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A Man and a Woman

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This article is about the 1966 French film. For the 1986 sequel, see A Man and a Woman: 20 Years Later. For other uses, see A Man and a Woman (disambiguation).
A Man and a Woman
Theatrical release poster
FrenchUn homme et une femme
Directed byClaude Lelouch
Written by
Produced byClaude Lelouch
Starring
CinematographyClaude Lelouch
Edited by
  • Claude Barrois
  • Uncredited:
    Claude Lelouch
Music byFrancis Lai
Production
company
Les Films 13
Distributed byLes Artistes Associés[1]
Release dates
  • 10 May 1966 (1966-05-10) (Cannes)
  • 27 May 1966 (1966-05-27) (France)
Running time
102 minutes
CountryFrance
LanguageFrench
Box office$14 million (US)[2]

A Man and a Woman (Template:Lang-fr) is a 1966 French romantic drama film directed by Claude Lelouch and starring Anouk Aimée and Jean-Louis Trintignant. Written by Pierre Uytterhoeven and Lelouch, the film concerns a young widow and widower who meet by chance at their children's boarding school and whose budding relationship is complicated by the memories of their deceased spouses.[3] The film is known for its lush photography, which features frequent segues among full color, black-and-white, and sepia-toned shots, and for its music score by Francis Lai.

A Man and a Woman sold a total of 4,272,000 cinema tickets in France and was the sixth highest-grossing film of the year.[4] In the United States, the film grossed $14 million.[2] The film won several awards, including the Palme d'Or at the 1966 Cannes Film Festival,[5] two Golden Globe Awards for Best Foreign Language Film and Best Actress – Drama (for Aimée), and two Academy Awards for Best Foreign Language Film and Best Original Screenplay.[6][7] A sequel, A Man and a Woman: 20 Years Later, was released in 1986, followed by The Best Years of a Life, which was released in 2019.[8]

Plot

A young widow, Anne Gauthier, is raising her daughter Françoise alone following the death of her husband, who worked as a stuntman and died in a film set accident that she witnessed. Still working as a film script supervisor, Anne divides her time between her home in Paris and Deauville in northern France, where her daughter attends boarding school. A young widower, Jean-Louis, is raising his son Antoine alone following the death of his wife Valerie, who committed suicide after Jean-Louis was in a near-fatal crash during the 24 Hours of Le Mans. Still working as a race car driver, Jean-Louis divides his time between Paris and Deauville, where his son also attends boarding school.

One day, Anne and Jean-Louis meet at the Deauville boarding school after Anne misses the last train back to Paris. Jean-Louis offers her a lift, and the two become acquainted during the drive home, enjoying each other's company. When he drops her off, he asks if she would like to drive up together the following weekend, and she gives him her phone number. After a busy week at the track preparing for the next race, Jean-Louis calls, and they meet early Sunday morning and drive to Deauville in the rain. Clearly attracted to each other, they enjoy a pleasant Sunday lunch with their children, who get along well. Later that afternoon, they go for a boat ride followed by a walk on the beach at sunset.

Jean-Louis spends the following week preparing for and driving in the Monte Carlo Rally in southeast France. Every day, Anne closely follows news reports of the race, which takes place in poor weather conditions along the icy roads of the French Riviera. Of the 273 cars that started the race, only 42 were able to finish, including Jean-Louis's white Ford Mustang, number 145. Watching the television coverage of the conclusion of the race, Anne sends Jean-Louis a telegram that reads, "Bravo! I love you. Anne."

That night at a dinner for the drivers at the Monte Carlo Casino, Jean-Louis receives the telegram and leaves immediately. He jumps into the other Mustang (number 184) used during the race and drives through the night to Paris, telling himself that when a woman sends a telegram like that, you go to her no matter what. Along the way, he imagines what their reunion will be like. At her Paris apartment, Jean-Louis learns that Anne is in Deauville, so he continues north. Jean-Louis finally arrives in Deauville and finds Anne and the two children playing on the beach. When they see each other, they run into each other's arms and embrace.

After dropping their children off at the boarding school, Jean-Louis and Anne drive into town where they rent a room and have passionate sex. While they are in each other's arms, however, Jean-Louis senses that something is not right. Anne's memories of her deceased husband are still with her, and she feels uncomfortable continuing. Anne says it would be best for her to take the train back to Paris alone. After dropping her off at the station, Jean-Louis drives home alone, unable to understand her feelings. On the train, Anne can only think of Jean-Louis and their time together. Meanwhile, Jean-Louis drives south through the French countryside to the Paris train station, just as her train is arriving. As she leaves the train, she spots Jean-Louis and is surprised, hesitates briefly, and then walks toward him, and they embrace.

