List of neo-noir films
Appearance
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir, the list takes 1960 to date the beginning of the genre.
List of films: 1960–1989
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
10 Rillington Place | Richard Fleischer | 1971 | United Kingdom | [1] |
13 West Street | Philip Leacock | 1962 | United States | [2] |
The 3rd Voice | Hubert Cornfield | 1960 | United States | [3] |
8 Million Ways to Die | Hal Ashby | 1986 | United States | [1] |
99 and 44/100% Dead | John Frankenheimer | 1974 | United States | [4] |
Absence of Malice | Sydney Pollack | 1981 | United States | [1] |
Across 110th Street | Barry Shear | 1972 | United States | [2] |
Afraid to Die | Yasuzo Masumura | 1960 | Japan | [5] |
After Hours | Martin Scorsese | 1985 | United States | [6] |
Against All Odds | Taylor Hackford | 1984 | United States | [1] |
Agnes of God | Norman Jewison | 1985 | United States | [1] |
All Night Long | Basil Dearden | 1962 | United Kingdom | [7] |
All the President's Men | Alan J. Pakula | 1976 | United States | [2] |
Alphaville | Jean-Luc Godard | 1965 | France | [8] |
The American Friend | Wim Wenders | 1977 | West Germany | [9] |
American Gigolo | Paul Schrader | 1980 | United States | [10] |
...And Justice for All. | Norman Jewison | 1979 | United States | [1] |
The Anderson Tapes | Sidney Lumet | 1971 | United States | [2] |
Angel Heart | Alan Parker | 1987 | United States | [11] |
Any Number Can Win | Henri Verneuil | 1963 | France | [12] |
Army of Shadows | Jean-Pierre Melville | 1969 | France | [8] |
The Assassin | Elio Petri | 1961 | Italy | [13] |
Assault on Precinct 13 | John Carpenter | 1976 | United States | [1] |
Assignment K | Val Guest | 1968 | United Kingdom | [1] |
At Close Range | James Foley | 1986 | United States | [14] |
L'avventura | Michelangelo Antonioni | 1960 | Italy | [15] |
Atlantic City | Louis Malle | 1980 | Canada/France | [16] |
Bad Boys | Rick Rosenthal | 1983 | United States | [1] |
The Bad Sleep Well | Akira Kurosawa | 1960 | Japan | [5] |
Bad Timing | Nicolas Roeg | 1980 | United Kingdom | [1] |
Badge 373 | Howard W. Koch | 1973 | United States | [1] |
Badlands | Terrence Malick | 1973 | United States | [14] |
Band of the Hand | Paul Michael Glaser | 1986 | United States | [14] |
Bande à part | Jean-Luc Godard | 1964 | France | [8] |
Bandits in Milan | Carlo Lizzani | 1968 | Italy | [13] |
Beat Girl | Edmond T. Gréville | 1960 | United Kingdom | [7] |
The Bedroom Window | Curtis Hanson | 1987 | United States | [14] |
Best Seller | Larry Cohen | 1987 | United States | [14] |
Betrayed | Costa-Gavras | 1988 | United States | [17] |
A Better Tomorrow | John Woo | 1986 | Hong Kong | [18] |
The Big Easy | Jim McBride | 1987 | United States | [1] |
The Big Fix | Jeremy Kagan | 1978 | United States | [17] |
The Big Sleep | Michael Winner | 1978 | United Kingdom/United States | [1] |
The Bird with the Crystal Plumage | Dario Argento | 1970 | Italy | [9] |
The Birthday Party | William Friedkin | 1968 | United Kingdom | [1] |
The Black Bird | David Giler | 1975 | United States | [17] |
Black Eye | Jack Arnold | 1974 | United States | [1] |
Black Gunn | Robert Hartford-Davis | 1972 | United States | [1] |
Black Rain | Ridley Scott | 1989 | United States | [1] |
Black Sunday | John Frankenheimer | 1977 | United States | [17] |
Black Widow | Bob Rafelson | 1987 | United States | [1] |
Blade Runner | Ridley Scott | 1982 | United States | [14] |
Blast of Silence | Allen Baron | 1961 | United States | [1][3] |
Blood and Black Lace | Mario Bava | 1964 | Italy | [19] |
Blood Simple | Joel and Ethan Coen | 1984 | United States | [1][20][21] |
Blow Out | Brian De Palma | 1981 | United States | [22][20][21] |
Blowup | Michelangelo Antonioni | 1966 | United Kingdom/Italy/United States | [22] |
Blue Collar | Paul Schrader | 1978 | United States | [23] |
Blue Thunder | John Badham | 1983 | United States | [1] |
Blue Velvet | David Lynch | 1986 | United States | [11] |
Body Double | Brian De Palma | 1984 | United States | [1] |
Body Heat | Lawrence Kasdan | 1981 | United States | [1] |
Bonnie and Clyde | Arthur Penn | 1967 | United States | [11] |
The Border | Tony Richardson | 1982 | United States | [1] |
Le Boucher | Claude Chabrol | 1970 | France | [24] |
Brainstorm | William Conrad | 1965 | United States | [1][3] |
Branded to Kill | Seijun Suzuki | 1967 | Japan | [9][25] |
Breathless | Jean-Luc Godard | 1960 | France | [25] |
Breathless | Jim McBride | 1983 | United States | [1] |
The Bride Wore Black | François Truffaut | 1968 | France | [12] |
Bring Me the Head of Alfredo Garcia | Sam Peckinpah | 1974 | United States/Mexico | [26] |
The Brink's Job | William Friedkin | 1978 | United States | [27] |
Bunny Lake Is Missing | Otto Preminger | 1965 | United Kingdom/United States | [7] |
Buster and Billie | Daniel Petrie | 1974 | United States | [1] |
Cape Fear | J. Lee Thompson | 1962 | United States | [1][3] |
Capricorn One | Peter Hyams | 1977 | United States | [27] |
Carnival of Souls | Herk Harvey | 1962 | United States | [28] |
Cash on Demand | Quentin Lawrence | 1961 | United Kingdom | [29] |
Castle of Blood | Antonio Margheriti and Sergio Corbucci | 1964 | Italy | [13] |
Le cave se rebiffe | Gilles Grangier | 1961 | France | [24] |
La caza | Carlos Saura | 1966 | Spain | [30] |
Le Cercle Rouge | Jean-Pierre Melville | 1970 | France/Italy | [31] |
The Ceremony | Laurence Harvey | 1963 | United States | [1] |
The Champ | Franco Zeffirelli | 1979 | United States | [27] |
The Champagne Murders | Claude Chabrol | 1967 | France | [32] |
Chan Is Missing | Wayne Wang | 1982 | United States | [33] |
Chandler | Paul Magwood | 1971 | United States | [1] |
Charley Varrick | Don Siegel | 1973 | United States | [14] |
The Chase | Arthur Penn | 1966 | United States | [28] |
The China Syndrome | James Bridges | 1979 | United States | [1] |
Chinatown | Roman Polanski | 1974 | United States | [1] |
The Choirboys | Robert Aldrich | 1977 | United States | [27] |
