Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Lenny Kravitz
|
183,835
|
5,930
|
B
|
Low
|
2
|
Terry Crews
|
153,550
|
4,953
|
C
|
Low
|
3
|
Nike, Inc.
|
128,128
|
4,133
|
B
|
High
|
4
|
Volkswagen Beetle
|
87,543
|
2,823
|
B
|
Mid
|
5
|
Video game
|
83,415
|
2,690
|
B
|
Top
|
6
|
IKEA
|
79,171
|
2,553
|
C
|
Low
|
7
|
Frank Lloyd Wright
|
70,382
|
2,270
|
B
|
High
|
8
|
IPod
|
55,721
|
1,797
|
B
|
Mid
|
9
|
Harley-Davidson
|
49,543
|
1,598
|
B
|
Mid
|
10
|
Qantas
|
49,538
|
1,598
|
B
|
Mid
|
11
|
Jeep
|
47,692
|
1,538
|
B
|
Mid
|
12
|
Bauhaus
|
47,631
|
1,536
|
B
|
High
|
13
|
Ford Model T
|
47,595
|
1,535
|
B
|
Mid
|
14
|
Mini
|
46,512
|
1,500
|
C
|
Mid
|
15
|
Virgil Abloh
|
40,769
|
1,315
|
C
|
Low
|
16
|
Kenneth Grange
|
39,110
|
1,261
|
Start
|
Mid
|
17
|
James Dyson
|
34,527
|
1,113
|
B
|
Mid
|
18
|
Le Corbusier
|
33,071
|
1,066
|
C
|
High
|
19
|
Mac (computer)
|
32,542
|
1,049
|
GA
|
High
|
20
|
William Morris
|
31,568
|
1,018
|
GA
|
Mid
|
21
|
Neri Oxman
|
30,903
|
996
|
GA
|
Mid
|
22
|
Citroën 2CV
|
25,505
|
822
|
B
|
Mid
|
23
|
Moka pot
|
23,288
|
751
|
C
|
Low
|
24
|
Buckminster Fuller
|
23,035
|
743
|
C
|
High
|
25
|
Citroën DS
|
22,412
|
722
|
C
|
Mid
|
26
|
Computer-aided design
|
22,012
|
710
|
C
|
Mid
|
27
|
Walkman
|
21,766
|
702
|
C
|
Mid
|
28
|
Frank Gehry
|
21,361
|
689
|
B
|
Low
|
29
|
Porsche 356
|
21,336
|
688
|
B
|
Low
|
30
|
Jony Ive
|
20,114
|
648
|
B
|
High
|
31
|
Frutiger Aero
|
19,646
|
633
|
C
|
Low
|
32
|
Carpentry
|
18,880
|
609
|
C
|
Mid
|
33
|
Design
|
18,840
|
607
|
C
|
High
|
34
|
Building information modeling
|
18,741
|
604
|
C
|
Low
|
35
|
Ludwig Mies van der Rohe
|
18,375
|
592
|
C
|
Mid
|
36
|
List of countries with IKEA stores
|
17,861
|
576
|
List
|
Low
|
37
|
IMac G3
|
15,988
|
515
|
FA
|
Mid
|
38
|
Plastic pollution
|
15,725
|
507
|
B
|
Low
|
39
|
Apple I
|
15,662
|
505
|
C
|
Low
|
40
|
Injection moulding
|
15,497
|
499
|
GA
|
Mid
|
41
|
Bic Cristal
|
15,290
|
493
|
GA
|
Mid
|
42
|
Product (business)
|
14,466
|
466
|
Start
|
Mid
|
43
|
Skeuomorph
|
14,263
|
460
|
Start
|
Mid
|
44
|
Eero Saarinen
|
14,108
|
455
|
C
|
Mid
|
45
|
Duct tape
|
14,072
|
453
|
Start
|
Unknown
|
46
|
Ingvar Kamprad
|
14,025
|
452
|
C
|
Mid
|
47
|
Ergonomics
|
13,952
|
450
|
C
|
Unknown
|
48
|
Speed tape
|
13,916
|
448
|
Start
|
Mid
|
49
|
IPod Shuffle
|
13,795
|
445
|
B
|
Mid
|
50
|
Parsons School of Design
|
13,612
|
439
|
C
|
Low
|
51
|
Tetra Pak
|
13,338
|
430
|
C
|
Low
|
52
|
Isamu Noguchi
|
13,182
|
425
|
C
|
Mid
|
53
|
SolidWorks
|
12,727
|
410
|
Start
|
Low
|
54
|
Streamline Moderne
|
11,861
|
382
|
C
|
Top
|
55
|
Futon
|
11,717
|
377
|
Start
|
Low
|
56
|
Mass production
|
11,036
|
356
|
C
|
Low
|
57
|
Giorgetto Giugiaro
|
10,869
|
350
|
Start
|
Low
|
58
|
Lazy Susan
|
10,585
|
341
|
Start
|
Low
|
59
|
Proof of concept
|
10,446
|
336
|
Start
|
High
|
60
|
Design thinking
|
10,026
|
323
|
C
|
High
|
61
|
Industrial design
|
9,964
|
321
|
C
|
Top
|
62
|
Stock keeping unit
|
9,744
|
314
|
Stub
|
Mid
|
63
|
List of commercial failures in video games
|
9,717
|
313
|
List
|
Low
|
64
|
Prototype
|
9,710
|
313
|
Start
|
Low
|
65
|
Herman Miller
|
9,690
|
312
|
B
|
High
|
66
|
Teenage Engineering
|
9,675
|
312
|
C
|
Low
|
67
|
Furniture
|
9,364
|
302
|
C
|
Low
|
68
|
Zippo
|
9,132
|
294
|
Start
|
Low
|
69
|
Anthropometry
|
9,092
|
293
|
C
|
Low
|
70
|
Franz von Holzhausen
|
9,061
|
292
|
C
|
Low
|
71
|
Memphis Group
|
8,929
|
288
|
C
|
Mid
|
72
|
Packaging
|
8,893
|
286
|
B
|
High
|
73
|
Braun (company)
|
8,759
|
282
|
B
|
High
|
74
|
Aeolipile
|
8,738
|
281
|
C
|
Low
|
75
|
Tiffany lamp
|
8,732
|
281
|
Start
|
Mid
|
76
|
Mini Moke
|
8,700
|
280
|
B
|
Low
|
77
|
Charles Rennie Mackintosh
|
8,698
|
280
|
B
|
High
|
78
|
Eames Lounge Chair
|
8,495
|
274
|
Start
|
Mid
|
79
|
FreeCAD
|
8,417
|
271
|
C
|
High
|
80
|
Charles and Ray Eames
|
8,221
|
265
|
C
|
High
|
81
|
Muji
|
8,220
|
265
|
Start
|
Low
|
82
|
Fiat 600
|
8,156
|
263
|
C
|
Low
|
83
|
Electric aircraft
|
8,105
|
261
|
C
|
Low
|
84
|
Serial number
|
8,000
|
258
|
Start
|
Mid
|
85
|
Form factor (mobile phones)
|
7,909
|
255
|
Stub
|
Low
|
86
|
Motherboard form factor
|
7,862
|
253
|
C
|
Unknown
|
87
|
Engineering design process
|
7,813
|
252
|
Start
|
High
|
88
|
Commodore PET
|
7,778
|
250
|
C
|
Low
|
89
|
Parker Pen Company
|
7,514
|
242
|
C
|
Low
|
90
|
Dieter Rams
|
7,386
|
238
|
B
|
High
|
91
|
Form follows function
|
7,207
|
232
|
C
|
Low
|
92
|
Product lifecycle
|
7,135
|
230
|
Start
|
Low
|
93
|
Tinkercad
|
7,017
|
226
|
Start
|
Mid
|
94
|
Upholstery
|
6,964
|
224
|
Start
|
Mid
|
95
|
Gaffer tape
|
6,921
|
223
|
Start
|
High
|
96
|
Alvar Aalto
|
6,865
|
221
|
C
|
Low
|
97
|
Gottlieb Daimler
|
6,692
|
215
|
B
|
Mid
|
98
|
Powertrain layout
|
6,657
|
214
|
C
|
Low
|
99
|
Gruppo Bertone
|
6,615
|
213
|
C
|
Unknown
|
100
|
Airline seat
|
6,534
|
210
|
Start
|
Low
|
101
|
Breville Group
|
6,504
|
209
|
Start
|
Low
|
102
|
Blohm+Voss
|
6,479
|
209
|
Start
|
High
|
103
|
MSCHF
|
6,432
|
207
|
Start
|
Low
|
104
|
IBM Selectric
|
6,350
|
204
|
B
|
Mid
|
105
|
Venetian Arsenal
|
6,306
|
203
|
B
|
Low
|
106
|
Game design
|
6,158
|
198
|
C
|
Low
|
107
|
Philippe Starck
|
6,074
|
195
|
C
|
Mid
|
108
|
Deck (ship)
|
6,003
|
193
|
Start
|
Unknown
|
109
|
Clive Sinclair
|
5,945
|
191
|
B
|
Low
|
110
|
Biophilic design
|
5,902
|
190
|
C
|
Low
|
111
|
Automotive design
|
5,741
|
185
|
C
|
Mid
|
112
|
Raymond Loewy
|
5,701
|
183
|
B
|
High
|
113
|
Rolodex
|
5,618
|
181
|
C
|
Low
|
114
|
Cigarette pack
|
5,579
|
179
|
Start
|
Low
|
115
|
Chintz
|
5,575
|
179
|
Start
|
Low
|
116
|
Discman
|
5,571
|
179
|
C
|
Low
|
117
