Thai folklore

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Nang Kwak shopkeeper's good-luck charm in Bangkok

Thai folklore is a diverse set of traditional beliefs held by the Thai people. Most Thai folklore has a regional background, for it originated in rural Thailand. With the passing of time, and through the influence of the media, large areas of Thai folklore have become part of the wider popular Thai culture.

Phraya Anuman Rajadhon (1888–1969) was the first Thai scholar to seriously study local folkloristics. He took copious notes on humble details of his culture such as the charms used by Thai shopkeepers to attract customers. He also studied in depth the oral literature related to the different village spirits and ghosts of Thai lore.[1]

Folk belief[edit]

Bangkok city Lak Mueang. The longer pillar is the original of Rama I, the shorter was added by King Mongkut (Rama IV)
Yantra tattoo for protection

The core of Thai folklore is rooted in folk religion. Until they were recorded, folk beliefs were handed down from one generation to the other.

Village shamans are known as phram, a word that has its origin in Brahma, from a general and vague historical Vedic background. The phram perform exorcisms and conduct marriages, among other ceremonies.

Another important figure in Thai folk religion is the Mo Phi or witch doctor (หมอผี) who would also conduct rituals. To invoke spirits of the dead, four sticks are planted at equal distance from each other on the ground near the burial or cremation place. A thread is tied around the sticks forming a protective square and a mat is spread in the middle, where the sits down. In front of him, outside of the square there is a Mo Khao terracotta jar containing ashes or bones of the dead person with a yantra painted on the outside. Beside the jar there is also a plate of rice as offering and a stick or switch to keep the spirits at bay.

In order to be protected against bad luck charms and amulets for bringing luck or for protection are popular in Thailand. Some of these are tied around the body or worn as a necklace, while others come in the form of tattoos. In shops and houses, often by a shelf with a Buddha statuette, charms for attracting customers are hung. These include printed pieces of cloth of fish-shaped figures, as well as streamers or framed pictures of a crocodile or of Suvannamaccha, the mermaid character of the Siamese version of the Ramayana. Some of these charms have their origin in the culture of the Thai Chinese, as Phraya Anuman Rajadhon observed, but they have been adopted by the Thai people, often with changes.[1]

Miscellaneous folk beliefs[edit]

Some of the superstitious beliefs of the Thai people are unique. These include:

  • Auspicious dates. Identification of auspicious dates and moments is common in Thai culture. This is especially important when setting a wedding date, as well as in the event of beginning the building of a house or purchasing a car.[1]
  • Lucky numbers. Divination techniques are often used to predict numbers before buying a lottery ticket.
  • Cutting one's hair or fingernails. Wednesday is regarded as a highly inauspicious day for having a haircut.
  • Shapes on the moon. In Thai folk belief the dark spots on the moon, the lunar maria, form either a rabbit shape or the shape of a man and a woman pounding rice.
  • Little fish hanging. A poor person who cannot afford to buy fish may hang a little fish, or the picture of a fish, from the ceiling of his home while eating rice.
  • Gecko. The chirping sounds of different species of geckos native to Thailand have different interpretations according to the moment and occasion. Also if a gecko happens to fall on or near someone within a household or veranda has a meaning which is auspicious or inauspicious depending from the side on which it falls.
  • Auspicious colors. Since certain colors may be auspicious for certain persons much thought is given to the color of a car before acquiring it. Also in the case of taxicabs certain colors that are deemed unlucky will be avoided. Taxicabs in Bangkok come in various colors and formerly a number of taxis were violet, but these have been repainted in recent years for violet was considered an unlucky color, both by cabdrivers and customers.
  • Rainbow. A rainbow is held in high regard and it is important to avoid pointing at it because one would lose one's finger.


  • Nang Kwak is a benevolent female deity that brings luck to business owners and attracts customers. She is widely considered the patron of traders and shopkeepers and can be seen in almost every business establishment in Thailand[2]
  • Phi Fa (ผีฟ้า) is an ancient deity of Isan folklore. In her malevolent aspect she is related to the Phi Pop spirit.
  • Pho Sop is the traditional and ancient rice goddess of Thailand. She is part of very ancient Thai folklore, rather than of the mainstream Buddhist religion.[1] In order to propitiate her during the different stages of the harvest, ritual offerings known as (Cha Laeo) used to be periodically made in villages and hamlets of the rural areas.[3]

Spirits and ghosts[edit]

Nang Tani, the female spirit that haunts banana trees

Spirits or ghosts are known generically as Phi (ผี) and they may be found, among other places, in certain trees, burial grounds near Buddhist temples, some houses, as well as mountains and forests. The Phi Pan Nam Range (ทิวเขาผีปันน้ำ), "The mountain range of the spirits dividing the waters" that divides the Mekong from the Chao Phraya watershed, is named after the ancient spirits believed to dwell in the mountains.

