Portal:Rock music/Selected albums

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Selected albums 1

Portal:Rock music/Selected albums/1 Achtung Baby (/ˈæktʊŋ/) is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one.

Seeking inspiration from German reunification, U2 began recording Achtung Baby at Berlin's Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prompted the group to disband, they made a breakthrough with the improvised writing of the song "One". Morale and productivity improved during subsequent recording sessions in Dublin, where the album was completed in 1991. To confound the public's expectations of the band and their music, U2 chose the record's facetious title and colourful multi-image sleeve.

Achtung Baby is one of U2's most successful records; it received favourable reviews and debuted at number one on the US Billboard 200 Top Albums, while topping the charts in many other countries. Five songs were released as commercial singles, all of which were chart successes, including "One", "Mysterious Ways", and "The Fly". The album has sold 18 million copies worldwide and won a Grammy Award in 1993 for Best Rock Performance by a Duo or Group with Vocal.

Achtung Baby has since been acclaimed by writers and music critics as one of the greatest albums of all time. The record has been reissued several times, including in October 2011 and November 2021 for its 20th and 30th anniversaries, respectively. U2 commemorated the album during their 2023–2024 concert residency, U2:UV Achtung Baby Live, at Sphere in the Las Vegas Valley. (Full article...)

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Portal:Rock music/Selected albums/2 Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited (both 1965). Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

The album peaked at number nine on the Billboard Top LPs chart in the US, where it eventually was certified double platinum, and it reached number three in the UK. Blonde on Blonde spawned two singles that were top-twenty hits in the US: "Rainy Day Women #12 & 35" and "I Want You". Two additional songs—"Just Like a Woman" and "Visions of Johanna"—have been named as among Dylan's greatest compositions and were featured in Rolling Stones "The 500 Greatest Songs of All Time" list in 2003. In 1999, the album was inducted into the Grammy Hall of Fame, and was ranked number 38 in Rolling Stone's list of the "500 Greatest Albums of All Time" in 2020. ('Full article...)

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Portal:Rock music/Selected albums/3 Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.

Leading with the hit song "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and the title track. He named the album after the major American highway which connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi.

Highway 61 Revisited peaked at No. 3 on the US Billboard Top LPs chart and No. 4 on the UK Albums Chart. Positively received on release, the album has since been described as one of Dylan's best works and among the greatest albums of all time, ranking No. 4 on Rolling Stone's "The 500 Greatest Albums of All Time list in 2003. It was voted No. 26 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000) and was featured in Robert Dimery's 1001 Albums You Must Hear Before You Die (2010). "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. 4 on Rolling Stones "The 500 Greatest Songs of All Time" list in 2021. Two other songs, "Desolation Row" and "Highway 61 Revisited", were listed at No. 187 and No. 373 respectively on the 2010 list. ('Full article...)

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Portal:Rock music/Selected albums/4 New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.

After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics.

New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement as the group's crude musicianship and youthful attitude on the album challenged the prevailing trend of musical sophistication in popular music, particularly progressive rock. Among the most acclaimed albums in history, it has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time. (Full article...)

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Portal:Rock music/Selected albums/5 Rumours is the eleventh studio album by the British-American rock band Fleetwood Mac, released on 4 February 1977 in the United States and on 11 February 1977 in the United Kingdom by Warner Bros. Records. Largely recorded in California in 1976, it was produced by the band with Ken Caillat and Richard Dashut. The recording sessions took place as band members dealt with breakups and used drugs heavily, both of which shaped the album's direction and lyrics.

Recorded with the intention of making "a pop album" that would expand on the commercial success of the 1975 album Fleetwood Mac, the music of Rumours has a mix of electric and acoustic instrumentation, accented rhythms, guitars, and keyboards; its lyrics concern personal and often troubled relationships. Its release was postponed by delays in the mixing process. The band promoted the album with a worldwide concert tour. Rumours became the band's first number-one album on the UK Albums Chart and also topped the US Billboard 200. The songs "Go Your Own Way", "Dreams", "Don't Stop", and "You Make Loving Fun" were released as singles, all of which reached the US Top 10, with "Dreams" reaching number one.

Rumours was a commercial success, selling 13 million copies worldwide by 1980. It garnered wide acclaim from critics, who praised its production quality and the vocal harmonies of the band's three singers, which since have inspired musical acts in various genres. It won Album of the Year at the 1978 Grammy Awards and received Diamond certifications in several countries, including the UK, Canada, Australia, and in the US where it is certified 21× Platinum by the Recording Industry Association of America (RIAA). As of February 2023, Rumours had sold over 40 million copies worldwide.

Often considered Fleetwood Mac's magnum opus, Rumours has frequently been called one of the greatest albums of all time. It was inducted into the Grammy Hall of Fame in 2003, and in the following year was remastered and reissued with the addition of "Silver Springs", which had been excluded from the original release, and a bonus CD of outtakes from the recording sessions. It was selected for preservation in the National Recording Registry in 2017, being deemed "culturally, historically, or aesthetically significant" by the Library of Congress. In 2020, Rumours was ranked 7th in Rolling Stone's list of the "500 Greatest Albums of All Time". (Full article...)

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Portal:Rock music/Selected albums/6 Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian military band that formed the impetus of the Sgt. Pepper concept. For this project, they continued the technological experimentation marked by their previous album, Revolver, this time without an absolute deadline for completion. Sessions began on 24 November at EMI Studios with compositions inspired by the Beatles' youth, but after pressure from EMI, the songs "Strawberry Fields Forever" and "Penny Lane" were released as a double A-side single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording the title track.

A key work of British psychedelia, Sgt. Pepper is considered one of the first art rock LPs and a progenitor to progressive rock. It incorporates a range of stylistic influences, including vaudeville, circus, music hall, avant-garde, and Western and Indian classical music. With assistance from producer George Martin and engineer Geoff Emerick, many of the recordings were coloured with sound effects and tape manipulation, as exemplified on "Lucy in the Sky with Diamonds", "Being for the Benefit of Mr. Kite!" and "A Day in the Life". Recording was completed on 21 April. The cover, which depicts the Beatles posing in front of a tableau of celebrities and historical figures, was designed by the pop artists Peter Blake and Jann Haworth.

Sgt. Pepper's release was a defining moment in pop culture, heralding the album era and the 1967 Summer of Love, while its reception achieved full cultural legitimisation for popular music and recognition for the medium as a genuine art form. The first Beatles album to be released with the same track listing in both the UK and the US, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States. In 1968, it won four Grammy Awards, including Album of the Year, the first rock LP to receive this honour; in 2003, it was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". It has topped several critics' and listeners' polls for the best album of all time, including those published by Rolling Stone magazine and in the book All Time Top 1000 Albums, and the UK's "Music of the Millennium" poll. More than 32 million copies had been sold worldwide as of 2011. It remains one of the best-selling albums of all time and was, in 2018, the UK's best-selling studio album. A remixed and expanded edition of the album was released in 2017. (Full article...)

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Portal:Rock music/Selected albums/7 The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973 by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.

The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised the band's earlier work. The group employed multitrack recording, tape loops, and analogue synthesisers, including experimentation with the EMS VCS 3 and a Synthi A. The engineer Alan Parsons was responsible for many of the sonic aspects of the recording, and for the recruitment of the session singer Clare Torry, who appears on "The Great Gig in the Sky".

The Dark Side of the Moon explores themes such as conflict, greed, time, death, and mental illness. Snippets from interviews with the band's road crew and others are featured alongside philosophical quotations. The sleeve, which depicts a prismatic spectrum, was designed by Storm Thorgerson in response to the keyboardist Richard Wright's request for a "simple and bold" design which would represent the band's lighting and the album's themes. The album was promoted with two singles: "Money" and "Us and Them".

The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14 times platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. , The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history. In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. (Full article...)

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Portal:Rock music/Selected albums/8 Thriller is the sixth studio album by the American singer and songwriter Michael Jackson, released on November 29, 1982, by Epic Records. It was produced by Quincy Jones, who had previously worked with Jackson on his 1979 album Off the Wall and who would later produce his 1987 album Bad. Jackson wanted to create an album where "every song was a killer". With the ongoing backlash against disco music at the time, he moved in a new musical direction, resulting in a mix of pop, post-disco, rock, funk, synth-pop, and R&B sounds. Thriller foreshadows the contradictory themes of Jackson's personal life, as he began using a motif of paranoia and darker themes. Paul McCartney appears on "The Girl Is Mine", the first credited appearance of a featured artist on a Michael Jackson album. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, California, with a budget of $750,000.

Thriller became Jackson's first number-one album on the US Billboard Top LPs & Tapes chart, where it spent a record 37 non-consecutive weeks at number one, from February 26, 1983, to April 14, 1984. Seven singles were released: "The Girl Is Mine", "Billie Jean", "Beat It", "Wanna Be Startin' Somethin' ", "Human Nature", "P.Y.T. (Pretty Young Thing)", and "Thriller". They all reached the top 10 on the US Billboard Hot 100 chart, setting a record for the most top 10 singles from an album, with "Beat It" and "Billie Jean" reaching number one. Following Jackson's performance of "Billie Jean" in the Motown 25 television special, where he debuted his signature moonwalk dance, the sales of the album significantly increased, selling one million copies worldwide per week. The "Thriller" music video was premiered to great anticipation in December 1983 and played regularly on MTV, which also increased the sales.

With 32 million copies sold worldwide by the end of 1983, Thriller became the best-selling album of all time, and was ratified by Guinness World Records on February 7, 1984. It was the best-selling album of 1983 worldwide, and in 1984 it became the first album to become the best-selling in the United States for two years. It set industry standards with its songs, music videos, and promotional strategies influencing artists, record labels, producers, marketers, and choreographers. The success gave Jackson an unprecedented level of cultural significance for a black American, breaking racial barriers in popular music, earning him regular airplay on MTV and leading to a meeting with US President Ronald Reagan at the White House. Thriller was among the first albums to use music videos as promotional tools; the videos for "Billie Jean", "Beat It" and "Thriller" are credited for transforming music videos into a serious art form.

Thriller is the best-selling album of all time, having sold between 70-100 million copies worldwide.It is the best selling non-compilation album and second-best-selling album overall in the United States and was certified 34× platinum by the Recording Industry Association of America (RIAA) in 2021. It won a record-breaking eight Grammy Awards at the 1984 Grammy Awards, including Album of the Year, and Best Pop Vocal Performance, Male. "Beat It" won two Grammys for Record of the Year & Best Rock Vocal Performance, Male, and "Billie Jean" won two Grammys for Best R&B Vocal Performance, Male & Best Rhythm & Blues Song. Jackson also won a record-breaking eight American Music Awards at the 1984 American Music Awards. The album has been a frequent inclusion in lists of the greatest albums of all time. In 2008, it was inducted into the Grammy Hall of Fame. In the same year, the Library of Congress added it to the National Recording Registry of "culturally, historically, or aesthetically significant recordings". (Full article...)

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Portal:Rock music/Selected albums/9 Freak Out! is the debut studio album by American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of frontman Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was also one of the earliest double albums in rock music, as well as the first two-record debut album. In the UK, the album was originally released as an edited single disc.

The album was produced by Tom Wilson, who signed the Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the band to a record deal under the impression that they were a white blues band. The album features Zappa on vocals and guitar, along with lead vocalist/tambourine player Ray Collins, bass player/vocalist Roy Estrada, drummer/vocalist Jimmy Carl Black and guitar player Elliot Ingber (later of Captain Beefheart's Magic Band, performing there under the pseudonym "Winged Eel Fingerling").

The band's original repertoire consisted of rhythm and blues covers, but after Zappa joined the band, he encouraged them to play his own original material, and their name was changed to the Mothers. The musical content of Freak Out! ranges from rhythm and blues, doo-wop, and standard blues-influenced rock to orchestral arrangements and avant-garde sound collages. Although the album was initially poorly received in the United States, it was a success in Europe. It gained a cult following in America, where it continued to sell in substantial quantities until it was discontinued in the early 1970s.

In 1999, the album was honored with the Grammy Hall of Fame Award, and in 2003, Rolling Stone ranked it among the "500 Greatest Albums of All Time". In 2006, The MOFO Project/Object, an audio documentary on the making of the album, was released in honor of its 40th anniversary. (Full article...)

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Portal:Rock music/Selected albums/10 The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent recording and release of John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.