|
Olivetti
|
5,547
|
178
|
C
|
Low
|
118
|
3D scanning
|
5,383
|
173
|
C
|
Mid
|
119
|
Ducati 1199
|
5,367
|
173
|
B
|
Low
|
120
|
Bedding
|
5,228
|
168
|
C
|
Unknown
|
121
|
Memory foam
|
5,224
|
168
|
Start
|
Low
|
122
|
Human-centered design
|
5,221
|
168
|
C
|
High
|
123
|
List of Harley-Davidson motorcycles
|
5,125
|
165
|
List
|
Low
|
124
|
Paper clip
|
5,092
|
164
|
C
|
Low
|
125
|
Tefal
|
5,049
|
162
|
Start
|
Low
|
126
|
Upcycling
|
5,021
|
161
|
C
|
Low
|
127
|
New product development
|
4,998
|
161
|
Start
|
High
|
128
|
Hoosier cabinet
|
4,998
|
161
|
GA
|
Low
|
129
|
Spork
|
4,899
|
158
|
B
|
Low
|
130
|
Scotch Tape
|
4,874
|
157
|
C
|
Unknown
|
131
|
Throne
|
4,828
|
155
|
C
|
Low
|
132
|
Fiskars
|
4,771
|
153
|
Start
|
Low
|
133
|
Laura Ashley
|
4,712
|
152
|
C
|
Mid
|
134
|
Motorola MicroTAC
|
4,640
|
149
|
C
|
Low
|
135
|
Adirondack chair
|
4,600
|
148
|
Start
|
Low
|
136
|
Marcel Breuer
|
4,534
|
146
|
B
|
Mid
|
137
|
Aerospike engine
|
4,532
|
146
|
C
|
Low
|
138
|
Jacque Fresco
|
4,452
|
143
|
C
|
Low
|
139
|
Sigvard Bernadotte
|
4,442
|
143
|
Start
|
Low
|
140
|
ID
|
4,434
|
143
|
Disambig
|
NA
|
141
|
Product design
|
4,376
|
141
|
Start
|
High
|
142
|
Wassily Chair
|
4,375
|
141
|
Start
|
Mid
|
143
|
Concept art
|
4,296
|
138
|
Start
|
Low
|
144
|
Rhinoceros 3D
|
4,291
|
138
|
Start
|
Low
|
145
|
Ferdinand Alexander Porsche
|
4,261
|
137
|
Start
|
Low
|
146
|
List of Polaroid instant cameras
|
4,255
|
137
|
List
|
Low
|
147
|
Aveva
|
4,186
|
135
|
Stub
|
Low
|
148
|
The Design of Everyday Things
|
4,122
|
132
|
Start
|
Low
|
149
|
Carton
|
4,121
|
132
|
Start
|
Low
|
150
|
Design engineer
|
4,120
|
132
|
Start
|
High
|
151
|
Syd Mead
|
4,117
|
132
|
C
|
Mid
|
152
|
ArtCenter College of Design
|
4,043
|
130
|
Start
|
Low
|
153
|
Reebok Pump
|
4,009
|
129
|
Stub
|
Low
|
154
|
Bubble wrap
|
3,971
|
128
|
Start
|
Mid
|
155
|
Comparison of computer-aided design software
|
3,938
|
127
|
List
|
Low
|
156
|
Flat design
|
3,886
|
125
|
Start
|
Low
|
157
|
Robert Adam
|
3,862
|
124
|
B
|
Mid
|
158
|
Aeron chair
|
3,845
|
124
|
Stub
|
Mid
|
159
|
Apple IIc
|
3,839
|
123
|
C
|
Mid
|
160
|
Designer
|
3,808
|
122
|
Start
|
Unknown
|
161
|
La-Z-Boy
|
3,800
|
122
|
Start
|
Low
|
162
|
Arcade cabinet
|
3,736
|
120
|
C
|
Unknown
|
163
|
Melamine resin
|
3,691
|
119
|
Start
|
Low
|
164
|
Cradle-to-cradle design
|
3,687
|
118
|
Start
|
Low
|
165
|
Universal design
|
3,626
|
116
|
Start
|
Mid
|
166
|
Clamshell design
|
3,601
|
116
|
Start
|
Low
|
167
|
Steelcase
|
3,455
|
111
|
B
|
Mid
|
168
|
Comforter
|
3,442
|
111
|
Start
|
Unknown
|
169
|
Countertop
|
3,422
|
110
|
C
|
Unknown
|
170
|
Interaction design
|
3,405
|
109
|
Start
|
Mid
|
171
|
Pilot experiment
|
3,299
|
106
|
Start
|
Low
|
172
|
Barcelona chair
|
3,263
|
105
|
Start
|
Mid
|
173
|
Brompton Bicycle
|
3,241
|
104
|
C
|
Low
|
174
|
Michael Graves
|
3,160
|
101
|
C
|
Low
|
175
|
SolidThinking
|
3,144
|
101
|
Stub
|
Low
|
176
|
Red Dot
|
3,128
|
100
|
C
|
Low
|
177
|
Monobloc (chair)
|
3,117
|
100
|
Start
|
Low
|
178
|
List of chairs
|
3,073
|
99
|
List
|
Mid
|
179
|
Eileen Gray
|
3,002
|
96
|
B
|
Low
|
180
|
Terence Conran
|
2,974
|
95
|
C
|
Low
|
181
|
IDEO
|
2,899
|
93
|
Start
|
High
|
182
|
Electrical tape
|
2,897
|
93
|
Start
|
Low
|
183
|
Masking tape
|
2,887
|
93
|
Start
|
Low
|
184
|
Coso artifact
|
2,871
|
92
|
Start
|
Low
|
185
|
99% Invisible
|
2,866
|
92
|
C
|
Mid
|
186
|
Creative Zen
|
2,862
|
92
|
B
|
Low
|
187
|
IKEA Billy
|
2,779
|
89
|
Start
|
Low
|
188
|
Norman Bel Geddes
|
2,761
|
89
|
Start
|
Low
|
189
|
De facto standard
|
2,757
|
88
|
Start
|
High
|
190
|
George Nakashima
|
2,757
|
88
|
B
|
Mid
|
191
|
Frog Design
|
2,754
|
88
|
Start
|
High
|
192
|
Alec Issigonis
|
2,727
|
87
|
C
|
Low
|
193
|
Privacy by design
|
2,711
|
87
|
C
|
Low
|
194
|
Personalization
|
2,693
|
86
|
Start
|
Mid
|
195
|
Kitchen cabinet
|
2,648
|
85
|
Start
|
Low
|
196
|
Tatra 603
|
2,648
|
85
|
C
|
Low
|
197
|
Ettore Sottsass
|
2,646
|
85
|
C
|
High
|
198
|
Trade dress
|
2,632
|
84
|
Start
|
Mid
|
199
|
Motorola ROKR
|
2,624
|
84
|
Start
|
Unknown
|
200
|
William Kent
|
2,612
|
84
|
B
|
Low
|
201
|
Nikon F4
|
2,587
|
83
|
Start
|
Low
|
202
|
Interactivity
|
2,584
|
83
|
Start
|
Low
|
203
|
Sellotape
|
2,571
|
82
|
Start
|
Low
|
204
|
Royal Designers for Industry
|
2,535
|
81
|
Start
|
Low
|
205
|
Design by committee
|
2,526
|
81
|
Start
|
Unknown
|
206
|
Massimo Vignelli
|
2,516
|
81
|
C
|
Low
|
207
|
Lenox (company)
|
2,514
|
81
|
C
|
Mid
|
208
|
Moke (revival)
|
2,514
|
81
|
B
|
Low
|
209
|
Arne Jacobsen
|
2,509
|
80
|
B
|
High
|
210
|
BIC lighter
|
2,470
|
79
|
Start
|
Low
|
211
|
Tetra Brik
|
2,434
|
78
|
Start
|
Low
|
212
|
Staffordshire Potteries
|
2,423
|
78
|
Start
|
Mid
|
213
|
Label
|
2,422
|
78
|
C
|
Mid
|
214
|
KEF
|
2,406
|
77
|
C
|
Low
|
215
|
M+
|
2,380
|
76
|
B
|
Low
|
216
|
Charles Eames
|
2,356
|
76
|
Start
|
Unknown
|
217
|
Carlo Scarpa
|
2,335
|
75
|
C
|
Mid
|
218
|
OpenSCAD
|
2,312
|
74
|
Stub
|
Low
|
219
|
Knoll, Inc.
|
2,287
|
73
|
C
|
High
|
220
|
Boundary representation
|
2,263
|
73
|
Stub
|
Low
|
221
|
Sketchpad
|
2,240
|
72
|
Start
|
Low
|
222
|
Ready-to-assemble furniture
|
2,237
|
72
|
Start
|
Mid
|
223
|
Gerrit Rietveld
|
2,233
|
72
|
C
|
High
|
224
|
Design language
|
2,209
|
71
|
Stub
|
Low
|
225
|
Parasolid
|
2,204
|
71
|
Stub
|
Low
|
226
|
Porsche Design
|
2,152
|
69
|
Start
|
Low
|
227
|
Banker's lamp
|
2,121
|
68
|
Start
|
Mid
|
228
|
Marc Newson
|
2,106
|
67
|
B
|
High
|
229
|
Flavio Manzoni
|
2,101
|
67
|
C
|
Mid
|
230
|
CMF design
|
2,066
|
66
|
Start
|
Unknown
|
231
|
Edgar Kaufmann Jr.
