Martha Graham: Difference between revisions
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==Early life== |
==Early life== |
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Graham was born in [[Allegheny, Pennsylvania|Allegheny City]] |
Graham was born in [[Allegheny, Pennsylvania|Allegheny City]] – later to became part of [[Pittsburgh]], Pennsylvania – in 1894. Her father George Graham practiced as what in the [[Victorian era]] was known as an "alienist", a practitioner of an early form of [[psychiatry]]. The Grahams were strict [[Presbyterians]]. Dr. Graham was a third-generation American of Irish descent. Her mother Jane Beers was a second-generation American of Irish and Scots-Irish descent and was also a sixth-generation descendant of [[Myles Standish]]. While her parents provided a comfortable environment in her youth, it was not one that encouraged dancing.<ref>''Martha Graham: A Dancer's Life'' by Russell Freedman, p. 12</ref> |
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The Graham family moved to Santa Barbara, California when Martha was fourteen years old.<ref>''Martha Graham: A Dancer's Life'' by Russell Freedman, p. 20</ref> In 1911, she attended the first dance performance of her life, watching Ruth St. Denis perform at the Mason Opera House in Los Angeles.<ref>''Martha Graham: A Dancer's Life'' by Russell Freedman, p. 21</ref> In the mid-1910s, Martha Graham began her studies at the newly created [[Denishawn School of Dancing and Related Arts]], founded by [[Ruth St. Denis]] and [[Ted Shawn]],<ref name="BryantPratt94" /> at which she would stay until 1923. In 1922, Graham performed one of Shawn's Egyptian dances with [[Lillian Powell]] in a short silent film by [[Hugo Riesenfeld]] that attempted to synchronize a dance routine on film with a live orchestra and an onscreen conductor.<ref>"Music Films", ''[[Standard-Examiner]]'' (Ogden, Utah), May 21, 1922, p. 5</ref> |
The Graham family moved to Santa Barbara, California when Martha was fourteen years old.<ref>''Martha Graham: A Dancer's Life'' by Russell Freedman, p. 20</ref> In 1911, she attended the first dance performance of her life, watching Ruth St. Denis perform at the Mason Opera House in Los Angeles.<ref>''Martha Graham: A Dancer's Life'' by Russell Freedman, p. 21</ref> In the mid-1910s, Martha Graham began her studies at the newly created [[Denishawn School of Dancing and Related Arts]], founded by [[Ruth St. Denis]] and [[Ted Shawn]],<ref name="BryantPratt94" /> at which she would stay until 1923. In 1922, Graham performed one of Shawn's Egyptian dances with [[Lillian Powell]] in a short silent film by [[Hugo Riesenfeld]] that attempted to synchronize a dance routine on film with a live orchestra and an onscreen conductor.<ref>"Music Films", ''[[Standard-Examiner]]'' (Ogden, Utah), May 21, 1922, p. 5</ref> |
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In 1938 [[Erick Hawkins]] was the first man to dance with her company. The following year, he officially joined her troupe, dancing male lead in a number of Graham's works. They were married in 1948. He left her troupe in 1951 and they divorced in 1954. |
In 1938 [[Erick Hawkins]] was the first man to dance with her company. The following year, he officially joined her troupe, dancing male lead in a number of Graham's works. They were married in 1948. He left her troupe in 1951 and they divorced in 1954. |
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On April 1, 1958, The Martha Graham Company premiered the ballet ''Clytemnestra'', based on the ancient Greek legend [[Clytemnestra]] and it became a huge success and great accomplishment for Graham.<ref>Martha Graham: A special issue of the journal Choreography and Dance, By Alice Helpern</ref> With a score by Egyptian-born composer [[Halim El-Dabh]], this ballet was her largest scale of work and her only full-length work. Graham originally choreographed the title role for herself, with the ballet's principal dancer spending almost the entire duration of the performance on the stage. The ballet was based on the Greek mythology of the same title, it tells a tale of Queen Clytemnestra who is married to King [[Agamemnon]]. Within the ballet, Clytemnestra has an affair with [[Aegisthus]], while her husband is away battling at the [[Trojan War]]. Upon Agamemnon's victorious return he discovers his wife has had an affair, and in revenge Agamemnon offers their daughter, [[Iphigenia]] to be sacrificed. Later in the ballet, Clytemnestra is murdered by her other child, her son, [[Orestes]], and the audience experiences |