City on Fire | Ringo Lam | 1987 | Hong Kong | [18] |
Le clan des siciliens | Henri Verneuil | 1969 | France | [24] |
Classe Tous Risques | Claude Sautet | 1960 | France | [24] |
Coffy | Jack Hill | 1973 | United States | [27] |
A Colt Is My Passport | Takashi Nomura | 1967 | Japan | [5] |
La commare secca | Bernardo Bertolucci | 1962 | Italy | [13] |
The Conversation | Francis Ford Coppola | 1974 | United States | [1] |
Cool Breeze | Barry Pollack | 1972 | United States | [27] |
Cop | James B. Harris | 1988 | United States | [1] |
Cotton Comes to Harlem | Ossie Davis | 1970 | United States | [34][20][21] |
Crimes of Passion | Ken Russell | 1984 | United States | [35] |
The Criminal | Joseph Losey | 1960 | United Kingdom | [9] |
Crossplot | Alvin Rakoff | 1969 | United Kingdom | [1] |
Cruising | William Friedkin | 1980 | United States | [36] |
Cuba | Richard Lester | 1979 | United States | [1] |
Cul-de-sac | Roman Polanski | 1966 | United Kingdom | [22] |
Cutter's Way | Ivan Passer | 1981 | United States | [37] |
The Damned | Joseph Losey | 1963 | United Kingdom | [38] |
A Dandy in Aspic | Anthony Mann | 1968 | United Kingdom | [34] |
The Day of the Owl | Damiano Damiani | 1968 | Italy | [13] |
Dead Men Don't Wear Plaid | Carl Reiner | 1982 | United States | [39] |
The Dead Pool | Buddy Van Horn | 1988 | United States | [34] |
Deadfall | Bryan Forbes | 1968 | United Kingdom | [38] |
Deadlier Than the Male | Ralph Thomas | 1967 | United Kingdom | [1] |
The Deadly Affair | Sidney Lumet | 1967 | United Kingdom | [40] |
Deadly Strangers | Sidney Hayers | 1975 | United Kingdom | [40] |
Death Wish | Michael Winner | 1974 | United States | [1] |
Defiance | John Flynn | 1980 | United States | [1] |
The Delinquents | Carlos Saura | 1960 | Spain | [30] |
The Detective | Gordon Douglas | 1968 | United States | [1] |
Detroit 9000 | Arthur Marks | 1973 | United States | [34] |
Le deuxième souffle | Jean-Pierre Melville | 1966 | France | [9] |
Dirty Harry | Don Siegel | 1971 | United States | [1] |
Do You Know This Voice? | Dan Duryea and Isa Miranda | 1964 | United Kingdom | [1] |
D.O.A. | Rocky Morton and Annabel Jankel | 1988 | United States | [1] |
Dog Day Afternoon | Sidney Lumet | 1975 | United States | [1] |
The Domino Principle | Stanley Kramer | 1977 | United States | [41] |
Le Doulos | Jean-Pierre Melville | 1962 | France | [9][25] |
Dressed to Kill | Brian De Palma | 1980 | United States | [41] |
The Driver | Walter Hill | 1978 | United States | [1] |
The Drowning Pool | Stuart Rosenberg | 1975 | United States | [1] |
Endless Night | Sidney Gilliat | 1972 | United Kingdom | [40] |
The Enforcer | James Fargo | 1976 | United States | [1] |
Eva | Joseph Losey | 1962 | France | [12] |
The Executioner | Sam Wanamaker | 1970 | United Kingdom | [1] |
Executive Action | David Miller | 1973 | United States | [41] |
Experiment in Terror | Blake Edwards | 1962 | United States | [1][3] |
The Exterminator | James Glickenhaus | 1980 | United States | [1] |
An Eye for an Eye | Steve Carver | 1981 | United States | [1] |
Eyes of Laura Mars | Irvin Kershner | 1978 | United States | [41] |
Eyes Without a Face | Georges Franju | 1960 | France | [42] |
Eyewitness | Peter Yates | 1981 | United States | [1] |
Fantômas | André Hunebelle | 1964 | France | [12] |
Farewell, My Lovely | Dick Richards | 1975 | United States | [1] |
Fat City | John Huston | 1972 | United States | [41] |
Fatal Attraction | Adrian Lyne | 1987 | United States | [1] |
Fear City | Abel Ferrara | 1984 | United States | [1] |
The File of the Golden Goose | Sam Wanamaker | 1969 | United Kingdom | [1] |
Fingers | James Toback | 1978 | United States | [41] |
The First Deadly Sin | Brian G. Hutton | 1980 | United States | [1] |
The First Great Train Robbery | Michael Crichton | 1978 | United Kingdom | [1] |
F.I.S.T | Norman Jewison | 1978 | United States | [1] |
Five Minutes to Live | Bill Karn | 1961 | United States | [14] |
Foxy Brown | Jack Hill | 1974 | United States | [43] |
Framed | Phil Karlson | 1975 | United States | [43] |
Frantic | Roman Polanski | 1988 | United States | [1] |
The French Connection | William Friedkin | 1971 | United States | [1] |
French Connection II | John Frankenheimer | 1975 | United States | [1] |
Frenzy | Alfred Hitchcock | 1972 | United Kingdom | [40] |
Friday Foster | Arthur Marks | 1975 | United States | [43] |
The Friends of Eddie Coyle | Peter Yates | 1973 | United States | [1] |
The Fury | Brian De Palma | 1978 | United States | [43] |
A Game without Rules | Jindřich Polák | 1967 | Czechoslovakia | [44] |
The Gauntlet | Clint Eastwood | 1977 | United States | [43] |
Get Carter | Mike Hodges | 1971 | United Kingdom | [9][25] |
The Getaway | Sam Peckinpah | 1972 | United States | [14] |
The Girl Hunters | Roy Rowland | 1963 | United Kingdom | [45] |
Going Home | Herbert B. Leonard | 1971 | United States | [43] |
Gloria | John Cassavetes | 1980 | United States | [1] |
The Great Spy Chase | Georges Lautner | 1964 | France | [8] |
The Grissom Gang | Robert Aldrich | 1971 | United States | [43] |
The Groundstar Conspiracy | Lamont Johnson | 1972 | United States | [43] |
Gumshoe | Stephen Frears | 1971 | United Kingdom | [46] |
Gunn | Blake Edwards | 1967 | United States | [45] |
Hammerhead | David Miller | 1968 | United Kingdom | [1] |
Hammett | Wim Wenders | 1982 | United States | [1] |
Hands over the City | Francesco Rosi | 1963 | Italy | [13] |
Hard Contract | S. Lee Pogostin | 1969 | United States | [47] |
Hard Times | Walter Hill | 1975 | United States | [1] |
Hardcore | Paul Schrader | 1979 | United States | [1] |
Harper | Jack Smight | 1966 | United States | [1] |
The Haunting | Robert Wise | 1963 | United Kingdom | [28] |
Hell Is a City | Val Guest | 1960 | United Kingdom | [9][25] |
Hell Up in Harlem | Larry Cohen | 1973 | United States | [14] |
Hickey & Boggs | Robert Culp | 1972 | United States | [1] |
Hidden City | Stephen Poliakoff | 1987 | United Kingdom | [9] |
High and Low | Akira Kurosawa | 1963 | Japan | [9][25] |