|
2,053
|
66
|
Stub
|
Low
|
232
|
Combination eating utensils
|
2,035
|
65
|
B
|
Low
|
233
|
IO-Link
|
2,032
|
65
|
Start
|
Unknown
|
234
|
Peter Behrens
|
2,016
|
65
|
Start
|
High
|
235
|
Design for manufacturability
|
2,002
|
64
|
Start
|
Low
|
236
|
History of CAD software
|
1,988
|
64
|
Start
|
Low
|
237
|
Land Camera
|
1,969
|
63
|
Start
|
Low
|
238
|
Yves Béhar
|
1,956
|
63
|
Start
|
Low
|
239
|
Vitra (furniture)
|
1,933
|
62
|
Start
|
Low
|
240
|
Robert Thompson (designer)
|
1,866
|
60
|
Stub
|
Low
|
241
|
Design and Technology
|
1,861
|
60
|
Stub
|
Low
|
242
|
Suzuki Alto Lapin
|
1,839
|
59
|
Start
|
Low
|
243
|
Sony Watchman
|
1,835
|
59
|
Start
|
Low
|
244
|
Henry Dreyfuss
|
1,827
|
58
|
Start
|
Low
|
245
|
Solid modeling
|
1,826
|
58
|
Start
|
Low
|
246
|
International Exhibition of Modern Decorative and Industrial Arts
|
1,822
|
58
|
C
|
Unknown
|
247
|
Atomic Age (design)
|
1,796
|
57
|
C
|
Mid
|
248
|
Design Museum
|
1,745
|
56
|
Start
|
Mid
|
249
|
Barcalounger
|
1,743
|
56
|
Stub
|
Low
|
250
|
Gustav Stickley
|
1,742
|
56
|
Start
|
Low
|
251
|
Sleep pod
|
1,720
|
55
|
Start
|
Unknown
|
252
|
Preferred number
|
1,709
|
55
|
Start
|
Low
|
253
|
Hans Wegner
|
1,698
|
54
|
B
|
Low
|
254
|
Mike Sinyard
|
1,687
|
54
|
Stub
|
Low
|
255
|
Coke bottle styling
|
1,686
|
54
|
C
|
Mid
|
256
|
Binder clip
|
1,678
|
54
|
C
|
Low
|
257
|
Tulip chair
|
1,671
|
53
|
Start
|
Low
|
258
|
Enzo Mari
|
1,659
|
53
|
Start
|
Mid
|
259
|
IGES
|
1,642
|
52
|
Start
|
Low
|
260
|
Handle
|
1,632
|
52
|
Start
|
Low
|
261
|
Sam Maloof
|
1,619
|
52
|
Start
|
Low
|
262
|
Design for X
|
1,598
|
51
|
Start
|
Mid
|
263
|
Display case
|
1,592
|
51
|
Start
|
Low
|
264
|
Electric blanket
|
1,576
|
50
|
C
|
Low
|
265
|
La Rinascente
|
1,563
|
50
|
C
|
Low
|
266
|
Trevor Baylis
|
1,537
|
49
|
C
|
Low
|
267
|
Ashtray
|
1,532
|
49
|
Start
|
Low
|
268
|
Alfonso Bialetti
|
1,524
|
49
|
Stub
|
Low
|
269
|
Gio Ponti
|
1,509
|
48
|
Start
|
Mid
|
270
|
Design patent
|
1,508
|
48
|
Start
|
High
|
271
|
Cesca chair
|
1,505
|
48
|
Stub
|
Low
|
272
|
Charlotte Perriand
|
1,495
|
48
|
C
|
Low
|
273
|
Piet Hein (scientist)
|
1,492
|
48
|
Start
|
Low
|
274
|
Xerox 914
|
1,482
|
47
|
Stub
|
Low
|
275
|
Luigi Colani
|
1,475
|
47
|
C
|
Low
|
276
|
Sheaffer
|
1,468
|
47
|
Start
|
Low
|
277
|
Bench (furniture)
|
1,461
|
47
|
Start
|
Unknown
|
278
|
Self-amalgamating tape
|
1,452
|
46
|
Stub
|
Low
|
279
|
AutoLISP
|
1,443
|
46
|
Start
|
Low
|
280
|
Strandkorb
|
1,437
|
46
|
Stub
|
Low
|
281
|
Corrugated box design
|
1,429
|
46
|
C
|
Mid
|
282
|
Bean bag chair
|
1,428
|
46
|
Start
|
Mid
|
283
|
10 Downing Street Guard Chairs
|
1,423
|
45
|
Start
|
Low
|
284
|
No. 14 chair
|
1,403
|
45
|
Start
|
Low
|
285
|
George Nelson (designer)
|
1,384
|
44
|
C
|
Mid
|
286
|
Anglepoise lamp
|
1,371
|
44
|
Start
|
Low
|
287
|
Air-augmented rocket
|
1,370
|
44
|
C
|
Low
|
288
|
Photographic lens design
|
1,365
|
44
|
Start
|
Low
|
289
|
Prime Computer
|
1,364
|
44
|
Start
|
Low
|
290
|
Video games in the United Kingdom
|
1,357
|
43
|
B
|
Low
|
291
|
Joe Colombo (designer)
|
1,356
|
43
|
C
|
Mid
|
292
|
Bruno Munari
|
1,340
|
43
|
C
|
Mid
|
293
|
Chief design officer
|
1,330
|
42
|
Start
|
Mid
|
294
|
Design methods
|
1,329
|
42
|
C
|
High
|
295
|
Design system
|
1,312
|
42
|
C
|
Unknown
|
296
|
List of adhesive tapes
|
1,294
|
41
|
List
|
Low
|
297
|
Wah Chang
|
1,288
|
41
|
C
|
Low
|
298
|
JT (visualization format)
|
1,284
|
41
|
Start
|
Low
|
299
|
Soybean car
|
1,283
|
41
|
Start
|
Low
|
300
|
John Hoke III
|
1,265
|
40
|
C
|
Mid
|
301
|
Damro
|
1,265
|
40
|
Start
|
Low
|
302
|
Lloyd Groff Copeman
|
1,263
|
40
|
Start
|
Low
|
303
|
Industrial design right
|
1,254
|
40
|
Start
|
Mid
|
304
|
Verner Panton
|
1,252
|
40
|
Start
|
Low
|
305
|
Nameplate
|
1,248
|
40
|
Start
|
Mid
|
306
|
Chest (furniture)
|
1,240
|
40
|
Start
|
Unknown
|
307
|
Pete Brock
|
1,237
|
39
|
Start
|
Low
|
308
|
Crippleware
|
1,231
|
39
|
Start
|
Low
|
309
|
Danish modern
|
1,223
|
39
|
C
|
Mid
|
310
|
Snow White design language
|
1,206
|
38
|
C
|
Low
|
311
|
Programma 101
|
1,203
|
38
|
C
|
Low
|
312
|
Olivetti Valentine
|
1,201
|
38
|
B
|
Mid
|
313
|
Karim Rashid
|
1,179
|
38
|
B
|
Low
|
314
|
Red and Blue Chair
|
1,179
|
38
|
Stub
|
Low
|
315
|
Retail design
|
1,172
|
37
|
C
|
Low
|
316
|
Quink
|
1,166
|
37
|
Stub
|
Low
|
317
|
IDC School of Design
|
1,164
|
37
|
Start
|
Mid
|
318
|
Alex Tremulis
|
1,163
|
37
|
Start
|
Low
|
319
|
Iittala
|
1,160
|
37
|
C
|
Low
|
320
|
Ulm School of Design
|
1,160
|
37
|
C
|
Low
|
321
|
ACIS
|
1,158
|
37
|
Start
|
Low
|
322
|
Apple Design Awards
|
1,157
|
37
|
Start
|
Mid
|
323
|
Gae Aulenti
|
1,154
|
37
|
C
|
Mid
|
324
|
Model-based definition
|
1,152
|
37
|
Stub
|
Low
|
325
|
LoveSac
|
1,150
|
37
|
Stub
|
Low
|
326
|
Marshmallow sofa
|
1,146
|
36
|
Start
|
Unknown
|
327
|
Michael Thonet
|
1,112
|
35
|
Start
|
Low
|
328
|
Deutscher Werkbund
|
1,111
|
35
|
Start
|
Low
|
329
|
Butterfly chair
|
1,109
|
35
|
Start
|
Mid
|
330
|
Balustrade
|
1,099
|
35
|
Redirect
|
NA
|
331
|
Globe Wernicke
|
1,098
|
35
|
Start
|
Low
|
332
|
Hybrid electric aircraft
|
1,098
|
35
|
C
|
Low
|
333
|
Apple Industrial Design Group
|
1,083
|
34
|
Start
|
Mid
|
334
|
Brooks Stevens
|
1,078
|
34
|
Start
|
Low
|
335
|
C. F. A. Voysey
|
1,075
|
34
|
Start
|
Low
|
336
|
E. Fay Jones
|
1,069
|
34
|
Start
|
Low
|
337
|
Florence Knoll
|
1,066
|
34
|
B
|
Low
|
338
|
B.C. Rich Mockingbird
|
1,066
|
34
|
Start
|
Low
|
339
|
Rover JET1
|
1,057
|
34
|
Start
|
Low
|
340
|
ALCO DL-109
|
1,053
|
33
|
B
|
Mid
|
341
|
Russel Wright
|
1,051
|
33
|
C
|
High
|
342
|
Human factors and ergonomics
|
1,050
|
33
|
Redirect
|
High
|
343
|
Strategic design
|
1,040
|
33
|
Start
|
High
|
344
|
Design history
|
1,032
|
33
|
Start
|
Mid
|
345
|
Wishbone chair
|
1,023
|
33
|
Start
|
Unknown
|
346
|
Margaret Calvert
|
1,021
|
32
|
Start
|
Low
|
347
|
Aluminum Christmas tree
|
1,021
|
32
|
Start
|
Low
|
348
|
Victor Papanek
|
1,019
|
32
|
Start
|
Low
|
349
|
Afzal Kahn (automotive designer)
|
1,018
|
32
|
Start
|
Low
|
350
|
Compasso d'Oro
|
1,015
|
32
|
C
|
High
|
351
|
Class A surface
|
1,014
|
32
|
Stub
|
Low
|
352
|
Package cushioning
|
1,014
|
32
|
C
|
Unknown
|
353
|
André-Charles Boulle
|
1,007
|
32
|
C
|
Low
|
354
|
Yinka Ilori
|
997
|
32
|
B
|
Low
|
355
|
Geometric design
|
990
|
31
|
Start
|
Low
|
356
|
Chess in the arts
|
983
|
31
|
B
|
Low
|
357
|
Phaidon Press
|
