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==Cultural contributions==
==Cultural contributions==
[[File:Borobudur-Nothwest-view.jpg|thumb|left|200px|[[Borobudur]] complex in Java, [[Indonesia]] clearly showing Gupta architectural influences.]]
[[File:Borobudur-Nothwest-view.jpg|thumb|left|300px|[[Borobudur]] complex in Java, [[Indonesia]] reflects Gupta architectural influences.<ref>http://www.indonesia.travel/en/destination/233</ref>]]
Kings of Gupta dynasty were the great patrons of art, culture, languages, mathematics and science. Many of the finest paintings of ancient India were executed during Gupta period, the best example being the murals at [[Ajanta Caves]]. The colorful and vibrant murals at Ajanta are famous not only for the meticulously observed details of nature and the urban landscape, including architecture and furnishing, elegant attire and alluring ornaments but also for perceptive delineations of a variety of human characters, expressions and moods. The rich and sensuous life at Vakataka court and of Gupta India in general is realistically displayed in these murals.<ref>http://www.nupam.com/Sgupta1.html</ref>
Kings of Gupta dynasty were the great patrons of art, culture, languages, mathematics and science. Many of the finest paintings of ancient India were executed during Gupta period, the best example being the murals at [[Ajanta Caves]]. The colorful and vibrant murals at Ajanta are famous not only for the meticulously observed details of nature and the urban landscape, including architecture and furnishing, elegant attire and alluring ornaments but also for perceptive delineations of a variety of human characters, expressions and moods. The rich and sensuous life at Vakataka court and of Gupta India in general is realistically displayed in these murals.<ref>http://www.nupam.com/Sgupta1.html</ref>



Revision as of 20:48, 25 January 2012

Gupta Empire
गुप्ता राजवंश
Gupta Rājavaṃśa
CE 320–CE 600s
Gupta Empire 320 – 600 C.E.
Gupta Empire 320 – 600 C.E.
CapitalPataliputra
Common languagesSanskrit
Religion
Hinduism
Buddhism
GovernmentMonarchy
Maharajadhiraja 
• 240s–280s
Sri-Gupta
• 319–335
Chandra Gupta I
• 540–550
Vishnu Gupta
Historical eraAntiquity
• Established
CE 320
• Disestablished
CE 600s
Preceded by
Succeeded by
Kanva dynasty
Kushan Empire
White Huns
Rashtrakutas
Gurjara-Pratihara
Pala dynasty
Today part of India
 Pakistan
 Bangladesh
 Myanmar
   Nepal

Gupta Empire (Sanskrit: गुप्त साम्राज्य, Gupta Sāmrājya) was an ancient Indian empire which existed approximately from 320 to 550 AD and covered much of the Indian Subcontinent.[1] Founded by Maharaja Sri-Gupta, the dynasty was the model of a classical civilization.[2] The peace and prosperity created under leadership of Guptas enabled the pursuit of scientific and artistic endeavors.[3] This period is called the Golden Age of India[4] and was marked by extensive inventions and discoveries in science, technology, engineering, art, dialectic, literature, logic, mathematics, astronomy, religion and philosophy that crystallized the elements of what is generally known as Hindu culture.[5] Chandra Gupta I, Samudra Gupta the Great, and Chandra Gupta II the Great were the most notable rulers of the Gupta dynasty.[6] The 4th century CE Sanskrit poet Kalidasa, credits Guptas with having conquered about twenty one kingdoms, both in and outside India, including the kingdoms of Parasikas (Persians), the Hunas, the Kambojas tribes located in the west and east Oxus valleys, the Kinnaras, Kiratas etc.[7]

The high points of this cultural creativity are magnificent architecture, sculptures and paintings.[8] The Gupta period produced scholars such as Kalidasa, Aryabhata, Varahamihira, Vishnu Sharma and Vatsyayana who made great advancements in many academic fields.[9][10] Science and political administration reached new heights during the Gupta era.[11] Strong trade ties also made the region an important cultural center and set the region up as a base that would influence nearby kingdoms and regions in Burma, Sri Lanka, Malay Archipelago and Indochina.[12]

The earliest available Indian epics are also thought to have been written around this period. The empire gradually declined because of many factors like the substantial loss of territory and imperial authority caused by their own erstwhile feudatories and the invasion by the Huna peoples from Central Asia.[13] After the collapse of the Gupta Empire in the 6th century, India was again ruled by numerous regional kingdoms. A minor line of the Gupta clan continued to rule Magadha after the disintegration of the empire. These Guptas were ultimately ousted by Vardhana ruler Harsha Vardhana, who established an empire in the first half of the 7th century.