During his 1965–1966 world tour, Dylan was backed by the Hawks, a five-member rock group who would later become famous as the Band. After Dylan was injured in a motorcycle accident in July 1966, four members of the Hawks came to Dylan's home in the Woodstock area to collaborate with him on music and film projects. While Dylan was out of the public's eye during an extended period of recovery in 1967, he and the members of the Hawks recorded more than 100 tracks together, incorporating original compositions, contemporary covers, and traditional material. Dylan's new style of writing moved away from the urban sensibility and extended narratives that had characterized his most recent albums, Highway 61 Revisited and Blonde on Blonde, toward songs that were more intimate and which drew on many styles of traditional American music. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the Americana genre. For some critics, the songs on The Basement Tapes, which circulated widely in unofficial form, mounted a major stylistic challenge to rock music in the late sixties.

When Columbia Records prepared the album for official release in 1975, eight songs recorded solely by the Band—in various locations between 1967 and 1975—were added to 16 songs taped by Dylan and the Band in 1967. Overdubs were added in 1975 to songs from both categories. The Basement Tapes was critically acclaimed upon release, reaching number seven on the Billboard Top LPs & Tape album chart. Subsequently, the format of the 1975 album has led critics to question the omission of some of Dylan's best-known 1967 compositions and the inclusion of material by the Band that was not recorded in Woodstock. (Full article...)

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Portal:Rock music/Selected albums/11 Agharta is a 1975 live double album by American jazz trumpeter, composer, and bandleader Miles Davis. By the time he recorded the album, Davis was 48 years old and had alienated many in the jazz community while attracting younger rock audiences with his radical electric fusion music. After experimenting with different line-ups, he established a stable live band in 1973 and toured constantly for the next two years, despite physical pain from worsening health and emotional instability brought on by substance abuse. During a three-week tour of Japan in 1975, the trumpeter performed two concerts at the Festival Hall in Osaka on February 1; the afternoon show produced Agharta, and the evening show was released as Pangaea the following year.

Davis led a septet at the concert; saxophonist Sonny Fortune, bassist Michael Henderson, and guitarist Pete Cosey were given space to improvise against a dense backdrop of riffs, electronic effects, cross-beats, and funk grooves from the rhythm section – drummer Al Foster, guitarist Reggie Lucas, and percussionist James Mtume. Davis controlled their rhythmic and musical direction with hand and head gestures, phrases played on his wah-wah processed trumpet, and drones from an accompanying electronic organ. The evolving nature of the performance led to the widespread misunderstanding that it had no compositional basis, while its dark, angry, and somber musical qualities were seen as a reflection of the bandleader's emotional and spiritual state at the time.

Agharta was first released in Japan by CBS/Sony in August 1975 just before Davis temporarily retired due to increasingly poor health and exhaustion. At the record label's suggestion, it was titled after the legendary subterranean city. Davis enlisted Japanese artist Tadanori Yokoo to design its artwork, which depicted the cityscape of an advanced civilization with elements inspired by Eastern subterranean myths, Afrofuturism, and ufology. An alternate cover was produced for its 1976 release in North America by Columbia Records.

A highly divisive record, Agharta further challenged Davis' jazz audience and was widely panned by contemporary critics; reviewers found the music discordant and complained of Cosey's loud guitar sounds and Davis' sparse trumpet playing. It was reevaluated positively in subsequent years, however, as a generation of younger musicians was influenced by the band's abrasive music and cathartic playing, particularly Cosey's effects-laden free improvisations. Agharta has since been viewed as an important jazz-rock record, a dramatically dynamic group performance, and the culmination of Davis' electric period spanning the late 1960s and mid-1970s. (Full article...)

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Portal:Rock music/Selected albums/12 Arthur (Or the Decline and Fall of the British Empire), often referred to simply as Arthur, is the seventh studio album by the English rock band the Kinks, released on 10 October 1969. It was the first Kinks album to feature bassist John Dalton, who replaced Pete Quaife. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning. A stereo version was released internationally with a mono version being released in the UK, but not in the US.

The album was met with poor sales but nearly unanimous acclaim, especially among the American music press. Although Arthur and its first two singles, "Drivin'" and "Shangri-La", failed to chart in the UK, the Kinks returned to the Billboard charts after a two-year absence with "Victoria", the lead single in the US, peaking at number 62. The album itself reached number 105 on the Billboard Top LPs chart, their highest position for three years. Arthur paved the way for the further success of the Kinks' 1970 comeback album Lola Versus Powerman and the Moneygoround, Part One. (Full article...)

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Portal:Rock music/Selected albums/13 Lions is the sixth studio album by American rock band The Black Crowes. It was released in 2001 as their first album on V2 Records following their departure from Columbia, and is their only studio album to feature guitarist Audley Freed. Lions was recorded in New York City in January and February of that year, and was produced by Don Was. Bass guitar duties were shared by Rich Robinson and Was, as Greg Rzab had left the band and was not replaced until the tour that followed the release of the album.

The album debuted on the Billboard 200 at its peak position of 20, selling more than 53,000 copies in its first week. Lions received mixed reviews; although the overall sound of the album generally garnered praise, a frequent complaint was the lack of "memorable" songs. The critics who rated Lions lowest considered it a poor imitation of the band's influences, such as Led Zeppelin.

The band supported Lions with two North American tours (one with Oasis co-headlining), and a short tour of Europe and Japan in between. Soundboard recordings of several concerts were available for download to those who owned the album. Following the tour, the band went on hiatus until 2005. (Full article...)

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Portal:Rock music/Selected albums/14 Love. Angel. Music. Baby. is the debut solo studio album by American singer Gwen Stefani, released on November 12, 2004, by Interscope Records. Stefani, who had previously released five studio albums as lead singer of the rock band No Doubt, began recording solo material in early 2003. She began working on Love. Angel. Music. Baby. as a side project that would become a full album after No Doubt went on hiatus. Stefani co-wrote every song on the album, collaborating with various songwriters and producers including André 3000, Dallas Austin, Dr. Dre, Jimmy Jam and Terry Lewis, the Neptunes and Linda Perry. The album also features guest appearances by Eve and André 3000.

Designed to sound like a 1980s dance record, Love. Angel. Music. Baby. was influenced by artists and bands such as the Cure, Lisa Lisa, New Order, Prince, Depeche Mode and Madonna. The album incorporates a diverse range of genres, including electropop, dance-rock, new wave, and soul, while lyrically, it explores themes of fashion, wealth and relationships. Promotion of the album included the release of six commercially successful singles and the North American Harajuku Lovers Tour. While promoting, Stefani was often accompanied by backup dancers called the Harajuku Girls.

Love. Angel. Music. Baby. was met with generally positive reviews from music critics, and received a total of six Grammy Award nominations, including Album of the Year, during the 2006 ceremony. It debuted at number seven on the US Billboard 200, selling 309,000 copies in its first week, eventually peaking at number five. The album has received multi-platinum sales certifications in several countries and has sold over eight million copies worldwide. (Full article...)

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Portal:Rock music/Selected albums/15 Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded.

Formed in the mid-1960s, the band took the name Alice Cooper in 1968 and became known for its outrageous theatrical live shows. The loose, psychedelic freak rock of the first two albums failed to find an audience. The band moved to Detroit in 1970 where they were influenced by the aggressive hard rock scene. A young Bob Ezrin was enlisted as producer; he encouraged the band to tighten its songwriting over two months of rehearsing ten to twelve hours a day. The single "I'm Eighteen" achieved Top 40 success soon after, peaking at No. 21. This convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. After its release in March 1971, Love It to Death reached No. 35 on the Billboard 200 albums chart and has since been certified platinum. The album's second single, "Caught in a Dream", charted at No. 94.

The original album cover featured the singer Cooper posed with his thumb protruding so it appeared to be his penis; Warner Bros. soon replaced it with a censored version. The Love It to Death tour featured an elaborate shock rock live show: during "Ballad of Dwight Fry"—about an inmate in an insane asylum—Cooper would be dragged offstage and return in a straitjacket, and the show climaxed with Cooper's mock execution in a prop electric chair during "Black Juju". Ezrin and the Coopers continued to work together for a string of hit albums until the band's breakup in 1974. The album has come to be seen as a foundational influence on hard rock, punk, and heavy metal; several tracks have become live Alice Cooper standards and are frequently covered by other bands. (Full article...)

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Portal:Rock music/Selected albums/16 No Line on the Horizon is the twelfth studio album by Irish rock band U2. It was produced by Brian Eno, Daniel Lanois, and Steve Lillywhite, and was released on 27 February 2009. It was the band's first record since How to Dismantle an Atomic Bomb (2004), marking the longest gap between studio albums of their career to that point. The band originally intended to release the songs as two EPs, but later combined the material into a single record. Photographer Anton Corbijn shot a companion film, Linear, which was released alongside the album and included with several special editions.

U2 began work on a new album in 2006 with record producer Rick Rubin but shelved most of the material from those sessions. In May 2007, the group began new sessions with Eno and Lanois in Fez, Morocco, while attending the World Sacred Music Festival. Intending to write "future hymns"—songs that would be played forever—the group spent two weeks recording in a riad, with the producers involved in the songwriting process. The exotic musical influences that the group were exposed to in Fez inspired them to pursue a more experimental sound, but as the sessions unfolded, the band decided to scale back the extent of those pursuits. Having grown tired of writing in the first-person, lead singer Bono wrote his lyrics from the perspective of different characters. Recording continued at several studios in the United States, United Kingdom, and Ireland through December 2008. The group had intended to release No Line on the Horizon in November, but after composing 50 to 60 songs, they delayed the release to continue writing.

Prior to the album's release, U2 claimed that their time in Fez, as well as Eno's and Lanois' involvement, had resulted in a more experimental record than their previous two albums. The band compared the shift in style to that seen between their albums The Joshua Tree (1987) and Achtung Baby (1991). Upon release, No Line on the Horizon received generally favourable reviews, although many critics noted that it was not as experimental as previously suggested. The album debuted at number one in 30 countries but did not sell as well as anticipated; the band expressed disappointment over the relatively low sales of five million copies, compared to previous albums. Following the release of No Line on the Horizon, the band discussed plans to release a meditative follow-up album, Songs of Ascent, but the project has not come to fruition. The supporting U2 360° Tour from 2009 to 2011 broke the record for the highest-grossing concert tour in history, earning over $736 million. (Full article...)

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Portal:Rock music/Selected albums/17 Remain in Light is the fourth studio album by the American rock band Talking Heads, released on October 8, 1980, by Sire Records. Produced by Brian Eno, his third album with the band, the audio was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia during July and August 1980.

After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Drawing influence from Nigerian musician Fela Kuti, they blended African polyrhythms and funk with electronics, recording instrumental tracks as a series of looping grooves. The sessions incorporated a variety of side musicians, including guitarist Adrian Belew, singer Nona Hendryx, and trumpet player Jon Hassell.

Byrne struggled with writer's block, but adopted a scattered, stream-of-consciousness lyrical style inspired by early rap and academic literature on Africa. The artwork was conceived by bassist Tina Weymouth and drummer Chris Frantz, and crafted with the help of the Massachusetts Institute of Technology's computers and design company M&Co. The band hired additional members for a promotional tour, and following its completion, they went on a year-long hiatus to pursue side projects.

Remain in Light was acclaimed by critics, who praised its sonic experimentation, rhythmic innovations, and cohesive merging of disparate genres. The album peaked at number 19 on the US Billboard 200 and number 21 on the UK Albums Chart, and spawned the singles "Once in a Lifetime" and "Houses in Motion". It has been featured in several publications' lists of the best albums of the 1980s and of all time, and is often considered Talking Heads' magnum opus. In 2017, the Library of Congress deemed the album "culturally, historically, or artistically significant", and selected it for preservation in the National Recording Registry. (Full article...)

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Portal:Rock music/Selected albums/18 Smiley Smile is the 12th studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.

Following principal songwriter Brian Wilson's declaration that most of the original Smile tapes would be abandoned, the majority of the recording sessions lasted for six weeks at his makeshift home studio using radio broadcasting equipment, a detuned piano, electronic bass, melodica, found objects for percussion, and a Baldwin theater organ. The unconventional recording process juxtaposed an experimental party-like atmosphere with short pieces of music edited together in a disjointed manner, combining the engineering methods of "Good Vibrations" (1966) with the loose feeling of Beach Boys' Party! (1965). Despite leading these sessions, Wilson deliberately credited the album's production to the group collectively for the first time.

From late 1966 to mid-1967, Smile had been repeatedly delayed while the Beach Boys were subject to a considerable level of media hype proclaiming Wilson to be a "genius". After settling payment disputes with Capitol Records, Smiley Smile was distributed in collaboration with Brother Records, the band's new self-owned record company. A second single, "Gettin' Hungry", was credited to Wilson and Mike Love and failed to chart. Smile was left incomplete as the band immediately moved onto the recording of Lei'd in Hawaii, an unfinished live album featuring performances in the style of Smiley Smile, and Wild Honey, released in December 1967.