975
|
31
|
C
|
Low
|
358
|
History of anthropometry
|
968
|
31
|
C
|
Low
|
359
|
Modern furniture
|
967
|
31
|
Stub
|
Low
|
360
|
Jean-Michel Frank
|
965
|
31
|
Start
|
Mid
|
361
|
Radiogram (device)
|
965
|
31
|
Start
|
Low
|
362
|
Papasan chair
|
959
|
30
|
Stub
|
Low
|
363
|
Mitsubishi Model A
|
958
|
30
|
Start
|
Unknown
|
364
|
Electronic packaging
|
955
|
30
|
C
|
Mid
|
365
|
Poul Henningsen
|
954
|
30
|
C
|
Low
|
366
|
Juicy Salif
|
945
|
30
|
Start
|
Mid
|
367
|
Trans-Oceanic
|
938
|
30
|
Start
|
Low
|
368
|
Picnic table
|
936
|
30
|
Start
|
Unknown
|
369
|
Leonardo Fioravanti (engineer)
|
935
|
30
|
Start
|
Low
|
370
|
Vox Phantom
|
935
|
30
|
Stub
|
Low
|
371
|
David M. Kelley
|
934
|
30
|
Start
|
High
|
372
|
CAD standards
|
932
|
30
|
Start
|
Low
|
373
|
Lilly Reich
|
927
|
29
|
C
|
Mid
|
374
|
Tripp Trapp
|
923
|
29
|
Stub
|
Low
|
375
|
Emotional Design
|
918
|
29
|
Stub
|
Mid
|
376
|
List of Motorola V series phones
|
910
|
29
|
List
|
Low
|
377
|
Sunlounger
|
905
|
29
|
Stub
|
Low
|
378
|
Lewis (lifting appliance)
|
900
|
29
|
C
|
Low
|
379
|
Isogeometric analysis
|
899
|
29
|
Stub
|
Low
|
380
|
Harry Bertoia
|
895
|
28
|
C
|
Mid
|
381
|
Autodesk Alias
|
895
|
28
|
Stub
|
Low
|
382
|
Bubble Wrap (brand)
|
895
|
28
|
Start
|
Mid
|
383
|
Model 3107 chair
|
893
|
28
|
Stub
|
Low
|
384
|
Eames Lounge Chair Wood
|
890
|
28
|
Stub
|
Low
|
385
|
Ball Chair
|
889
|
28
|
Stub
|
Mid
|
386
|
List of furniture designers
|
885
|
28
|
List
|
Mid
|
387
|
Architectural rendering
|
884
|
28
|
Start
|
Low
|
388
|
Double-sided tape
|
881
|
28
|
Stub
|
Low
|
389
|
Design studio
|
876
|
28
|
Start
|
Unknown
|
390
|
George Hepplewhite
|
866
|
27
|
Start
|
Low
|
391
|
Ericofon
|
866
|
27
|
Start
|
Low
|
392
|
Design management
|
865
|
27
|
GA
|
Top
|
393
|
Eames Fiberglass Armchair
|
865
|
27
|
B
|
Mid
|
394
|
ShotGrid
|
860
|
27
|
Stub
|
Unknown
|
395
|
.3ds
|
857
|
27
|
Start
|
Unknown
|
396
|
Christopher Dresser
|
854
|
27
|
Start
|
High
|
397
|
Samuel Ross
|
845
|
27
|
C
|
Low
|
398
|
Paul László
|
839
|
27
|
Start
|
Low
|
399
|
Valextra
|
836
|
26
|
Start
|
Low
|
400
|
Gebrüder Thonet
|
835
|
26
|
Stub
|
Low
|
401
|
Industrial style
|
830
|
26
|
Stub
|
Low
|
402
|
Vox Mark III
|
820
|
26
|
Stub
|
Low
|
403
|
Balanced-arm lamp
|
818
|
26
|
Start
|
Low
|
404
|
Hartmut Esslinger
|
817
|
26
|
C
|
High
|
405
|
Devon Motorworks
|
815
|
26
|
C
|
Low
|
406
|
Coop Himmelb(l)au
|
814
|
26
|
Start
|
Low
|
407
|
Freeform surface modelling
|
811
|
26
|
Start
|
Low
|
408
|
Danish design
|
811
|
26
|
C
|
Mid
|
409
|
Egg (chair)
|
810
|
26
|
Start
|
Low
|
410
|
Designworks
|
804
|
25
|
Stub
|
Low
|
411
|
IKEA pencil
|
802
|
25
|
Stub
|
Low
|
412
|
Mental Images
|
796
|
25
|
Stub
|
Low
|
413
|
Alexander Girard
|
796
|
25
|
Start
|
Low
|
414
|
Eva Zeisel
|
795
|
25
|
C
|
Low
|
415
|
FIRST Championship
|
795
|
25
|
Start
|
Low
|
416
|
Muntzing
|
793
|
25
|
Stub
|
High
|
417
|
Ron Arad (industrial designer)
|
791
|
25
|
C
|
Low
|
418
|
Black & Decker DustBuster
|
788
|
25
|
Stub
|
Low
|
419
|
Henry Petroski
|
785
|
25
|
Start
|
Low
|
420
|
Design research
|
779
|
25
|
Stub
|
Low
|
421
|
Milan Furniture Fair
|
771
|
24
|
B
|
Mid
|
422
|
G Plan
|
770
|
24
|
C
|
Unknown
|
423
|
Celery vase
|
770
|
24
|
Start
|
Low
|
424
|
Cantilever chair
|
768
|
24
|
Stub
|
Low
|
425
|
Virtual actor
|
768
|
24
|
Start
|
Low
|
426
|
Paul Philippe Cret
|
767
|
24
|
Start
|
Low
|
427
|
Paul Mayén
|
767
|
24
|
Start
|
Low
|
428
|
Tom Dixon (industrial designer)
|
766
|
24
|
C
|
Mid
|
429
|
Action Office
|
762
|
24
|
Start
|
Unknown
|
430
|
Sergio Pininfarina
|
757
|
24
|
Start
|
Mid
|
431
|
BoConcept
|
747
|
24
|
C
|
Mid
|
432
|
Carrel desk
|
746
|
24
|
Start
|
Low
|
433
|
Waterfall furniture
|
735
|
23
|
Start
|
Low
|
434
|
IF Product Design Award
|
731
|
23
|
Start
|
Mid
|
435
|
Ford 021C
|
712
|
22
|
B
|
Low
|
436
|
Lemon squeezer
|
708
|
22
|
Start
|
Low
|
437
|
Design science
|
705
|
22
|
Start
|
High
|
438
|
Marcel Janco
|
697
|
22
|
B
|
Low
|
439
|
Design theory
|
697
|
22
|
Start
|
Low
|
440
|
Philosophy of design
|
696
|
22
|
Stub
|
Unknown
|
441
|
Product innovation
|
690
|
22
|
Start
|
Unknown
|
442
|
Naoto Fukasawa
|
689
|
22
|
C
|
High
|
443
|
Timo Sarpaneva
|
688
|
22
|
C
|
Mid
|
444
|
Jens Risom
|
682
|
22
|
Start
|
Low
|
445
|
Gaetano Pesce
|
681
|
21
|
B
|
Mid
|
446
|
Functional design
|
676
|
21
|
Stub
|
Mid
|
447
|
Utility furniture
|
676
|
21
|
Start
|
Low
|
448
|
Geometric modeling
|
675
|
21
|
Stub
|
Low
|
449
|
Porsche Type 12
|
672
|
21
|
C
|
Low
|
450
|
Finn Juhl
|
671
|
21
|
C
|
Low
|
451
|
Mario Bellini
|
670
|
21
|
C
|
High
|
452
|
Design Academy Eindhoven
|
661
|
21
|
Start
|
Low
|
453
|
Zaisu
|
660
|
21
|
Start
|
Low
|
454
|
Tapio Wirkkala
|
657
|
21
|
Start
|
Mid
|
455
|
Massimo Tamburini
|
657
|
21
|
B
|
Low
|
456
|
21 21 Design Sight
|
657
|
21
|
Start
|
Low
|
457
|
Marianne Brandt
|
649
|
20
|
C
|
Mid
|
458
|
Hatstand
|
648
|
20
|
Stub
|
Unknown
|
459
|
Le Corbusier's Furniture
|
648
|
20
|
Start
|
Mid
|
460
|
Designmuseum Denmark
|
642
|
20
|
Start
|
Low
|
461
|
Design for the environment
|
642
|
20
|
C
|
Low
|
462
|
Beswick Pottery
|
641
|
20
|
Start
|
Mid
|
463
|
Behavioural design
|
639
|
20
|
C
|
High
|
464
|
Superstudio
|
638
|
20
|
C
|
Low
|
465
|
Richard Sapper
|
637
|
20
|
B
|
High
|
466
|
Eliot Noyes
|
636
|
20
|
B
|
Mid
|
467
|
Thomas Hope (designer)
|
629
|
20
|
Start
|
Low
|
468
|
Brno chair
|
628
|
20
|
Stub
|
Low
|
469
|
Dominant design
|
627
|
20
|
Start
|
High
|
470
|
Norwich University of the Arts
|
624
|
20
|
Start
|
Low
|
471
|
Dezeen
|
623
|
20
|
Start
|
Low
|
472
|
Artek (company)
|
613
|
19
|
Start
|
Low
|
473
|
Green engineering
|
613
|
19
|
C
|
Unknown
|
474
|
Kosta Boda
|
609
|
19
|
Start
|
Low
|
475
|
Synthetic setae
|
606
|
19
|
B
|
Low
|
476
|
Thomas Sheraton
|
605
|
19
|
Stub
|
Low
|
477
|
Achille Castiglioni
|
602
|
19
|
B
|
High
|
478
|
Industrial Designers Society of America
|
601
|
19
|
Start
|
High
|
479
|
Paolo Monti
|
600
|
19
|
Start
|
Low
|
480
|
Vitsœ
|
599
|
19
|
Start
|
Low
|
481
|
ISO 13567
|
598
|
19
|
Start
|
Low
|
482
|
Eero Aarnio
|
596
|
19
|
Start
|
Mid
|
483
|
Grand Confort
|
596
|
19
|
Start
|
Mid
|
484
|
WildBrain CPLG
|
594
|
19
|
Stub
|
Low
|
485
|
Apple Inc. design motifs
|
592
|
19
|
C
|
Low
|
486
|
Marcel Wanders
|
590
|
19
|
Start
|
Low
|
487
|
Patricia Urquiola
|
590
|
19
|
Start
|
Low
|
488
|
David Mellor (designer)