The High Commissioner | Ralph Thomas | 1968 | United Kingdom/United States | [1] |
The Hit | Stephen Frears | 1984 | United Kingdom | [33] |
Hit Man | George Armitage | 1972 | United States | [47] |
The Hole | Jacques Becker | 1960 | France | [42] |
Hoodlum Priest | Irvin Kershner | 1961 | United States | [3] |
The Hostage | Russell Doughten | 1967 | United States | [28] |
House of Games | David Mamet | 1987 | United States | [1] |
The House on Carroll Street | Peter Yates | 1988 | United States | [48] |
The "Human" Factor | Edward Dmytryk | 1975 | United States | [47] |
The Human Factor | Otto Preminger | 1979 | United Kingdom | [1] |
Hustle | Robert Aldrich | 1975 | United States | [1] |
The Hustler | Robert Rossen | 1961 | United States | [28] |
I, the Jury | Richard T. Heffron | 1982 | United States | [1] |
I Walk the Line | John Frankenheimer | 1970 | United States | [47] |
In Cold Blood | Richard Brooks | 1967 | United States | [3] |
In the Heat of the Night | Norman Jewison | 1967 | United States | [49] |
The Incident | Larry Peerce | 1967 | United States | [3] |
The Ipcress File | Sidney J. Furie | 1965 | United Kingdom | [1] |
Jagged Edge | Richard Marquand | 1985 | United States | [1] |
Johnny Cool | William Asher | 1963 | United States | [14] |
Johnny Handsome | Walter Hill | 1989 | United States | [1] |
Joy House | René Clément | 1964 | France | [12] |
Judex | Georges Franju | 1963 | France | [12] |
Key Witness | Phil Karlson | 1960 | United States | [14] |
Kill Me Again | John Dahl | 1989 | United States | [1] |
The Killer | John Woo | 1989 | Hong Kong | [50] |
The Killer Inside Me | Burt Kennedy | 1976 | United States | [1] |
The Killers | Don Siegel | 1964 | United States | [14] |
The Killing Game | Alain Jessua | 1967 | France | [12] |
The Killing of a Chinese Bookie | John Cassavetes | 1976 | United States | [1] |
Kitten with a Whip | Douglas Heyes | 1964 | United States | [3] |
Klute | Alan J. Pakula | 1971 | United States | [1] |
The Kremlin Letter | John Huston | 1970 | United States | [1] |
Lady in Cement | Gordon Douglas | 1968 | United States | [1] |
Landru | Claude Chabrol | 1963 | France | [12] |
Last Embrace | Jonathan Demme | 1979 | United States | [1] |
The Last of Sheila | Herbert Ross | 1973 | United States | [1] |
The Late Show | Robert Benton | 1977 | United States | [51] |
The Lawbreakers | Joseph M. Newman | 1961 | United States | [28] |
The Liberation of L.B. Jones | William Wyler | 1970 | United States | [1] |
Life Love Death | Claude Lelouch | 1968 | France | [42] |
Lilith | Robert Rossen | 1964 | United States | [1] |
Little Nikita | Richard Benjamin | 1988 | United States | [1] |
The Long Good Friday | John Mackenzie | 1980 | United Kingdom | [9][25] |
The Long Goodbye | Robert Altman | 1973 | United States | [1] |
The Looking Glass War | Frank Pierson | 1970 | United Kingdom | [40] |
Love Is Colder Than Death | Rainer Werner Fassbinder | 1969 | West Germany | [52] |
A Lovely Way to Die | David Lowell Rich | 1968 | United States | [1] |
The MacKintosh Man | John Huston | 1973 | United Kingdom | [1] |
Made in U.S.A. | Jean-Luc Godard | 1966 | France | [12] |
Mademoiselle | Tony Richardson | 1966 | United Kingdom/France | [1] |
Madigan | Don Siegel | 1968 | United States | [1] |
Magnet of Doom | Jean-Pierre Melville | 1963 | France | [8] |
Magnum Force | Ted Post | 1973 | United States | [53] |
The Man Without a Map | Hiroshi Teshigahara | 1968 | Japan | [5] |
Man-Trap | Edmond O'Brien | 1961 | United States | [3] |
The Manchurian Candidate | John Frankenheimer | 1962 | United States | [1][3] |
Manhunter | Michael Mann | 1986 | United States | [1][20][21] |
Marlowe | Paul Bogart | 1969 | United States | [1] |
Marnie | Alfred Hitchcock | 1964 | United States | [28] |
Mean Streets | Martin Scorsese | 1973 | United States | [53] |
Medium Cool | Haskell Wexler | 1969 | United States | [53] |
La Métamorphose des cloportes | Pierre Granier-Deferre | 1965 | France | [12] |
Mickey One | Arthur Penn | 1965 | United States | [3] |
Midnight Express | Alan Parker | 1978 | United States | [53] |
Midnight Lace | David Miller | 1960 | United States | [28] |
The Midnight Man | Roland Kibbee and Burt Lancaster | 1974 | United States | [54] |
Mike's Murder | James Bridges | 1984 | United States | [1] |
Mikey and Nicky | Elaine May | 1976 | United States | [55] |
Mirage | Edward Dmytryk | 1965 | United States | [3] |
Mississippi Mermaid | François Truffaut | 1969 | France | [42] |
Mona Lisa | Neil Jordan | 1986 | United Kingdom | [9][25] |
Money Movers | Bruce Beresford | 1978 | Australia | [56] |
The Money Trap | Burt Kennedy | 1966 | United States | [1][3] |
The Morning After | Sidney Lumet | 1986 | United States | [1] |
Ms. 45 | Abel Ferrara | 1981 | United States | [1] |
Murder, Inc. | Burt Balaban and Stuart Rosenberg | 1960 | United States | [28] |
Murphy's Law | J. Lee Thompson | 1986 | United States | [1] |
My Blood Runs Cold | William Conrad | 1965 | United States | [1] |
The Naked Kiss | Samuel Fuller | 1964 | United States | [1][3] |
Never Let Go | John Guillermin | 1960 | United Kingdom | [57] |
The New Centurions | Richard Fleischer | 1972 | United States | [1] |
The Nickel Ride | Robert Mulligan | 1974 | United States | [1] |
Night Moves | Arthur Penn | 1975 | United States | [1][20][21] |
Night of the Juggler | Robert Butler | 1980 | United States | [1] |
Night Train to Mundo Fine | Coleman Francis | 1966 | United States | [58][59] |
Nighthawks | Bruce Malmuth | 1981 | United States | [1] |
Nightmare | Freddie Francis | 1964 | United Kingdom | [57] |
No Mercy | Richard Pearce | 1986 | United States | [60] |
No Way Out | Roger Donaldson | 1987 | United States | [1] |
Obsession | Brian De Palma | 1976 | United States | [4] |
Ocean's 11 | Lewis Milestone | 1960 | United States | [28] |
The Offence | Sidney Lumet | 1972 | United Kingdom | [40] |
Once a Thief | Ralph Nelson | 1965 | United States | [4] |
The One Man Jury | Charles Martin | 1978 | United States | [4] |
The Onion Field | Harold Becker | 1979 | United States | [1] |