On April 1, 1958, The Martha Graham Company premiered the ballet ''Clytemnestra'', based on the ancient Greek legend [[Clytemnestra]] and it became a huge success and great accomplishment for Graham.<ref>Martha Graham: A special issue of the journal Choreography and Dance, By Alice Helpern</ref> With a score by Egyptian-born composer [[Halim El-Dabh]], this ballet was her largest scale of work and her only full-length work. Graham originally choreographed the title role for herself, with the ballet's principal dancer spending almost the entire duration of the performance on the stage. The ballet was based on the Greek mythology of the same title, it tells a tale of Queen Clytemnestra who is married to King [[Agamemnon]]. Within the ballet, Clytemnestra has an affair with [[Aegisthus]], while her husband is away battling at the [[Trojan War]]. Upon Agamemnon's victorious return he discovers his wife has had an affair, and in revenge Agamemnon offers their daughter, [[Iphigenia]] to be sacrificed. Later in the ballet, Clytemnestra is murdered by her other child, her son, [[Orestes]], and the audience experiences Clytemnestra in the afterworld. This ballet was deemed a masterpiece of 20th-century American modernism and was so successful it had a limited engagement showing on Broadway.{{citation needed|date=March 2015}} |
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Graham collaborated with many composers including [[Aaron Copland]] on ''[[Appalachian Spring]]'', [[Louis Horst]], [[Samuel Barber]], [[William Schuman]], [[Carlos Surinach]], [[Norman Dello Joio]], and [[Gian Carlo Menotti]].<ref>[http://marthagraham.org/resources/about_martha_graham.php Marthagraham.org] {{Wayback|url=http://marthagraham.org/resources/about_martha_graham.php|date =20100110220340}}</ref> Graham's mother died in Santa Barbara in 1958. Her oldest friend and musical collaborator Louis Horst died in 1964. She said of Horst, "His sympathy and understanding, but primarily his faith, gave me a landscape to move in. Without it, I should certainly have been lost."<ref>Freedman, p. 134</ref> |
Graham collaborated with many composers including [[Aaron Copland]] on ''[[Appalachian Spring]]'', [[Louis Horst]], [[Samuel Barber]], [[William Schuman]], [[Carlos Surinach]], [[Norman Dello Joio]], and [[Gian Carlo Menotti]].<ref>[http://marthagraham.org/resources/about_martha_graham.php Marthagraham.org] {{Wayback|url=http://marthagraham.org/resources/about_martha_graham.php|date =20100110220340}}</ref> Graham's mother died in Santa Barbara in 1958. Her oldest friend and musical collaborator Louis Horst died in 1964. She said of Horst, "His sympathy and understanding, but primarily his faith, gave me a landscape to move in. Without it, I should certainly have been lost."<ref>Freedman, p. 134</ref> |
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* {{cite book| last = Taylor| first = Paul| title = Private Domain An Autobiography| year = 1987| publisher = Knopf| location = New York| isbn = 978-0-394-51683-7 }} |
* {{cite book| last = Taylor| first = Paul| title = Private Domain An Autobiography| year = 1987| publisher = Knopf| location = New York| isbn = 978-0-394-51683-7 }} |
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* {{cite book| last = Tracy| first = Robert| title = Goddess – Martha Graham's Dancers Remember| year = 1997| publisher = Limelight Editions| location = Pompton Plains, New Jersey| isbn = 978-0-87910-086-5 }} |
* {{cite book| last = Tracy| first = Robert| title = Goddess – Martha Graham's Dancers Remember| year = 1997| publisher = Limelight Editions| location = Pompton Plains, New Jersey| isbn = 978-0-87910-086-5 }} |
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* {{cite book| last1 = Layman| first1 = Richard| last2 = Bondi| first2 = Victor| title = American Decades |
* {{cite book| last1 = Layman| first1 = Richard| last2 = Bondi| first2 = Victor| title = American Decades 1940–1949| url = https://books.google.com/?id=fgjGFCmrQxoC| year = 1995| publisher = Gale Research International, Limited| isbn = 978-0-8103-5726-6 }} |
