Samizdat (Russian: самиздат, lit. 'self-publishing') was a form of dissident activity across the socialist Eastern Bloc in which individuals reproduced censored and underground makeshift publications, often by hand, and passed the documents from reader to reader. The practice of manual reproduction was widespread, due to the fact that most typewriters and printing devices required official registration and permission to access. This grassroots practice to evade official Soviet censorship was fraught with danger, as harsh punishments were meted out to people caught possessing or copying censored materials.
Name origin and variations
Etymologically, the word samizdat derives from sam (сам, "self, by oneself") and izdat (издат, an abbreviation of издательство, izdatel'stvo, "publishing house"), and thus means "self-published". The Ukrainian language has a similar term: samvydav (самвидав), from sam, "self", and vydavnytstvo, "publishing house".
A Russian poet Nikolay Glazkov coined a version of the term as a pun in the 1940s when he typed copies of his poems and included the note Samsebyaizdat (Самсебяиздат, "Myself by Myself Publishers") on the front page.
Tamizdat refers to literature published abroad (там, tam, "there"), often from smuggled manuscripts.
The Polish term for this phenomenon coined around 1980 was 'drugi obieg', or the 'second circuit' of publishing.
All Soviet-produced typewriters and printing devices were officially registered, with their typographic samples collected right at the factory and stored in the government directory. Because every typewriter has micro features which are individual as much as human fingerprints, it allowed the KGB investigators to promptly identify the device which was used to type or print the text in question, and apprehend its user. However, certain East German and Eastern European-made Cyrillic typewriters, most notably the Erika, were purchased by Soviet citizens while traveling to nearby socialist countries, skipped the sample collection procedure and therefore presented more difficulty to trace. Western-produced typewriters, purchased abroad and somehow brought or smuggled into the Soviet Union, were used to type Cyrillic text via Latin characters. To prevent capture, regular bookbinding of ideologically-approved books have been used to conceal the forbidden texts within.
"Эрика" берёт четыре копии,
Вот и всё!
...А этого достаточно.
The "Erika" takes four copies,
That is all!
...But that is enough.
Samizdat copies of texts, such as Mikhail Bulgakov's novel The Master and Margarita or Václav Havel's essay The Power of the Powerless were passed around among trusted friends. The techniques used to reproduce these forbidden texts varied. Several copies might be made using carbon paper, either by hand or on a typewriter; at the other end of the scale, mainframe computer printers were used during night shifts to make multiple copies, and books were at times printed on semiprofessional printing presses in much larger quantities. Before glasnost, most of these methods were dangerous, because copy machines, printing presses, and even typewriters in offices were under control of the organization's First Department (part of the KGB); reference printouts from all of these machines were stored for subsequent identification purposes, should samizdat output be found.
Samizdat distinguishes itself not only by the ideas and debates that it helped spread to a wider audience but also by its physical form. The hand-typed, often blurry and wrinkled pages with numerous typographical errors and nondescript covers helped to separate and elevate Russian samizdat from Western literature. The physical form of samizdat arose from a simple lack of resources and the necessity to be inconspicuous. In time, dissidents in the USSR began to admire these qualities for their own sake, the ragged appearance of samizdat contrasting sharply with the smooth, well-produced appearance of texts passed by the censor's office for publication by the State. The form samizdat took gained precedence over the ideas it expressed, and became a potent symbol of the resourcefulness and rebellious spirit of the inhabitants of the Soviet Union. In effect, the physical form of samizdat itself elevated the reading of samizdat to a prized clandestine act.
Samizdat originated from the dissident movement of the Russian intelligentsia, and most samizdat directed itself to a readership of Russian elites. While circulation of samizdat was relatively low, at around 200,000 readers on average, many of these readers possessed positions of cultural power and authority. Furthermore, because of the presence of "dual consciousness" in the Soviet Union, the simultaneous censorship of information and necessity of absorbing information to know how to censor it, many government officials became readers of samizdat. Although the general public at times came into contact with samizdat, most of the public lacked access to the few expensive samizdat texts in circulation, and expressed discontent with the highly censored reading material made available by the state.
The purpose and methods of samizdat may contrast with the purpose of the concept of copyright.
Self-published and self-distributed literature has a long history in Russia. Samizdat is unique to the post-Stalin USSR and other countries with similar systems. Faced with the state's powers of censorship, society turned to underground literature for self-analysis and self-expression.
Samizdat books and editions
The first full-length book to be distributed as samizdat was Boris Pasternak's 1957 novel Doctor Zhivago. Although the literary magazine Novy Mir had published ten poems from the book in 1954, a year later the full text was judged unsuitable for publication and entered samizdat circulation.