Spirit houses, known as San Phra Phum (ศาลพระภูมิ) in Thai language, are small shrines to provide a home for the tutelary spirits of a place. They are common near trees and groves and in urban areas, close to buildings. It is considered a bad omen to neglect these spots and offerings are regularly made by people living nearby.[4]

The local beliefs regarding the nocturnal village spirits of Thailand were studied by Phraya Anuman Rajadhon. Most spirits were traditionally not represented in paintings or drawings, hence they are purely based on stories of the oral tradition.[5]

Thai cinema, Thai television soap operas and Thai comics have contributed to popularize the spirits and legends of the folklore of Thailand. Phraya Anuman Rajadhon established that most of the contemporary iconography of folk ghosts[6][7][8] has its origins in Thai films that have become classics.[9]

Most of the spirits or ghosts are so popular they appear regularly in comic books as well as in films, including the Nak animated movie for children. The most well-known are the following:

  • Chao Kam Nai Wen (เจ้ากรรมนายเวร), a spirit sitting on the back of a person
  • Krahang (กระหัง), a male ghost that flies in the night
  • Krasue (กระสือ), a woman's head with her viscera hanging down from the neck
  • Mae Nak (แม่นาก), a female ghost who died at childbirth and that can extend her arms
  • Nang Takian (นางตะเคียน), a tree spirit living in Hopea odorata trees
  • Nang Tani (นางตานี), a young woman haunting certain clumps of banana trees that appears on full moon nights
  • Phi Am (ผีอำ), a spirit that sits on a person's chest during the night
  • Phi Hua Khat (ผีหัวขาด), a headless male ghost that carries his head
  • Phi Phraya (ผีพราย), a female ghost living in the water
  • Phi Phong (ผีโพง), a malevolent male ghost having an unpleasant smell. It lives in dark places under the vegetation
  • Phi Pop (ผีปอบ), a malevolent female spirit that devours human entrails
  • Phi Song Nang, female ghosts that first lure, and then attack and kill young men
  • Phi Tai Hong (ผีตายโหง), the ghost of a person that suffered a sudden violent or cruel death
  • Phi Tai Thong Klom (ผีตายทั้งกลม), the wrathful ghost of a woman having committed suicide after being made pregnant and subsequently betrayed and abandoned by her lover
  • Phi Thale (ผีทะเล), a spirit of the sea, which manifests itself in different ways
  • Pret (เปรต), an extremely tall hungry ghost looking like a large and thin man with a very small mouth


Some traditional celebrations, including Buddhist festivals, provide an opportunity for the expression of local folk beliefs.

Folk tales[edit]

Statue of a female yak in Bangkok. Such ogresses (nang yak) are common main characters of Thai legends

Folk tales and legends in Thailand were used by the elders to teach wisdom to the younger generation. Most stories contain moral lessons teaching the importance of following traditions and to display reverence to elders, parents and superiors. The stories of the spirit world taught children to be cautious, to stay at home in the night and to respect certain customs regarding death rituals and the importance of offerings.

Many Thai folk tales are based on the texts of Buddhism. Also some of the stories of classical Thai literature, such as Khun Chang Khun Phaen (ขุนช้างขุนแผน) and Lilit Phra Lo (ลิลิตพระลอ), a story about young lovers with a tragic end,[10] originated in folk tales. Phra Aphai Mani is a Thai epic poem that has inspired local folklore.

Throughout Thailand there are also local folk stories connected with particular geographic features, such as the story of Doi Nang Non (ดอยนางนอน), the 'Mountain of the Sleeping Lady' and the legend about the formation of Khao Sam Roi Yot mountains and islands.[11]

Buddhist folk tradition[edit]

The Jataka tales, such as the Vessantara Jataka, the Twelve Sisters and Prince Samuttakote (Samuddaghosa), have provided a fertile inspiration ground to Thai traditional story tellers. These Jatakas have been often retold, abridged and adapted to fit local culture in South East Asian countries, such as Thailand, Burma, Cambodia, Laos, Malaysia and Indonesia. As a consequence they have become so familiar to average people that they fully belong to the folklore of the country in question. Often each country claims the story as its own cultural achievement and Thailand is no exception.[12]

Sang Thong (Suvannasankhajātaka), where the marriage between a man and a woman of different social status is the main subject of the story,[13] and Honwichai and Kawi are also long traditional stories. The "Woodcutter who lost his Axe" is a well-liked Thai tale with a moral lesson promoting honesty.[14]

Many figures of the Buddhist tradition have been fully incorporated into Thai lore, among these are the yaksa (ยักษ์), ogres (yaksha) and ogresses (Pali: Yakkhini), the tall and scary Prets (เปรต),[15] Ongkhuliman (องคุลิมาล), the violent criminal named after the garland of the fingers of his victims he wore around his neck, as well as Nariphon, the mythical tree of Buddhist literature bearing fruits in the shape of young girls. Vivid descriptions of the torments of hell,[16] sometimes in the form of garish sculptures, are to be found in some Buddhist temples in Thailand.[17] These representations are so popular that, along with figures of local spirits, they have become a regular feature in present-day Thai comics.[18]