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* {{cite book|last=de Mille|first=Agnes|title=Martha: The Life and Work of Martha Graham|year=1991|publisher=Random House|location=New York|isbn=978-0-394-55643-7}} |
* {{cite book|last=de Mille|first=Agnes|title=Martha: The Life and Work of Martha Graham|year=1991|publisher=Random House|location=New York|isbn=978-0-394-55643-7}} |
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Revision as of 04:09, 9 July 2015
Martha Graham | |
|---|---|
 Martha Graham by Yousuf Karsh (1948) | |
| Born | May 11, 1894 Pittsburgh, Pennsylvania |
| Died | April 1, 1991 (aged 96) New York City |
| Nationality | American |
| Known for | Dance and choreography |
| Movement | Modern dance |
| Awards | Kennedy Center Honors (1979) Presidential Medal of Freedom (1976) National Medal of Arts (1985) |
Martha Graham (May 11, 1894 – April 1, 1991) was an American modern dancer and choreographer whose influence on dance has been compared with the influence Picasso had on the modern visual arts,[1][2] Stravinsky had on music, or Frank Lloyd Wright had on architecture.[3]
She danced and choreographed for over seventy years. Graham was the first dancer ever to perform at the White House, travel abroad as a cultural ambassador, and receive the highest civilian award of the US: the Presidential Medal of Freedom. In her lifetime she received honors ranging from the Key to the City of Paris to Japan's Imperial Order of the Precious Crown. She said, in the 1994 documentary The Dancer Revealed, "I have spent all my life with dance and being a dancer. It's permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable." [4]
Her style, the Graham technique, fundamentally reshaped American dance and is still taught worldwide.[5]
Early life
Graham was born in Allegheny City – later to became part of Pittsburgh, Pennsylvania – in 1894. Her father George Graham practiced as what in the Victorian era was known as an "alienist", a practitioner of an early form of psychiatry. The Grahams were strict Presbyterians. Dr. Graham was a third-generation American of Irish descent. Her mother Jane Beers was a second-generation American of Irish and Scots-Irish descent and was also a sixth-generation descendant of Myles Standish. While her parents provided a comfortable environment in her youth, it was not one that encouraged dancing.[6]
The Graham family moved to Santa Barbara, California when Martha was fourteen years old.[7] In 1911, she attended the first dance performance of her life, watching Ruth St. Denis perform at the Mason Opera House in Los Angeles.[8] In the mid-1910s, Martha Graham began her studies at the newly created Denishawn School of Dancing and Related Arts, founded by Ruth St. Denis and Ted Shawn,[9] at which she would stay until 1923. In 1922, Graham performed one of Shawn's Egyptian dances with Lillian Powell in a short silent film by Hugo Riesenfeld that attempted to synchronize a dance routine on film with a live orchestra and an onscreen conductor.[10]
Career
In 1925, Graham was employed at the Eastman School of Music where Rouben Mamoulian was head of the School of Drama. Among other performances, together they produced a short two-color film called The Flute of Krishna, featuring Eastman students. Mamoulian left Eastman shortly thereafter and Graham chose to leave also, even though she was asked to stay on.
In 1926, the Martha Graham Center of Contemporary Dance was established. On April 18 of the same year,[9] at the 48th Street Theatre, Graham debuted with her first independent concert, consisting of 18 short solos and trios that she had choreographed. She would later say of the concert: "Everything I did was influenced by Denishawn."[11] On November 28, 1926 Martha Graham and others in her company gave a dance recital at the Klaw Theatre in New York City. Around the same time she entered an extended collaboration with Japanese-American pictorialist photographer Soichi Sunami, and over the next five years they together created some of the most iconic images of early modern dance.[12]
One of Graham's students was heiress Bethsabée de Rothschild with whom she became close friends. When Rothschild moved to Israel and established the Batsheva Dance Company in 1965, Graham became the company's first director.