|
588
|
18
|
Start
|
Low
|
489
|
Design studies
|
583
|
18
|
C
|
Mid
|
490
|
Solid sorbents for carbon capture
|
582
|
18
|
C
|
Unknown
|
491
|
Teak furniture
|
571
|
18
|
Start
|
Unknown
|
492
|
Fuseproject
|
567
|
18
|
Stub
|
Low
|
493
|
Lean product development
|
565
|
18
|
Start
|
High
|
494
|
Delcam
|
561
|
18
|
Stub
|
Low
|
495
|
Tianjin University Georgia Tech Shenzhen Institute
|
561
|
18
|
Stub
|
Low
|
496
|
Brionvega
|
554
|
17
|
B
|
Mid
|
497
|
Injection mold construction
|
554
|
17
|
Start
|
Unknown
|
498
|
Beige box
|
545
|
17
|
Stub
|
Low
|
499
|
Central Institute of Tool Design
|
543
|
17
|
Start
|
Low
|
500
|
Milo Baughman
|
542
|
17
|
Start
|
Low
|
501
|
Bambooworking
|
541
|
17
|
Start
|
Low
|
502
|
Murano Glass Museum
|
538
|
17
|
Start
|
Mid
|
503
|
Subaru Suiren
|
535
|
17
|
Start
|
Unknown
|
504
|
National Design Centre
|
534
|
17
|
Start
|
Low
|
505
|
John Makepeace
|
532
|
17
|
Stub
|
Low
|
506
|
List of Italian designers
|
532
|
17
|
List
|
Mid
|
507
|
Fabien Baron
|
532
|
17
|
Start
|
Low
|
508
|
B&B Italia
|
531
|
17
|
C
|
Mid
|
509
|
Goliath GP700
|
526
|
16
|
Start
|
Low
|
510
|
Shurtape Technologies
|
526
|
16
|
C
|
Unknown
|
511
|
Kartell
|
525
|
16
|
Start
|
Low
|
512
|
Tensor lamp
|
524
|
16
|
Start
|
Unknown
|
513
|
African Regional Intellectual Property Organization
|
523
|
16
|
Stub
|
Low
|
514
|
Takeo Kikuchi
|
521
|
16
|
Stub
|
Low
|
515
|
Lingerie tape
|
517
|
16
|
Stub
|
Low
|
516
|
F. Schumacher & Co.
|
517
|
16
|
Start
|
Mid
|
517
|
List of industrial designers
|
515
|
16
|
List
|
High
|
518
|
Clocky
|
512
|
16
|
Stub
|
Low
|
519
|
Kenya Hara
|
512
|
16
|
C
|
Low
|
520
|
Anna Maria Niemeyer
|
509
|
16
|
C
|
Mid
|
521
|
Virtual design and construction
|
508
|
16
|
Stub
|
Low
|
522
|
Computer desk
|
505
|
16
|
Start
|
Low
|
523
|
Digital mockup
|
505
|
16
|
Stub
|
Low
|
524
|
Lloyd Loom
|
505
|
16
|
Start
|
Unknown
|
525
|
Blenko Glass Company
|
504
|
16
|
C
|
Mid
|
526
|
Emeco 1006
|
504
|
16
|
GA
|
Low
|
527
|
Grillo telephone
|
502
|
16
|
Start
|
Mid
|
528
|
Gorilla Tape
|
498
|
16
|
Start
|
Low
|
529
|
Carlo Mollino
|
497
|
16
|
C
|
Mid
|
530
|
Pio Manzù
|
496
|
16
|
C
|
Low
|
531
|
Productionisation
|
495
|
15
|
Stub
|
Mid
|
532
|
Émile-Jacques Ruhlmann
|
486
|
15
|
Start
|
Low
|
533
|
Jasper Morrison
|
482
|
15
|
C
|
Mid
|
534
|
Jean-Michel Wilmotte
|
482
|
15
|
C
|
Low
|
535
|
Design Council
|
479
|
15
|
Start
|
Mid
|
536
|
Tugendhat chair
|
478
|
15
|
Stub
|
Low
|
537
|
Design life
|
477
|
15
|
Start
|
Low
|
538
|
Corradino D'Ascanio
|
474
|
15
|
C
|
Low
|
539
|
Ronan & Erwan Bouroullec
|
474
|
15
|
Start
|
Low
|
540
|
Clay modeling
|
471
|
15
|
Stub
|
Low
|
541
|
Thomas Day (cabinetmaker)
|
470
|
15
|
B
|
Low
|
542
|
Djinn chair
|
468
|
15
|
Start
|
Mid
|
543
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
460
|
14
|
Start
|
Low
|
544
|
Louis Majorelle
|
459
|
14
|
C
|
Mid
|
545
|
Picquot ware
|
458
|
14
|
Stub
|
Low
|
546
|
Trimphone
|
457
|
14
|
Start
|
Low
|
547
|
D. J. De Pree
|
451
|
14
|
Stub
|
Low
|
548
|
Laurens van den Acker
|
446
|
14
|
Start
|
Low
|
549
|
PH-lamp
|
442
|
14
|
Start
|
Low
|
550
|
Timothy Oulton
|
442
|
14
|
Stub
|
Low
|
551
|
VDA 6.1
|
440
|
14
|
Stub
|
Low
|
552
|
Ant (chair)
|
439
|
14
|
Stub
|
Mid
|
553
|
Metal furniture
|
439
|
14
|
Start
|
Unknown
|
554
|
Robert Welch (designer)
|
436
|
14
|
Start
|
Low
|
555
|
Point of difference
|
435
|
14
|
Start
|
Mid
|
556
|
Chaise Longue (Le Corbusier)
|
434
|
14
|
Stub
|
Low
|
557
|
Shiro Kuramata
|
429
|
13
|
Stub
|
Low
|
558
|
Ernest Gimson
|
429
|
13
|
Start
|
Low
|
559
|
Herter Brothers
|
428
|
13
|
Start
|
Low
|
560
|
The HON Company
|
428
|
13
|
Start
|
Low
|
561
|
Friction tape
|
427
|
13
|
Stub
|
Low
|
562
|
Cassina S.p.A.
|
424
|
13
|
Start
|
Low
|
563
|
Chicago Athenaeum
|
424
|
13
|
Start
|
Low
|
564
|
Christopher Guy Harrison
|
423
|
13
|
Stub
|
Low
|
565
|
Museum of Applied Arts (Budapest)
|
420
|
13
|
Start
|
Low
|
566
|
Diego Giacometti
|
420
|
13
|
Start
|
Low
|
567
|
Sabine Marcelis
|
420
|
13
|
C
|
Mid
|
568
|
Packaging and packaging waste directive
|
415
|
13
|
Stub
|
Mid
|
569
|
Product and manufacturing information
|
414
|
13
|
Stub
|
Low
|
570
|
ASME Y14.41
|
406
|
13
|
Stub
|
Low
|
571
|
IKEA Klippan
|
404
|
13
|
Start
|
Low
|
572
|
ANSA pre-processor
|
404
|
13
|
Stub
|
Unknown
|
573
|
Lella Vignelli
|
403
|
13
|
B
|
Mid
|
574
|
Knowledge-based engineering
|
400
|
12
|
Start
|
Low
|
575
|
Kem Weber
|
397
|
12
|
Start
|
Low
|
576
|
ICAD (software)
|
394
|
12
|
Start
|
Low
|
577
|
Ligne Roset
|
393
|
12
|
Stub
|
Low
|
578
|
James Krenov
|
392
|
12
|
Start
|
Low
|
579
|
Director's chair
|
392
|
12
|
Stub
|
Low
|
580
|
Pierre Paulin
|
387
|
12
|
Start
|
Low
|
581
|
Viktor Schreckengost
|
385
|
12
|
Start
|
Low
|
582
|
Benjamin Bowden
|
385
|
12
|
Start
|
Unknown
|
583
|
Knole Settee
|
382
|
12
|
Start
|
Unknown
|
584
|
Zig-Zag Chair
|
381
|
12
|
Stub
|
Low
|
585
|
Box-sealing tape
|
379
|
12
|
Start
|
Low
|
586
|
Jack Lenor Larsen
|
377
|
12
|
C
|
Low
|
587
|
CAD data exchange
|
376
|
12
|
Start
|
Low
|
588
|
James T. Baldwin
|
373
|
12
|
Start
|
Low
|
589
|
Ora Ito
|
373
|
12
|
Stub
|
Low
|
590
|
Icon design
|
372
|
12
|
Start
|
Unknown
|
591
|
Winged edge
|
371
|
11
|
Stub
|
Low
|
592
|
Børge Mogensen
|
370
|
11
|
Start
|
Low
|
593
|
Rick Dickinson
|
368
|
11
|
C
|
Mid
|
594
|
Wendell Castle
|
368
|
11
|
C
|
Low
|
595
|
Campana brothers
|
368
|
11
|
Start
|
Low
|
596
|
Typewriter desk
|
367
|
11
|
Start
|
Unknown
|
597
|
Widdicomb Furniture Company
|
366
|
11
|
Start
|
Mid
|
598
|
Vico Magistretti
|
363
|
11
|
C
|
High
|
599
|
Andrew Ure
|
362
|
11
|
B
|
Low
|
600
|
Kaare Klint
|
359
|
11
|
C
|
Mid
|
601
|
Paul McCobb
|
359
|
11
|
C
|
Low
|
602
|
Transitional Style
|
359
|
11
|
Start
|
Unknown
|
603
|
Draw sheet
|
357
|
11
|
Start
|
Low
|
604
|
Walter Dorwin Teague
|
355
|
11
|
Start
|
Low
|
605
|
Franco Albini
|
352
|
11
|
Start
|
Mid
|
606
|
World Design Capital
|
352
|
11
|
Stub
|
Low
|
607
|
Empathic design
|
345
|
11
|
Start
|
Mid
|
608
|
Ingo Maurer
|
345
|
11
|
B
|
Low
|
609
|
Enrico Fumia
|
345
|
11
|
Start
|
Low
|
610
|
EPA WaterSense
|
343
|
11
|
Stub
|
Mid
|
611
|
Morag Myerscough
|
343
|
11
|
Stub
|
Low
|
612
|
Product structure modeling
|
342
|
11
|
Start
|
Low
|
613
|
Moholy-Nagy University of Art and Design
|
340
|
10
|
Start
|
Low
|
614
|
Marco Zanuso
|
340
|
10
|
C
|
Mid
|
615
|
Harris Lebus
|
340