Certain works, though published legally by the State-controlled media, were practically impossible to find in bookshops and libraries, and found their way into samizdat: for example Aleksandr Solzhenitsyn's novel One Day in the Life of Ivan Denisovich was widely distributed via samizdat.
At the outset of the Khrushchev Thaw in the mid-1950s USSR poetry became very popular. Writings of a wide variety of poets circulated among Soviet intelligentsia: known, prohibited, repressed writers as well as those young and unknown. A number of samizdat publications carried unofficial poetry, among them the Moscow magazine Sintaksis (1959–1960) by writer Alexander Ginzburg, Vladimir Osipov's Boomerang (1960), and Phoenix (1961), produced by Yuri Galanskov and Alexander Ginzburg. The editors of these magazines were regulars at impromptu public poetry readings between 1958 and 1961 on Mayakovsky Square in Moscow. The gatherings did not last long, for soon the authorities began clamping down on them. In the summer of 1961, several meeting regulars were arrested and charged with "anti-Soviet agitation and propaganda" (Article 70 of the RSFSR Penal Code), putting an end to most of the magazines.
Not everything published in samizdat had political overtones. In 1963, Joseph Brodsky was charged with "social parasitism" and convicted for being nothing but a poet. His poems circulated in samizdat, with only four judged as suitable for official Soviet anthologies. In the mid-1960s an unofficial literary group known as SMOG (a word meaning variously one was able, I did it, etc.; as an acronym the name also bore a range of interpretations) issued an almanac titled The Sphinxes (Sfinksy) and collections of prose and poetry. Some of their writings were close to the Russian avant-garde of the 1910s and 1920s.
The 1965 show trial of writers Yuli Daniel and Andrei Sinyavsky, charged with anti-Soviet agitation and propaganda, and the subsequent increased repression, marked the demise of the Thaw and the beginning of harsher times for samizdat authors. The trial was carefully documented in a samizdat collection called The White Book (1966), compiled by Yuri Galanskov and Alexander Ginzburg. Both writers were among those later arrested and sentenced to prison in what was known as Trial of the Four. In the following years some samizdat content became more politicized, and played an important role in the dissident movement in the Soviet Union.
The earliest samizdat periodicals were short-lived and mainly literary in focus: Sintaksis (1959–1960), Boomerang (1960), and Phoenix (1961). From 1964 to 1970, communist historian Roy Medvedev regularly published The Political Journal (Политический дневник, or political diary), which contained analytical materials that later appeared in the West.
The longest-running and best-known samizdat periodical was A Chronicle of Current Events (Хроника текущих событий). It was dedicated to defending human rights by providing accurate information about events in the USSR. Over 15 years, from April 1968 to December 1982, 65 issues were published, all but two appearing in English translation. The anonymous editors encouraged the readers to utilize the same distribution channels in order to send feedback and local information to be published in subsequent issues.
The Chronicle was distinguished by its dry, concise style and punctilious correction of even the smallest error. Its regular rubrics were "Arrests, Searches, Interrogations", "Extra-judicial Persecution", "In Prisons and Camps", "Samizdat update", "News in brief", and "Persecution of Religion". Over time, sections were added on the "Persecution of the Crimean Tatars", "Persecution and Harassment in Ukraine", "Lithuanian Events", and so on.
The Chronicle editors maintained that, according to the 1936 Soviet Constitution, then in force, their publication was not illegal. The authorities did not accept the argument. Many people were harassed, arrested, imprisoned, or forced to leave the country for their involvement in the Chronicle's production and distribution. The periodical's typist and first editor Natalya Gorbanevskaya was arrested and put in a psychiatric hospital for taking part in the August 1968 Red Square protest against the invasion of Czechoslovakia. In 1974, two of the periodical's close associates (Pyotr Yakir and Victor Krasin) were persuaded to denounce their fellow editors and the Chronicle on Soviet television. This put an end to the periodical's activities, until Sergei Kovalev, Tatyana Khodorovich and Tatyana Velikanova openly announced their readiness to resume publication. After being arrested and imprisoned, they were replaced, in turn, by others.
Another notable and long-running (about 20 issues in the period of 1972–1980) publication was the refusenik political and literary magazine "Евреи в СССР" (Yevrei v SSSR, Jews in the USSR), founded and edited by Alexander Voronel and, after his imprisonment, by Mark Azbel and Alexander Luntz.
