Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileSir Arthur Charles Clarke CBE FRAS (16 December 1917 – 19 March 2008) was a British science fiction writer, science writer, futurist, inventor, undersea explorer, and television series host. He co-wrote the screenplay for the 1968 film 2001: A Space Odyssey, widely regarded as one of the most influential films of all time. Clarke was a science fiction writer, an avid populariser of space travel, and a futurist of a distinguished ability. He wrote many books and many essays for popular magazines. In 1961, he received the Kalinga Prize, a UNESCO award for popularising science. Clarke's science and science fiction writings earned him the moniker "Prophet of the Space Age". His science fiction writings in particular earned him a number of Hugo and Nebula awards, which along with a large readership, made him one of the towering figures of the genre. For many years Clarke, Robert Heinlein, and Isaac Asimov were known as the "Big Three" of science fiction. (Full article...)Selected workSeveral portions of the long-running British science-fiction television programme Doctor Who are no longer held by the BBC. Between 1967 and 1978, the BBC routinely deleted archive programmes for various practical reasons—lack of space, scarcity of materials, and a lack of rebroadcast rights. As a result, 97 of 253 episodes from the programme's first six years are currently missing, primarily from seasons 3, 4 and 5, leaving 26 serials incomplete. Many more were considered lost until recovered from various sources, mostly overseas broadcasters.
Doctor Who is not unique in its losses, as many broadcasters routinely cleared their archives in this manner. Until the BBC changed its archiving policy in 1978, thousands of hours of programming in all genres were deleted. Other affected BBC series include Hancock's Half Hour, Dad's Army, Z-Cars, The Likely Lads, The Wednesday Play, Till Death Us Do Part, Steptoe and Son, Dixon of Dock Green and Not Only... But Also. ITV regional franchisees, such as Rediffusion Television and Associated Television, also deleted many programmes, including early videotaped episodes of The Avengers. (Full article...) Selected quote
—Harold C. Deutsch (1904-1995), Introduction, What If? Strategic Alternatives of WWII (December 1997). Selected picture Illustration by Édouard Manet for a French translation by Stéphane Mallarmé of Edgar Allan Poe's "The Raven". Part 1 of 4 full page plates. Did you know...
Upcoming conventionsOctober:
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Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected article A zombie (Haitian French: zombi; Haitian Creole: zonbi; Kikongo: zumbi) is a mythological undead corporeal revenant created through the reanimation of a corpse. In modern popular culture, zombies are most commonly found in horror genre works. The term comes from Haitian folklore, in which a zombie is a dead body reanimated through various methods, most commonly magical practices in religions like Vodou. Modern media depictions of the reanimation of the dead often do not involve magic but rather science fictional methods such as fungi, radiation, gases, diseases, plants, bacteria, viruses, etc.
The English word "zombie" was first recorded in 1819 in a history of Brazil by the poet Robert Southey, in the form of "zombi". Dictionaries trace the word's origin to African languages, relating to words connected to gods, ghosts and souls. One of the first books to expose Western culture to the concept of the voodoo zombie was W. B. Seabrook's The Magic Island (1929), the account of a narrator who encounters voodoo cults in Haiti and their resurrected thralls. A new version of the zombie, distinct from that described in Haitian folklore, emerged in popular culture during the latter half of the 20th century. This interpretation of the zombie, as an undead person that attacks and eats the flesh of living people, is drawn largely from George A. Romero's film Night of the Living Dead (1968), which was partly inspired by Richard Matheson's novel I Am Legend (1954). The word zombie is not used in Night of the Living Dead, but was applied later by fans. Following the release of such zombie films as Dawn of the Dead (1978) and The Return of the Living Dead (1985)—the latter of which introduced the concept of zombies that eat brains—as well as Michael Jackson's music video Thriller (1983), the genre waned for some years. (Full article...)On this day...Television series
Possible futuresPossible events in the future as suggested by science fiction:
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