Origin of the Guptas

Fa Xian was the first of the Chinese pilgrims who visited India during the reign of Gupta emperor Chandragupta II. He started his journey from China in 399 CE and reached India in 405 CE. During his stay in India up to 411 CE, he went on a pilgrimage to Mathura, Kanauj, Kapilavastu, Kushinagar, Vaishali, Pataliputra, Kashi and Rajgriha and made careful observations about the empire's conditions. Fa Xian was pleased with the mildness of administration. The Penal Code was mild and offences were punished by fines only. From his accounts, the Gupta Empire was a prosperous period.

Srigupta and Ghatotkacha

The most likely time for the reign of Sri Gupta is c. 240–280 CE. A number of modern historians, which include Rakhaldas Bandyopadhyay and K. P. Jayaswal, think he and his son were possibly feudatories of the Kushans.[14] His son and successor Ghatotkacha ruled probably from c. 280–319 CE. In contrast to their successor, Chandragupta I, who is mentioned as Maharajadhiraja, he and his son Ghatotkacha are referred to in inscriptions as Maharaja[15] At the beginning of the 5th century the Guptas established and ruled a few small Hindu kingdoms in Magadha and around modern-day Bihar.

Chandragupta I

Queen Kumaradevi and King Chandragupta I, depicted on a coin of their son Samudragupta, 335–380 CE.

Ghatotkacha (reigned c. 280–319 CE), had a son named Chandragupta (reigned c. 319–335 CE) (not to be confused with Chandragupta Maurya (340–293 BCE), founder of the Mauryan Empire.) In a breakthrough deal, Chandragupta was married to Kumaradevi, a Lichchhavi princess—the main power in Magadha. With a dowry of the kingdom of Magadha (capital Pataliputra) and an alliance with the Lichchhavis, Chandragupta set about expanding his power, conquering much of Magadha, Prayaga and Saketa. He established a realm stretching from the Ganges River to Prayaga (modern-day Allahabad) by 321 CE. He assumed the imperial title of Maharajadhiraja.

Samudragupta

Coin of Samudragupta, with Garuda pillar. British Museum.
A Terracotta relief panel of a meditating Buddha from the Gupta era.

Samudragupta, Parakramanka succeeded his father in 335 CE, and ruled for about 45 years, until his death in 380 CE. He took the kingdoms of Ahichchhatra and Padmavati early in his reign. He then attacked the Malwas, the Yaudheyas, the Arjunayanas, the Maduras and the Abhiras, all of which were tribes in the area. By his death in 380, he had incorporated over twenty kingdoms into his realm and his rule extended from the Himalayas to the river Narmada and from the Brahmaputra to the Yamuna. He gave himself the titles King of Kings and World Monarch. Historian Vincent Smith described him as the "Indian Napoleon".[16] He performed Ashwamedha yajna (horse sacrifice) to underline the importance of his conquest. The stone replica of the sacrificial horse, then prepared, is in the Lucknow Museum. The Samudragupta Prashasti inscribed on the Ashokan Pillar, now in Akbar’s Fort at Allahabad, is an authentic record of his exploits and his sway over most of the continent.

Samudragupta was not only a talented military leader but also a great patron of art and literature. The important scholars present in his court were Harishena, Vasubandhu and Asanga. He was a poet and musician himself. He was a firm believer in Hinduism and is known to have worshipped Lord Vishnu. He was considerate of other religions and allowed Sri Lanka's Buddhist king Sirimeghvanna to build a monastery at Bodh Gaya. That monastery was called by Xuanzang as the Mahabodhi Sangharama.[17] He provided a gold railing around the Bodhi Tree.