The Organization | Don Medford | 1971 | United States | [4] |
Out of Bounds | Richard Tuggle | 1986 | United States | [1] |
The Outfit | John Flynn | 1973 | United States | [1] |
P.J. | John Guillermin | 1968 | United States | [45] |
Pale Flower | Masahiro Shinoda | 1964 | Japan | [5] |
Panic in the City | Eddie Davis | 1968 | United States | [4] |
The Parallax View | Alan J. Pakula | 1974 | United States | [4] |
Paranoiac | Freddie Francis | 1963 | United Kingdom | [61] |
The Passenger | Michelangelo Antonioni | 1975 | Italy/France/Spain | [1] |
Pay or Die | Richard Wilson | 1960 | United States | [28] |
Peeping Tom | Michael Powell | 1960 | United Kingdom | [61] |
Pendulum | George Schaefer | 1969 | United States | [1] |
Performance | Nicolas Roeg | 1970 | United Kingdom | [9][25] |
Pierrot le Fou | Jean-Luc Godard | 1965 | France | [32] |
La Piscine | Jacques Deray | 1969 | France | [32] |
Play Misty for Me | Clint Eastwood | 1971 | United States | [14] |
Point Blank | John Boorman | 1967 | United States | [1] |
Portrait in Black | Michael Gordon | 1960 | United States | [28] |
The Postman Always Rings Twice | Bob Rafelson | 1981 | United States | [1] |
Pretty Poison | Noel Black | 1968 | United States | [14] |
Prime Cut | Michael Ritchie | 1972 | United States | [45] |
Prince of the City | Sidney Lumet | 1981 | United States | [1] |
Psycho | Alfred Hitchcock | 1960 | United States | [28] |
Pulp | Mike Hodges | 1972 | United Kingdom | [40] |
Purple Noon | René Clément | 1960 | France | [32] |
The Pusher | Gene Milford | 1960 | United States | [28] |
Quicksilver | Thomas Michael Donnelly | 1986 | United States | [1] |
The Quiller Memorandum | Michael Anderson | 1966 | United Kingdom | [1] |
Rage | Gilberto Gazcón | 1966 | Mexico/United States | [1] |
Rage | George C. Scott | 1972 | United States | [1] |
Raging Bull | Martin Scorsese | 1980 | United States | [11] |
Remember My Name | Alan Rudolph | 1978 | United States | [62] |
Repulsion | Roman Polanski | 1965 | United Kingdom | [63] |
Rider on the Rain | René Clément | 1970 | France | [32] |
Robbery | Peter Yates | 1967 | United Kingdom | [1] |
Rolling Thunder | John Flynn | 1977 | United States | [1] |
The Running Man | Carol Reed | 1963 | United Kingdom | [1] |
Salvatore Giuliano | Francesco Rosi | 1962 | Italy | [19] |
Le Samouraï | Jean-Pierre Melville | 1967 | France | [9][25] |
Sandra | Luchino Visconti | 1965 | Italy | [19] |
Scarface | Brian De Palma | 1983 | United States | [1] |
Sea of Love | Harold Becker | 1989 | United States | [1] |
Seance on a Wet Afternoon | Bryan Forbes | 1964 | United Kingdom | [64] |
Seconds | John Frankenheimer | 1966 | United States | [2] |
The Secret Ways | Phil Karlson | 1961 | United States | [1] |
The Seduction of Joe Tynan | Jerry Schatzberg | 1979 | United States | [1] |
Série noire | Alain Corneau | 1979 | France | [9] |
Serpico | Sidney Lumet | 1973 | United States | [1] |
The Servant | Joseph Losey | 1963 | United Kingdom | [64] |
Seven | Andy Sidaris | 1979 | United States | [1] |
Seven Days in May | John Frankenheimer | 1964 | United States | [2] |
Seven Thieves | Henry Hathaway | 1960 | United States | [2] |
Shaft | Gordon Parks | 1971 | United States | [1] |
Shamus | Buzz Kulik | 1973 | United States | [65] |
Sharky's Machine | Burt Reynolds | 1981 | United States | [1] |
Sheba, Baby | William Girdler | 1975 | United States | [65] |
Shock Corridor | Samuel Fuller | 1963 | United States | [3] |
Shoot the Piano Player | François Truffaut | 1960 | France | [25] |
The Silent Partner | Daryl Duke | 1978 | Canada | [66] |
Silent Rage | Michael Miller | 1982 | United States | [1] |
Sisters | Brian De Palma | 1973 | United States | [65] |
Sitting Target | Douglas Hickox | 1972 | United Kingdom | [63] |
Slam Dance | Wayne Wang | 1987 | United States | [1] |
The Sleeping Car Murders | Costa-Gavras | 1965 | France | [24] |
The Small World of Sammy Lee | Ken Hughes | 1963 | United Kingdom | [67] |
The Soft Skin | François Truffaut | 1964 | France | [32] |
Someone to Watch Over Me | Ridley Scott | 1987 | United States/United Kingdom | [1] |
Something Wild | Jack Garfein | 1961 | United States | [1] |
Sorcerer | William Friedkin | 1977 | United States/Mexico | [1] |
Soylent Green | Richard Fleischer | 1973 | United States | [65] |
Special Delivery | Paul Wendkos | 1976 | United States | [1] |
The Split | Gordon Flemyng | 1968 | United States | [1] |
Spotlight on a Murderer | Georges Franju | 1961 | France | [32] |
The Spy Who Came in from the Cold | Martin Ritt | 1965 | United Kingdom | [63] |
The St. Valentine's Day Massacre | Roger Corman | 1967 | United States | [68] |
Still of the Night | Robert Benton | 1982 | United States | [1] |
The Stone Killer | Michael Winner | 1973 | United States | [1] |
Stormy Monday | Mike Figgis | 1988 | United Kingdom | [9][25] |
Straight Time | Ulu Grosbard | 1978 | United States | [65] |
The Strange Affair | David Greene | 1968 | United Kingdom | [9][25] |
Sudden Impact | Clint Eastwood | 1983 | United States | [1] |
Super Fly | Gordon Parks Jr. | 1972 | United States | [65] |
Sweet Sweetback's Baadasssss Song | Melvin Van Peebles | 1971 | United States | [69] |
The Take | Robert Hartford-Davis | 1974 | United States | [1] |
The Taking of Pelham One Two Three | Joseph Sargent | 1974 | United States | [69] |
Targets | Peter Bogdanovich | 1968 | United States | [69] |
Taste of Fear | Seth Holt | 1961 | United Kingdom | [70] |
Taxi Driver | Martin Scorsese | 1976 | United States | [1] |
Thérèse Desqueyroux | Georges Franju | 1962 | France | [42] |
They Call Me Mister Tibbs! | Gordon Douglas | 1970 | United States | [49] |
They Shoot Horses, Don't They? | Sydney Pollack | 1969 | United States | [29] |
Thief | Michael Mann | 1981 | United States | [1] |
The Thief of Paris | Louis Malle | 1967 | France | [42] |
Thieves Like Us | Robert Altman | 1974 | United States | [1] |
The Third Lover | Claude Chabrol | 1962 | France | [32] |
The Third Secret | Charles Crichton | 1964 | United Kingdom | [1] |
