar se mund të shkruhej roman edhe pa e përmendur Partinë dhe pa pasur nevojë për mësimet e Gorkit, të cilat ai i kishte konceptuar si vdekjeprurëse për letërsinë e vërtetë. Ashtu si e kishte injoruar ai Partinë, edhe Partia do ta injoronte atë. Në shkrimet kritike që bëhen gjatë viteve ’60, Kadare herë “këshillohet” si duhet të shkruajë në të ardhmen, herë përmendet kalimthi, e më shpesh injorohet fare. Derisa shkrimtarët zyrtarë të Shqipërisë, ndiheshin komod me sistemin dhe shkruanin për diellin ideologjik që i ngroh të gjithë komunistët njësoj, Kadare nuk ia hiqte retë as shiun tokës shqiptare. Përballë zhvillimit industrial të vendit, përballë peizazheve urbane dhe motit të mirë që proklamonte Partia dhe letërsia e saj, në romanet e Kadaresë ishte një truall i vështirë dhe vazhdimisht bënte mot i keq.
- Morgan 2011, p. 89
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- Robert Elsie (1998). Jusuf Vrioni: Back to Tirana, 1943–1947; from Mondes effacés: souvenirs d'un Européen (Paris: JC Lattes 1998), pp. 101–120. Albanian History.
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- Sinani, Shaban (2011). Letërsia në totalitarizëm dhe "Dossier K". Naim Frashëri. p. 98.
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Kudo ku pati talente të fuqishme, të burgosur ose të paburgosur, në disa vende haptazi dhe me guxim, ndërsa në disa të tjera tërthorazi nëpërmjet simbolikës dhe alegorisë e kapërcyen atë. Ismail Kadareja nuk është ndonjë përjashtim. Vepra e tij që, në përgjithësi, ka qenë në kundërshtim teorik dhe praktik me realizmin socialist, është pjesë e asaj letërsie të madhe, që u krijua dhe u botua nën censurën e tij. Paradoksi i dytë që shoqëron kontekstin e leximit të saj, është se ajo është ngjizur në shtratin e një letërsie të vogël, thuajse, të panjohur më parë në Evropë dhe në kontinente të tjera.
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