|
10
|
Start
|
Low
|
616
|
Pipsan Saarinen Swanson
|
340
|
10
|
Start
|
Low
|
617
|
Weltron
|
339
|
10
|
C
|
Low
|
618
|
Design paradigm
|
338
|
10
|
Start
|
Low
|
619
|
James Dyson Award
|
338
|
10
|
Start
|
Low
|
620
|
Auxiliary label
|
337
|
10
|
Start
|
Low
|
621
|
Robin Day (designer)
|
337
|
10
|
Stub
|
Low
|
622
|
Tom Karen
|
336
|
10
|
Start
|
Low
|
623
|
Suzie Zuzek
|
336
|
10
|
B
|
Low
|
624
|
Vertical form fill sealing machine
|
335
|
10
|
Start
|
Low
|
625
|
S1 MP3 player
|
333
|
10
|
Stub
|
Low
|
626
|
Kvadrat (company)
|
332
|
10
|
Start
|
Low
|
627
|
Carl Hansen & Søn
|
331
|
10
|
Start
|
Unknown
|
628
|
Wells Coates
|
328
|
10
|
C
|
Low
|
629
|
Eames Aluminum Group
|
327
|
10
|
Start
|
Unknown
|
630
|
Barber Osgerby
|
325
|
10
|
C
|
Low
|
631
|
Xanti Schawinsky
|
324
|
10
|
Start
|
Unknown
|
632
|
Ugo Zagato
|
323
|
10
|
Start
|
Low
|
633
|
Simplexity
|
322
|
10
|
Start
|
Low
|
634
|
Drop-leaf table
|
322
|
10
|
Stub
|
Unknown
|
635
|
Olivetti Elea
|
322
|
10
|
B
|
Low
|
636
|
Idea (disambiguation)
|
321
|
10
|
Disambig
|
NA
|
637
|
Radical period
|
321
|
10
|
Stub
|
Mid
|
638
|
Transgenerational design
|
321
|
10
|
C
|
Mid
|
639
|
Salamander heater
|
320
|
10
|
Stub
|
Unknown
|
640
|
Community design
|
319
|
10
|
Start
|
Mid
|
641
|
Antonio Citterio
|
318
|
10
|
Start
|
Mid
|
642
|
Design museum
|
315
|
10
|
Start
|
Low
|
643
|
Lucienne Day
|
315
|
10
|
Start
|
Low
|
644
|
Nebiolo Printech
|
313
|
10
|
Start
|
Low
|
645
|
Design Museum of Barcelona
|
313
|
10
|
C
|
Low
|
646
|
Ikepod
|
312
|
10
|
Start
|
Low
|
647
|
Gordon Russell (designer)
|
312
|
10
|
Start
|
Low
|
648
|
Organosolv
|
311
|
10
|
C
|
Low
|
649
|
Sixten Sason
|
310
|
10
|
Start
|
Low
|
650
|
Oki Sato
|
310
|
10
|
Start
|
Low
|
651
|
Maarten Baas
|
309
|
9
|
Stub
|
Low
|
652
|
Changing table
|
308
|
9
|
Stub
|
Low
|
653
|
Rico Daniels
|
308
|
9
|
Stub
|
Low
|
654
|
Virtual prototyping
|
306
|
9
|
Start
|
Low
|
655
|
Carlton House desk
|
304
|
9
|
Start
|
Unknown
|
656
|
Alphonse Chapanis
|
304
|
9
|
Start
|
Low
|
657
|
Bill Stumpf
|
303
|
9
|
Start
|
Low
|
658
|
Alexander Neumeister
|
302
|
9
|
Stub
|
Low
|
659
|
Poul Kjærholm
|
301
|
9
|
Start
|
Low
|
660
|
Emilio Ambasz
|
301
|
9
|
C
|
Mid
|
661
|
Piero Portaluppi
|
301
|
9
|
C
|
Low
|
662
|
Mart Stam
|
299
|
9
|
Start
|
Low
|
663
|
Computer-automated design
|
298
|
9
|
Stub
|
Low
|
664
|
Paolo Venini
|
297
|
9
|
C
|
Low
|
665
|
MEDUSA
|
296
|
9
|
Start
|
Unknown
|
666
|
John Vassos
|
295
|
9
|
Start
|
Low
|
667
|
Swan (chair)
|
295
|
9
|
Stub
|
Mid
|
668
|
Folding seat
|
292
|
9
|
Stub
|
Low
|
669
|
Yoichi Ochiai
|
291
|
9
|
C
|
Low
|
670
|
Jonathan Glancey
|
290
|
9
|
Start
|
Low
|
671
|
Design classic
|
290
|
9
|
Start
|
Low
|
672
|
Harley-Davidson Motorcycle Factory Building
|
290
|
9
|
B
|
Low
|
673
|
Charles Eastlake
|
289
|
9
|
Stub
|
Low
|
674
|
École cantonale d'art de Lausanne
|
289
|
9
|
C
|
Mid
|
675
|
Robert Brunner
|
288
|
9
|
Start
|
Mid
|
676
|
Ini Archibong
|
287
|
9
|
B
|
Mid
|
677
|
Design education
|
286
|
9
|
Stub
|
Low
|
678
|
Gooseneck lamp
|
286
|
9
|
Stub
|
Low
|
679
|
Poggenpohl
|
285
|
9
|
Stub
|
Low
|
680
|
William Lescaze
|
284
|
9
|
B
|
Low
|
681
|
Teague (company)
|
279
|
9
|
Stub
|
Low
|
682
|
International Design Excellence Awards
|
278
|
8
|
Stub
|
Mid
|
683
|
Bill Moggridge
|
277
|
8
|
B
|
High
|
684
|
Paul T. Frankl
|
276
|
8
|
Start
|
Low
|
685
|
Jens Quistgaard
|
276
|
8
|
Start
|
Low
|
686
|
Donald Deskey
|
275
|
8
|
Start
|
Low
|
687
|
Tizio
|
275
|
8
|
Stub
|
Mid
|
688
|
Neil Poulton
|
274
|
8
|
C
|
Low
|
689
|
Constraint (computer-aided design)
|
274
|
8
|
Start
|
Low
|
690
|
Isovist
|
273
|
8
|
Stub
|
Low
|
691
|
International Forum Design
|
273
|
8
|
Stub
|
Low
|
692
|
Niels Diffrient
|
271
|
8
|
C
|
High
|
693
|
Matteo Thun
|
271
|
8
|
Start
|
Low
|
694
|
Ton van de Ven
|
270
|
8
|
Stub
|
Low
|
695
|
Tom Hardy (designer)
|
269
|
8
|
Start
|
Low
|
696
|
Nina Petronzio
|
269
|
8
|
Start
|
Low
|
697
|
Peter Opsvik
|
268
|
8
|
C
|
Low
|
698
|
Michael Young (industrial designer)
|
268
|
8
|
C
|
Mid
|
699
|
Multi-material injection molding
|
267
|
8
|
Start
|
Unknown
|
700
|
Thomas Hayo
|
266
|
8
|
Stub
|
Low
|
701
|
Cleo Baldon
|
265
|
8
|
Start
|
Mid
|
702
|
Design Research Unit
|
264
|
8
|
Stub
|
Low
|
703
|
Thomas Humber
|
264
|
8
|
C
|
Low
|
704
|
Nendo (design firm)
|
264
|
8
|
C
|
Low
|
705
|
Gooseneck (fixture)
|
263
|
8
|
Start
|
Low
|
706
|
Electric guitar design
|
262
|
8
|
Start
|
Low
|
707
|
Bruno Paul
|
261
|
8
|
Stub
|
Low
|
708
|
Robert Propst (inventor)
|
261
|
8
|
Stub
|
Low
|
709
|
Piet Zwart
|
259
|
8
|
Start
|
Low
|
710
|
Bruno Mathsson
|
258
|
8
|
Start
|
Low
|
711
|
Kaj Franck
|
256
|
8
|
Start
|
Low
|
712
|
Paul R. Evans
|
256
|
8
|
Start
|
Low
|
713
|
Arco (lamp)
|
254
|
8
|
Start
|
High
|
714
|
Charles Limbert
|
253
|
8
|
Start
|
Low
|
715
|
A & M Karagheusian
|
251
|
8
|
Stub
|
Low
|
716
|
Stuart Pugh
|
251
|
8
|
Start
|
Low
|
717
|
Hanssem
|
251
|
8
|
Start
|
Low
|
718
|
Jean Dunand
|
249
|
8
|
Stub
|
Low
|
719
|
Quad-edge
|
247
|
7
|
Stub
|
Low
|
720
|
Cesar Vergara
|
247
|
7
|
Start
|
Low
|
721
|
Rover chair
|
246
|
7
|
B
|
Mid
|
722
|
Howard "Dutch" Darrin
|
243
|
7
|
Stub
|
Unknown
|
723
|
Jon Bannenberg
|
242
|
7
|
Stub
|
Low
|
724
|
Ross Lovegrove
|
241
|
7
|
Start
|
Mid
|
725
|
Marcello Nizzoli
|
241
|
7
|
Start
|
Low
|
726
|
Filament tape
|
241
|
7
|
Start
|
Low
|
727
|
Daniel Marot
|
240
|
7
|
Start
|
Low
|
728
|
Helen Dryden
|
240
|
7
|
C
|
Low
|
729
|
Jock Kinneir
|
240
|
7
|
Start
|
Low
|
730
|
Moooi
|
240
|
7
|
B
|
Low
|
731
|
Fabio Taglioni
|
237
|
7
|
Stub
|
Low
|
732
|
GRAITEC
|
237
|
7
|
Start
|
Low
|
733
|
USM Modular Furniture
|
237
|
7
|
Start
|
Low
|
734
|
Computer-aided industrial design
|
236
|
7
|
Stub
|
High
|
735
|
African design
|
236
|
7
|
Start
|
Low
|
736
|
Richard Arbib
|
234
|
7
|
Start
|
Low
|
737
|
Ian Proctor
|
233
|
7
|
Stub
|
Low
|
738
|
Bubble chair
|
232
|
7
|
Stub
|
Low
|
739
|
Wilhelm Wagenfeld
|
232
|
7
|
Start
|
Low
|
740
|
Forward Look
|
231
|
7
|
Redirect
|
NA
|
741
|
Ericsson Dialog
|
231
|
7
|
Start
|
Low
|
742
|
I.D. (magazine)
|
231
|
7
|
Start
|
Mid
|
743
|
Dror Benshetrit
|
229
|
7
|
Start
|
Low
|
744
|
Furniture Today
|
228
|
7
|
Stub
|
Low
|
745
|
WorkNC
|
227
|
7
|
Stub
|
Low
|
746
|
Monterey Furniture
|
227
|
7
|
Start
|
Unknown
|
747
|
List of Bunnykins figurines
|
226
|
7
|
List
|
Mid
|
748
|
Isophote
|