The late 1980s, which were marked by an increase in informal organizations, saw a renewed wave of samizdat periodicals in the Soviet Union. Publications that were active during that time included Glasnost (edited by Sergei Grigoryants), Ekspress-khronika (Express-Chronicle, edited by Alexander Podrabinek), Svobodnoye slovo ("Free word", by the Democratic Union formed in May 1988), Levyi povorot ("Left turn", edited by Boris Kagarlitsky), Otkrytaya zona ("Open zone") of Club Perestroika, Merkurii ("Mercury", edited by Elena Zelinskaya) and Khronograph ("Chronograph", put out by a number of Moscow activists).
Not all samizdat trends were liberal or clearly opposed to the Soviet regime and the literary establishment. "The Russian Party... was a very strange element of the political landscape of Leonid Brezhnev's era—feeling themselves practically dissidents, members of the Russian Party with rare exceptions took quite prestigious official positions in the world of writers or journalists," wrote Oleg Kashin in 2009.
Samizdat covered a large range of topics, mainly including literature and works focused on religion, nationality, and politics. The state censored a variety of materials such as detective novels, adventure stories, and science fiction in addition to dissident texts, resulting in the underground publication of samizdat covering a wide range of topics. Though most samizdat authors directed their works towards the intelligentsia, samizdat included lowbrow genres in addition to scholarly works.
Hyung-Min Joo carried out a detailed analysis of an archive of samizdat (Архив Самиздата, Arkhiv Samizdata by Radio Liberty, sponsored by the US Congress and launched in the 1960s, and reported that of its 6,607 items, 1% were literary, 17% nationalist, 20% religious, and 62% political, noting that as a rule, literary works were not collected there, so their 1% (only 73 texts) are not representative of their real share of circulation.
In its early years, samizdat defined itself as a primarily literary phenomenon that included the distribution of poetry, classic unpublished Russian literature, and famous 20th century foreign literature. Literature played a key role in the existence of the samizdat phenomenon. For instance, the USSR's refusal to publish Boris Pasternak's epic novel, Doctor Zhivago, due to its focus on individual characters rather than the welfare of the state, led to the novel's subsequent underground publication. The fact that Doctor Zhivago contained no overt messages of dissidence highlighted the clumsiness of the state's censorship process, which caused a shift of readership away from state-published material. Likewise, the circulation of Alexander Solzhenitsyn's famous work about the gulag system, The Gulag Archipelago, promoted a samizdat revival during the mid-1970s. However, because samizdat by definition placed itself in opposition to the state, samizdat works became increasingly focused on the state's violation of human rights, before shifting towards politics.
The majority of samizdat texts were politically focused. Most of the political texts were personal statements, appeals, protests, or information on arrests and trials. Other political samizdat included analyses of various crises within the USSR, and suggested alternatives to the government's handling of events.
No unified political thought existed within samizdat; rather, authors debated from a variety of perspectives. Samizdat written from socialist, democratic and Slavophile perspectives dominated the debates. Socialist authors compared the current state of the government to the Marxist ideals of socialism, and appealed to the state to fulfil its promises. Socialist samizdat writers hoped to give a "human face" to socialism by expressing dissatisfaction with the system of censorship. Many socialists put faith in the potential for reform in the Soviet Union, especially because of the political liberalization which occurred under Dubček in Czechoslovakia. However, the Soviet Union invasion of a liberalizing Czechoslovakia, in the events of "Prague Spring", crushed hopes for reform and stymied the power of the socialist viewpoint. Because the state proved itself unwilling to reform, samizdat began to focus on alternative political systems.
Within samizdat, several works focused on the possibility of a democratic political system. Democratic samizdat possessed a revolutionary nature because of its claim that a fundamental shift in political structure was necessary to reform the state, unlike socialists, who hoped to work within the same basic political framework to achieve change. Despite the revolutionary nature of the democratic samizdat authors, most democrats advocated moderate strategies for change. Most democrats believed in an evolutionary approach to achieving democracy in the USSR, and they focused on advancing their cause along open, public routes, rather than underground routes.
In opposition to both democratic and socialist samizdat, Slavophile samizdat grouped democracy and socialism together as Western ideals that were unsuited to the Eastern European mentality. Slavophile samizdat brought a nationalistic Russian perspective to the political debate, and espoused the importance of cultural diversity and the uniqueness of Slavic cultures. Samizdat written from the Slavophile perspective attempted to unite the USSR under a vision of a shared glorious history of Russian autocracy and Orthodoxy. Consequently, the fact that the USSR encompassed a diverse range of nationalities and lacked a singular Russian history hindered the Slavophile movement. By espousing frequently racist and anti-Semitic views of Russian superiority, through either purity of blood or the strength of Russian Orthodoxy, the Slavophile movement in samizdat alienated readers and created divisions within the opposition.