New era in dance
In 1936, Graham created Chronicle which brought serious issues to the stage in a dramatic manner. Influenced by the Wall Street Crash of 1929, the Great Depression that followed, and the Spanish Civil War, it focused on depression and isolation, reflected in the dark nature of both the set and costumes.
In 1938 Erick Hawkins was the first man to dance with her company. The following year, he officially joined her troupe, dancing male lead in a number of Graham's works. They were married in 1948. He left her troupe in 1951 and they divorced in 1954.
On April 1, 1958, The Martha Graham Company premiered the ballet Clytemnestra, based on the ancient Greek legend Clytemnestra and it became a huge success and great accomplishment for Graham.[13] With a score by Egyptian-born composer Halim El-Dabh, this ballet was her largest scale of work and her only full-length work. Graham originally choreographed the title role for herself, with the ballet's principal dancer spending almost the entire duration of the performance on the stage. The ballet was based on the Greek mythology of the same title, it tells a tale of Queen Clytemnestra who is married to King Agamemnon. Within the ballet, Clytemnestra has an affair with Aegisthus, while her husband is away battling at the Trojan War. Upon Agamemnon's victorious return he discovers his wife has had an affair, and in revenge Agamemnon offers their daughter, Iphigenia to be sacrificed. Later in the ballet, Clytemnestra is murdered by her other child, her son, Orestes, and the audience experiences Clytemnestra in the afterworld. This ballet was deemed a masterpiece of 20th-century American modernism and was so successful it had a limited engagement showing on Broadway.[citation needed]
Graham collaborated with many composers including Aaron Copland on Appalachian Spring, Louis Horst, Samuel Barber, William Schuman, Carlos Surinach, Norman Dello Joio, and Gian Carlo Menotti.[14] Graham's mother died in Santa Barbara in 1958. Her oldest friend and musical collaborator Louis Horst died in 1964. She said of Horst, "His sympathy and understanding, but primarily his faith, gave me a landscape to move in. Without it, I should certainly have been lost."[15]
Throughout her career Graham resisted requests for her dances to be recorded because she believed that live performances should only exist on stage as they are experienced.[16] There were a few notable exceptions to her dances being taped. For example, she worked on a limited basis with still photographers Imogen Cunningham in the 1930s, and Barbara Morgan in the 1940s. Graham considered Philippe Halsman's photographs of "Dark Meadow" the most complete photographic record of any of her dances. Halsman also photographed in the 1940s: "Letter to the World", "Cave of the Heart", "Night Journey" and "Every Soul is a Circus". In later years her thinking on the matter evolved and others convinced her to let them recreate some of what was lost.
In her biography Martha Agnes de Mille cites Graham's last performance as the evening of May 25, 1968, in a "Time of Snow". But in A Dancer's Life biographer Russell Freedman lists the year of Graham's final performance as 1969. In her 1991 autobiography, Blood Memory, Graham herself lists her final performance as her 1970 appearance in Cortege of Eagles when she was 76 years old.
Retirement and later years
In the years that followed her departure from the stage Graham sank into a deep depression fueled by views from the wings of young dancers performing many of the dances she had choreographed for herself and her former husband. Graham's health declined precipitously as she abused alcohol to numb her pain. In Blood Memory she wrote,
It wasn't until years after I had relinquished a ballet that I could bear to watch someone else dance it. I believe in never looking back, never indulging in nostalgia, or reminiscing. Yet how can you avoid it when you look on stage and see a dancer made up to look as you did thirty years ago, dancing a ballet you created with someone you were then deeply in love with, your husband? I think that is a circle of hell Dante omitted.
[When I stopped dancing] I had lost my will to live. I stayed home alone, ate very little, and drank too much and brooded. My face was ruined, and people say I looked odd, which I agreed with. Finally my system just gave in. I was in the hospital for a long time, much of it in a coma.[17]
After a failed suicide attempt[citation needed] she was hospitalized. Graham not only survived her hospital stay but she rallied. In 1972 she quit drinking, returned to her studio, reorganized her company and went on to choreograph ten new ballets and many revivals. Her last completed ballet was 1990's Maple Leaf Rag.