Succession of Samudragupta

According to A.S. Altekar, a king named Ramagupta intervened between Samudragupta and Chandragupta II. His theory is based on a tradition that, Samudragupta's eldest son Ramagupta, who succeeded him, was a weak ruler. After suffering a humiliating defeat at the hands of the Sakas, he agreed to surrender his wife Dhruvadevi or Dhurvasvamini to the Saka Chief (who, Altekar believes is Rudrasena II). But, Rama Gupta’s younger brother Chandra Gupta II, protested against this dishonour and went to the Saka camp disguised as the queen and assassinated the Saka Chief. After this he killed his brother Rama Gupta, married Dhruvadevi and ascended to the throne. But this theory is not supported by any contemporary epigraphic evidence. The earliest version of this narrative is found in the Harshacharita of Bana. The later versions are found in a number of texts, which include the extracts of the Devichandragupta, a historical drama of Vishakhadatta found in the Natyadarpana of Ramachandra and Gunachandra and also in the Shringaraprakasha of Bhoja I.[18] The version of this narrative given by Bana in his Harshacharita differs significantly from all the later versions, even the narrative known to the author of the Kavyamimamsa (c.900). The Harshacharita only mentions that Chandragupta II, disguised as a female, destroyed a Saka king, who coveted the wife of another, in the very city of the enemy.[19] It does not mention anything about Ramagupta.

Rama Gupta

The Dashavatara Temple or Vishnu Temple also called Gupta temple at Deogarh
Entry frame of the Dasavatara temple
Vishnu reclining on the serpent Shesha (Ananta) on a side panel of the Vishnu temple of 5th century.[20]

Although, the narrative of the Devichandragupta is not supported by any contemporary epigraphical evidence, the historicity of Rama Gupta is proved by his Durjanpur inscriptions on three Jaina images, where he is mentioned as the Maharajadhiraja. A large number of his copper coins also have been found from the Eran-Vidisha region and classified in five distinct types, which include the Garuda,[21] Garudadhvaja, lion and border legend types. The Brahmi legends on these coins are written in the early Gupta style.[22] In opinion of art historian Dr. R. A. Agarawala, D. Litt., Rama Gupta may be the eldest son of Samudra Gupta. He became king because of being the eldest. It may be a possibility that he was dethroned because of not being the worthy enough to rule and his younger brother Chandra Gupta II took over.

Chandra Gupta II

A Terracotta relief panel depicting a scene from the Rāmāyaṇa, built during the Gupta era.

According to the Gupta records, amongst his many sons,Samudragupta nominated prince Chandra Gupta II, born of queen Dattadevi, as his successor. Chandra Gupta II, Vikramaditya (the Sun of Power), ruled from 380 until 413. Chandra Gupta II also married to a Kadamba princess of Kuntala region and a princess of Naga lineage (Nāgakulotpannnā), Kuberanaga. His daughter Prabhavatigupta from this Naga queen was married to Rudrasena II, the Vakataka ruler of Deccan.[23] His son Kumaragupta I was married to Kadamba princess of Karnataka region. Emperor Chandra Gupta II expanded his realm westwards, defeating the Saka Western Kshatrapas of Malwa, Gujarat and Saurashtra in a campaign lasting until 409, but with his main opponent Rudrasimha III defeated by 395, and crushing the Bengal (Vanga) chiefdoms. This extended his control from coast-to-coast, estabilshed a second capital at Ujjain and was the high point of the empire.

Gold coins of Chandragupta II.

Despite the creation of the empire through war, the reign is remembered for its very influential style of Hindu art, literature, culture and science, especially during the reign of Chandra Gupta II. Some excellent works of Hindu art such as the panels at the Dashavatara Temple in Deogarh serve to illustrate the magnificence of Gupta art. Above all it was the synthesis of elements that gave Gupta art its distinctive flavour. During this period, the Guptas were supportive of thriving Buddhist and Jain cultures as well, and for this reason there is also a long history of non-Hindu Gupta period art. In particular, Gupta period Buddhist art was to be influential in most of East and Southeast Asia. Many advances were recorded by the Chinese scholar and traveller Faxian (Fa-hien) in his diary and published afterwards.

The court of Chandragupta was made even more illustrious by the fact that it was graced by the Navaratna (Nine Jewels), a group of nine who excelled in the literary arts. Amongst these men was the immortal Kalidasa whose works dwarfed the works of many other literary geniuses, not only in his own age but in the ages to come. Kalidasa was particularly known for his fine exploitation of the shringara (romantic) element in his verse.

Silver coin of Chandragupta II, minted in his Western territories, in the style of the Western Satraps.
Obv: Bust of king, with corrupted Greek legend "OOIHU".[24][25]
Rev: Legend in Brahmi, "Chandragupta Vikramaditya, King of Kings, and a devotee of Vishnu" , around a peacock.
15mm, 2.1 grams. Mitchiner 4821–4823.