Cast

Production

Story and script

According to director Claude Lelouch, the story originated from an experience following his disappointment trying to get a distribution deal for his film The Grand Moments. As was his habit during troubling times, he went for a long drive and ended up on the shore at Deauville at 2:00 am. After a few hours sleep in the car, he was awakened by the sunrise and saw a woman walking on the beach with her daughter and a dog. This sparked his creativity which led to the story and script which he co-wrote with Pierre Uytterhoeven within a month.[9]

The title may have come from a line in the film, where Jean-Louis and Anne are listening to the news on the radio driving in a fast Ford Mustang and a commentator says, "A man and a woman have just died after skidding in a powerful car". This leads to a discussion about how well he is driving and Anne commenting "you are average".[10]

Casting

A key casting decision for Lelouch was Jean-Louis Trintignant:

I think Jean-Louis is the actor who taught me how to direct actors. We really brought each other a lot. He changed his method of acting while working with me, and I began to truly understand what directing actors was all about, working with him. I think the relationship between a director and actor is the same relationship as in a love story between two people. One cannot direct an actor if you do not love him or her. And he cannot be good if he or she does not love you in turn.[11]

For the female lead, Trintignant asked Lelouch who his ideal woman would be, and Lelouch indicated Anouk Aimée, who had appeared in Fellini's films La Dolce Vita (1960) and 8½ (1962). Trintignant happened to be a close friend of hers and told him to call her. When he did, she accepted without reading the script. Although early disagreements and the low-budget skeleton crew caused initial tension between the director and actress, they quickly resolved their differences and the two went on to become close friends.[9]

Filming

Once the script was drafted, the film was made relatively quickly, with one month of pre-production work, three weeks of principal photography, and three weeks editing.[9] Due to budget constraints, he used an older handheld camera that was not soundproof, so blankets were frequently employed to dampen the camera noise.[9]

Lelouch is considered a pioneer in mixing different film stocks: black-and-white with colour, and 35mm with 16mm and super 8. For years, film critics debated the symbolism of the mixed film stocks, but Lelouch acknowledged that the primary reason was that he was running out of money, and black-and-white stock was cheaper.[11] His original plan involved shooting strictly in black and white, but when an American distributor offered him $40,000 to film in colour, he filmed the outdoor sequences in colour, and the indoor scenes in black and white.[9]

The music soundtrack was recorded prior to filming, and Lelouch would play the music on the set to inspire the actors.[9] Lelouch encouraged his actors to improvise some of the dialogue, and several key scenes were improvised. The climactic scene at a railway station was not scripted at the time of shooting, and Aimée did not know that director Lelouch had decided on the two main characters reuniting at the end. The look of surprise on Aimée's face is genuine.[12]

The film was shot, among others, in Paris, Monte Carlo and Deauville. The love scene was shot in the Hotel Barrière Le Normandy Deauville which, in memory of the film, has a suite entitled "A Man and a Woman".

Reception

Box office

The film earned theatrical rentals of $4.6 million in the United States and Canada and $4 million internationally during its initial theatrical release.[13][14] It played for 83 weeks in Boston, 73 weeks in Syracuse and 61 weeks in Seattle.[14] An English-language version of the film was shown in the United States and Canada from 1 July 1968, and the film eventually earned rentals of $6.3 million in the US and Canada.[14][15]

It was the sixth most popular film at the French box office in 1966, after La Grande Vadrouille, Dr Zhivago, Is Paris Burning?, A Fistful of Dollars and Lost Command.[16]

Critical response

Upon its theatrical release in the United States, A Man and a Woman received mostly positive reviews. In his New York Times review, Bosley Crowther wrote: "For a first-rate demonstration of the artfulness of a cameraman and the skill at putting together handsome pictures and a strongly sentimental musical score, there is nothing around any better than Claude Lelouch's A Man and a Woman".[17] Crowther lauded the "beautiful and sometimes breath-taking exposition of visual imagery intended to excite the emotions" and praised the director for his ability to create something unique from the commonplace:

Mr. Lelouch, who was his own script writer as well as director and cameraman, has a rare skill at photographing clichés so that they sparkle and glow with poetry and at generating a sense of inspiration in behavior that is wholly trivial.[17]