Death
Graham choreographed until her death in New York City from pneumonia in 1991, aged 96.[18] Just before she became sick with pheumonia, she finished the final draft of her autobiography, Blood Memory, which was published posthumously in the fall of 1991.[19] She was cremated, and her ashes were spread over the Sangre de Cristo Mountains in northern New Mexico.
Influence and legacy
Graham has been sometimes termed the "Picasso of Dance," in that her importance and influence to modern dance can be considered equivalent to what Pablo Picasso was to modern visual arts.[1][2] Her impact has been also compared with the influence Stravinsky had on music, or Frank Lloyd Wright had on architecture.[3]
To celebrate what would have been her 117th birthday on May 11, 2011, Google's logo for one day was turned into one dedicated to Graham's life and legacy.[20]
Martha Graham has been said to be the one that brought dance into the 20th century. Due to the work of her assistants, Linda Hodes, Pearl Lang, Diane Gray, Yuriko, and others, much of Graham’s work and technique have been preserved. They taped interviews of Graham describing her entire technique, and videos of her performances.[21] As Glen Tetley told Agnes de Mille, “The wonderful thing about Martha in her good days was her generosity. So many people stole Martha’s unique personal vocabulary, consciously or unconsciously, and performed it in concerts. I have never once heard Martha say, 'So-and-so has used my choreography.'"[22] An entire movement was created by her that revolutionized the dance world and created what is known today as modern dance. Now, dancers all over the world study and perform modern dance. Choreographers and professional dancers look to her for inspiration.[23]
According to Agnes de Mille:
The greatest thing [Graham] ever said to me was in 1943 after the opening of Oklahoma!, when I suddenly had unexpected, flamboyant success for a work I thought was only fairly good, after years of neglect for work I thought was fine. I was bewildered and worried that my entire scale of values was untrustworthy. I talked to Martha. I remember the conversation well. It was in a Schrafft's restaurant over a soda. I confessed that I had a burning desire to be excellent, but no faith that I could be. Martha said to me, very quietly: "There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open... No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others."[24]
Martha Graham Dance Company
The Martha Graham Dance Company is the oldest dance company in America,[25] founded in 1926. It has helped develop many famous dancers and choreographers of the 20th and 21st centuries including Erick Hawkins, Anna Sokolow, Merce Cunningham and Paul Taylor. It continues to perform, including at the Saratoga Performing Arts Center in June 2008, a program consisting of: Ruth St. Denis' The Incense; Graham's reconstruction of Ted Shawn's Serenata Morisca; Graham's Lamentation; Yuriko's reconstruction of Graham's Panorama, performed by dancers from Skidmore College; excerpts from Yuriko's and Graham's reconstruction of the latter's Chronicle from the Julien Bryan film; Graham's Errand into the Maze and Maple Leaf Rag. [citation needed] The company also performed in 2007 at the Museum of Contemporary Art, Chicago, with a program consisting of: Appalachian Spring, Embattled Garden, Errand into the Maze, and American Original.[26][27]
Early dancers
Graham's original female dancers consisted of Bessie Schonberg, Evelyn Sabin, Martha Hill, Gertrude Shurr, Anna Sokolow, Nelle Fisher, Dorothy Bird, Bonnie Bird, Sophie Maslow, May O'Donnell, Jane Dudley, Anita Alvarez, Pearl Lang, and Marjorie G. Mazia. A second group included Yuriko, Ethel Butler, Ethel Winter, Jean Erdman, Patricia Birch, Nina Fonaroff, Matt Turney, Mary Hinkson. The group of men dancers was made up of Erick Hawkins, Merce Cunningham, David Campbell, John Butler, Robert Cohan, Stuart Hodes, Glen Tetley, Bertram Ross, Paul Taylor, Mark Ryder, and William Carter.[28]
Accolades
In 1957 Graham was elected a Fellow of the American Academy of Arts and Sciences.[29] She was awarded the Presidential Medal of Freedom in 1976 by President Gerald Ford (the First Lady Betty Ford had danced with Graham in her youth). Ford declared her "a national treasure".[30]
Graham was inducted into the National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame in 1987.[31]
In 1998 Graham was named "Dancer of the Century" by Time magazine,[5] and one of the female "Icons of the Century" by People.[32] The New York Times called her a "brilliant, young dancer".[citation needed]
Choreography
This excerpt from John Martin’s reviews in The New York Times provides insight on Graham’s choreographic style. “Frequently the vividness and intensity of her purpose are so potent that on the rise of the curtain they strike like a blow, and in that moment one must decide whether he is for or against her. She boils down her moods and movements until they are devoid of all extraneous substances and are concentrated to the highest degree.”[33]
See also
- 20th-century concert dance
- American Dance Festival
- Christine Dakin
- List of dance companies
- Postmodern dance
- Terese Capucilli
- Women in dance
References
- ^ a b Bondi (1995) p.74 quote: "Picasso of Dance [...] Martha Graham was to modern dance what Pablo Picasso was to modern art."