Predominantly Orthodox, Baptist, Pentecostalist, Catholic, and Adventist groups authored religious samizdat texts. Though a diversity of religious samizdat circulated, including three Buddhist texts, no known Islamic samizdat texts exist. The lack of Islamic samizdat appears incongruous with the large percentage of Muslims who resided in the USSR.
Jewish samizdat importantly advocated for the end of repression of Jews in the USSR and expressed a desire for exodus, the ability to leave Russia for an Israeli homeland. Jewish samizdat encouraged Zionism. The exodus movement also broached broader topics of human rights and freedoms of Soviet citizens. However, a divide existed within Jewish samizdat between authors who advocated exodus, and those who argued that Jews should remain in the USSR to fight for their rights.
Ukrainian samizdat opposed the assumed superiority of Russian culture over the Ukrainian and condemned the forced assimilation of Ukrainians to the Russian language.
In addition to samizdat focused on Jewish, Ukrainian, and Crimean Tartar concerns, authors also advocated the causes of a great many other nationalities.
Ribs, "music on the ribs", "bone records", or roentgenizdat (roentgen- from the Russian term for X-ray, named for Wilhelm Röntgen) were homemade phonograph records, copied from forbidden recordings that were smuggled into the country. Their content was Western rock and roll, jazz, mambo, and other music, and music by banned emigres. They were sold and traded on the black market.
Each disc is a thin, flexible plastic sheet recorded with a spiral groove on one side, playable on a normal phonograph turntable at 78 RPM. They were made from an inexpensive, available material: used X-ray film. Each large rectangular sheet was trimmed into a circle and individually recorded using an improvised recording lathe. The discs and their limited sound quality resemble the mass-produced flexi disc, and may have been inspired by it.
Magnitizdat (magnit- from magnitofon, the Russian word for tape recorder) is the distribution of sound recordings on audio tape, often of bards, Western artists, and underground music groups. Magnitizdat replaced roentgenizdat, as it was cheaper and more efficient method of reproduction that resulted in higher quality copies.
After Bell Labs changed its UNIX licence in 1979 to make dissemination of the source code illegal, the 1976 Lions book which contained the source code had to be withdrawn, but illegal copies of it circulated for years.
The act of copying the Lions book was often referred to as samizdat. In hacker and computer jargon, the term samizdat was used for the dissemination of needed and hard to obtain documents or information.
Notable samizdat periodicals
- Bulletin "V"
- Chronicle of Current Events
- Chronicle of the Catholic Church in Lithuania
- Eastern Bloc media and propaganda
- Human rights in the Soviet Union
- Political repression in the Soviet Union
- USSR anti-religious campaign (1970s–1987)
- Library Genesis, free file-sharing website for articles and books, 21st century Russia
- Balan 1993.
- Komaromi 2004, p. 598.
- Kind-Kovács & Labov 2013, p. 19 fn. 1. sfn error: multiple targets (2×): CITEREFKind-KovácsLabov2013 (help)
- Etkind 1992, p. 597.
- Komaromi 2004, pp. 608–609.
- Komaromi 2004, p. 609.
- Komaromi 2004, p. 605.
- Stelmakh 2001, p. 147.
- Meerson-Aksenov & Shragin 1977, p. 22.
- Stelmakh 2001, p. 149.
- Feldbrugge 1975, p. 23: "Another legal aspect of samizdat literature is the copyright problem. [...] It grew into an important issue when the Soviet government, in an apparent attempt to impede the publication of samizdat materials abroad, joined the Geneva Convention in 1973. [...] Well-known Soviet authors, such as Solzhenitsyn, whose works regularly appear in samizdat in the Soviet Union have never claimed that their copyright was infringed by the samizdat procedure."
- Alexeyeva 1987, p. 12.
- Crump 2013, p. 105.
- November 1962 issue of the Novy Mir literary magazine
- Crump 2013, p. 107.
- A Chronicle of Current Events, 1968–1982 (in Russian) Archive at memo.ru.
- A Chronicle of Current Events 1968–1983 (in English). All 1968 and 1969 issues may be found in Reddaway 1972
- Urban, Igrunov & Mitrokhin 1997, p. 87.
- Kashin 2009.
- Joo 2004, p. 572.
- Komaromi 2004, p. 606.
- Stelmakh 2001, p. 148.
- Meerson-Aksenov & Shragin 1977, p. 27.
- Joo 2004, p. 575.
- Meerson-Aksenov & Shragin 1977, p. 30.
- Joo 2004, p. 574.
- Joo 2004, p. 576.
- Meerson-Aksenov & Shragin 1977, p. 47.
- Joo 2004, p. 587.
- Joo 2004, p. 587–588.