Smiley Smile has since become a critical and cult favorite, influencing the development of the lo-fi, ambient, and bedroom pop genres. It is often regarded as one of the finest chill-out albums for having positive effects on listeners experiencing an LSD comedown, a usage adopted by at least one drug clinic. In 1974, it was ranked number 64 in NME's list of the greatest albums of all time. Outtakes and session highlights from the album were included on the compilations The Smile Sessions (2011) and 1967 – Sunshine Tomorrow (2017). (Full article...)

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Portal:Rock music/Selected albums/19 Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge.

Although the Dolls shared an affinity for Morton, they produced little original material with him. To complete Too Much Too Soon, they covered older songs and re-recorded their past demos. Johansen impersonated different characters while singing some of the novelty covers, and Morton incorporated many studio sound effects and female backing vocals in his production. For the album, lead guitarist Johnny Thunders wrote and recorded "Chatterbox", his first recorded performance singing lead.

Too Much Too Soon sold poorly and only charted at number 167 on the Billboard Top LPs & Tape. After a problem-ridden national tour, the New York Dolls were dropped by Mercury and disbanded a few years later. The album received positive reviews from most critics, some of whom felt Morton's production highlighted the group's raw sound and made it a better record than their first. Like their debut album, Too Much Too Soon became one of the most popular cult records in rock music and has since been viewed by music journalists as a precursor to punk rock. (Full article...)

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Portal:Rock music/Selected albums/20 XX or xx may refer to:

• 20 (number), Roman numeral XX (Full article...)

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Portal:Rock music/Selected albums/21 Fôrça Bruta (Brazilian Portuguese: [ˈfoʁsɐ ˈbɾutɐ] ^ⓘ) is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970. Conceived at a time of political tension in dictatorial Brazil, its title comes from the Portuguese term meaning "brute force" and has been interpreted ironically due to the music's relatively relaxed style.

The album introduced an acoustic samba-based music that is mellower, moodier, and less ornate than Ben's preceding work. Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó's groove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements of soul, funk, and rock. Ben's lyrics generally explore themes of romantic passion, melancholy, and sensuality, with women figuring prominently in his songs. In a departure from the carefree sensibility of his past releases, they also feature elements of identity politics and postmodernism, such as irony and reimagining of established idioms.

A commercial and critical success, Fôrça Bruta established Ben as a leading artist in Brazil's Tropicália movement and pioneered a unique sound later known as samba rock. Renown among collectors and musicians but relatively rare outside of its country of origin, the album was released for the first time in the United States in 2007 by the specialty label Dusty Groove America, attracting further critical recognition. That same year, Rolling Stone Brasil named it among its 100 greatest Brazilian albums. (Full article...)

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Portal:Rock music/Selected albums/22 Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer.

An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality.

While innovative for its application of rock and jazz techniques, Song of Innocence was not commercially successful and confounded contemporary critics, who viewed it as an ambitious but foolish curiosity piece. In the 1990s, critics reassessed the album as a classic, while leading disc jockeys in hip hop and electronica rediscovered and sampled its songs. "Holy Thursday", the record's best-known track, was frequently sampled by hip hop producers. The renewed interest in Axelrod's work prompted Stateside Records to reissue Song of Innocence in 2000. (Full article...)

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Portal:Rock music/Selected albums/23 The Pale Emperor is the ninth studio album by American rock band Marilyn Manson. It was released on January 15, 2015, through lead singer Marilyn Manson's Hell, etc. label, and distributed in the United States by Loma Vista Recordings and internationally by Cooking Vinyl. The album was issued in standard and deluxe editions on CD and double LP vinyl, and as a limited edition box set. The standard version of the album contains ten tracks; the deluxe edition includes three acoustic versions as bonus tracks.

Produced by Manson and newcomer Tyler Bates, who Manson met through their mutual involvement in the TV series Californication, The Pale Emperor eschews the band's usual industrial rock style in favor of a sparser, blues rock-influenced sound. The album features drummer Gil Sharone, formerly of Stolen Babies and The Dillinger Escape Plan. It was the first album since his return to the band in 2008 to not include songwriting or performance contributions from bassist Twiggy Ramirez, who was busy with his own projects. The album is dedicated to Manson's mother, who died of Alzheimer's disease during production.

The album was released to positive reviews from music critics. Several writers referred to it as the band's best album in over a decade, and multiple publications ranked it as one of the best albums of 2015. It was also a commercial success, debuting at number eight on the Billboard 200 with the band's highest opening week sales since Eat Me, Drink Me (2007). It topped Billboard's Hard Rock Albums chart, as well as the national albums chart in Switzerland, and peaked within the top ten in fifteen other countries.

Three official singles were released, "Third Day of a Seven Day Binge", "Cupid Carries a Gun" and "Deep Six"; the latter became the band's highest-peaking single on Billboards Mainstream Rock Chart; "The Mephistopheles of Los Angeles" and "The Devil Beneath My Feet" have been released as promotional singles. The album was supported by The Hell Not Hallelujah Tour, which was interspersed with two co-headlining tours: The End Times with The Smashing Pumpkins, and a summer 2016 tour with Slipknot. ('Full article...)

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Portal:Rock music/Selected albums/24 Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.

Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes' own inclusion of sampling, were widely derided. One writer described the album's sound as brash and seemingly "designed to sound hip and modern—'80s style!". Rhodes chose the album title, taken from a line in the 1981 post-apocalyptic film Mad Max 2. The recording process and tension between Rhodes and Strummer left other band members disillusioned. White's and Sheppard's contributions are almost entirely absent in the final mix, and Howard was replaced by an electronic drum machine. Epic Records hoped the album would advance the Clash's success in the United States, and planned an expensive video for a lead single.

On release, Cut the Crap was maligned in the UK music press as "one of the most disastrous [albums] ever released by a major artist". Strummer disowned the album and dissolved the Clash within weeks of its release. He performed only one song from the album live during his solo career, and the album has been excluded altogether from most of the Clash's compilations and box sets. Although it is still generally regarded as the band's worst album, contemporary critics have praised Strummer's songwriting and vocal performance, especially on the tracks "This Is England", "Dirty Punk" and "Three Card Trick". (Full article...)

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Portal:Rock music/Selected albums/25 Pod is the debut studio album by American alternative rock band the Breeders, released by 4AD records on May 29, 1990. Engineered by Steve Albini, the album features band leader Kim Deal on vocals and guitar, Josephine Wiggs on bass, Britt Walford on drums, and Tanya Donelly on guitar. Albini's production prioritized sound over technical accomplishment; the final takes favor the band's spontaneous live "in studio" performances.

The Breeders formed in 1988 when Deal, bass player for Pixies, befriended Donelly of Throwing Muses during a European tour. They recorded a country-infused demo in 1989, leading to 4AD co-founder Ivo Watts-Russell funding an album, Pod, recorded that year at the Palladium studio in Edinburgh, Scotland.

Due in part to Deal's work with the Pixies, the album was widely anticipated, particularly in Europe. It became a critical and popular success, reaching number 22 in the UK. Critics praised its dark, sexualized lyrics, and compared it favorably to the Pixies. Nirvana's Kurt Cobain said it was one of his favorite records, and Pitchfork ranked it number 81 on its list of the best albums of the 1990s. The cover art was designed by Vaughan Oliver and portrays a man performing a fertility dance while wearing a belt of eels. (Full article...)

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Portal:Rock music/Selected albums/26 L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971 by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.

"Love Her Madly" was released as a single in March 1971, preceding the album's release, and reached the Top 20 on the Billboard Hot 100. Upon release, the album peaked at number nine on the Billboard 200 and reached number 28 on the UK Albums Charts. The track "Riders on the Storm" also achieved chart success.

Critics including Richie Unterberger and David Quantick have called L.A. Woman one of the Doors' best albums, citing Morrison's vocal performance and the band's stripped-down return to their blues-rock roots. (Full article...)

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Portal:Rock music/Selected albums/27 Led Zeppelin II is the second studio album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it was also Led Zeppelin's first album on which Eddie Kramer served as engineer.

The album exhibited the band's evolving musical style of blues-derived material and their guitar riff-based sound. It has been described as the band's heaviest album. Six of the nine songs were written by the band, while the other three were reinterpretations of Chicago blues songs by Willie Dixon and Howlin' Wolf. One single, "Whole Lotta Love", was released outside of the UK (the band would release no UK singles during their career), and peaked as a top-ten single in over a dozen markets around the world.

Led Zeppelin II was a commercial success, and was the band's first album to reach number one on charts in the UK and the US. The album's cover designer David Juniper was nominated for a Grammy Award for Best Recording Package in 1970. On 15 November 1999, the album was certified 12× Platinum by the Recording Industry Association of America (RIAA) for sales reaching 12 million copies in the US. Since its release, various writers and music critics have cited Led Zeppelin II as one of the greatest and most influential albums of all time. (Full article...)

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Portal:Rock music/Selected albums/28 The untitled fourth studio album by the English rock band Led Zeppelin, commonly known as Led Zeppelin IV, was released on 8 November 1971 by Atlantic Records. It was produced by the guitarist Jimmy Page and recorded between December 1970 and February 1971, mostly in the country house Headley Grange. The album contains the band's most well-known recording, the eight-minute-long "Stairway to Heaven".

The informal recording environment inspired the band, allowing them to try different arrangements of material and create songs in various styles. After the band's previous album Led Zeppelin III (1970) received lukewarm reviews from critics, they decided their fourth album would officially be untitled and represented instead by four symbols – one chosen by each band member – without featuring the name or any other details on the cover. Unlike the prior two albums, the band was joined by guest musicians: the singer Sandy Denny on "The Battle of Evermore", and the pianist Ian Stewart on "Rock and Roll". As with prior albums, most of the material was written by the band, though there was one cover song, a hard rock re-interpretation of the Memphis Minnie blues song "When the Levee Breaks".

The album was an instant critical and commercial success and is Led Zeppelin's best-selling album, having shipped over 37 million copies worldwide. It is one of the best-selling albums in the US and of all time, while critics have regularly placed it high on lists of the greatest albums of all time. (Full article...)

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Portal:Rock music/Selected albums/29 Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released on 5 October 1970. It was recorded in three locations. Much of the work was done at Headley Grange, a country house, using the Rolling Stones Mobile Studio. Additional sessions were held at Island Studios and Olympic Studios in London. As with the prior album, the band eschewed the use of guest musicians, with all music performed by band members Robert Plant (vocals), Jimmy Page (guitars), John Paul Jones (bass, keyboards), and John Bonham (drums). The range of instruments played by the band was greatly enhanced on this album, with Jones especially emerging as a talented multi-instrumentalist, playing a wide range of keyboard and stringed instruments, including various synthesizers, mandolin and double bass, in addition to his usual bass guitar. As with prior albums, Page served as producer on the album, with mixing done by Andy Johns and Terry Manning.

The album showed a progression from straightforward rock towards folk and acoustic music. While hard rock influences were still present, such as on "Immigrant Song", acoustic-based songs such as "Gallows Pole" and "That's the Way" showed Led Zeppelin were capable of playing different styles successfully. The band wrote most of the material themselves, but as with prior records, included two songs that were re-interpretations of earlier works: "Gallows Pole", based on a traditional English folk song, by way of American singer Fred Gerlach; and "Hats Off to (Roy) Harper", a reworking of a blues song by Bukka White. The acoustic material developed from a songwriting session between Plant and Page at Bron-Yr-Aur cottage in Wales, which influenced the musical direction.

The album was one of the most anticipated of 1970, and its shipping date was held up by the intricate inner sleeve design based around a volvelle, with numerous images visible through holes in the outer cover. It was an immediate commercial success upon release and topped the UK and US charts. Although many critics were initially confused over the change in musical style and gave the album a mixed response, Led Zeppelin III has since been acknowledged as representing an important milestone in the band's history and a turning point in their music. (Full article...)

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Portal:Rock music/Selected albums/30 Led Zeppelin (sometimes referred to as Led Zeppelin I) is the debut studio album by English rock band Led Zeppelin. It was released on 13 January 1969 in the United States and on 31 March 1969 in the United Kingdom by Atlantic Records.

The album was recorded in September and October 1968 at Olympic Studios in London, shortly after the band's formation. It contains a mix of original material worked out in the first rehearsals, and remakes and rearrangements of contemporary blues and folk songs. The sessions took place before the group had secured a recording contract and totalled 36 hours; they were paid for directly by Jimmy Page, the group's founder, leader and guitarist, and Led Zeppelin's manager Peter Grant, costing £1,782 (equivalent to £31,203 in 2021) to complete. They were produced by Page, who as a musician was joined by band members Robert Plant (lead vocals, harmonica), John Paul Jones (bass, keyboards), and John Bonham (drums). Percussionist Viram Jasani appears as a guest on one track. The tracks were mixed by Page's childhood friend Glyn Johns, and the iconic album cover showing the Hindenburg disaster was designed by George Hardie.