This Man Must Die | Claude Chabrol | 1969 | France | [32] |
The Thomas Crown Affair | Norman Jewison | 1968 | United States | [1] |
The Thousand Eyes of Dr. Mabuse | Fritz Lang | 1960 | West Germany | [52] |
Tightrope | Richard Tuggle | 1984 | United States | [1] |
To Live and Die in L.A. | William Friedkin | 1985 | United States | [1][71] |
Tokyo Drifter | Seijun Suzuki | 1966 | Japan | [5] |
Les Tontons flingueurs | Georges Lautner | 1963 | France | [42] |
Trans-Europ-Express | Alain Robbe-Grillet | 1966 | France | [42] |
The Trial | Orson Welles | 1962 | United States | [3] |
Trouble in Mind | Alan Rudolph | 1985 | United States | [72] |
True Confessions | Ulu Grosbard | 1981 | United States | [1] |
The Truth | Henri-Georges Clouzot | 1960 | France | [42] |
Twilight's Last Gleaming | Robert Aldrich | 1977 | United States | [69] |
Twisted Nerve | Roy Boulting | 1968 | United Kingdom | [70] |
Underworld U.S.A. | Samuel Fuller | 1961 | United States | [1][3] |
The Unfaithful Wife | Claude Chabrol | 1969 | France | [12] |
Union City | Marcus Reichert | 1980 | United States | [1] |
The Upper Hand | Denys de La Patellière | 1966 | France | [12] |
Uptight | Jules Dassin | 1968 | United States | [49] |
Vanishing Point | Richard C. Sarafian | 1971 | United States | [73] |
Victim | Basil Dearden | 1961 | United Kingdom | [29] |
Villain | Michael Tuchner | 1971 | United Kingdom | [63] |
Violent Cop | Takeshi Kitano | 1989 | Japan | [74] |
Viridiana | Luis Buñuel | 1961 | Spain | [30] |
Walking Tall | Phil Karlson | 1973 | United States | [73] |
War Hunt | Denis Sanders | 1962 | United States | [2] |
Warning Shot | Buzz Kulik | 1967 | United States | [14] |
We Still Kill the Old Way | Elio Petri | 1967 | Italy | [13] |
Weekend | Jean-Luc Godard | 1967 | France | [42] |
Welcome to Hard Times | Burt Kennedy | 1967 | United States | [2] |
What Ever Happened to Aunt Alice? | Lee H. Katzin | 1969 | United States | [1] |
The Whip and the Body | Mario Bava | 1963 | Italy | [13] |
White Line Fever | Jonathan Kaplan | 1975 | Canada/United States | [1] |
Who Framed Roger Rabbit | Robert Zemeckis | 1988 | United States | [75] |
Who Killed Teddy Bear | Joseph Cates | 1965 | United States | [2] |
Why Must I Die? | Roy Del Ruth | 1960 | United States | [2] |
Winter Kills | William Richert | 1979 | United States | [73] |
Witness | Peter Weir | 1985 | United States | [1] |
The Yakuza | Sydney Pollack | 1974 | United States | [73] |
Year of the Dragon | Michael Cimino | 1985 | United States | [1] |
Youth of the Beast | Seijun Suzuki | 1963 | Japan | [5] |
Z | Costa-Gavras | 1969 | France | [42] |
Zero Focus | Yoshitaro Nomura | 1961 | Japan | [5] |
List of films: 1990–1999
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
12 Monkeys | Terry Gilliam | 1995 | United States | [76] |
Affliction | Paul Schrader | 1997 | United States | [2] |
After Dark, My Sweet | James Foley | 1990 | United States | [1] |
Arlington Road | Mark Pellington | 1999 | United States | [1] |
Bad Influence | Curtis Hanson | 1990 | United States | [14] |
Bad Lieutenant | Abel Ferrara | 1992 | United States | [2] |
Basic Instinct | Paul Verhoeven | 1992 | United States | [1] |
Batman Returns | Tim Burton | 1992 | United States | [14] |
Belly | Hype Williams | 1998 | United States | [77] |
Best Laid Plans | Mike Barker | 1999 | United States | [17] |
The Big Lebowski | Joel and Ethan Coen | 1998 | United States/United Kingdom | [78] |
Blink | Michael Apted | 1994 | United States | [14] |
Blood and Wine | Bob Rafelson | 1996 | United States | [79] |
Blue Steel | Kathryn Bigelow | 1990 | United States | [80] |
Bound | Lana and Lilly Wachowski | 1996 | United States | [14] |
Boys Don't Cry | Kimberly Peirce | 1999 | United States | [1] |
Bugsy | Barry Levinson | 1991 | United States | [1] |
Cape Fear | Martin Scorsese | 1991 | United States | [1] |
Carlito's Way | Brian De Palma | 1993 | United States | [81] |
La Cérémonie | Claude Chabrol | 1995 | France | [42] |
China Moon | John Bailey | 1994 | United States | [14] |
Clockers | Spike Lee | 1995 | United States | [82] |
Cop Land | James Mangold | 1997 | United States | [34] |
Croupier | Mike Hodges | 1998 | United Kingdom | [9][25] |
Dark City | Alex Proyas | 1998 | United States/Australia | [14] |
Dead Again | Kenneth Branagh | 1991 | United States | [1] |
Dead Presidents | Albert and Allen Hughes | 1995 | United States | [83] |
Deceiver | Jonas Pate and Josh Pate | 1997 | United States | [14] |
Deep Cover | Bill Duke | 1992 | United States | [14] |
Deep Crimson | Arturo Ripstein | 1996 | Mexico | [9] |
Delusion | Carl Colpaert | 1991 | United States | [14] |
Desperate Hours | Michael Cimino | 1990 | United States | [1] |
Devil in a Blue Dress | Carl Franklin | 1995 | United States | [14] |
Diary of a Hitman | Roy London | 1991 | United States | [14] |
Donnie Brasco | Mike Newell | 1997 | United States | [1] |
Face/Off | John Woo | 1997 | United States | [25] |
Fallen Angels | Wong Kar-wai | 1995 | Hong Kong | [9] |
Fargo | Joel and Ethan Coen | 1996 | United States/United Kingdom | [9] |
Fear | James Foley | 1996 | United States | [14] |
La Femme Nikita | Luc Besson | 1990 | France/Italy | [9] |
Fight Club | David Fincher | 1999 | United States | [14] |
Final Analysis | Phil Joanou | 1992 | United States | [1] |
Flesh and Bone | Steve Kloves | 1993 | United States | [84] |
Following | Christopher Nolan | 1998 | United Kingdom | [85] |
Foreign Land | Walter Salles and Daniela Thomas | 1996 | Brazil | [9] |
The Game | David Fincher | 1997 | United States | [14] |
Gattaca | Andrew Niccol | 1997 | United States | [86] |
The Getaway | Roger Donaldson | 1994 | United States | [14] |
Ghost Dog: The Way of the Samurai | Jim Jarmusch | 1999 | United States | [87] |
The Glass Shield | Charles Burnett | 1994 | United States | [82] |
Gloria | Sidney Lumet | 1999 | United States | [1] |
The Grifters | Stephen Frears | 1990 | United States | [1] |
Guncrazy | Tamra Davis | 1992 | United States | [14] |
