|Founder||David Michael Latt|
|Headquarters||Burbank, California, United States|
The Asylum is an American independent film company and distributor that focuses on producing low-budget, direct-to-video films. The company has produced titles that capitalize on productions by major studios, often using film titles and scripts very similar to those of current blockbusters in order to lure customers. These titles have been dubbed "mockbusters" by the press. Its titles are distributed by Echo Bridge Home Entertainment, GT Media, and as of 2015, Cinedigm.
The Asylum was founded by director David Michael Latt and former Village Roadshow executives David Rimawi and Sherri Strain in 1997. The company focused on producing straight-to-video low-budget films, usually in the horror genre, but were unable to find a market due to competition from major studios, such as Lions Gate Entertainment. In 2005, the company produced a low-budget adaptation of H. G. Wells' The War of the Worlds, which was released in the same year as Steven Spielberg's adaptation of the same material. Blockbuster Inc. ordered 100,000 copies of The Asylum's adaptation, a significantly larger order than any of the company's previous releases, resulting in Latt and Rimawi reconsidering their business model.
In 2007, similarities between the distributor's titles and those of major studios were reported. For example, the film Transmorphers bears a number of similarities to the film Transformers, which was released theatrically two days after the release of Transmorphers. According to Latt, "I'm not trying to dupe anybody. I'm just trying to get my films watched. Other people do tie-ins all the time, they’re just better at being subtle about it. Another studio might make a giant robot movie that ties into the Transformers release and call it Robot Wars. We’ll call ours Transmorphers." In 2008, 20th Century Fox threatened legal action against The Asylum over The Day the Earth Stopped, a film capitalizing on The Day the Earth Stood Still.
In 2009, Asylum producer David Rimawi stated in an interview that most Asylum films "break even after about three months".
Lawsuits and legal issues
Similarly in May 2012, Universal Pictures filed a lawsuit against The Asylum for their film American Battleship, claiming infringement on their film, Battleship. As a result, The Asylum changed their title to American Warships.
In 2013, Warner Bros., New Line Cinema, Metro-Goldwyn-Mayer and The Hobbit producer Saul Zaentz commenced legal action against The Asylum for their film Age of the Hobbits (later called Lord of the Elves), claiming that they were "free-riding" on the worldwide promotional campaign for Peter Jackson's forthcoming films. The Asylum claimed its film is legally sound because its hobbits are not based on the J. R. R. Tolkien creations. The lawsuit resulted in a temporary restraining order preventing The Asylum from releasing the film on its scheduled release date.
Deal with Cinedigm Corp
The Asylum has been producing Z Nation for the Syfy Network since late 2014. The show is about a group that attempts to get the only known person with immunity to a zombie virus from New York to the last operating lab in California. According to show-runner Karl Shaefer, the show is intended to bring "a sense of hope to the horror of the apocalypse." Ratings for Z Nation have been unexpectedly high, and about 1.6 million views per episode, and has been renewed for a fifth season.
An eight episode spin-off of Z Nation, Black Summer has been ordered by Netflix. It focuses on a mother (Jaime King) who is searching for her daughter during the worst summer of the zombie apocalypse. The show eschews the comedy elements of the parent series and focuses instead on horror themes.
As of 2009, The Asylum's usual budget for a production was "well under a million dollars", and films would typically break even after about three months. The company's productions have been called B movies and "mockbusters". Latt prefers the term "tie-ins" to "mockbusters", stating that The Asylum's productions, even those that capitalize on major releases, contain original stories. Latt states that the company plans its productions around the word of mouth of the financial prospects of upcoming films. The Asylum's films are usually released on video shortly before the theatrical release of a major studio film with similar themes or storylines.
The Asylum has also produced films with strong religious themes. For example, The Apocalypse was initially developed as a straightforward disaster film in the style of Deep Impact, but Latt states that certain buyers wanted the company to develop a religious film. As a result, the company consulted priests and rabbis in order to incorporate faith-based elements. The division Faith Films was created in order to distribute titles with such themes. Sunday School Musical was produced after The Asylum staff attended a seminar for marketing to a Christian audience where the seminar's host suggested that the perfect film would be a Christian version of High School Musical.
The Asylum productions sometimes feature more overt sexuality or graphic violence than their major studio counterparts, because The Asylum's releases are not in competition with films rated PG-13 by the Motion Picture Association of America. Rolf Potts of The New York Times described Transmorphers as having "no recognizable actors, no merchandising tie-ins and a garbled sound mix. Also unlike Transformers, it has cheap special effects and a subplot involving lesbians."
- Katz, David. "From Asylum, the People Who Brought You (a Movie Kinda Sorta Like) Pacific Rim". GQ. Retrieved July 25, 2013.
- Potts, Rolf (October 7, 2007). "The New B Movie". The New York Times. Retrieved February 6, 2009.
- Borrelli, Christopher (July 3, 2009). "Bizarro Blockbusters". Chicago Tribune. Retrieved October 12, 2010.
- "Movie 'Mockbusters' Put Snakes on Trains". National Public Radio. December 8, 2007. Retrieved February 6, 2009.
- Solomon, Dan (August 23, 2011). "How to Make a Mockbuster (In Five Easy Steps)". Adult Swim. Archived from the original on September 17, 2011. Retrieved August 24, 2011.
- Somma, Brandon (January 4, 2013). "Masters of the Mockbuster:What The Asylum Is All About". The Artifice. Retrieved January 5, 2013.
- "Fox takes action against 'Day the Earth Stopped' ". The Hollywood Reporter. November 11, 2008. Retrieved February 6, 2009.[permanent dead link]
- Patterson, John. "Seeking Asylum: the rise of Hollywood's Z-movies" The Guardian, July 30, 2009.
- "Someone Finally Decides to Sue The Asylum: Universal Not Happy About Battleship Knock-Off". Internet Movie Database.
- "The Hobbit producers sue 'mockbuster' film company". BBC. November 8, 2012. Retrieved November 10, 2012.
- Fritz, Ben (December 10, 2012). "'Hobbit' knockoff release blocked by judge". Los Angeles Times. Retrieved December 11, 2012.
- Barton, Steve (December 10, 2012). "Cinedigm Checks into The Asylum". Dread Central. Retrieved February 5, 2015.
- "Cinedigm Signs 12-Picture Deal With The Asylum". Cinedigm. December 10, 2012. Archived from the original on February 6, 2015. Retrieved February 5, 2015.
- Venable, Nick (April 7, 2014). "The Asylum's Zombie Series Z Nation Scares Up 13-Episode Order From Syfy". Cinema Blend. Retrieved October 13, 2014.
- Hibberd, James (September 15, 2014). "'Z Nation' ratings tie 'Walking Dead' (if you move the decimal point)". Entertainment Weekly. Retrieved October 13, 2014.
- Surette, Tim (October 21, 2014). "Syfy Renews Z Nation for Season 2 Because Z Nation Has Zombies in It". Yahoo!. Retrieved October 26, 2014.
- Petski, Denise (November 29, 2016). "'Z Nation' Renewed For Fourth Season By Syfy".
- Long, Christian (July 19, 2018). "Black Summer: Z Nation spin-off starring Jaime King headed to Netflix". SYFY WIRE.
- "Pluto TV". Pluto TV.
- Latt, David. 'Interview, 'Front Row', BBC Radio 4, July 16, 2010.
- McLendon, Gary (September 16, 2008). "Henrietta actor has had varied life". Democrat and Chronicle. Rochester, New York. Accessed September 27, 2008.