Animals in folklore[edit]

The mynah is featured in some tales for its ability to talk and imitate sounds. The "Hen and her six chicks", explaining the origin of the Pleiades, "The White Crows" and tales with elephants such as "The Elephant, the Monkey and the Quail", and "The Elephants and the Bees"[14] are common folk tales with animals of the Thai folklore, some of which are based on the Panchatantra.[19]

Snakes are part of the Thai popular lore and depending from the background of the tale or myth they have a different meaning. Nak (นาค), Nagas figure in some stories of local folklore and are represented as well in Buddhist temples as architectural elements. Male lust is often popularly represented as a snake growing on top of the head of the lustful man.[20] Thai folk mythology also includes the idea of a link between snakes and women. Some stories based on snakes have been made into Thai movies.[21]

Folk art and craft[edit]

Mo Khao (หม้อข้าว) clay pot with yantra inscriptions and a candle

The articles listed below are an essential part of Thai folklore. Some were articles of daily household use in rural areas.

  • Kan Tam Khao (การตำข้าว), the long wooden pestle of a traditional manual rice pounder.[22]
  • Mo Khao (หม้อข้าว ). A traditional Thai clay pot (หม้อดิน) widely used formerly to cook rice. It is also used in ceremonies to invoke spirits as well as to capture evil ghosts and banish them.[23]
  • Kradong (กระด้ง), a round rice winnowing basket. The large ones are known as Kradong Mon (กระด้งมอญ).[24] Phi Krahang uses two large winnowing baskets to fly in the night.
  • Prakham (ประคํา), the Buddhist prayer beads. Witch doctors usually wear a necklace of beads.


  • Siraporn Nathalang (editor), Thai Folklore: Insights Into Thai Culture, Chulalongkorn University Press, 2000, ISBN 978-974-346-046-3.
  • Jacques Ivanoff, The Cultural Roots of Violence in Malay Southern Thailand: Comparative Mythology; Soul of Rice; Volume 1: The Tutelary Figures of Malay Political Heroism, White Lotus, 2011, ISBN 978-974-480-162-3.
  • Wanni Wibulsadi Anderson (editor), Folklore and Folklife of Thailand. Asian Folklore Studies. Vol.XLVII Brown University, Providence RI, 1989
  • Suthon Sukphisit, Folk arts and folk culture: The Vanishing Face of Thailand, 1997, Post Books, ISBN 978-974-202-027-9.
  • Pornpimol Senawong, Thai Ties: Social customs and cultural traits that ties all Thais together, Samaphan Publishing Co. 2006, ISBN 978-974-641-147-9.
  • Sorasing Kaowai & Peter Robinson, In Grandmother's House — Thai Folklore, Traditions and Rural Village Life, Monsoon Press, 2011, ISBN 978-981-08-6658-7
  • P.C. Roy Chaudhury, Folk tales of Thailand, Learners Press, 1995, OCLC 59729235.

See also[edit]


  1. ^ a b c d Phya Anuman Rajadhon, Essays on Thai Folklore, Editions Duang Kamol, ISBN 978-974-210-345-3.
  2. ^ Astrologers
  3. ^ Rice Hoarding Affect Supplies in Thailand
  4. ^ The Thai Spirit House
  5. ^ 'Ghosts and Spirits of Lan Na (Northern Thailand', in: Forbes, Andrew, and Henley, David, Ancient Chiang Mai Volume 4. Chiang Mai ,Cognoscenti Books, 2012. ASIN: B006J541LE
  6. ^ Ghosts of Thai folklore
  7. ^ Phi Krahang
  8. ^ Spirits
  9. ^ Movie poster showing Thai ghosts Krahang and Krasue with Count Dracula
  10. ^ Ayutthaya Literature
  11. ^ Khao Sam Roi Yot National Park - Activities
  12. ^ Cambodge: un peuple, une culture - Les Jâtaka
  13. ^ Padmanabh S. Jaini, "The Story of Sudhana and Manoharā: An Analysis of the Texts and the Borobudur Reliefs", Bulletin of the School of Oriental and African Studies, University of London, Vol. 29, No. 3 (1966), pp. 533-558.
  14. ^ a b Supaporn Vathanaprida et al. Thai Tales: Folktales of Thailand, Libraries Unlimited, 1994, ISBN 978-1-56308-096-8.
  15. ^ Pretas
  16. ^ The Torments of Hell
  17. ^ Thai Folk Art
  18. ^ Thai Comic
  19. ^ Thai Folktale and Legal Reasoning
  20. ^ Thai comic book cover
  21. ^ Thai snake movies
  22. ^ การตำข้าว
  23. ^ Ancient Rice culture
  24. ^ กระด้ง

External links[edit]