Led Zeppelin showcased the group's fusion of blues and rock, and their take on the emerging hard rock sound was immediately commercially successful in both the UK and US, reaching the top 10 on album charts in both countries, as well as several others. Many of the songs were longer and not well suited to be released as singles for radio airplay; Page was reluctant to release "singles", so only "Good Times Bad Times", backed with "Communication Breakdown", was released outside of the UK. However, due to exposure on album-oriented rock radio stations, and growth in popularity of the band, many of the album's songs have become classic rock radio staples. (Full article...)

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Portal:Rock music/Selected albums/31 The Joshua Tree is the fifth studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records. In contrast to the ambient experimentation of their 1984 release, The Unforgettable Fire, the band aimed for a harder-hitting sound within the limitation of conventional song structures on The Joshua Tree. The album is influenced by American and Irish roots music, and through sociopolitically conscious lyrics embellished with spiritual imagery, it contrasts the group's antipathy for the "real America" with their fascination with the "mythical America".

Inspired by American experiences, literature, and politics, U2 chose America as a theme for the album. Recording began in January 1986 in Ireland, and to foster a relaxed, creative atmosphere, the group primarily recorded in two houses. Several events during the sessions helped shape the conscious tone of the album, including the band's participation in the Conspiracy of Hope benefit concerts for Amnesty International, the death of roadie Greg Carroll, and lead vocalist Bono's travels to Central America. Recording was completed in November 1986; additional production continued into January 1987. Throughout the sessions, U2 sought a "cinematic" quality for the record, one that would evoke a sense of location, in particular, the open spaces of the United States. They represented this in the sleeve photography depicting them in American desert landscapes.

The Joshua Tree received critical acclaim, topped the charts in over 20 countries, and became the fastest-selling album in British history. According to Rolling Stone, the album increased the band's stature "from heroes to superstars". It produced the hit singles "With or Without You", "I Still Haven't Found What I'm Looking For", and "Where the Streets Have No Name", the first two of which became the group's only number-one singles in the US. The album won Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1988. The group supported the record with the Joshua Tree Tour throughout 1987, during which they began to perform in stadiums for the first time in their career.

Frequently listed among the greatest albums of all time, The Joshua Tree is one of the world's best-selling albums, with over 25 million copies sold. U2 commemorated the record's 20th anniversary with a remastered re-release, and its 30th anniversary with concert tours and a reissue. In 2014, The Joshua Tree was inducted in the Grammy Hall of Fame, and was selected for preservation in the US National Recording Registry for being deemed "culturally, historically, or aesthetically significant" by the Library of Congress. (Full article...)

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Portal:Rock music/Selected albums/32 Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969. Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker.

Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording of the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career.

Upon its release, Tommy was acclaimed by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. In 1998, Tommy was inducted into the Grammy Hall of Fame.

Subsequently, the rock opera was developed into other media, including a Seattle Opera production in 1971, an orchestral version by Lou Reizner in 1972, a film in 1975, and a Broadway musical in 1992. Tommy has been reissued several times on CD, including a remix by Jon Astley in 1996, a deluxe Super Audio CD in 2003, and a super deluxe box set in 2013, including previously unreleased demos and live material. (Full article...)

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Portal:Rock music/Selected albums/33 Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.

The Who recorded Who's Next with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and "Baba O'Riley", which were both released as singles. The cover photo was shot by Ethan Russell; it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured the band standing by a concrete piling protruding from a slag heap in South Yorkshire, apparently having urinated against it.

The album was an immediate critical and commercial success and has since been viewed by many critics as the Who's best album, as well as one of the greatest albums of all time. It has been reissued on CD several times, often with additional songs originally intended for Lifehouse included as bonus tracks. Who's Next was ranked number 77 on Rolling Stones 2020 edition of its "The 500 Greatest Albums of All Time" list. ('Full article...)

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Portal:Rock music/Selected albums/34 Almendra (pronounced [alˈmendɾa]; Spanish for "almond") is the self-titled debut studio album by Argentine rock band Almendra which was released in 1969 on Vik, a subsidiary of RCA Victor. To distinguish it from the band's next release, Almendra II, it is also known as Almendra I. The album represented the first full-length musical endeavour of nineteen-year-old Luis Alberto Spinetta, having formed the band in the mid 1960s along with Emilio del Guercio, Edelmiro Molinari and Rodolfo García. The famous artwork, showing a crying man with a toy arrow stuck on his head, was designed by Spinetta to embody the different lyrical themes of the album.

By the late 1960s, the nueva ola phenomenon was losing popularity and Los Gatos' debut single, "La balsa", had catapulted the emergence of Argentine rock. The success of Los Gatos paved the way for Manal and Almendra; the three groups are considered the foundational trilogy of Argentine rock, singing serious and artistic songs in Spanish at a time when this was discouraged. Spinetta's lyricism has been celebrated for its poetry, surrealism and idiosyncratic use of grammar and accent. Almendra incorporated musical influences from the Beatles, jazz, and Argentine music such as tango and folk music.

Upon release, the album achieved critical and commercial success, aided by the popularity of the single "Muchacha (ojos de papel)", which remains one of Spinetta's most celebrated compositions. Almendra is often listed as one of the greatest and most influential albums in the history of Argentine rock music, serving as a foundation of what is locally known as rock nacional and, by extension, rock en español in general. The album remains a paradigm of Argentine 1960s youth culture, signaling the growing influence of the counterculture of that decade in the country. (Full article...)

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Portal:Rock music/Selected albums/35 Bad is the seventh studio album by the American singer-songwriter Michael Jackson. It was released on August 31, 1987, by Epic Records. Written and recorded between 1985 and 1987, Bad was Jackson's third and final collaboration with the producer Quincy Jones. Jackson co-produced and composed all but two tracks, and adopted an edgier image and sound, departing from his signature groove-based style and falsetto. Bad incorporates pop, rock, funk, R&B, dance, soul, and hard rock styles, and incorporated new recording technology, including digital synthesizers. The lyrical themes include media bias, paranoia, racial profiling, romance, self-improvement, and world peace. The album features appearances from Siedah Garrett and Stevie Wonder.

Nine singles were released, including a record-breaking five number ones: "I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana". Bad was promoted with the film Moonwalker (1988), which included the music videos for several Bad songs. The Bad tour, Jackson's first solo world tour, grossed $125 million (equivalent to $322 million in 2023), making it the highest-grossing solo concert tour of the 1980s. Jackson performed 123 concerts in 15 countries to an audience of 4.4 million.

Released nearly five years after Jackson's previous album, Thriller (1982), anticipation for Bad was high. In the US, Bad debuted at number one on the Billboard Top Pop Albums chart, selling more than 2.25 million copies in its first week. It reached number one in 24 other countries, including the UK, where it sold 350,000 copies in its first week and was the bestselling album of 1987. Bad was the bestselling album worldwide of 1987 and 1988. By 1991, it was the second-bestselling album of all time, behind Thriller, having sold 25 million copies worldwide. In 2021, it was certified eleven times platinum in the US.

Bad received positive reviews, particularly for Jackson's vocals and the rich, more polished production. It was nominated for six Grammy Awards, including Album of the Year, and won Best Engineered Recording – Non Classical and Best Music Video (for "Leave Me Alone"). In 1988, Jackson received the first Billboard Spotlight Award, in recognition of the record-breaking chart success on the Billboard Hot 100. For his Bad videos and previous videos, Jackson received the MTV Video Vanguard Award. Bad is now seen as a staple of 1980s pop music and an extension of Jackson's influence on popular culture. It has been named by several publications as one of the greatest albums of all time. In 2012, the album's 25th anniversary, an expanded reissue, Bad 25, and a documentary film, Bad 25, were released. (Full article...)

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Portal:Rock music/Selected albums/36 Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with Billy Cox on bass and Buddy Miles on drums, frequently referred to as the Band of Gypsys. The album mixes funk and rhythm and blues elements with hard rock and jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death six months later.

After his appearance at Woodstock with an interim group that included Cox, Hendrix began developing new songs and recording demos. When Miles became involved, he and Cox agreed to record a live album with Hendrix to be used to settle a contract dispute with a former manager. The new material, influenced by Cox's and Miles' musical approaches, signals a new direction for Hendrix. Songs such as "Power of Soul" and "Message to Love" (originally "Power to Love" and "Message of Love") still maintain the dominant role of Hendrix's guitar, but show funk and R&B influences. Lyrically, they also explore new, more humanistic themes for Hendrix. The two songs written and sung by Miles bear the stylings of soul music. The anti-riot and anti-war "Machine Gun" draws on Hendrix's earlier blues aspirations, but incorporates new approaches to guitar improvisation and tonal effects.

As the album's producer, Hendrix had a difficult time completing the task. Presented with the sometimes problematic recordings and resigned to turning it over to a different record company, Hendrix expressed his dissatisfaction with the final product. Shortly after its release, Band of Gypsys reached the top ten of the album charts in the US and UK as well as appearing in charts in several other countries. Although it was as popular as his albums with the Experience, it received mixed reviews. Some faulted the performances as tentative and underprepared; additionally, Miles' contributions on drums and vocals have been characterized as plodding and obtrusive. "Machine Gun" is generally regarded as the album's highlight and one of Hendrix's greatest achievements. The influence of Band of Gypsys is heard in the funk rock developments of the 1970s and has been cited as an inspiration by various later rock musicians. Reissues of the album on compact disc included three extra songs recorded during the Fillmore East shows, and additional material has been released on later albums. (Full article...)

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Portal:Rock music/Selected albums/37 Here Come the Warm Jets is the debut solo album by Brian Eno (mononymously credited as "Eno"), released on Island Records on 8 February 1974. It was recorded and produced by Eno following his departure from Roxy Music, and blends glam and pop stylings with avant-garde approaches. The album features numerous guests, including several of Eno's former Roxy Music bandmates along with members of Hawkwind, Matching Mole, Pink Fairies, Sharks, Sweetfeed, and King Crimson. Eno employed unusual directions and production methods to coax unexpected results from the musicians.

Here Come the Warm Jets peaked at number 26 on the United Kingdom album charts and number 151 on the US Billboard charts, receiving mostly positive reviews. It was re-issued on compact disc in 1990 on Island Records and remastered in 2004 on Virgin Records, and continued to elicit praise. (Full article...)

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Portal:Rock music/Selected albums/38 Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released on 28 March 1973 in the United States and on 30 March 1973 in the United Kingdom by Atlantic Records. The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti (1975) and Coda (1982). All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass, keyboards), and John Bonham (drums). The album was produced by Page and mixed by Eddie Kramer. The cover was the first for the band to be designed by Hipgnosis and was based on a photograph taken at Giant's Causeway in Northern Ireland.

Although critical response was mixed, Houses of the Holy became a commercial success, later receiving a Diamond certification by the Recording Industry Association of America (RIAA) in 1999 for at least 10 million copies sold in the US. In 2020, the album was ranked at number 278 on Rolling Stones 2020 list of the "500 Greatest Albums of All Time". ('Full article...)

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Portal:Rock music/Selected albums/39 Hybrid Theory is the debut studio album by American rock band Linkin Park, released on October 24, 2000, by Warner Bros. Records. Recorded at NRG Recordings in North Hollywood, California, and produced by Don Gilmore, the album's lyrical themes deal with problems lead vocalist Chester Bennington experienced during his adolescence, including drug abuse and the constant fighting and eventual divorce of his parents. Hybrid Theory takes its title from the previous name of the band as well as the concept of music theory and combining different styles. It is also the band's only album on which bassist Dave "Phoenix" Farrell does not play.

Four singles were released from Hybrid Theory: "One Step Closer", "In the End", "Crawling" and "Papercut", all of them being responsible for launching Linkin Park into mainstream popularity. While "In the End" was the most successful of the four, all of the singles in the album remain some of the band's most successful songs to date. Although "Runaway", "Points of Authority", and "My December" from the special edition bonus disc album were not released as singles, they were minor hits on alternative rock radio stations thanks to the success of all of the band's singles and the album; "Runaway" has also made several appearances on radio stations.

Generally receiving positive reviews from critics upon its release, Hybrid Theory became a strong commercial success. Peaking at number two on the US Billboard 200, it is certified 12× Platinum by the Recording Industry Association of America (RIAA). It also reached the top 10 in 15 other countries and has sold 32 million copies worldwide, making it the best-selling debut album since Guns N' Roses's Appetite for Destruction (1987). At the 44th Grammy Awards, it won Best Hard Rock Performance for "Crawling".