La Haine | Matthieu Kassovitz | 1995 | France | [88] |
Hana-bi | Takeshi Kitano | 1997 | Japan | [89] |
Hard Boiled | John Woo | 1992 | Hong Kong | [50] |
Hard Eight | Paul Thomas Anderson | 1996 | United States | [11] |
Heat | Michael Mann | 1995 | United States | [14] |
Homicide | David Mamet | 1991 | United States | [1] |
The Hot Spot | Dennis Hopper | 1990 | United States | [1] |
In the Line of Fire | Wolfgang Petersen | 1993 | United States | [1] |
Insomnia | Erik Skjoldbjærg | 1997 | Norway | [90] |
Internal Affairs | Mike Figgis | 1990 | United States | [1] |
Jackie Brown | Quentin Tarantino | 1997 | United States | [14] |
The Kill-Off | Maggie Greenwald | 1990 | United States | [14] |
King of New York | Abel Ferrara | 1990 | United States | [1] |
A Kiss Before Dying | James Dearden | 1991 | United States | [1] |
Kiss of Death | Barbet Schroeder | 1995 | United States | [14] |
Kiss or Kill | Bill Bennett | 1997 | Australia | [9] |
The Krays | Peter Medak | 1990 | United Kingdom | [14] |
L.A. Confidential | Curtis Hanson | 1997 | United States | [11][14] |
The Last Seduction | John Dahl | 1994 | United States | [14] |
Léon: The Professional | Luc Besson | 1994 | France | [9] |
Lethal Weapon 3 | Richard Donner | 1992 | United States | [1] |
Liebestraum | Mike Figgis | 1991 | United States | [14] |
Light Sleeper | Paul Schrader | 1992 | United States | [91] |
The Limey | Steven Soderbergh | 1999 | United States | [14] |
Live Flesh | Pedro Almodóvar | 1997 | Spain | [30] |
Lock, Stock and Two Smoking Barrels | Guy Ritchie | 1998 | United Kingdom | [25] |
Lone Star | John Sayles | 1996 | United States | [92] |
Lord of Illusions | Clive Barker | 1995 | United States | [93] |
Lost Highway | David Lynch | 1997 | United States | [14] |
Love Crimes | Lizzie Borden | 1992 | United States | [14] |
Malice | Harold Becker | 1993 | United States | [1] |
The Matrix | Lana and Lilly Wachowski | 1999 | Australia/United States | [94] |
Menace II Society | Albert and Allen Hughes | 1993 | United States | [83] |
Miami Blues | George Armitage | 1990 | United States | [14] |
Miller's Crossing | Joel and Ethan Coen | 1990 | United States | [1] |
Mulholland Falls | Lee Tamahori | 1996 | United States | [14] |
Narrow Margin | Peter Hyams | 1990 | United States | [14] |
New Jack City | Melvin Van Peebles | 1991 | United States | [14] |
Night and the City | Irwin Winkler | 1992 | United States | [1] |
Night Train | Les Bernstien | 1999 | United States | [95] |
The Ninth Gate | Roman Polanski | 1999 | United States | [11] |
One False Move | Carl Franklin | 1992 | United States | [14] |
Out of Sight | Steven Soderbergh | 1998 | United States | [96] |
Pacific Heights | John Schlesinger | 1990 | United States | [14] |
Palmetto | Volker Schlöndorff | 1998 | United States | [97][98] |
El Patrullero | Alex Cox | 1991 | Mexico | [9] |
Payback | Brian Helgeland | 1999 | United States | [14] |
Pi | Darren Aronofsky | 1998 | United States | [11] |
The Player | Robert Altman | 1992 | United States | [99] |
Point Break | Kathryn Bigelow | 1991 | United States | [100] |
Poison Ivy | Katt Shea | 1992 | United States | [4] |
Poodle Springs | Bob Rafelson | 1998 | United States | [45] |
The Public Eye | Howard Franklin | 1992 | United States | [14] |
Pulp Fiction | Quentin Tarantino | 1994 | United States | [11] |
Pusher | Nicolas Winding Refn | 1996 | Denmark | [8] |
The Rapture | Michael Tolkin | 1991 | United States | [23] |
Red Rock West | John Dahl | 1993 | United States | [1] |
Reservoir Dogs | Quentin Tarantino | 1992 | United States | [1][11] |
Revenge | Tony Scott | 1990 | United States/Mexico | [14] |
Romeo Is Bleeding | Peter Medak | 1993 | United States | [14] |
Ronin | John Frankenheimer | 1998 | United States | [101] |
Rush | Lili Fini Zanuck | 1991 | United States | [14] |
Set It Off | F. Gary Gray | 1994 | United States | [102] |
Seven | David Fincher | 1995 | United States | [14] |
Shallow Grave | Danny Boyle | 1994 | United Kingdom | [25][29] |
Shattered | Wolfgang Petersen | 1991 | United States | [1] |
The Silence of the Lambs | Jonathan Demme | 1991 | United States | [14] |
Simpatico | Matthew Warchus | 1999 | United States | [14] |
A Simple Plan | Sam Raimi | 1998 | United States | [14] |
Sleeping with the Enemy | Joseph Ruben | 1991 | United States | [14] |
Sling Blade | Billy Bob Thornton | 1996 | United States | [103] |
Sonatine | Takeshi Kitano | 1993 | Japan | [74] |
The Spanish Prisoner | David Mamet | 1997 | United States | [65] |
Strange Days | Kathryn Bigelow | 1995 | United States | [23] |
Suture | Scott McGehee and David Siegel | 1993 | United States | [14] |
Swoon | Tom Kalin | 1992 | United States | [92] |
The Talented Mr. Ripley | Anthony Minghella | 1999 | United States | [104] |
The Temp | Tom Holland | 1993 | United States | [105] |
Things to Do in Denver When You're Dead | Gary Fleder | 1995 | United States | [14] |
This World, Then the Fireworks | Michael Oblowitz | 1997 | United States | [69] |
True Romance | Tony Scott | 1993 | United States | [14] |
Twilight | Robert Benton | 1998 | United States | [14] |
Twin Peaks: Fire Walk with Me | David Lynch | 1992 | United States | [69] |
The Two Jakes | Jack Nicholson | 1990 | United States | [1] |
U Turn | Oliver Stone | 1997 | United States | [25] |
The Underneath | Steven Soderbergh | 1995 | United States | [14] |
Unlawful Entry | Jonathan Kaplan | 1992 | United States | [69] |
The Usual Suspects | Bryan Singer | 1995 | United States | [11][14] |
Where the Day Takes You | Marc Rocco | 1992 | United States | [1] |
White Sands | Roger Donaldson | 1992 | United States | [1] |
Wild at Heart | David Lynch | 1990 | United States | [73] |
Wild Things | John McNaughton | 1998 | United States | [1] |
The X-Files | Rob Bowman | 1998 | United States | [11] |
Zero Effect | Jake Kasdan | 1998 | United States | [92] |
List of films: 2000–2009
List of films: 2010–2019
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
A Land Imagined | Yeo Siew Hua | 2018 | Singapore/France/Netherlands | [129] |