- ^ a b Agnes de Mille (1991) p.vii quote: "Her achievement is equivalent to Picasso's," I said to Mark Ryder, a pupil and company member of Graham's, "I'm not sure I will accept him as deserving to be in her class."
- ^ a b "Martha Graham: About the Dancer". American Masters. NPR. September 16, 2005. Archived from the original on October 10, 2013.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ The Dancer Revealed, American Masters: Season 8, Episode 2, PBS, 13 May 1994
- ^ a b "TIME 100: Martha Graham". Time. August 6, 1998. Archived from the original on July 6, 2011.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Martha Graham: A Dancer's Life by Russell Freedman, p. 12
- ^ Martha Graham: A Dancer's Life by Russell Freedman, p. 20
- ^ Martha Graham: A Dancer's Life by Russell Freedman, p. 21
- ^ a b Bryant Pratt (1994) [full citation needed]
- ^ "Music Films", Standard-Examiner (Ogden, Utah), May 21, 1922, p. 5
- ^ Mansfield Soares (1992) p.56
- ^ http://www.seattlecameraclub.com/soichi_sunami.html
- ^ Martha Graham: A special issue of the journal Choreography and Dance, By Alice Helpern
- ^ Marthagraham.org Archived 2010-01-10 at the Wayback Machine
- ^ Freedman, p. 134
- ^ Women in Leadership: Contextual Dynamics and Boundaries, by Karin Klenke
- ^ Graham, Martha (1991). Blood memory. Doubleday. ISBN 978-0-385-26503-4.
- ^ Kisselgoff, Anna (April 2, 1991). "Martha Graham Dies at 96; A Revolutionary in Dance". The New York Times.
- ^ Susan Ware (1998). Letter to the World: Seven Women who Shaped the American Century. W.W. Norton. ISBN 978-0-393-04652-6.
- ^ "Google Doodle Celebrates Martha Graham and Dynamic Web". PC World. May 11, 2011. Archived from the original on July 2, 2013.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ De Mille (1991), p. 409.
- ^ De Mille (1991), pp. 409–10.
- ^ Gerald, Newman (1998). Martha Graham: Founder of Modern Dance. Danbury, Connecticut: Franklin Watts.
- ^ De Mille (1991) p. 264.
- ^ "Martha's back! Famed dance company in residence during June." Scope Online. Skidmore College
- ^ "Martha Graham Dance Company". Museum of Contemporary Art, Chicago. Archived from the original on September 19, 2011. Retrieved August 8, 2011.
{{cite web}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Darnell, Tracie (April 17, 2007). "Martha Graham Dance Company returns to Chicago for long-awaited performance at MCA". Medill. Archived from the original on October 12, 2013. Retrieved August 8, 2011.
{{cite web}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ De Mille (1991) p.417
- ^ "Book of Members, 1780–2010: Chapter G" (PDF). American Academy of Arts and Sciences. Retrieved July 29, 2014.