On August 13, 2020, Warner Records announced a re-release of Hybrid Theory for its 20th anniversary. A previously unreleased demo song, "She Couldn't", was released at the same time. (Full article...)

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Portal:Rock music/Selected albums/40 Live and Dangerous is a live double album by the Irish rock band Thin Lizzy, released in June 1978. It was recorded in London in 1976, and Philadelphia and Toronto in 1977, with further production in Paris. It was also the last Thin Lizzy album to feature guitarist Brian Robertson, who left the band shortly after its release.

The band decided to release a live album after their producer Tony Visconti did not have enough time to work on a full studio session. They listened through various archive recordings from earlier tours and compiled the album from the best versions. Various studio overdubs were made to the live recordings during early 1978 in Paris; exactly how much of the album is overdubbed has been a contentious topic since its release. The album reached No. 2 in the UK Albums Chart, ultimately selling over half a million copies in the UK. It has continued to attract critical acclaim and it has appeared in several lists of the greatest live albums of all time. (Full article...)

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Portal:Rock music/Selected albums/41 Moondance is the third studio album by Northern Irish singer-songwriter Van Morrison. It was released on 27 January 1970 by Warner Bros. Records. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969.

The album found Morrison abandoning the abstract folk jazz compositions of Astral Weeks in favour of more formally composed songs, which he wrote and produced entirely himself. Its lively rhythm and blues/rock music was the style he would become most known for in his career. The music incorporated soul, jazz, pop, and Irish folk sounds into songs about finding spiritual renewal and redemption in worldly matters such as nature, music, romantic love, and self-affirmation.

Moondance was an immediate critical and commercial success. It helped establish Morrison as a major artist in popular music, while several of its songs became staples on FM radio in the early 1970s. Among the most acclaimed records in history, Moondance frequently ranks in professional listings of the greatest albums. In 2013, the album's remastered deluxe edition was released to similar acclaim. (Full article...)

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Portal:Rock music/Selected albums/42 No Jacket Required is the third solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 18 February 1985 by Virgin Records in the UK and by Atlantic and WEA internationally.

After finishing touring commitments with Genesis and working with Eric Clapton in 1984, Collins resumed his solo career and started work on a new album. He made a conscious decision to write more uptempo and dance-oriented songs, as much of his previous material was influenced by matters surrounding his first divorce. The album features Helen Terry, Peter Gabriel, and Sting as guest backing vocalists. Some songs, like "Don't Lose My Number" and "Sussudio", were based around improvisation, and others, like "Long Long Way to Go", had a political message.

No Jacket Required was received favourably by the majority of critics and was a huge worldwide commercial success, reaching number one in the UK for five consecutive weeks and for seven non-consecutive weeks in the US. It was the second-best-selling album of 1985 in the UK, behind Dire Straits' Brothers in Arms. "One More Night", "Sussudio", "Don't Lose My Number" and "Take Me Home" were released as singles with corresponding music videos. All four were top ten hits on the Billboard Hot 100 chart, with "Sussudio" and "One More Night" reaching number one. The three singles released in the UK all reached the top 20. Some tracks were featured on the television shows Miami Vice and Cold Case, and "The Man with the Horn" was re-written and re-recorded for the episode "Phil the Shill".

In 2001, No Jacket Required was certified Diamond by the Recording Industry Association of America for selling 12 million copies in the US and amassed worldwide sales of over 25 million copies, making it one of the best-selling albums of all time. It won three Grammy Awards, including Album of the Year. The No Jacket Required World Tour saw Collins perform 85 concerts which culminated with a performance at both Live Aid shows in London and Philadelphia. Remixes of six songs from the album were released on the compilation 12"ers (1987). In 2010, it was among ten albums nominated for the best British album of the previous 30 years by the Brit Awards. It ranked No. 74 on the Rock and Roll Hall of Fame's "Definitive 200" list. A remastered deluxe edition with updated artwork and bonus tracks was released in 2016. (Full article...)

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Portal:Rock music/Selected albums/43 Reckless is the fourth studio album by Canadian singer-songwriter Bryan Adams, released by A&M Records on 5 November 1984 to coincide with Adams' 25th birthday. Like its predecessor Cuts Like a Knife, the album was entirely produced by Adams and Bob Clearmountain.

Reckless was commercially successful, selling over 12 million copies worldwide, making it Adams' second highest-selling studio album to date - behind his 1991 album "Waking up the Neighbours". It was also the first Canadian album to sell over one million copies within Canada, and is certified eleven-times platinum in the country. The album peaked at number one on the US Billboard 200. The album has also received positive reviews from critics, with contemporary reviews praising its songwriting and sonic quality.

Six singles were released from the album: "Run to You", "Somebody", "Heaven", "Summer of '69", "One Night Love Affair", and "It's Only Love"; all six singles charted within the top-twenty on the US Billboard Hot 100. (Full article...)

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Portal:Rock music/Selected albums/44 So is the fifth studio album by English singer-songwriter Peter Gabriel, released on 19 May 1986 by Charisma Records and Virgin Records. After working on the soundtrack to the film Birdy (1984), producer Daniel Lanois was invited to remain at Gabriel's Somerset home during 1985 to work on his next solo project. Initial sessions for So consisted of Gabriel, Lanois and guitarist David Rhodes, although these grew to include a number of percussionists.

Although Gabriel continued to use the pioneering Fairlight CMI digital sampling synthesizer, songs from these sessions were less experimental than his previous material. Nevertheless, Gabriel drew on various musical influences, fusing pop, soul, and art rock with elements of traditional world music, particularly African and Brazilian styles. It is Gabriel's first non-eponymous album, So representing an "anti-title" that resulted from label pressure to "properly" market his music. Gabriel toured So on the This Way Up tour (1986–1987), with some songs performed at human rights and charity concerts during this period.

Often considered his best and most accessible album, So was an immediate commercial success and transformed Gabriel from a cult artist into a mainstream star, becoming his best-selling solo release. It has been certified fivefold platinum by the Recording Industry Association of America and triple platinum by the British Phonographic Industry. The album's lead single, "Sledgehammer", was promoted with an innovative animated music video and achieved particular success, reaching number one on the Billboard Hot 100 and subsequently winning a record of nine MTV Video Music Awards. It was followed by four further singles, "Don't Give Up" (a duet with Kate Bush), "Big Time", "In Your Eyes", and "Red Rain".

The album received positive reviews from most critics, who praised its songwriting, melodies and fusion of genres, although some retrospective reviews have criticised its overt commercialism and 1980s production sounds. So was nominated for the Grammy Award for Album of the Year in 1987 but lost to Paul Simon's Graceland. It has appeared in lists of the best albums of the 1980s, and Rolling Stone included the album in their 2003 and 2020 editions of the 500 Greatest Albums of All Time. In 2000 it was voted number 82 in Colin Larkin's All Time Top 1000 Albums. So was remastered in 2002, partially re-recorded for Gabriel's 2011 orchestral project New Blood and issued as a box set in 2012. (Full article...)

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Portal:Rock music/Selected albums/45 Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles, California, in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was dependent on drugs, especially cocaine, and later said that he recalled almost nothing of the production.

The commercial success of his previous release, Young Americans (1975), allowed Bowie greater freedom when he began recording his next album. The sessions established the lineup of guitarist Carlos Alomar, bassist George Murray and drummer Dennis Davis that Bowie would use for the rest of the decade, and also featured contributions by guitarist Earl Slick and pianist Roy Bittan. Musically, Station to Station was a transitional album for Bowie, developing the funk and soul of Young Americans while presenting a new direction influenced by electronic music and the German music genre of krautrock, particularly bands such as Neu! and Kraftwerk. The lyrics reflected Bowie's preoccupations with Friedrich Nietzsche, Aleister Crowley, mythology and religion.

Preceded by the single "Golden Years", Station to Station was a commercial success, reaching the top five on the UK and US charts. After scrapping a soundtrack for The Man Who Fell to Earth, Bowie supported the album with the Isolar Tour in early 1976, during which he attracted controversy with statements suggesting support for fascism. At the end of the tour, he moved to Europe to remove himself from L.A.'s drug culture. The styles explored on Station to Station culminated in some of Bowie's most acclaimed work with the Berlin Trilogy over the next three years. Positively received by music critics on its release, Station to Station has appeared on several lists of the greatest albums of all time. It has been reissued multiple times and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set. (Full article...)

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Portal:Rock music/Selected albums/46 Sweetheart of the Rodeo is the sixth album by American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.

The album was conceived as a history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, this concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from session musicians including Lloyd Green, John Hartford, JayDee Maness, and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, and some of Parsons' vocals were re-recorded, partly due to legal issues. By the time the album was released Parsons had left the band. The Byrds' move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment, who viewed the Byrds as a group of hippies attempting to subvert country music.

Upon its release, the album reached number 77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, "You Ain't Goin' Nowhere", which achieved modest success, and "I Am a Pilgrim", which failed to chart. The album received mostly positive reviews in the music press, but the band's shift away from psychedelic music alienated much of its pop audience. Despite being the least commercially successful Byrds' album to date upon release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album. (Full article...)

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Portal:Rock music/Selected albums/47 The Hunting Party is the sixth studio album by American rock band Linkin Park. The album, produced by band members Mike Shinoda and Brad Delson, was released by Warner Bros. Records and Machine Shop on June 13, 2014. It is the first album since Meteora (2003) not to be produced with Rick Rubin, who produced the band's previous three studio albums.

Stylistically, The Hunting Party is a departure from the electronic rock and experimental sound of the band's previous two studio albums, A Thousand Suns (2010) and Living Things (2012) and marks a return to the band’s nu metal sound. The album, described by Shinoda as simply "a rock record", serves as a statement by the band against contemporary mainstream and active rock bands, accused by him as "trying to be other bands and playing it safe". Packaged by an artwork by Brandon Parvini based on an original drawing by James Jean, the album took under a year to record and produce, with material being improvisationally written by the band. The album also features guest appearances from Helmet's Page Hamilton, System of a Down's Daron Malakian, Rage Against the Machine's Tom Morello, and Rakim, marking the first time Linkin Park has collaborated with other artists on a studio album.

The album was promoted by the band and Warner Bros, with multiple promotional teasers and interviews produced and published in the lead-up to the album's release and listening parties of the album being held worldwide on multiple dates. The band embarked on the Carnivores Tour, a double-headline tour with Thirty Seconds to Mars, as well as The Hunting Party Tour, in support of the album. Five singles from The Hunting Party have been released; "Guilty All the Same" in March 2014, "Until It's Gone" in May 2014, and "Wastelands", "Rebellion" and "Final Masquerade" in June 2014.

The album received generally positive reviews from critics, who praised its return to the heavier rock sound of their older albums. It debuted at number three on the US Billboard 200, and has placed at number four on Revolver's list of "The 20 Best Albums of 2014". The album was certified Platinum in United States for the sales of one million copies. (Full article...)

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Portal:Rock music/Selected albums/48 The Velvet Underground & Nico is the debut studio album by the American rock band The Velvet Underground and the German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. The album features experimental performance sensibilities and explicit lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy.

The Velvet Underground & Nico underperformed in sales and polarized critics on release due to its abrasive, unconventional sound and controversial lyrical content, but later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time. Described as "the original art-rock record", it was a major influence on many subgenres of rock music and alternative music, including punk, garage, krautrock, post-punk, noise rock, shoegaze, goth, and indie. In 1982, English musician Brian Eno quipped that while the album only sold approximately 30,000 copies in its first five years, "everyone who bought one of those 30,000 copies started a band". The album was ranked number 13 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003, re-ranked to number 23 on the 2020 updated list. In 2006, it was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". (Full article...)

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Portal:Rock music/Selected albums/49 Waking Up the Neighbours is the sixth studio album by Canadian singer-songwriter Bryan Adams, released on September 24, 1991. The album was recorded at Battery Studios in London and The Warehouse Studio in Vancouver, mixed at Mayfair Studios in London, and mastered by Bob Ludwig at Masterdisk in New York City.

The album received critical acclaim and reached the number one position on the album charts in at least eight countries, becoming Adams' second best-selling album worldwide. Its first single, "(Everything I Do) I Do It for You", stayed at number one on the UK Singles Chart for a record sixteen consecutive weeks. The album was also notable in Canada for creating controversy concerning the system of Canadian content. (Full article...)