Aa Drushya | Shiva Ganesh | 2019 | India | [130] |
Aake | K. M. Chaitanya | 2017 | India | [131] |
Aaranya Kaandam | Thiagarajan Kumararaja | 2011 | India | [132] |
Alois Nebel | Tomáš Luňák | 2011 | Czech Republic | [133] |
The American | Anton Corbijn | 2010 | United States | [134] |
American Dreamer | Derrick Borte | 2018 | United States | [135] |
Animal Kingdom | David Michôd | 2010 | Australia | [136] |
Anon | Andrew Niccol | 2018 | United Kingdom/United States | [137] |
Anti Matter | Keir Burrows | 2017 | United Kingdom | [138] |
Asura: The City of Madness | Kim Sung-su | 2016 | South Korea | [139] |
B.A. Pass | Ajay Bahl | 2013 | India | [140] |
Badlapur | Sriram Raghavan | 2015 | India | [141] |
Bad Times at the El Royale | Drew Goddard | 2018 | United States | [142] |
Bad Turn Worse | Zeke and Simon Hawkins | 2014 | United States | [143] |
The Bag Man | David Grovic | 2014 | United States | [144] |
Bastards | Claire Denis | 2013 | France/Germany | [145] |
Black Coal, Thin Ice | Diao Yinan | 2014 | China | [146] |
Blade Runner 2049 | Denis Villeneuve | 2017 | United States | [147] |
Blow the Man Down | Bridget Savage Cole and Danielle Krudy | 2019 | United States | [148] |
Blue Ruin | Jeremy Saulnier | 2014 | United States | [149] |
Bornoporichoy | Mainak Bhowmick | 2019 | India | [150] |
Brawl in Cell Block 99 | S. Craig Zahler | 2017 | United States | [151] |
Brighton Rock | Rowan Joffé | 2011 | United Kingdom | [152] |
Broken City | Allen Hughes | 2013 | United States | [153] |
Burning | Lee Chang-dong | 2018 | South Korea | [154] |
Burning Kiss | Robbie Studsor | 2018 | Australia | [155] |
Cities of Last Things | Ho Wi Ding | 2018 | Taiwan/China/France/United States | [156] |
Cold in July | Jim Mickle | 2014 | United States | [157] |
The Dark Knight Rises | Christopher Nolan | 2012 | United Kingdom/United States | [158] |
Destroyer | Karyn Kusama | 2018 | United States | [159] |
Detour | Christopher Smith | 2016 | United Kingdom/South Africa | [160] |
Disappearance at Clifton Hill | Albert Shin | 2019 | Canada | [161] |
Dragged Across Concrete | S. Craig Zahler | 2018 | United States | [162] |
Drive | Nicolas Winding Refn | 2011 | United States | [163][164] |
Drum | Keywan Karimi | 2016 | Iran/France | [165] |
Earthquake Bird | Wash Westmoreland | 2019 | United States/United Kingdom | [166] |
Elena | Andrey Zvyagintsev | 2011 | Russia | [101] |
Elle | Paul Verhoeven | 2016 | France/Germany | [101] |
Ex Machina | Alex Garland | 2015 | United States/United Kingdom | [167] |
Frank & Lola | Matthew Ross | 2016 | United States | [168] |
The Ghost Writer | Roman Polanski | 2010 | United Kingdom, France, Germany | [169] |
The Girl with the Dragon Tattoo | David Fincher | 2011 | United States | [170] |
Gone Girl | David Fincher | 2014 | United States | [23] |
Good Time | Josh and Benny Safdie | 2017 | United States | [171] |
The Handmaiden | Park Chan-wook | 2016 | South Korea | [23] |
Hell or High Water | David Mackenzie | 2016 | United States | [23] |
In the Shadow | David Ondříček | 2012 | Czech Republic | [133] |
In the Shadow of the Moon | Jim Mickle | 2019 | United States | [172] |
Inception | Christopher Nolan | 2010 | United Kingdom/United States | [173] |
Inherent Vice | Paul Thomas Anderson | 2014 | United States | [174] |
John Wick | Chad Stahelski | 2014 | United States | [175] |
John Wick: Chapter 2 | Chad Stahelski | 2017 | United States | [176] |
John Wick: Chapter 3 – Parabellum | Chad Stahelski | 2019 | United States | [177] |
Kill List | Ben Wheatley | 2011 | United Kingdom | [178] |
The Killer Inside Me | Michael Winterbottom | 2010 | United States | [45] |
Killer Joe | William Friedkin | 2012 | United States | [179] |
Killing Them Softly | Andrew Dominik | 2012 | United States | [180] |
Long Day's Journey into Night | Bi Gan | 2018 | China | [181] |
The Looming Storm | Dong Yue | 2017 | China | [182] |
Looper | Rian Johnson | 2012 | United States | [183] |
Lost River | Ryan Gosling | 2014 | United States | [184] |
Magical Girl | Carlos Vermut | 2014 | Spain | [185] |
Miss Bala | Gerardo Naranjo | 2011 | Mexico | [101] |
A Morass | Shane James Bordas | 2011 | United Kingdom | [186] |
Motherless Brooklyn | Edward Norton | 2019 | United States | [187] |
Mute | Duncan Jones | 2018 | United Kingdom/Germany | [188] |
The Nice Guys | Shane Black | 2016 | United States | [189] |
Nightcrawler | Dan Gilroy | 2014 | United States | [190] |
Nocturnal Animals | Tom Ford | 2016 | United States | [191] |
Only God Forgives | Nicolas Winding Refn | 2013 | Denmark/France | [192] |
Paradox | Wilson Yip | 2017 | Hong Kong | [193] |
Phoenix | Christian Petzold | 2014 | Germany | [23] |
Pickings | Usher Morgan | 2018 | United States | [194] |
The Place Beyond the Pines | Derek Cianfrance | 2013 | United States | [195][196][197] |
Pocket Listing | Conor Allyn | 2016 | United States | [198] |
The Poison Rose | George Gallo and Francesco Cinquemani | 2019 | United States | [199] |
Prisoners | Denis Villeneuve | 2013 | United States | [200] |
Serenity | Steven Knight | 2019 | United States | [201] |
Shutter Island | Martin Scorsese | 2010 | United States | [45] |
Spring Breakers | Harmony Korine | 2012 | United States | [202] |
Strangled | Árpád Sopsits | 2016 | Hungary | [203] |
Taniel | Garo Berberian | 2017 | United Kingdom/Armenia | [204] |
Trance | Danny Boyle | 2013 | United Kingdom | [202] |
Trouble Is My Business | Tom Konkle | 2018 | United States | [205] |
Uncut Gems | Josh and Benny Safdie | 2019 | United States | [206] |
Under the Silver Lake | David Robert Mitchell | 2018 | United States | [207] |
Upgrade | Leigh Whannell | 2018 | Australia/United States | [208] |
Victoria | Sebastian Schipper | 2015 | Germany | [209] |
A Walk Among the Tombstones | Scott Frank | 2014 | United States | [210] |
Walking Too Fast | Radim Špaček | 2010 | Czech Republic | [211] |
Who Killed Cock Robin | Cheng Wei-hao | 2017 | Taiwan | [212][213] |
Widows | Steve McQueen | 2018 | United States | [214] |