- Joo 2004, p. 588.
- Meerson-Aksenov, "The Jewish Question in the USSR – The Movement for Exodus," 385–86.
- Joo 2004, p. 573–574.
- NPR 2016.
- Yurchak 2006, p. 182.
- Yurchak 2006, p. 185.
- Yurchak 2006, p. 192.
- Raymond 1996; Jargon File 2004: "Note that samizdat is properly used only with respect to documents which contain needed information (see also hacker ethic) but which are for some reason otherwise unavailable, but not in the context of documents which are available through normal channels, for which unauthorized duplication would be unethical copyright violation."
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- Feldbrugge, F. J. M. (1975). Samizdat and Political Dissent in the Soviet Union. Leyden: A.W. Sijthoff. ISBN 978-90-286-0175-8.
- Alexeyeva, Ludmilla (1987). Soviet Dissent: Contemporary Movements for National, Religious, and Human Rights. Carol Pearce, John Glad (trans.). Middletown, Conn.: Wesleyan University Press. ISBN 978-0-8195-6176-3.
- Crump, Thomas (2013). Brezhnev and the Decline of the Soviet Union. Routledge Studies in the History of Russia and Eastern Europe. Routledge. ISBN 978-1-134-66922-6.
- Urban, Michael E.; Igrunov, V.; Mitrokhin, S. S. (1997). The Rebirth of Politics in Russia. Cambridge; New York: Cambridge University Press. p. 87. ISBN 978-0-521-56248-5.
- Reddaway, Peter (1972). Uncensored Russia – protest and dissent in the Soviet Union. The unofficial Moscow journal, A Chronicle of Current Events. New York: American Heritage Press. ISBN 978-0070513549.
- Кашин, Олег (June 2009). ""Настоящий диссидент, только русский". Вспоминает ветеран многоподъездной системы" [A true dissident, only a Russian one. A veteran of the multi-podyezd system remembers]. «Русская жизнь».
- Meerson-Aksenov, Mikhail Georgievich; Shragin, Boris Iosifovich (1977). The Political, social, and religious thought of Russian samizdat: an anthology. Belmont, MA: Nordland Pub. Co. ISBN 978-0-913124-13-0.
- Komaromi, Ann (2004). "The Material Existence of Soviet Samizdat". Slavic Review. 63 (3): 597–618. doi:10.2307/1520346. JSTOR 1520346.
- Joo, Hyung-min (June 2004). "Voices of freedom: samizdat". Europe-Asia Studies. 56 (4): 571–594. doi:10.1080/0966813042000220476. JSTOR 4147387.
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- Samizdat 1 – La voix de l'opposition communiste en U.R.S.S. [Samizdat 1 – The voice of the communist opposition in the USSR] (in French). Paris: Seuil. 1969. ASIN B00R4QXXSO.
- Samizdat: cronaca di una vita nuova nell'Urss [Samizdat: chronicle of new life in the USSR] (in Italian) (2 ed.). Milan: La Casa di Matriona. 1977 .
- "The press: samizdat West". Time. 105 (15). 14 April 1975.
- Woman and Russia: first feminist samizdat. Sheba Feminist Publishers. 1982. ISBN 978-0907179023.
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- Bowlt, John (1986). Russian samizdat art: essays. Willis Locker & Owens Pub. ISBN 978-0930279042.
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- Joo, Hyung-min (June 2004). "Voices of freedom: samizdat". Europe-Asia Studies. 56 (4): 571–594. doi:10.1080/0966813042000220476. JSTOR 4147387.
- Kiebuzinskia, Ksenya (2012). "Samizdat and dissident archives: trends in their acquisition, preservation, and access in North American repositories". Slavic and East European Information Resources. 13 (1): 3–25. doi:10.1080/15228886.2012.653661.
- Kind-kovacs, Friederike; Labov, Jessie (2012). Samizdat, tamizdat, and beyond: transnational media during and after socialism. Berghahn Books. ISBN 978-0857455857.
- Komaromi, Ann (Autumn 2004). "The material existence of Soviet samizdat". Slavic Review. 63 (3): 597–618. doi:10.2307/1520346. JSTOR 1520346.
- Komaromi, Ann (Winter 2007). "The unofficial field of late Soviet culture". Slavic Review. 66 (4): 605–629. doi:10.2307/20060375. JSTOR 20060375.
- Komaromi, Ann (Spring 2012). "Samizdat and Soviet dissident publics". Slavic Review. 71 (1): 70–90. doi:10.5612/slavicreview.71.1.0070. JSTOR 10.5612/slavicreview.71.1.0070.