The review in Variety commented on the performances of the lead actors: "Anouk Aimee has a mature beauty and an ability to project an inner quality that helps stave off the obvious banality of her character, and this goes too for the perceptive Jean-Louis Trintignant as the man".[18]

On Rotten Tomatoes, the film holds an approval rating of 75% based on 16 reviews, with an average rating of 6.4/10.[19]

The film was selected for screening as part of the Cannes Classics section of the 2016 Cannes Film Festival.[20]

Accolades

Award[21] Category Recipient(s) Result
Academy Awards[22] Best Foreign Language Film Won
Best Director Claude Lelouch Nominated
Best Actress Anouk Aimée Nominated
Best Story and Screenplay – Written Directly for the Screen Claude Lelouch and Pierre Uytterhoeven Won
Blue Ribbon Awards Best Foreign Language Film Claude Lelouch Won
British Academy Film Awards[23] Best Film from any Source Nominated
Best Foreign Actress Anouk Aimée Won
Cannes Film Festival[24] Grand Prix Claude Lelouch Won[a]
OCIC Award Won
Cinema Writers Circle Awards Best Foreign Film Won
Directors Guild of America Awards[25] Outstanding Directorial Achievement in Motion Pictures Claude Lelouch Nominated
Fotogramas de Plata Best Foreign Performer Anouk Aimée Won
Golden Globe Awards[26] Best Foreign-Language Foreign Film Won
Best Actress in a Motion Picture – Drama Anouk Aimée Won
Best Director – Motion Picture Claude Lelouch Nominated
Best Original Score – Motion Picture Francis Lai Nominated
Best Original Song – Motion Picture "A Man and a Woman" – Francis Lai and Pierre Barouh Nominated
Laurel Awards Top Female Dramatic Performance Anouk Aimée 4th Place
Mexican Cinema Journalists Best Foreign Actress Won
Nastro d'Argento[27] Best Foreign Director Claude Lelouch Won
National Board of Review Awards[28] Top Foreign Films 4th Place
National Society of Film Critics Awards[29] Best Actress Anouk Aimée 3rd Place
New York Film Critics Circle Awards[30] Best Foreign Language Film Nominated
Turkish Film Critics Association Awards Best Foreign Film 6th Place

Soundtrack

A Man and a Woman
Soundtrack album by
Francis Lai
Released1966
GenrePop
LabelUnited Artists

The soundtrack was written by Francis Lai and received Best Original Score nominations at both the BAFTA Awards and Golden Globe Awards in 1967. The film's theme song, with music by Lai and lyrics by Pierre Barouh, was also nominated for Best Original Song in a Motion Picture at the Golden Globe Awards.[21] In Finland, it has become one of the most easily recognizable TV advertisement themes, having been used for decades by the cruise ferry brand Silja Line.

Pierre Barouh, who plays the deceased husband in the film, also sings the songs in the soundtrack. In a sequence of the film, he makes a brief reappearance singing "Samba Saravah", a French version with lyrics by Barouh himself of the Brazilian bossa nova song "Samba da Benção" written by Baden Powell with original lyrics by Vinicius de Moraes.[31]

"A 200 à l'heure" is used as the theme for the BBC's Panorama current affairs program, The song "Aujourd'hui c'est toi" for Rede Globo's Jornal Hoje midday newscast, and YLE's Ajankohtainen kakkonen weekly current affairs television program in Finland on TV2 from 1969 to 2015. Harry James recorded a version of the film's theme song on his album For Listening and Dancing, released in 1981 on Reader's Digest RD4A 213.

Track listing

  1. "Un homme et une femme" (A Man and a Woman) performed by Nicole Croisille and Pierre Barouh (2:40)
  2. "Samba Saravah" by Pierre Barouh (4:30)
  3. "Aujourd'hui c'est toi" (Today It's You) by Nicole Croisille (2:06)
  4. "Un homme et une femme" (A Man and a Woman) (2:37)
  5. "Plus fort que nous" (Stronger Than Us) (3:15)
  6. "Aujourd'hui c'est toi" (Today It's You) (2:35)
  7. "A l'ombre de nous" (In Our Shadow) by Pierre Barouh (4:55)
  8. "Plus fort que nous" (Stronger Than Us) by Nicole Croisille and Pierre Barouh (3:43)
  9. "A 200 à l'heure" (124 Miles An Hour) (2:30)[32][33]