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Portal:Rock music/Selected albums/50 Zooropa is the eighth studio album by Irish rock band U2. Produced by Flood, Brian Eno, and the Edge, it was released on 5 July 1993 on Island Records. Inspired by the band's experiences on the Zoo TV Tour, Zooropa expanded on many of the tour's themes of technology and media oversaturation. The record was a continuation of the group's experimentation with alternative rock, electronic dance music, and electronic sound effects that began with their previous album, Achtung Baby, in 1991.

U2 began writing and recording Zooropa in Dublin in February 1993, during a six-month break between legs of the Zoo TV Tour. The record was originally intended as an EP to promote the "Zooropa" leg of the tour that was to begin in May 1993, but during the sessions, the group decided to extend the record to a full-length album. Pressed for time, U2 wrote and recorded at a rapid pace, with songs originating from many sources, including leftover material from the Achtung Baby sessions. The album was not completed in time for the tour's resumption, forcing the band to travel between Dublin and their tour destinations in May to complete mixing and recording.

Zooropa received generally favourable reviews from critics. Despite none of its three singles—"Numb", "Lemon", and "Stay (Faraway, So Close!)"—being hits consistently across regions, the record sold well upon release, charting in the top ten of 26 countries. The album's charting duration and lifetime sales of 7 million copies, however, were less than those of Achtung Baby. In 1994, Zooropa won the Grammy Award for Best Alternative Music Album. Although the record was a success and music journalists view it as one of the group's most creative works, the band regard it with mixed feelings. (Full article...)

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Portal:Rock music/Selected albums/51 11 is the eleventh studio album by Canadian singer-songwriter Bryan Adams. The album was released by Polydor Records on March 17, 2008. 11 was the first release of new Adams material since Colour Me Kubrick in 2005 and the first studio album in four years since Room Service. Adams, Jim Vallance, Eliot Kennedy, Gretchen Peters, Trevor Rabin and Robert John "Mutt" Lange received producing and writing credits. Similar to Adams' previous material, the themes in 11 are mainly based on love, romance, and relationships. 11 received generally mixed reviews from contemporary music critics.

Three songs were released from the album in various forms: "I Thought I'd Seen Everything", "Tonight We Have the Stars" and "She's Got a Way", of which all were released internationally. "I Thought I'd Seen Everything" was the only one to have any lasting effects on the music chart, reaching mostly the Top 50, Top 100 and Top 200 in Europe and Canada. Adams was nominated for a Juno Award in the category "Best Artist" in 2009 for this record.

The album peaked within the top ten in eleven territories worldwide, including Canada (with sales just below 10,000 units in its first week), the United Kingdom, Germany, Denmark and Switzerland. 11 charted within the top twenty in three other territories. (Full article...)

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Portal:Rock music/Selected albums/52 A Different Kind of Truth is the twelfth and final studio album by American rock band Van Halen. Released on February 7, 2012, by Interscope Records, this is Van Halen's only studio album on Interscope and its first full-length album of studio material with lead singer David Lee Roth since 1984. Likewise, A Different Kind of Truth was Van Halen's first studio album since 1998's Van Halen III, as well as their only studio album recorded without bassist Michael Anthony, who had played bass on all of the band's previous albums; Eddie Van Halen's son Wolfgang replaced Anthony for the album, making this his only studio album with the band. It would also be Van Halen's final studio album before Eddie's death and the group's subsequent disbandment in 2020.

A Different Kind of Truth was recorded at Henson Recording Studios and Eddie Van Halen's own 5150 Studios and produced by John Shanks. Seven of the album's 13 songs are musically re-worked and lyrically re-written songs that had been demoed in the late-1970s/early 1980s, but never officially released. The album received positive reviews upon release, with several writers referring to it as a return to form, and multiple publications ranked it as one of the best albums of 2012. It was also a commercial success, debuting in the top ten on numerous record charts. It debuted at No. 2 on the Billboard 200 and, by the end of 2012, had sold in excess of 411,000 copies in the United States alone. The album was promoted with an arena tour. (Full article...)

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Portal:Rock music/Selected albums/53 All That Is Within Me is the fifth studio album by American Christian rock band MercyMe. Produced by Brown Bannister, it was released on November 20, 2007 through INO Records. The album, intended by the band to be a worship album split between covers and original songs, was recorded following the band's tour with Audio Adrenaline in promotion of their previous studio album Coming Up to Breathe (2006). Although the band intended to write material for a new album during the tour, they had only written one song by the time they entered their recording studio, Cider Mountain Studio in Athol, Idaho. The band wrote so many songs at the studio that they decided not to include any cover songs; all of the songs on the album but one were written or co-written by the band. The album was described as being a rock and worship album, being aimed directly at a Christian audience.

All That Is Within Me received mostly positive reviews from critics, some of which considered it MercyMe's best record to that point. However, some critics felt the album was too similar to the band's previous works. The album sold 84,000 copies in its first week, debuting at number one on the Billboard Christian Albums chart and number 15 on the Billboard 200. Three singles were released to radio: "God with Us", which spent eight weeks at number one on the Billboard Christian Songs chart, "You Reign", which peaked at number two on the Christian Songs chart and spent four weeks atop the Billboard Christian AC Songs chart, and "Finally Home", which peaked at number three on the Christian Songs chart and number 16 on the Billboard Adult Contemporary chart. All That Is Within Me has been certified Gold by the Recording Industry Association of America (RIAA), signifying shipments of over 500,000 copies. (Full article...)

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Portal:Rock music/Selected albums/54 Almost There is the first studio album by the American Christian rock band MercyMe. Produced by Pete Kipley, it was released on August 14, 2001, by INO Records. After releasing six albums as an unsigned band, they decided to pursue a record contract because it became too difficult to sell albums, book shows, and manage themselves. The band was assigned to work with Kipley, who had not produced a major project before. Four songs on the album had previously appeared on their self-released albums; the rest were newly recorded songs. Critics have characterized the music on the album as contemporary worship and pop rock, with a more radio-friendly sound than the band's self-released albums.

Almost There received critical acclaim from music critics, who praised the album's songwriting; "I Can Only Imagine" received particular compliments. Critics were more divided on the album's sound. Some felt the album was "innovative" or "fresh", while others felt it was middle-of-the-road or derivative. CCM Magazine listed it in their 25th anniversary edition as one of '100 Albums You Need to Own'.

"Bless Me Indeed (Jabez's Song)" was released as the album's lead single; however, it underperformed on the charts, leading initially to poorer than expected sales for the album. The second single, "I Can Only Imagine", peaked at number one on the Radio & Records Christian AC chart in 2002. Its success contributed to a sharp increase in sales, and the song stayed on the Christian charts so long that plans for a third single from the album were scrapped. After the song crossed over to mainstream radio in 2003, the album peaked at number 39 on the Billboard 200 and number one on the Billboard Christian Albums chart. Billboard ranked it as the fourth best-selling Christian album of the 2000s in the United States. Almost There has been certified triple platinum by the Recording Industry Association of America (RIAA) and has sold over 3 million copies in the United States. (Full article...)

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Portal:Rock music/Selected albums/55 American Tragedy is the second studio album by American rap rock band Hollywood Undead. Production for the album began following the induction of Daniel Murillo into the band in early 2010 and lasted until December. Don Gilmore and Ben Grosse, who helped produce the band's debut album, Swan Songs (2008), also returned to produce the album along with several other producers including Kevin Rudolf, Sam Hollander, Dave Katz, Griffin Boice, Jeff Halavacs, and Jacob Kasher. The album is musically heavier and features darker lyrical content than the band's previous effort. Originally set to release in March, American Tragedy was released on April 5, 2011 in the United States and was released on various other dates that month in other countries. A remix of the album, American Tragedy Redux, was released on November 21, 2011.

The album debuted at number four on the US Billboard 200, selling approximately 67,000 copies in its first week in the United States, and ended up becoming the 142nd best selling album of 2011 in the US. It also charted in a few other countries, including Canada and the UK, a first for the band. The album also had five singles: "Hear Me Now", "Been to Hell", "Coming Back Down", "Comin' in Hot", and "My Town", with music videos being made for all of them except "Coming Back Down" as it was released on the same day as "Been to Hell". The band participated in three headlining tours: the Revolt Tour, the Endless Summer Tour, and the World War III Tour, as well as other supporting tours throughout 2011 to promote the album. Upon release, American Tragedy received mixed reviews. Critics consistently noted the darker and more serious tone of the album, but to mixed reception. Lyrics were widely criticized while the energy and instruments were praised in most reviews. (Full article...)

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Portal:Rock music/Selected albums/56 Bat Out of Hell II: Back into Hell is the sixth studio album by American rock singer Meat Loaf and the second one in the Bat Out of Hell trilogy, which was written and produced by Jim Steinman. It was released on September 14, 1993, sixteen years after Meat Loaf's first solo album Bat Out of Hell. The album reached number 1 in the United States, United Kingdom and Canada. Five tracks were released as singles, including "I'd Do Anything for Love (But I Won't Do That)", which reached number 1 in 28 countries.

The album was released by Virgin Records outside of North America, where it was released by MCA. The third part of the Bat trilogy, Bat Out of Hell III: The Monster Is Loose, was released in 2006.

Like the first album of the trilogy, Bat Out of Hell II was a commercial success. It sold over 14 million copies worldwide. (Full article...)

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Portal:Rock music/Selected albums/57 Bat Out of Hell III: The Monster Is Loose is the ninth studio album by Meat Loaf, and the third and final album in the Bat Out of Hell trilogy. It was released in Ireland on October 20, 2006, 29 years after Bat Out of Hell (1977), and 13 years after Bat Out of Hell II: Back into Hell (1993). It was released in the UK on October 23, 2006, and in the US on October 31, 2006.

Produced by Desmond Child, it is the only Bat album not involving Jim Steinman in its production. The album was subject to a legal dispute between Meat Loaf and Steinman, who had registered the phrase "Bat Out of Hell" as a trademark and attempted to prevent the album using the phrase. In the end, seven songs that Steinman wrote for various other projects were included.

As with its predecessors, the album received mixed reviews. A tour, named The Seize the Night Tour, followed the release, concentrating upon songs from the Bat albums. (Full article...)

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Portal:Rock music/Selected albums/58 Before and After Science is the fifth solo studio album by Brian Eno, originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Produced by Eno and Rhett Davies, it is the first of Eno's popular music works to be published under his full name (unlike all recordings that preceded the record and Discreet Music, where he was mononymously credited as "Eno").

Musicians from the United Kingdom and Germany had notably collaborated on the album, including Robert Wyatt, Fred Frith, Phil Manzanera, Paul Rudolph, Andy Fraser, Dave Mattacks, Jaki Liebezeit, Dieter Moebius, and Hans-Joachim Roedelius. Over one hundred tracks were written but only ten made the album's final cut. The musical styles range from energetic and jagged to languid and pastoral.

The album marks Eno's last foray into rock music as a solo artist in the 1970s, nearly all of his following work showcasing avant-garde and ambient music, which was hinted at predominantly on the second side of Before and After Science. It was Eno's second to chart in the United States. The song "King's Lead Hat", the title of which is an anagram for Talking Heads, was remixed and released as a single, although it did not chart in the United Kingdom. Critical response to the album has remained positive, several critics calling it one of Eno's best works. (Full article...)

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Portal:Rock music/Selected albums/59 Black Holes and Revelations is the fourth studio album by the English rock band Muse, first released on 3 July 2006 through Warner Bros. Records and Muse's Helium-3 imprint. It was produced by Rich Costey over four months in New York City, London, Milan and southern France.

The album saw a change in style for Muse, with influences including Depeche Mode, Millionaire, Lightning Bolt, Sly and the Family Stone, and music from southern Italy. Like their previous albums, it features political and dystopian undertones, with lyrics covering topics such as political corruption, alien invasion, revolution and New World Order conspiracies, as well as more conventional love songs.

Black Holes and Revelations received positive reviews and appeared on many year-end lists. It received a Mercury Prize nomination and appeared in the 2007 version of 1001 Albums You Must Hear Before You Die.

The album entered the charts at number one in five countries, including the United Kingdom, and in the top 10 in several other countries. It was later certified triple platinum in the UK and platinum in the US. The singles "Supermassive Black Hole" and "Knights of Cydonia" were both UK top-10 hits, while "Starlight", "Map of the Problematique", and "Invincible" charted within the top 25. , Black Holes and Revelations had sold more than 4.5 million copies worldwide. (Full article...)

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Portal:Rock music/Selected albums/60 Black Ice is the fifteenth studio album by Australian rock band AC/DC. First released in Europe on 17 October 2008 and released internationally on 20 October 2008, it was produced by Brendan O'Brien. It marked the band's first original recordings since Stiff Upper Lip (2000), with the eight-year gap being the longest between AC/DC's successive studio albums. Black Ice has the longest running time of any AC/DC studio album. The album was the band's final studio release to feature founding rhythm guitarist Malcolm Young, who left the band in September 2014 after being diagnosed with dementia, and died three years later.