- Komaromi, Ann (2015). "Literary samizdat and samizdat publics". Enthymema. 0 (12): 8–26. doi:10.13130/2037-2426/4942.
- Komaromi, Ann (2015). Uncensored: samizdat novels and the quest for autonomy in Soviet dissidence. Evanston, IL: Northwestern University Press. ISBN 978-0810131866.
- Kornilow, Jewgienij (1991). "Samisdat und alternative Presse in der Sowjetunion" [Samizdat and alternative press in the Soviet Union]. Publizistik. Vierteljahreshefte für Kommunikationsforschung (in German). 36 (1): 77–85.
- Küpper, Stephen (September 1998). "Präprintium. A Berlin exhibition of Moscow samizdat books". Other Voices. 1 (2).
- Kuzio, Taras (1989). Dissent in Ukraine under Gorbachev: a collection of samizdat documents. Ukrainian Press Agency.
- Loeber, Dietrich (September 1973). "Samizdat under Soviet law. On the legal status of Russia's unofficial and unpublished writings". Index on Censorship. 2 (3): 3–26. doi:10.1080/03064227308532240.
- Lorraine, Bernard (1974). Samizdat. E. Losfeld.
- Maryniak, Irena (January 1989). "Samizdat today – a review". Religion in Communist Lands. 17 (2): 112–126. doi:10.1080/09637498908431416.
- Meerson-Aksenov, Michail; Shragin, Boris, eds. (1977). The political, social, and religious thought of Russian "samizdat" – an anthology. Belmont, MA: Nordland Publishing Company. ISBN 978-0913124130.
- Motly, Alexander (March 1978). "USSR's alternative press". Index on Censorship. 7 (2): 22–28. doi:10.1080/03064227808532755.
- Nivat, Georges; Kravetz, Marc (1977). URSS: gli scrittori del dissenso: Bukowsky, Calamov, Daniel, Guinzburg, Pliusc, Solgeniztin [USSR: writers of dissent: Bukovsky, Shalamov, Daniel, Ginzburg, Plyushch, Solzhenitsyn] (in Italian). Venezia: La Biennale di Venezia. OCLC 797904993.
- Oushakine, Serguei (Spring 2001). "The terrifying mimicry of Samizdat". Public Culture. 13 (2): 191–214. doi:10.1215/08992363-13-2-191.
- Pospielovsky, Dimitry (January 1978). "The Jewish question in Russian Samizdat". Soviet Jewish Affairs. 8 (2): 3–23. doi:10.1080/13501677808577285.
- Pospielovsky, Dimitry (March 1978). "From Gosizdat to Samizdat and Tamizdat". Canadian Slavonic Papers. 20 (1): 44–62. doi:10.1080/00085006.1978.11091512. JSTOR 40867266.
- Reddaway, Peter (1972). Uncensored Russia – protest and dissent in the Soviet Union. The unofficial Moscow journal, A Chronicle of Current Events. New York: American Heritage Press. ISBN 978-0070513549.
- Ronza, R (1970). Samizdat: dissenso e contestazione nell'Unione Sovietica [Samizdat: dissent and protest in the Soviet Union] (in Italian). Milan: IPL. ISBN 978-8878362031.
- Saunders, George (1974). Samizdat: voices of the Soviet opposition. Pathfinder Press. ISBN 978-0873489140.
- Scammell, Michael (1971). Russia's other writers: selections from Samizdat literature. Praeger. ASIN B001169FR6.
- Scanlan, James (2015) . "From samizdat to perestroika: the Soviet marxist critique of Soviet society". In Taras, Raymond (ed.). The road to disillusion: from critical marxism to post-communism in Eastern Europe (2 ed.). Routledge. pp. 19–40. ISBN 978-1317454793.
- Schreiber, Elliot (June 1978). "The rise and fall of the soviet underground press". Communication Quarterly. 26 (3): 32–39. doi:10.1080/01463377809369301.
- Serebryakova, Elena (2012). "Мир глазами диссидента (по книге В. Буковского "И возвращается ветер…")" [World through the eyes of a dissident (about the book of V. Bukovsky «The wind returns…»)] (PDF). Управленческое консультирование (in Russian) (4): 132–138. Archived from the original (PDF) on 1 March 2016.
- Sharlet, Robert (1974). "Samizdat as a source for the study of Soviet law". The Soviet and Post-Soviet Review. 1 (1): 181–196. doi:10.1163/187633274x00144.
- Shentalinsky, Vitaly (1996). Arrested voices: resurrecting the disappeared writers of the Soviet regime. Martin Kessler Books, Free Press. ISBN 978-0684827766.