See also

Notes

  1. ^ Tied with The Birds, the Bees and the Italians

References

  1. ^ "A Man and a Woman (1966)". Unifrance. Retrieved 30 April 2023.
  2. ^ a b "Un homme et une femme (1966)". The Numbers. Retrieved 26 August 2023.
  3. ^ "A Man and a Woman". Internet Movie Database. Retrieved 30 March 2012.
  4. ^ "Un homme et une femme". JP Box-Office (in French). Retrieved 30 March 2012.
  5. ^ "Un homme et une femme". Cannes Film Festival. Archived from the original on 7 August 2012. Retrieved 31 March 2012.
  6. ^ "The 39th Academy Awards (1967) Nominees and Winners". The Academy of Motion Picture Arts and Sciences. Retrieved 31 March 2012.
  7. ^ "Golden Globe Awards for 1967". Internet Movie Database. Retrieved 1 April 2012.
  8. ^ "Claude Lelouch retrouve Anouk Aimée et Jean-Louis Trintignant pour l'épilogue d'"Un homme et une femme"" (in French). France Info. 15 March 2019. Retrieved 4 January 2022.
  9. ^ a b c d e f Claude Lelouch (director) (1994). A Man and a Woman: 37 Years Later (DVD). Burbank: Warner Bros.
  10. ^ Lelouch, Claude (1971). A Man and a Woman. London: Lorrimer Publishing. p. 49. ISBN 978-0-9008-5572-6.
  11. ^ a b Simon, Alex (April 2008). "Claude Lelouch". The Hollywood Interview. Retrieved 31 March 2012.
  12. ^ Erickson, Hal. "A Man and a Woman". AllMovie. Retrieved 31 March 2012.
  13. ^ Balio, Tino (1987). United Artists: The Company That Changed the Film Industry. University of Wisconsin Press. p. 231. ISBN 978-0-2991-1440-4.
  14. ^ a b c "English Lingo For New 'Man & Woman'". Variety. 15 May 1968. p. 4. ISSN 0042-2738.
  15. ^ Cohn, Lawrence (15 October 1990). "All-Time Film Rental Champs". Variety. p. M140. ISSN 0042-2738.
  16. ^ "French Box Office 1966". Box Office Story.
  17. ^ a b Crowther, Bosley (13 July 1966). "French and Frankly Romantic". The New York Times. Retrieved 26 August 2023.
  18. ^ "Un Homme et une Femme". Variety. 31 December 1965. Retrieved 26 August 2023.
  19. ^ "A Man and a Woman". Rotten Tomatoes. Retrieved 1 April 2020.
  20. ^ "Cannes Classics 2016". Cannes Film Festival. 20 April 2016. Archived from the original on 10 February 2017. Retrieved 21 April 2016.
  21. ^ a b "Awards for A Man and a Woman". Internet Movie Database. Retrieved 31 March 2012.
  22. ^ "The 39th Academy Awards (1967) Nominees and Winners". Academy Awards. Archived from the original on 10 November 2014. Retrieved 4 September 2011.
  23. ^ "BAFTA Awards: Film in 1968". BAFTA. 1968. Retrieved 16 September 2016.
  24. ^ "19ème Festival International du Film – Cannes". Le Cinema Français (in French). Retrieved 4 June 2017.
  25. ^ "19th DGA Awards". Directors Guild of America Awards. Retrieved 5 July 2021.
  26. ^ "A Man and a Woman". Golden Globe Awards. Retrieved 5 July 2021.
  27. ^ "1967 Italian National Syndicate of Film Journalists". Mubi. Retrieved 15 August 2021.
  28. ^ "1966 Award Winners". National Board of Review. Retrieved 5 July 2021.
  29. ^ "Past Awards". National Society of Film Critics. 19 December 2009. Retrieved 5 July 2021.
  30. ^ "1966 New York Film Critics Circle Awards". Mubi. Retrieved 5 July 2021.
  31. ^ Freland, François-Xavier (3 November 2005). "A lifelong ambassador of Brazil". RFI Musique. Archived from the original on 10 February 2012. Retrieved 31 March 2012.
  32. ^ "A Man And A Woman (Original Motion Picture Soundtrack)". Discogs. Retrieved 30 March 2012.
  33. ^ "Soundtracks for A Man and a Woman". Internet Movie Database. Retrieved 30 March 2012.
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