The Wild Goose Lake | Diao Yinan | 2019 | China/France | [215] |
Wind River | Taylor Sheridan | 2017 | United States | [216] |
Winter's Bone | Debra Granik | 2010 | United States | [217] |
You Were Never Really Here | Lynne Ramsay | 2017 | United Kingdom/United States/France | [218] |
List of films: 2020–2029
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
Adverse | Brian Metcalf | 2021 | United States | [219] |
Arishadvarga | Arvind Kamath | 2020 | India | [131] |
The Batman | Matt Reeves | 2022 | United States | [220] |
Calm with Horses | Nick Rowland | 2020 | Ireland | [221] |
The Card Counter | Paul Schrader | 2021 | United States | [222] |
Decision to Leave | Park Chan-wook | 2022 | South Korea | [223] |
Emily the Criminal | John Patton Ford | 2022 | United States | [224] |
The Empty Man | David Prior | 2020 | United States | [225] |
Hand Rolled Cigarette | Kin Long Chan | 2020 | China | [226] |
I'm Your Woman | Julia Hart | 2020 | United States | [227] |
Kabadadaari | Pradeep Krishnamoorthy | 2021 | India | [228] |
Kapatadhaari | Pradeep Krishnamoorthy | 2021 | India | [229] |
The Kid Detective | Evan Morgan | 2020 | Canada | [230] |
Last Moment of Clarity | James and Colin Krisel | 2020 | United States | [231] |
Last Night in Soho | Edgar Wright | 2021 | United Kingdom | [232] |
The Last Victim | Naveen A Chathapuram | 2021 | United States | [233] |
The Little Things | John Lee Hancock | 2021 | United States | [234] |
Nightmare Alley | Guillermo del Toro | 2021 | United States | [235] |
No Sudden Move | Steven Soderbergh | 2021 | United States | [236] |
Preparations to Be Together for an Unknown Period of Time | Lili Horvát | 2020 | Hungary | [237] |
Reminiscence | Lisa Joy | 2021 | United States | [238] |
The Virtuoso | Nick Stagliano | 2021 | United States | [239] |
Wrath of Man | Guy Ritchie | 2021 | United Kingdom/United States | [240] |
Spears | Gerard Lough | 2022 | Ireland | [241] |
Windfall | Charlie McDowell | 2022 | United States | [242] |
See also
References
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- ^ a b c d e f g h i j k l m n o Spicer 2010, p. 424
- ^ a b c d e f g h i j k l m n o p q r Selby 1984
- ^ a b c d e f g h Spicer 2010, p. 433
- ^ a b c d e f g h Spicer 2010, p. 466
- ^ "After Hours (1985): Scorsese's Film Noir, Ulysses in SoHo". Emanuel Levy. Retrieved 30 May 2006.
- ^ a b c Spicer 2010, p. 441
- ^ a b c d e f g Spicer 2010, p. 452
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak Ballinger & Graydon 2007
- ^ Schwartz 2005, p. 110.
- ^ a b c d e f g h i j k l m n o p q r s Conard 2009
- ^ a b c d e f g h i j k l Spicer 2010, p. 454
- ^ a b c d e f g h Spicer 2010, p. 463
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk bl bm bn bo bp bq br bs bt bu bv bw bx by bz ca cb cc cd ce cf cg ch ci cj Silver, Ward, Ursini, Porfirio 2010
- ^ "L'Avventura". Senses of Cinema. Retrieved 5 June 2022.
- ^ "Atlantic City (1981)". Filmsite. Retrieved 21 September 2021.
- ^ a b c d e f g Spicer 2010, p. 425
- ^ a b c d Spicer 2010, p. 462
- ^ a b c d Spicer 2010, p. 464
- ^ a b c d e "Neonoir - The Criterion Channel". Archived from the original on 1 July 2021. Retrieved 2 July 2021.
- ^ a b c d e Neonoir - Criterion Channel teaser - criterioncollection on YouTube
- ^ a b c Spicer 2010, p. 449
- ^ a b c d e f g h i "The Best Neo-Noir Movies". Vulture. 27 February 2019. Retrieved 27 February 2019.
- ^ a b c d e Spicer 2010, p. 453
- ^ a b c d e f g h i j k l m n o p q r s Spicer 2002
- ^ "Wednesday Nightmares Bring Me The Head Of Alfredo Garcia (1974)". TimeOut. Retrieved 9 November 2021.
- ^ a b c d e f Spicer 2010, p. 426
- ^ a b c d e f g h i j k l m n Spicer 2010, p. 423
- ^ a b c d e Mayer & McDonnell 2007
- ^ a b c d Spicer 2010, p. 470
- ^ "Nights of Alienation in the Noir Classic 'Le Cercle Rouge'". The Village Voice. 25 June 2021. Retrieved 25 June 2021.
- ^ a b c d e f g h i Spicer 2010, p. 455
- ^ a b "Noir and Neonoir". Criterion. 2020. Retrieved 27 February 2019.
- ^ a b c d e f g Spicer 2010, p. 427
- ^ "Blu-ray Review: Ken Russell's Crimes of Passion on Arrow Video". Slant Magazine. 26 July 2016. Retrieved 26 July 2016.
- ^ group of authors/critics (5 September 2011). "Monday Editor's Pick: Cruising (1980)". Alt Screen.
- ^ Spicer & Hanson 2013
- ^ a b Spicer 2010, p. 442
- ^ The 10 Most Underrated Neo-Noir Films of The 1980s — Taste of Cinema
- ^ a b c d e f g h Spicer 2010, p. 450
- ^ a b c d e f Spicer 2010, p. 428
- ^ a b c d e f g h i j k l m Spicer 2010, p. 456
- ^ a b c d e f g h Spicer 2010, p. 429
- ^ "Hra bez pravidel – Revue – Filmový přehled". Filmový přehled (in Czech). Retrieved 23 July 2017.
- ^ a b c d e f g Hogan 2013
- ^ "GUMSHOE: a noir fan plays detective". The Movie Gourmet. 2020. Retrieved 27 February 2019.
- ^ a b c d Spicer 2010, p. 430
- ^ Schwartz 2005, p. 120.
- ^ a b c Covey, William (Summer 2003). "The Genre Don't Know Where It Came From: African American Neo-Noir Since the 1960s". Journal of Film and Video. 55 (2/3). JSTOR: 59–72. JSTOR 20688414.
- ^ a b Spicer 2010, p. 461
- ^ Spicer 2010, p. 431
- ^ a b Spicer 2010, p. 460
- ^ a b c d e f g Spicer 2010, p. 432
- ^ Spicer 2010, p. 443
- ^ "Mikey and Nicky". Time Out. 30 January 2021.
- ^ a b c Spicer 2010, p. 438
- ^ a b Spicer 2010, p. 445
- ^ Red Zone Cuba (1966)|MUBI
- ^ FilmAffinity
- ^ Ebert, Roger (19 December 1986). "No Mercy Movie Review". Chicago Sun-Times. Retrieved 8 April 2019.
But up until then, "No Mercy" is an above-average film noir, and its creepy feeling for the back streets of New Orleans and the sultry evil of its red-light suburbs got under my skin.
- ^ a b Spicer 2010, p. 446
- ^ "The Best Old Movies on a Big Screen This Week: December 3". The L Magazine. 12 March 2014.
- ^ a b c d Spicer 2010, p. 451
- ^ a b Spicer 2010, p. 447
- ^ a b c d e f g h Spicer 2010, p. 435
- ^ "FORGET 'DIE HARD'— THIS CHRISTMAS, WATCH 'THE SILENT PARTNER'". CrimeReads. 20 December 2019. Retrieved 20 December 2019.
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