225
|
7
|
Stub
|
Unknown
|
749
|
Systems-oriented design
|
224
|
7
|
C
|
Unknown
|
750
|
Adjustable Table E 1027
|
224
|
7
|
Start
|
Mid
|
751
|
Furniture screws
|
224
|
7
|
B
|
Unknown
|
752
|
École Camondo
|
223
|
7
|
Stub
|
Low
|
753
|
Braun LE1
|
223
|
7
|
Stub
|
Low
|
754
|
Zuber & Cie
|
222
|
7
|
Start
|
Mid
|
755
|
Swedish Centre for Architecture and Design
|
222
|
7
|
C
|
Low
|
756
|
Corrugated box
|
221
|
7
|
Redirect
|
NA
|
757
|
T. H. Robsjohn-Gibbings
|
221
|
7
|
Start
|
Low
|
758
|
Ralph Osterhout
|
221
|
7
|
Start
|
Low
|
759
|
James Irvine (designer)
|
219
|
7
|
C
|
Mid
|
760
|
Libuše Niklová
|
218
|
7
|
Start
|
Low
|
761
|
Eric Stoddard
|
217
|
7
|
Stub
|
Low
|
762
|
Piero Lissoni
|
217
|
7
|
Start
|
Low
|
763
|
Museum of Design, Zürich
|
216
|
6
|
Start
|
Mid
|
764
|
Alice Rawsthorn
|
214
|
6
|
C
|
Low
|
765
|
Centripetal Spring Armchair
|
214
|
6
|
Start
|
Unknown
|
766
|
George Sowden
|
213
|
6
|
Start
|
Low
|
767
|
Tip-top table
|
213
|
6
|
Stub
|
Unknown
|
768
|
Don Chadwick
|
212
|
6
|
Start
|
Low
|
769
|
Clement Meadmore
|
211
|
6
|
C
|
Low
|
770
|
Rolf Fehlbaum
|
210
|
6
|
C
|
Low
|
771
|
Custom-fit
|
208
|
6
|
Start
|
Mid
|
772
|
3D floor plan
|
206
|
6
|
Stub
|
Low
|
773
|
Kazuo Kawasaki
|
202
|
6
|
Stub
|
Low
|
774
|
Design Museum Brussels
|
200
|
6
|
Start
|
Low
|
775
|
Projection augmented model
|
199
|
6
|
Start
|
Low
|
776
|
Alexis de Sakhnoffsky
|
199
|
6
|
Start
|
Low
|
777
|
Gilbert Rohde
|
199
|
6
|
Start
|
Low
|
778
|
World Design Organization
|
198
|
6
|
Start
|
High
|
779
|
Cifra 3
|
197
|
6
|
Start
|
Low
|
780
|
David Roentgen
|
196
|
6
|
Start
|
Low
|
781
|
40/4 Chair
|
196
|
6
|
Start
|
Mid
|
782
|
Horia Creangă
|
195
|
6
|
Start
|
Low
|
783
|
Mary Wright (designer)
|
195
|
6
|
B
|
Low
|
784
|
Tage Frid
|
193
|
6
|
Stub
|
Low
|
785
|
Mogul lamp
|
193
|
6
|
Start
|
Unknown
|
786
|
Satyendra Pakhale
|
193
|
6
|
Start
|
Low
|
787
|
Natural mapping (interface design)
|
193
|
6
|
Start
|
Mid
|
788
|
Scoring (industrial process)
|
193
|
6
|
Start
|
Unknown
|
789
|
HeeksCAD
|
193
|
6
|
Start
|
Mid
|
790
|
Design for lean manufacturing
|
193
|
6
|
Start
|
Mid
|
791
|
David Caon
|
193
|
6
|
C
|
Low
|
792
|
École Boulle
|
191
|
6
|
Stub
|
Low
|
793
|
Pierre Frey
|
191
|
6
|
Start
|
Unknown
|
794
|
Edgar Miller (artist)
|
191
|
6
|
C
|
Unknown
|
795
|
Extreme users
|
191
|
6
|
C
|
Mid
|
796
|
David Ogle
|
190
|
6
|
Start
|
Low
|
797
|
Inflatable air cushion
|
190
|
6
|
Start
|
Unknown
|
798
|
Charley Morgan
|
190
|
6
|
Start
|
Low
|
799
|
Model 60 stacking stool
|
190
|
6
|
Start
|
Low
|
800
|
Jack Sangster
|
189
|
6
|
Start
|
Mid
|
801
|
DAC-1
|
189
|
6
|
Start
|
Low
|
802
|
Arne Vodder
|
189
|
6
|
Stub
|
Low
|
803
|
Musgrave Pencil Company
|
189
|
6
|
Start
|
Unknown
|
804
|
Stehli Silks
|
189
|
6
|
C
|
Low
|
805
|
Tolomeo desk lamp
|
188
|
6
|
Start
|
Low
|
806
|
L. Bruce Archer
|
188
|
6
|
Start
|
Low
|
807
|
Designboom
|
188
|
6
|
Start
|
Low
|
808
|
Stevengraph
|
187
|
6
|
Start
|
Mid
|
809
|
Maison et Objet
|
187
|
6
|
Stub
|
Low
|
810
|
Function-Behaviour-Structure ontology
|
186
|
6
|
C
|
Unknown
|
811
|
UNISURF
|
185
|
5
|
Stub
|
Low
|
812
|
Andrea Branzi
|
185
|
5
|
Start
|
Unknown
|
813
|
Richard Schultz
|
184
|
5
|
Start
|
Low
|
814
|
Floor marking tape
|
183
|
5
|
Stub
|
Low
|
815
|
Assembly modelling
|
182
|
5
|
Stub
|
Low
|
816
|
Dorothy Liebes
|
181
|
5
|
C
|
Low
|
817
|
Inga Sempé
|
181
|
5
|
Start
|
Low
|
818
|
PH Artichoke
|
180
|
5
|
Stub
|
Low
|
819
|
Sonic interaction design
|
179
|
5
|
Stub
|
Low
|
820
|
Bernhardt Design
|
179
|
5
|
Start
|
Low
|
821
|
List of awards and nominations received by Jony Ive
|
179
|
5
|
List
|
Low
|
822
|
London Design Festival
|
178
|
5
|
Start
|
Low
|
823
|
Design Exchange
|
178
|
5
|
Start
|
Low
|
824
|
ADI Design Museum
|
176
|
5
|
Start
|
Mid
|
825
|
Rex (chair)
|
174
|
5
|
Stub
|
Low
|
826
|
Michael Lax
|
174
|
5
|
Start
|
Unknown
|
827
|
Rover T3
|
174
|
5
|
C
|
Low
|
828
|
Heller, Inc.
|
173
|
5
|
C
|
Mid
|
829
|
Unimark International
|
172
|
5
|
Start
|
Low
|
830
|
English furniture
|
172
|
5
|
Stub
|
Low
|
831
|
Hans Gugelot
|
170
|
5
|
Start
|
Low
|
832
|
Applicon
|
169
|
5
|
Stub
|
Low
|
833
|
Collaborative product development
|
168
|
5
|
Start
|
Low
|
834
|
Gettysburg furniture companies
|
168
|
5
|
Start
|
Low
|
835
|
Jimmyjane
|
168
|
5
|
Stub
|
Low
|
836
|
Gerd A. Müller
|
168
|
5
|
Start
|
Low
|
837
|
Geschmacksmuster
|
167
|
5
|
Stub
|
Low
|
838
|
GenerativeComponents
|
167
|
5
|
Stub
|
Low
|
839
|
Henry P. Glass
|
167
|
5
|
Start
|
Low
|
840
|
Samuel Abraham Marx
|
167
|
5
|
Stub
|
Low
|
841
|
Pier Giacomo Castiglioni
|
167
|
5
|
C
|
High
|
842
|
Martine Bedin
|
166
|
5
|
C
|
Low
|
843
|
Dutch Design Week
|
165
|
5
|
Stub
|
Mid
|
844
|
Tear tape
|
165
|
5
|
Stub
|
Low
|
845
|
Chicken harvester
|
165
|
5
|
Start
|
Low
|
846
|
Office of the future
|
164
|
5
|
Start
|
Low
|
847
|
Dunne & Raby
|
164
|
5
|
Stub
|
Low
|
848
|
Metamorphic library steps
|
163
|
5
|
Start
|
Unknown
|
849
|
Zeev Aram
|
162
|
5
|
Start
|
Low
|
850
|
Röhsska Museum
|
161
|
5
|
Start
|
Low
|
851
|
Design competition
|
161
|
5
|
Start
|
Unknown
|
852
|
Nanna Ditzel
|
161
|
5
|
Stub
|
Low
|
853
|
Karlsruhe University of Arts and Design
|
160
|
5
|
C
|
Low
|
854
|
Win Ng
|
160
|
5
|
Start
|
Low
|
855
|
Ellen's Next Great Designer
|
160
|
5
|
Start
|
Low
|
856
|
Green Building XML
|
159
|
5
|
Stub
|
Low
|
857
|
Jack Pritchard
|
158
|
5
|
Stub
|
Low
|
858
|
Oliver Lincoln Lundquist
|
157
|
5
|
C
|
Mid
|
859
|
Alma Siedhoff-Buscher
|
157
|
5
|
Stub
|
Unknown
|
860
|
Otto Kuhler
|
155
|
5
|
B
|
Mid
|
861
|
Betty Thatcher Oros
|
155
|
5
|
Start
|
Mid
|
862
|
Design of plastic components
|
154
|
4
|
C
|
Unknown
|
863
|
Ambrose Heal
|
153
|
4
|
Stub
|
Low
|
864
|
Color Marketing Group
|
152
|
4
|
Stub
|
Low
|
865
|
1970s in furniture
|
152
|
4
|
Stub
|
Low
|
866
|
Ammunition Design Group
|
150
|
4
|
Start
|
Low
|
867
|
Studio Drift
|
150
|
4
|
Start
|
Low
|
868
|
André Ricard Sala
|
149
|
4
|
Stub
|
Low
|
869
|
Astro Studios
|
149
|
4
|
Stub
|
Unknown
|
870
|
John Saladino
|
149
|
4
|
Start
|
Low
|
871
|
Edward Wormley
|
147
|
4
|
Stub
|
Low
|
872
|
Studio Alchimia
|
147
|
4
|
Start
|
Unknown
|
873
|
Yuri Suzuki (designer)
|
146
|
4
|
C
|
Low
|
874
|
Jacques Adnet
|
145
|
4
|
Stub
|
Low
|
875
|
Emeline King
|
145
|
4
|
Start
|
Low
|
876
|
Goddard and Townsend
|
144
|
4
|
Start
|
Low
|
877
|