The album's development was delayed because bass guitarist Cliff Williams sustained an injury and the band changed labels from Elektra Records to Sony Music. The first composing sessions between guitarists/brothers Angus and Malcolm Young were in London in 2003. Recording happened during March and April 2008 at The Warehouse Studio in Vancouver, British Columbia, Canada. O'Brien tried to recapture the rock sound of the band's early work, as opposed to the blues orientation of Ballbreaker and Stiff Upper Lip, with suggestions such as adding "soul crooning" to Brian Johnson's singing. The songs were mostly recorded live in the studio; engineer Mike Fraser used only sparse overdubs and effects to keep the tracks as close to the originals as possible.

Black Ice was released exclusively in physical formats, as the group did not sell its music digitally at the time. Wal-Mart got exclusive rights to distribute the album in North America. Its release was promoted with an extensive marketing campaign, which included displays of AC/DC memorabilia. The four singles issued from the album were, "Rock 'n' Roll Train", "Big Jack", "Anything Goes", and "Money Made". Black Ice peaked at number one in 29 countries, including Australia, Canada, the United Kingdom, Germany and the United States. It was the second best-selling record of 2008, behind Coldplay's Viva La Vida or Death and All His Friends and had shipped 6 million copies worldwide by December. Critical reviews were generally positive, praising the music and its resemblance to the classic AC/DC sound, although some critics found the work too long and inconsistent. The track "War Machine" won the Best Hard Rock Performance category at the 52nd Annual Grammy Awards. The album itself was nominated for many awards, including the Grammy, Brit, Juno and ARIA Music Awards; and was supported by a world tour between 2008 and 2010. (Full article...)

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Portal:Rock music/Selected albums/61 Breakaway is the second studio album by American pop singer Kelly Clarkson, released on November 30, 2004, by RCA Records. The album is the follow-up to her successful debut album, Thankful (2003). Breakaway sees Clarkson collaborating with various producers and songwriters for the first time, primarily Dr. Luke, Max Martin, John Shanks, Kara DioGuardi, Ben Moody, and David Hodges; the latter two are former members of American rock band Evanescence. Despite the established commercial success of Thankful, music critics still continued to typecast Clarkson as an American Idol winner and were also critical of her attempts of establishing a commercial appeal on her own. Wanting to stray from those, she was convinced by Davis to work with Dr. Luke and Martin in Stockholm, and with Moody and Hodges in Los Angeles, in pursuit of a pop rock direction. This also led her to part ways with her manager Simon Fuller and hire the management services of Jeff Kwatinetz before the album's release. Breakaway is primarily a pop rock record with elements of rock and soul music, marking a departure from the R&B-oriented sound of Thankful; its lyrics explore themes of heartbreak, love, and escapism.

Breakaway received a positive response from music critics, with many commending the album's new-found pop rock sound and Clarkson's vocal performances. It received several awards and nominations, including winning two Grammy Awards and receiving a nomination for a Juno Award. The album became a commercial success worldwide. By selling over 12 million copies worldwide, Breakaway is Clarkson's best selling album of her career so far, and one of the best-selling albums of the 21st century and by a female artist. After debuting at number three on the Billboard 200 in the United States, it stayed on the top twenty of the chart for more than a year, eventually being certified 6× multi-platinum by the Recording Industry Association of America (RIAA) for shipments of more than six million copies.

Breakaway's singles "Since U Been Gone", "Behind These Hazel Eyes", "Because of You", "Walk Away", and "Breakaway" became worldwide hits and have become some of Clarkson's signature songs. Their successes prompted Billboard to credit her for landscaping the core sound of mainstream pop music as an uptempo dance-oriented sound in the 2000s. Furthermore, Breakaway established Clarkson as one of the four highest-selling acts of Sony BMG in the 2000s. Internationally, the album topped the music charts of Ireland and the Netherlands and became the world's 7th biggest-selling release of 2005, eventually being certified platinum in over 17 countries. To promote the album, Clarkson embarked on three international concert tours from 2005 to 2006: the Breakaway Tour, Hazel Eyes Tour, and the Addicted Tour. Billboard placed the album 77th in the Greatest of All Time Billboard 200 Albums. (Full article...)

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Portal:Rock music/Selected albums/62 Brothers and Sisters is the fourth studio album by American rock band The Allman Brothers Band. Co-produced by Johnny Sandlin and the band, the album was released in August 1973 in the United States by Capricorn Records. Following the death of group leader Duane Allman in 1971, the Allman Brothers Band released Eat a Peach (1972), a hybrid studio/live album that became their biggest-selling album to date. Afterwards, the group purchased a farm in Juliette, Georgia, to become a "group hangout". However, bassist Berry Oakley was visibly suffering from the death of Duane, excessively drinking and consuming drugs. In November 1972, after nearly a year of severe depression, Oakley was killed in a motorcycle accident (not dissimilar from Duane's), making it the last album on which he played.

The band carried on, adding new members Chuck Leavell on piano and Lamar Williams on bass. Brothers and Sisters was largely recorded over a period of three months at Capricorn Sound Studios in Macon, Georgia. Lead guitarist Dickey Betts assumed the role of band leader, and many of his compositions reflected a more country-inspired sound. Session guitarists Les Dudek and Tommy Talton sat in on several songs. The album was being produced at the same time as vocalist/organist Gregg Allman's solo debut, Laid Back, and features many of the same musicians and engineers. The front album cover features a photograph of Vaylor Trucks, the son of drummer Butch Trucks and his wife Linda. The back cover features a photograph of Brittany Oakley, the daughter of Berry Oakley and his wife, Linda.

The album represented the Allmans' commercial peak: it has sold over seven million copies worldwide, landing it at the time atop of the Top 200 Pop Albums for five weeks. "Ramblin' Man" became the band's first and only Top-10 hit single, peaking at number two on the Billboard Hot 100 in 1973. The album was followed by a tour of arenas and stadiums, but drug problems, strained friendships, and miscommunications marred relationships between group members during this time. (Full article...)

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Portal:Rock music/Selected albums/63 By Your Side is the fifth studio album by American rock band The Black Crowes. It was released in early 1999 on Columbia Records, following the band's move from American Recordings, after second guitarist Marc Ford and bassist Johnny Colt had left the band in 1997. Audley Freed and Sven Pipien were hired as the new guitarist and bassist, respectively, although Rich Robinson played all the guitar parts on the album. By Your Side was recorded in New York City during the second quarter of 1998 and produced by Kevin Shirley. It comprised songs written in the studio, revised songs from pre-production and re-recorded songs from the abandoned 1997 album Band.

The Black Crowes promoted By Your Side by performing on numerous television programs in North America and Europe. The album debuted at its peak position of number 26 on the Billboard 200 and generally received positive reviews. While some critics depreciated By Your Side for its similarity to albums by Rod Stewart and The Rolling Stones, most reviewers lauded The Black Crowes' return to the straightforward approach of their debut album, Shake Your Money Maker (1990). Chris Robinson's singing and Rich's guitar playing also won praise from critics, though reviews of the lyrics were mixed.

Beginning in February 1999, the band toured North American theaters for two months in support of the album. Setlists from the tour, known as the "Souled Out Tour", typically included more than half the album's songs. The concerts were followed by a short co-headlining tour of US amphitheaters with Lenny Kravitz. The band spent the remainder of the summer opening for Aerosmith's European tour. (Full article...)

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Portal:Rock music/Selected albums/64 Casting Crowns is the first studio album by American Christian rock band Casting Crowns. Produced by Mark A. Miller and Steven Curtis Chapman, the album was released on October 7, 2003, by Beach Street Records. It incorporates a pop rock and rock sound, with the main instruments used in the album being guitar, keyboard and violin. Casting Crowns received positive reviews from music critics, many of whom praised the album's lyrics and production quality. It was nominated for Pop/Contemporary Album of the Year at the 35th GMA Dove Awards, while its singles were nominated for and received various awards.

Preceded by a lead single, "If We Are the Body", which peaked at number one on the Radio & Records Christian AC and Christian CHR charts in the US, Casting Crowns debuted at number 198 on the Billboard 200. The album eventually peaked at number 59 on that chart, also peaking at number 2 on the Billboard Christian Albums chart and at number 1 on the Billboard Heatseekers Albums chart. Two other singles, "Who Am I" and "Voice of Truth", also went to number 1. The album ranked as one of the best-selling Christian albums of 2004 and 2005 in the United States and was the 11th best-selling Christian album of the 2000s in the United States. Casting Crowns has sold more than 1.9 million copies since its release and has been certified 2× Platinum by the Recording Industry Association of America (RIAA), one of 8 Christian albums to reach that milestone. (Full article...)

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Portal:Rock music/Selected albums/65 Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973, on Asylum Records. Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.

The album is noted for being predominantly folk influenced although Waits intended Closing Time to be "a jazz, piano-led album." Upon release, the album was mildly successful in the United States, although it did not chart and received little attention from music press in the United Kingdom and elsewhere internationally. Critical reaction to Closing Time was positive. The album's only single, "Ol' '55", attracted attention due to a cover version by Waits's more popular label mates, the Eagles. Other songs from the album were covered by Tim Buckley and Bette Midler. The album was certified Gold in the UK and has gained a contemporary cult following among rock fans. Since its release, the album has been reissued on LP in 1976, on CD in 1992 and 1999, and 180 gram LP in 2010. (Full article...)

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Portal:Rock music/Selected albums/66 Come to the Well is the fifth studio album by American contemporary Christian band Casting Crowns, released on October 18, 2011, through Beach Street and Reunion Records. The album, which has a predominantly pop rock and rock sound, was based on the Biblical story of the woman at the well. In writing the album, lead vocalist Mark Hall collaborated with songwriters Steven Curtis Chapman, Matthew West, and Tom Douglas. The album received mostly positive reviews from critics, many of whom praised the album's songwriting, and received the award for Top Christian Album at the 2012 Billboard Music Awards.

Although it was projected to debut at number one on the Billboard 200 by music industry analysts, Come to the Well debuted at number two on the chart and number one on the Christian Albums chart with first-week sales of 99,000 units. It also debuted on the Canadian Albums Chart at number sixty-nine and appeared at number eight on the New Zealand Albums Chart in 2012 following the band's appearance at the 2012 Parachute Music Festival. The album has sold over 779,000 copies and has received a Gold certification from the Recording Industry Association of America (RIAA). The album's lead single, "Courageous", peaked at number one on the Billboard Christian Songs chart and at number four on the Bubbling Under Hot 100 Singles chart. (Full article...)

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Portal:Rock music/Selected albums/67 Coming Up to Breathe is the fourth studio album by Christian rock band MercyMe. Released on April 25, 2006, by INO Records, the album was intended by MercyMe to be edgier than their previous albums. Coming Up to Breathe sold 58,000 copies its first week, MercyMe's biggest sales week at the time. It debuted and peaked at number one on the Billboard Christian Albums chart, number five on the Rock Albums chart, and number thirteen on the Billboard 200. It also appeared on the Alternative Albums chart in 2007, peaking at number thirteen. Coming Up to Breathe was certified Gold by the Recording Industry Association of America (RIAA) in 2007, signifying shipments of over 500,000 copies.

Coming Up to Breathe received positive reviews from critics. It was also nominated for Best Pop/Contemporary Gospel Album at the 49th Grammy Awards, and for Pop/Contemporary Album of the Year at the 38th GMA Dove Awards. The song "Bring the Rain" was nominated for Song of the Year at the 39th GMA Dove Awards.

Three singles were released in promotion of Coming Up to Breathe. Lead single "So Long Self" peaked at number one on the Christian Songs chart, spending four weeks atop that chart. The second single from the album, "Hold Fast", peaked at number three on the Christian Songs chart. The third and final single from the album, "Bring the Rain", spent one week at number one on the Christian Songs chart. "So Long Self" and "Hold Fast" also appeared on the Adult Contemporary chart, peaking at number sixteen and number twenty-seven, respectively. (Full article...)

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Portal:Rock music/Selected albums/68 Deep Shadows and Brilliant Highlights is the third studio album by Finnish gothic rock band HIM, released 27 August 2001. The album was produced by Kevin Shirley, T. T. Oksala and HIM. The record had a troubled production, which lasted approximately eleven months. The prolonged recording process was partially due outside influences within the music industry hoping to repeat the success of HIM's previous album. As a result, Deep Shadows and Brilliant Highlights features a sleeker and more pop-oriented sound. It is the first HIM album to feature keyboardist Janne "Burton" Puurtinen.