- Slavinsky, Michel (1970). La presse clandestine en U.R.S.S., 1960–1970 [The underground press in the U.S.S.R., 1960–1970] (in French). Nouvelles Editions Latines.
- Slonim, Marc (1985). "Samizdat: la presse clandestine" [Samizdat: the underground press]. Histoire de la littérature russe soviétique [History of Soviet Russian literature] (in French). L'Age d'Homme. pp. 315–320.
- Skilling, Gordon (1989). Samizdat and an independent society in Central and Eastern Europe. Ohio State University Press. ISBN 978-0814204870.
- Stevanović, Bosiljka; Wertsman, Vladimir (1987). Free voices in Russian literature, 1950s–1980s: a bio-bibliographical guide to over 900 authors. Russica Pubs. ISBN 978-0898300901.
- Svirskii, Grigorii (1981). A history of post-war Soviet writing: the literature of moral opposition. Ann Arbor, MI: Ardis Publishing. ISBN 978-0882334493.
- Telesin, Julius (February 1973). "Inside "Samizdat"". Encounter. 40 (2): 25–33.
- Toker, Leona (Winter 2008). "Samizdat and the problem of authorial control: the case of Varlam Shalamov". Poetics Today. 29 (4): 735–758. doi:10.1215/03335372-083.
- Treynor, Jack (March–April 1994). "Samizdat: the investment value of plant". Financial Analysts Journal. 50 (2): 12–17. doi:10.2469/faj.v50.n2.12. JSTOR 4479725.
- Treynor, Jack (July–August 1993). "Samizdat: the value of control". Financial Analysts Journal. 49 (4): 6–9. doi:10.2469/faj.v49.n4.6.2. JSTOR 4479661.
- Tupikin, Vlad [Влад Тупикин] (2001). "Самиздат после перестройки" [Samizdat after perestroika]. Index on Censorship (in Russian) (13).
- Vaissié, Cécile (2014). "Archiver les samizdats de la dissidence russe" [Archive of samizdat by the Russian dissent]. Écrire l'Histoire (in French) (13–14): 129–135. doi:10.4000/elh.487.
- Walters, Philip (August 1980). "Christian samizdat". Index on Censorship. 9 (4): 46–50. doi:10.1080/03064228008533093.
- Woll, Josephine; Treml, Vladimir (1983). Soviet dissident literature: a critical guide. G K Hall. ISBN 978-0816186266.
- Yakushev, Alexei (April 1975). "The Samizdat movement in the USSR: a note on spontaneity and organization". The Russian Review. 34 (2): 186–193. doi:10.2307/127716. JSTOR 127716.
- Zalambani, Maria (2009). "Una anti-istituzione: il samizdat" [An anti-institution: samizdat]. Censura, istituzioni e politica letteraria in URSS (1964–1985) [Censorship, institutions and literary politics in the USSR (1964–1985)] (in Italian). Firenze University Press. pp. 125–135. ISBN 978-8864530758.
- Zaslavskaya, Olga (Winter 2008). "From dispersed to distributed archives: the past and the present of samizdat material". Poetics Today. 29 (4): 669–712. doi:10.1215/03335372-081.
- Zisserman-Brodsky, Dina (2003). Constructing ethnopolitics in the Soviet Union: samizdat, deprivation and the rise of ethnic nationalism. Palgrave Macmillan. ISBN 978-1403973627.
- Andropov, Yuri (May 1995). "The birth of samizdat". Index on Censorship. 24 (3): 62–63. doi:10.1080/03064229508535948.
- Dolinin, Vyacheslav; Severyukhin, Dimitry (2015). "Samizdat: the literary self-publishing movement in Leningrad 1950s–1980s". Enthymema. 0 (12): 166–173. doi:10.13130/2037-2426/4953.
- Chalidze, Valery (1976). Литературные дела КГБ: дела Суперфина, Эткинда, Хейфеца, Марамзина: в приложении – документы о советской цензуре [The literary cases of the KGB: the cases of Superfin, Etkind, Heifetz, Maramzin: there are documents about Soviet censorship in the application] (in Russian). New York: Хроника.
- Glazov, Yuri (Winter 1973). "Samizdat". Survey: 75–91.
- Gorbanevskaïa, Natalia (2009). "Samizdat et Internet" [Samizdat and Internet]. Revue Russe (in French). 33 (1): 137–143. doi:10.3406/russe.2009.2393.
- Gorbanevskaya, Natalya (January 1977). "Writing for 'samizdat'". Index on Censorship. 6 (1): 29–36. doi:10.1080/03064227708532600.
- Grigoryants, Sergei (1989). "Political samizdat in Moscow". Uncaptive Minds. 2 (5): 46–57.