Charles "Chuck" Harrison
|
144
|
4
|
C
|
Low
|
878
|
Jerome and Evelyn Ackerman
|
144
|
4
|
C
|
Mid
|
879
|
International Design Awards
|
144
|
4
|
Stub
|
Low
|
880
|
Jean Bérain the Elder
|
143
|
4
|
Start
|
Low
|
881
|
Olivier Mourgue
|
143
|
4
|
Stub
|
Low
|
882
|
Wilkhahn
|
142
|
4
|
Start
|
Low
|
883
|
Nathan George Horwitt
|
141
|
4
|
Start
|
Low
|
884
|
Naoki Sakai (industrial designer)
|
141
|
4
|
Start
|
Low
|
885
|
Carl Auböck
|
141
|
4
|
Start
|
Mid
|
886
|
Nanny Still
|
141
|
4
|
C
|
Low
|
887
|
Onorina Tomasin-Brion
|
141
|
4
|
Start
|
Unknown
|
888
|
Desk and bench
|
140
|
4
|
Stub
|
Unknown
|
889
|
Droog (company)
|
139
|
4
|
Start
|
Low
|
890
|
Objet Geometries
|
139
|
4
|
Stub
|
Low
|
891
|
Ovalia Egg Chair
|
139
|
4
|
Stub
|
Low
|
892
|
Sacha Lakic
|
139
|
4
|
Start
|
Unknown
|
893
|
United States House Energy Subcommittee on Environment, Manufacturing, and Critical Minerals
|
138
|
4
|
Start
|
Unknown
|
894
|
Alan Peters
|
137
|
4
|
Stub
|
Low
|
895
|
Frederick Meyer
|
137
|
4
|
Start
|
Low
|
896
|
Charles-Honoré Lannuier
|
137
|
4
|
Start
|
Low
|
897
|
Bruno Rey
|
137
|
4
|
Start
|
Unknown
|
898
|
Corin Mellor
|
136
|
4
|
Start
|
Unknown
|
899
|
Smart Design
|
136
|
4
|
Start
|
Mid
|
900
|
Barnsley brothers
|
135
|
4
|
Start
|
Low
|
901
|
Jean Puiforcat
|
135
|
4
|
Start
|
Mid
|
902
|
Mitchell Joachim
|
134
|
4
|
Start
|
Low
|
903
|
Wood family
|
134
|
4
|
Start
|
Low
|
904
|
Paola Navone
|
134
|
4
|
Start
|
Unknown
|
905
|
Josef Hartwig
|
133
|
4
|
Start
|
Low
|
906
|
Sara Little Turnbull
|
132
|
4
|
Start
|
Low
|
907
|
École nationale supérieure des arts appliqués et des métiers d'art
|
132
|
4
|
Start
|
Low
|
908
|
Britain Can Make It
|
131
|
4
|
Start
|
Low
|
909
|
Sangwon Suh
|
131
|
4
|
C
|
Low
|
910
|
Cutaway (industrial)
|
130
|
4
|
Stub
|
Low
|
911
|
Architectural animation
|
129
|
4
|
Stub
|
Low
|
912
|
Ravi Sawhney
|
129
|
4
|
Stub
|
Low
|
913
|
Sustainable furniture design
|
129
|
4
|
Stub
|
Unknown
|
914
|
Maria Cristina Didero
|
129
|
4
|
C
|
Mid
|
915
|
Jerry Manock
|
128
|
4
|
B
|
Low
|
916
|
Description error
|
128
|
4
|
Stub
|
Low
|
917
|
Roger C. Field
|
128
|
4
|
Stub
|
Low
|
918
|
Flexform
|
128
|
4
|
Start
|
Low
|
919
|
Easy Edges
|
127
|
4
|
Stub
|
Low
|
920
|
Eglu
|
127
|
4
|
Stub
|
Low
|
921
|
Luud Schimmelpennink
|
126
|
4
|
Start
|
Low
|
922
|
Beach furniture
|
126
|
4
|
Stub
|
Unknown
|
923
|
Horn furniture
|
126
|
4
|
Stub
|
Low
|
924
|
Roger Tallon
|
126
|
4
|
Start
|
Mid
|
925
|
Dennis Lennon
|
126
|
4
|
Start
|
Low
|
926
|
Mona Morales-Schildt
|
124
|
4
|
Start
|
Low
|
927
|
Integrated Computer-Aided Manufacturing
|
123
|
3
|
Start
|
Low
|
928
|
Allen Boothroyd
|
123
|
3
|
Stub
|
Low
|
929
|
Mundus furniture
|
123
|
3
|
Stub
|
Low
|
930
|
Grete Jalk
|
123
|
3
|
Start
|
Low
|
931
|
Powder coating on glass
|
123
|
3
|
Start
|
Unknown
|
932
|
Philippe Charbonneaux
|
122
|
3
|
Start
|
Low
|
933
|
Alfonso Iannelli
|
122
|
3
|
Stub
|
Low
|
934
|
Polypropylene stacking chair
|
122
|
3
|
Stub
|
Low
|
935
|
Ignazio Gardella
|
121
|
3
|
C
|
Mid
|
936
|
Nondestructive Evaluation 4.0
|
121
|
3
|
C
|
Unknown
|
937
|
Ashlar-Vellum
|
120
|
3
|
Stub
|
Low
|
938
|
Pin-Up (magazine)
|
120
|
3
|
Start
|
Low
|
939
|
Pulsonix
|
120
|
3
|
Start
|
Unknown
|
940
|
Bergen Academy of Art and Design
|
119
|
3
|
Stub
|
Low
|
941
|
Experiential interior design
|
119
|
3
|
Start
|
Mid
|
942
|
Maarten van Severen
|
118
|
3
|
Stub
|
Low
|
943
|
David Pye (furniture designer)
|
118
|
3
|
Stub
|
Low
|
944
|
Arclinea
|
118
|
3
|
Start
|
Low
|
945
|
Design Museum of Chicago
|
118
|
3
|
B
|
Low
|
946
|
Angelo Mangiarotti
|
117
|
3
|
Start
|
Low
|
947
|
Musée des Arts Décoratifs et du Design
|
117
|
3
|
Start
|
Low
|
948
|
Helena Tynell
|
117
|
3
|
B
|
Unknown
|
949
|
List of STEP (ISO 10303) parts
|
116
|
3
|
List
|
Mid
|
950
|
Earl R. Dean
|
116
|
3
|
Start
|
Low
|
951
|
Imm Cologne
|
116
|
3
|
Start
|
Mid
|
952
|
Sheex
|
115
|
3
|
Start
|
Low
|
953
|
Giulio Cappellini
|
115
|
3
|
Start
|
Low
|
954
|
Feature recognition
|
114
|
3
|
Stub
|
Low
|
955
|
Davison Design & Development
|
114
|
3
|
Start
|
Low
|
956
|
Tony Chambers
|
114
|
3
|
C
|
Low
|
957
|
Charles Stendig
|
114
|
3
|
Start
|
Mid
|
958
|
ROR (design company)
|
114
|
3
|
Stub
|
Low
|
959
|
Writing armchair
|
113
|
3
|
Start
|
Low
|
960
|
François-Honoré-Georges Jacob-Desmalter
|
113
|
3
|
Start
|
Low
|
961
|
Fred Lowen
|
113
|
3
|
Start
|
Low
|
962
|
RKS Design
|
113
|
3
|
Stub
|
Unknown
|
963
|
Acapulco Chair
|
113
|
3
|
Stub
|
Low
|
964
|
Nigel Coates (architect)
|
112
|
3
|
Start
|
Low
|
965
|
Christian Dell
|
111
|
3
|
Stub
|
Low
|
966
|
Arturo Vittori
|
111
|
3
|
Stub
|
Low
|
967
|
Charles Radtke
|
111
|
3
|
Stub
|
Low
|
968
|
Brand implementation
|
110
|
3
|
Start
|
Low
|
969
|
Design and Industries Association
|
110
|
3
|
Stub
|
Low
|
970
|
Hans Olsen (furniture designer)
|
109
|
3
|
Stub
|
Low
|
971
|
Franklin D. Israel
|
109
|
3
|
Start
|
Unknown
|
972
|
Coat rack
|
108
|
3
|
Redirect
|
NA
|
973
|
Daniel Pabst
|
108
|
3
|
B
|
Low
|
974
|
Sergio Rodrigues (architect)
|
108
|
3
|
Start
|
Low
|
975
|
Sky-Sailor
|
108
|
3
|
Start
|
Low
|
976
|
Gufram
|
108
|
3
|
C
|
Mid
|
977
|
John Heskett
|
108
|
3
|
Start
|
Low
|
978
|
Visitability
|
107
|
3
|
Start
|
Low
|
979
|
Industrial design rights in the European Union
|
107
|
3
|
Start
|
Mid
|
980
|
Diamond chair
|
107
|
3
|
Stub
|
Unknown
|
981
|
Tucker Viemeister
|
107
|
3
|
Stub
|
Low
|
982
|
Fabio Novembre
|
107
|
3
|
Stub
|
Low
|
983
|
Frits Henningsen
|
107
|
3
|
Stub
|
Low
|
984
|
Joseph Claude Sinel
|
106
|
3
|
Stub
|
Low
|
985
|
Core77
|
106
|
3
|
Stub
|
Low
|
986
|
Phaidon Design Classics
|
106
|
3
|
Stub
|
Unknown
|
987
|
Bernadotte & Kylberg
|
106
|
3
|
Start
|
Unknown
|
988
|
Studio 65
|
105
|
3
|
Start
|
Mid
|
989
|
Hille (furniture)
|
104
|
3
|
Start
|
Mid
|
990
|
Henning Koppel
|
104
|
3
|
Start
|
Low
|
991
|
Charles Pelly
|
103
|
3
|
Start
|
Low
|
992
|
John Cobb (cabinetmaker)
|
102
|
3
|
Stub
|
Low
|
993
|
Toshiyuki Kita
|
102
|
3
|
Stub
|
Low
|
994
|
Jean-Marie Massaud
|
102
|
3
|
C
|
Low
|
995
|
Stefan Diez
|
102
|
3
|
C
|
Low
|
996
|
Phyllis Morris (furniture designer)
|
102
|
3
|
Stub
|
Low
|
997
|
Gianfranco Frattini
|
102
|
3
|
C
|
Mid
|
998
|
Robert Reiner (businessman)
|
102
|
3
|
C
|
Unknown
|
999
|
Michelotti Shellette
|
102
|
3
|
Start
|
Unknown
|
1000
|
Computer-aided production engineering
|
101
|
3
|
Stub
|
Low
|