- ^ Martha Graham: A Dancer's Life by Russell Freedman, p. 142
- ^ Cross, Mary (ed). One Hundred People who Changed 20th-century America. p. 156.
{{cite book}}:|first1=has generic name (help) - ^ Women in Leadership: Contextual Dynamics and Boundaries, By Karin Klenke
- ^ Armitage, p. 9.
- ^ Moving force, Haaretz Archived 2012-02-25 at the Wayback Machine
Sources
- Bryant, Paula Pratt (1994). Martha Graham (The Importance Of... Series). Detroit: Gale.
{{cite book}}:|access-date=requires|url=(help) - Martha: The Life and Work Of Martha Graham A Biography, by Agnes De Mille, 1991
- Martha, by Alice Helpern, 1998
- Martha Graham in Love and War: The Life in the Work, by Mark Franko, 2012
- Martha Graham: The Evolution of Her Dance Theory and Training, by Marian Horosko, 2002
- Freedman, Russell (1998). Martha Graham – A Dancer's Life. New York City: Clarion Books. ISBN 978-0-395-74655-4.
Further reading
- Hodes, Stuart, Part Real-Part Dream, Dancing With Martha Graham, (2011) Concord ePress, Concord, MA.
- Bird, Dorothy; Greenberg, Joyce (2002). Bird's Eye View: Dancing With Martha Graham and on Broadway (reprint ed.). Pittsburgh, Pennsylvania: Univ. of Pittsburgh Press. ISBN 978-0-8229-5791-1.
- Graham, Martha (1991). Blood Memory An autobiography. New York: Doubleday. ISBN 978-0-385-26503-4.
- Hawkins, Erick (1992). The Body Is a Clear Place and Other Statements on Dance. Hightstown, New Jersey: Princeton Book Co. ISBN 978-0-87127-166-2.
- Horosko, Marian (2002). Martha Graham The Evolution of Her Dance Theory and Training. Gainesville, FL: Univ. Press of Florida. ISBN 978-0-8130-2473-8.
- Morgan, Barbara (1980). Martha Graham Sixteen Dances in Photographs. Morgan & Morgan. ISBN 978-0-87100-176-4.
- Newman, Gerald (1998). Martha Graham: Founder of Modern Dance. Danbury, Connecticut: Franklin Watts.
- Soares, Janet Mansfield (1992). Louis Horst Musician in a Dancer's World. Durham, North Carolina: Duke University Press. ISBN 978-0-8223-1226-0.
- Taylor, Paul (1987). Private Domain An Autobiography. New York: Knopf. ISBN 978-0-394-51683-7.
- Tracy, Robert (1997). Goddess – Martha Graham's Dancers Remember. Pompton Plains, New Jersey: Limelight Editions. ISBN 978-0-87910-086-5.
- Layman, Richard; Bondi, Victor (1995). American Decades 1940–1949. Gale Research International, Limited. ISBN 978-0-8103-5726-6.
- de Mille, Agnes (1991). Martha: The Life and Work of Martha Graham. New York: Random House. ISBN 978-0-394-55643-7.
External links
- Martha Graham at Find a Grave
- PBS:American Masters biography
- Kennedy Center biography
- Martha Graham at IMDb
- MarthaGraham.org – Martha Graham Center of Contemporary Dance
- University of Pittsburgh online text
- Library of Congress image of Martha Graham recital program
- Guide to the Barbara Morgan Photographs of Martha Graham and Company. Special Collections and Archives, The UC Irvine Libraries, Irvine, California.
- Archival footage of the Martha Graham Dance Company performing Rite of Spring in 2013 at Jacob’s Pillow Dance Festival.
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
- Martha Graham
- 1894 births
- 1991 deaths
- American choreographers
- American female dancers
- American people of English descent
- American people of Irish descent
- American people of Scotch-Irish descent
- Ballet choreographers
- Cornish College of the Arts faculty
- Fellows of the American Academy of Arts and Sciences
- Guggenheim Fellows
- Kennedy Center honorees
- Modern dance
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- National Museum of Dance Hall of Fame inductees
- People from Pittsburgh, Pennsylvania
- Presidential Medal of Freedom recipients
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