Deep Shadows and Brilliant Highlights received mixed reviews from music critics. While some gave praise to the songwriting and Ville Valo's vocal performance, most were highly critical of the production and overall commercial sound. Despite this, Deep Shadows and Brilliant Highlights charted in seven countries, peaking at number one in Finland and Austria. It would later go platinum and gold, respectively. Deep Shadows and Brilliant Highlights was also the band's first album to chart on the Billboard 200. Three singles were released, all of which reached the top two spots on the Finnish Singles Chart. The supporting tour for Deep Shadows and Brilliant Highlights saw HIM playing in the US for the first time, but overall strained the band to the point of nearly breaking up. (Full article...)

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Portal:Rock music/Selected albums/69 Duke is the tenth studio album by English rock band Genesis, released on 28 March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.

Duke was positively received by music critics, who praised the album for bridging the band's progressive rock-oriented past, such as the closing ten-minute "Duke's Travels"/"Duke's End" suite, with their more pop rock-oriented, commercially accessible direction, as displayed on the hit singles "Turn It On Again", "Duchess", and "Misunderstanding". It reached No. 11 in the US, and became their first album to reach No. 1 in the UK. It has since been certified Platinum in both countries. (Full article...)

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Portal:Rock music/Selected albums/70 El Camino is the seventh studio album by American rock duo the Black Keys. Co-produced by Danger Mouse and the duo, the album was released on Nonesuch Records on December 6, 2011. It is the band's follow-up to their commercial breakthrough, Brothers (2010), and was their third collaboration with Danger Mouse. El Camino draws from popular genres of the 1950s to the 1970s, such as rock and roll, glam rock, rockabilly, surf rock and soul. Danger Mouse contributed as a co-writer on each of the 11 songs alongside guitarist Dan Auerbach and drummer Patrick Carney.

The album was recorded from March to May 2011 in Nashville, Tennessee, at Easy Eye Sound Studio, which Auerbach opened the year prior. The band approached writing and recording differently than on previous albums, as they entered the studio without having written any material and deliberated longer on how to structure songs. After struggling to translate the slower songs from Brothers to a live setting, the band wrote more uptempo, hook-laden tracks for El Camino. The album's cover art depicts a minivan similar to one the group toured in early in their career, but in an inside joke, they named the record after the El Camino muscle car. A faux newspaper advertisement and parody car commercial playing on this joke were used to promote the record prior to release.

Lead single "Lonely Boy" became the group's highest-charting single in several countries, including the United States, Australia, and Canada. The album was acclaimed by critics and was ranked in many publications' year-end lists of the best albums of the year. It debuted at number two on the US Billboard 200 and reached the top five of the album charts in Australia, Canada, Belgium (Flanders), and New Zealand. The album was certified multi-platinum in the US, Australia, Canada, and New Zealand, as well as platinum in the United Kingdom, France, and Ireland. The Black Keys supported the album with the El Camino Tour, their first headlining arena tour. Four additional singles were released, including "Gold on the Ceiling" and "Little Black Submarines", which were rock radio successes. El Camino won the award for Best Rock Album at the 55th Annual Grammy Awards, while "Lonely Boy" received honors for Best Rock Performance and Best Rock Song. (Full article...)

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Portal:Rock music/Selected albums/71 Era Vulgaris is the fifth studio album by American rock band Queens of the Stone Age. Recorded from July 2006 to April 2007, it was released on July 20, 2007 in the United Kingdom and July 21 in the United States, being released on July 29 in other countries. The single "Sick, Sick, Sick" was released in May, followed by second single "3's & 7's" in early June, and third single "Make It wit Chu" in October. The album debuted at No. 14 on the U.S. Billboard 200 charts, selling 52,000 copies in its first week. It reached top ten positions in other countries, such as No. 7 in the UK, No. 5 in Canada, and No. 4 in Australia. It was the band's last album on Interscope Records. (Full article...)

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Portal:Rock music/Selected albums/72 Europe '72 is a live triple album by the Grateful Dead, released in November 1972. It is the band's third live album and their eighth album overall. It covers the band's tour of Western Europe in April and May that year, and showcases live favourites, extended improvisations and several new songs including "Jack Straw" and "Brown Eyed Women". The album was the first to include pianist Keith Godchaux and his wife, vocalist Donna Jean Godchaux, and the last to feature founding member Ron "Pigpen" McKernan, who died shortly after its release.

The European tour was expensive and logistically complicated, and the band's record company hoped that a live album would recoup its costs. Consequently, the entire tour was recorded, with highlights making it onto the final release. Europe '72 is one of the most commercially successful and critically acclaimed albums by the Dead. It was one of the first triple-record rock albums to be certified gold by RIAA; the album has since been certified double platinum. A second volume was released in 2011, in conjunction with the release of the entire 22-date tour as Europe '72: The Complete Recordings. (Full article...)

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Portal:Rock music/Selected albums/73 Having a Rave Up with the Yardbirds, or simply Having a Rave Up, is the second American album by English rock group the Yardbirds. It was released in November 1965, eight months after Jeff Beck replaced Eric Clapton on guitar. It includes songs with both guitarists and reflects the group's blues rock roots and their early experimentations with psychedelic and hard rock. The title refers to the driving "rave up" arrangement the band used in several of their songs.

The album contains some live recordings from March 1964 when Clapton was the lead guitarist, and which first appeared on the band's British debut album, Five Live Yardbirds, which was not issued in the United States. The songs with Beck were recorded in the studio in the months after he joined the group in March 1965. These include several charting singles and introduced "The Train Kept A-Rollin'", one of the Yardbirds' most copied arrangements. Although most were not written by the group, the songs became a fixture of the group's concert repertoire and continued to be performed after Jimmy Page replaced Beck.

Next to their 1967 Greatest Hits collection, Having a Rave Up is the Yardbirds' highest-charting album in the US and has remained in print longer than others in the band's catalog. The album continues to be reissued, often with bonus material, such as the next single "Shapes of Things", demo recordings for their follow-up album, and "Stroll On", featuring dual lead guitar by Beck and Page, from the Blow-Up soundtrack. Several music critics have cited the album's influence, particularly on hard rock guitar. (Full article...)

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Portal:Rock music/Selected albums/74 Idlewild South is the second studio album by American southern rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on September 23, 1970 in the United States by Atco Records and Capricorn Records. Following the release of their 1969 debut, the Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album Layla and Other Assorted Love Songs.

As a result of the band's relentless touring schedule, Idlewild South was recorded gradually over a period of five months in various cities, including New York, Miami, and Macon, Georgia, the band's adopted home. Tom Dowd had previously been sought to record the group's debut but had been unavailable. The material presented on Idlewild South was written during this period and tested out on the road at shows. The album's title comes from the band's nickname for a rustic cabin the band rented out and used for rehearsals, as well as parties. Idlewild South contains two of the band's best-known songs, "Midnight Rider" (later a hit for various artists) and "In Memory of Elizabeth Reed", which became one of the band's famous concert numbers.

The album was released in September 1970 but again failed to achieve significant success. Sales began to grow, however, due to over 300 shows the band put on in 1970, setting the stage for their artistic and commercial breakthrough with 1971's live follow-up album, At Fillmore East. Following the band's increased fame in the early 1970s, this album and its self-titled debut, The Allman Brothers Band, were repackaged into the compilation album Beginnings. In 1973, Beginnings was certified gold for sales of 500,000 copies, according to the Recording Industry Association of America. (Full article...)

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Portal:Rock music/Selected albums/75 Indestructible is the fourth studio album by American heavy metal band Disturbed. A self-produced effort, Indestructible is the first Disturbed album that did not feature Johnny K, the producer of Disturbed's previous three albums, The Sickness, Believe, and Ten Thousand Fists. Indestructible was recorded at Groovemaster Studios in Chicago, Illinois. The album features two songs, "Perfect Insanity" and "Divide", that were written by Disturbed prior to their first album, The Sickness, but were never previously released.

The album shows Disturbed abandoning the nu metal sound prominent on previous three albums and features significantly darker themes than any of their previous work, according to the band. Some of the lyrical themes involve actual experiences that vocalist David Draiman had endured over the course of the past few years prior to making the album, including "bad relationships", a motorcycle accident that he was involved with, and an incident of suicide. To match the aggressive attitude and nature of said themes, Draiman told the other band members to create darker, more textural music than they have before. Despite these themes, the title track, "Indestructible", is meant to encourage those in the military that are fighting in wars and boost their morale.

Indestructible was released on June 3, 2008 in CD format, and also as two different limited edition and special edition digipaks, debuting at number one on the Billboard 200, making it the third consecutive number one debut by Disturbed on that chart, which had only been achieved by five other rock bands prior to the album's release. The album also shipped over 253,000 units in its opening week. Indestructible was met with mixed reviews by critics, earning a score of 57% on review-aggregating website Metacritic, based on six reviews. The album was certified Platinum by the Recording Industry Association of America in April 2009 for shipping over 1,000,000 copies in the United States. The single "Inside the Fire" was nominated for a 2009 Grammy Award in the "Best Hard Rock Performance" category. (Full article...)

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Portal:Rock music/Selected albums/76 Join Hands is the second studio album by English rock band Siouxsie and the Banshees, released on 7 September 1979 by Polydor Records. Upon its release, it was praised by the British press, including Melody Maker, Sounds, NME and Record Mirror.

Join Hands took the topic of the First World War as its inspiration. Musically, it is darker than the band's debut album The Scream: it sounds more claustrophobic and more haunting. It was the last album with the band's first recorded line-up, as guitarist John McKay and drummer Kenny Morris quit the group after a disagreement at the beginning of the British Join Hands tour, on the day of the album's release.

The record peaked at No. 13 on the UK Albums Chart. "Playground Twist" was the only single released from the album. Join Hands was reissued on vinyl in 2015, along with the very first artwork that the band had presented to Polydor in 1979. (Full article...)

Selected albums 77

Portal:Rock music/Selected albums/77 Love Metal is the fourth studio album by Finnish gothic rock band HIM. Released on 11 April 2003, HIM began recording demos for the album in northern spring 2002, after an exhausting touring cycle for their previous album, which nearly broke the band up. Excited and invigorated by the new material, HIM entered Finnvox Studios in September 2002 with producer Hiili Hiilesmaa, who had previously helmed the group's 1997 debut album. Musically Love Metal featured a more raw and organic sound, inspired by the band's early influences, which was also seen as a reaction to the difficulties they faced while recording their previous album. Vocalist Ville Valo has since described Love Metal as the album where HIM found their sound. Love Metal was also the band's first album to predominantly feature their logo, the Heartagram, on the cover, while the album's title was coined in the mid-nineties as a description for HIM's musical genre.

Love Metal received positive reviews from critics, with many praising the songwriting and calling the album a return to form after Deep Shadows and Brilliant Highlights. The album charted in eleven countries, reaching number one in Finland and Germany, later going platinum and gold respectively. Love Metal was also the band's first album to chart in the UK and France at number 55 and 141 respectively. Three singles were released, with "The Funeral of Hearts" reaching number one on the Finnish Singles Chart. Music videos were produced for all three singles, with professional skateboarder and Jackass member Bam Margera directing two. Following the album's release, HIM toured the US for the first time, with all of the shows being sold-out. (Full article...)

Selected albums 78

Portal:Rock music/Selected albums/78 Laid Back is the debut solo studio album by American singer-songwriter Gregg Allman, released in October 1973 by Capricorn Records. Allman, best known as the vocalist/lyricist/organist of the Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongside Johnny Sandlin. Laid Back was largely recorded in March 1973 at Capricorn Sound Studios in Macon, Georgia, with additional recording and mixing taking place at the Record Plant by Manhattan Recording Engineer, Jim Reeves in New York City.

The album explores Allman's varying influences, including rhythm and blues and soul music. It consists of several cover songs, originals, and a traditional hymn, and contains performances from a host of musicians, most notably Scott Boyer and Tommy Talton on guitars, Chuck Leavell on piano, Charlie Hayward on bass guitar, and Bill Stewart on drums. The album was created while Allman also worked on Brothers and Sisters, the fourth Allman Brothers album. The album title was a studio term Allman coined for relaxing a song's tempo. The album cover was painted by Abdul Mati Klarwein.

Upon its release, Laid Back received positive reviews from music critics, and it peaked at number 13 on Billboard's Top LPs & Tape chart. To support the album, Allman embarked on an ambitious tour, consisting of a full band and an entire string orchestra. Two singles were released to promote the record, with lead single "Midnight Rider" becoming a top 20 hit in the U.S. and Canada. It was certified gold by the Recording Industry Association of America (RIAA) in 1974 for shipping 500,000 copies in the U.S., making it one of Allman's best-selling albums. (Full article...)

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