- Mal'tsev, Yuri (1976). L'altra letteratura (1957–1976): la letteratura del samizdat da Pasternak a Solženicyn [The other literature (1957–1976): the samizdat literature from Pasternak to Solzhenitsyn] (in Italian). Milan: La Casa di Matriona.
- Malzew, Jurij (1985) . Freie Russische Literatur 1955–1980 [Free Russian literature 1955–1980] (in German) (2nd ed.). Ullstein. ISBN 978-3548380285.
- Medvedev, Roy (Spring 1971). "Samizdat: Jews in the USSR". Survey: 185–200.
- Medvedev, Roy; Strada, Vittorio (1977). Dissenso e socialismo: una voce marxista del Samizdat sovietico [Dissent and Socialism: A Marxist Voice of Soviet Samizdat] (in Italian). Turin: Giulio Einaudi.
- Medvedev, Roy (1977). The Samizdat register 1. New York: W. W. Norton & Company. ISBN 978-0393056525.
- Medvedev, Roy (1981). Samizdat Register 2: Voices of the socialist opposition in the Soviet Union. New York: W. W. Norton & Company. ISBN 978-0393335781.
- Sinyavsky, Andrei (August 1980). "Samizdat and the rebirth of literature". Index on Censorship. 9 (4): 8–13. doi:10.1080/03064228008533086.
This section's use of external links may not follow Wikipedia's policies or guidelines. (September 2014)
- December 1970 report by KGB regarding "alarming political tendencies"in Samizdat and Preventive measures (from the Soviet Archives, collected by Vladimir Bukovsky)
- Alexander Bolonkin – Memoirs of Soviet Political Prisoner detailing some technology used
- Anthology of samizdat
- Igrunov, Vyacheslav, ed. (2005). Антология самиздата. Неподцензурная литература в СССР. 1950–1980-е.: В 3-х томах: т. 1 книга 1: до 1966 [Anthology of samizdat. Uncensored literature in the USSR. The 1950s–1980s. In 3 volumes. Volume 1, book 1: till 1966] (PDF) (in Russian). Moscow: Международный институт гуманитарно-политических исследований. ISBN 978-5-89793-031-9. Archived (PDF) from the original on 8 March 2013.
- Igrunov, Vyacheslav, ed. (2005). Антология самиздата. Неподцензурная литература в СССР. 1950–1980-е.: В 3-х томах: т. 1 книга 2: до 1966 [Anthology of samizdat. Uncensored literature in the USSR. The 1950s–1980s. In 3 volumes. Volume 1, book 2: till 1966] (PDF) (in Russian). Moscow: Международный институт гуманитарно-политических исследований. ISBN 978-5-89793-032-6. Archived (PDF) from the original on 8 March 2013.
- Igrunov, Vyacheslav, ed. (2005). Антология самиздата. Неподцензурная литература в СССР. 1950–1980-е.: В 3-х томах: т. 2: 1966–1973 [Anthology of samizdat. Uncensored literature in the USSR. The 1950s–1980s. In 3 volumes. Volume 2. 1966–1973] (PDF) (in Russian). Moscow: Международный институт гуманитарно-политических исследований. ISBN 978-5-89793-033-3. Archived (PDF) from the original on 8 March 2013.
- Igrunov, Vyacheslav, ed. (2005). Антология самиздата. Неподцензурная литература в СССР. 1950–1980-е.: В 3-х томах: т. 3: после 1973 [Anthology of samizdat. Uncensored literature in the USSR. The 1950s–1980s. In 3 volumes. Volume 3. After 1973] (PDF) (in Russian). Moscow: Международный институт гуманитарно-политических исследований. ISBN 978-5-89793-034-0. Archived (PDF) from the original on 8 March 2013.
- Natella Boltyanskaya (16 March 2016). "Episode Four – The Samizdat and the Internet". Voice of America. Parallels, Events, People.
- Samizdat archive Вѣхи (Vekhi Library, in Russian)
- Anthology of Czech samizdat periodicals
- Archive of Robert-Havemann-Society e.V., Berlin
- Arbeitsgruppe Menschenrechte/ Arbeitskreis Gerechtigkeit (Hrsg.): Die Mücke. Dokumentation der Ereignisse in Leipzig, DDR-Samisdat, Leipzig, März 1989.
- IFM-Archiv Sachsen e.V.: Internet-Collection of DDR-Samizdat
- DDR-Samizdat in Archiv Bürgerbewegung Leipzig
- Umweltbibliothek Großhennersdorf e.V.
- DDR-Samisdat in the IISG Amsterdam
- "Samizdat", poem by Jared Carter
- "Chronicle of current events" by Memorial Society