Chandra Gupta II's campaigns against Foreign Tribes

4th century CE Sanskrit poet Kalidasa, credits Chandragupta Vikramaditya with having conquered about twenty one kingdoms, both in and outside India. After finishing his campaign in the East and West India, Vikramaditya (Chandra Gupta II) proceeded northwards, subjugated the Parasikas (Persians), then the Hunas and the Kambojas tribes located in the west and east Oxus valleys respectively. Thereafter, the king proceeds across the Himalaya and reduced the Kinnaras, Kiratas etc. and lands into India proper.[26]

The Brihatkathamanjari of the Kashmiri writer Kshmendra states, king Vikramaditya (Chandra Gupta II) had "unburdened the sacred earth of the Barbarians like the Sakas, Mlecchas, Kambojas, Yavanas, Tusharas, Parasikas, Hunas, etc. by annihilating these sinful Mlecchas completely".[27][28][29]

Kumaragupta I

Chandragupta II was succeeded by his second son Kumaragupta I, born of Mahadevi Dhruvasvamini. Kumaragupta I assumed the title, Mahendraditya.[30] He ruled until 455. Towards the end of his reign a tribe in the Narmada valley, the Pushyamitras, rose in power to threaten the empire.

Skandagupta

Silver coin of the Gupta King Kumara Gupta I AD (414–455) (Coin of his Western territories, design derived from the Western Satraps).
Obv: Bust of king with crescents, with traces of corrupt Greek script.[31][32]
Rev: Garuda standing facing with spread wings. Brahmi legend: Parama-bhagavata rajadhiraja Sri Kumaragupta Mahendraditya.

Skandagupta, son and successor of Kumaragupta I is generally considered to be the last of the great Gupta rulers. He assumed the titles of Vikramaditya and Kramaditya.[33] He defeated the Pushyamitra threat, but then was faced with invading Hephthalites or "White Huns", known in India as the Huna, from the northwest. He repulsed a Huna attack c. 455, But the expense of the wars drained the empire's resources and contributed to its decline. Skandagupta died in 467 and was succeeded by his agnate brother Purugupta.[34]

Cultural contributions

Borobudur complex in Java, Indonesia reflects Gupta architectural influences.[35]

Kings of Gupta dynasty were the great patrons of art, culture, languages, mathematics and science. Many of the finest paintings of ancient India were executed during Gupta period, the best example being the murals at Ajanta Caves. The colorful and vibrant murals at Ajanta are famous not only for the meticulously observed details of nature and the urban landscape, including architecture and furnishing, elegant attire and alluring ornaments but also for perceptive delineations of a variety of human characters, expressions and moods. The rich and sensuous life at Vakataka court and of Gupta India in general is realistically displayed in these murals.[36]

The Gupta era was also golden age for Buddhist art. The political unity of India brought by Gupta emperors, in turn initiated an artistic unity which transcended regional boundaries. Uniform artistic standards came into effect which were set chiefly by workshops in Mathura and Sarnath. Mathura and Sarnath produced some of the finest specimen of Buddhist art. Gupta style of art which was marked by a finished mastery in execution and a majestic serenity in expression was spread to other countries and greatly influenced Buddhist art all over Asia.[37]

The Iron Pillar located at Delhi is another fine example of the great achievements of Gupta reign. In spite of being 1600 years old, this Iron Pillar is still standing without any rust. Some historians believe that this pillar was erected by Chandragupta II, Vikramaditya. The greatest Sanskrit poet Kalidasa who wrote Meghdoot and Kumarsanhita was in Vikramaditya's court. Shakuntalum, the works of Kalidasa exemplify the literary craftsmanship of this period. The Panchatantra, a collection of fables was another popular work. The Sankrit Dramas Mrichchhakatika and Mudra Rakshasa were written during Gupta reign. Celebrated astronomers Aryabhatta calculated the correct value of pi in AD 499 lived in this period. He also calculated the length of the solar year as 365.358 days and later postulated that the Earth was a sphere, rotating on it's own axis and revolving around the Sun as well as the exact cause of eclipses. Varahamira showed the importance of decimal system in treatise Bhrihatasamhita, also flourished during Gupta period. The law books of Bruhaspati, Narada and many sections of Puranas (Sanskrit scriptures) were also written in this glorious period. Administration structure during the Gupta period was exceptionally good in spite of large empire. In the Gupta administration, the governors of the provinces were more independent as compared to the Mauryans. Land taxes increased in number. Trade with the Roman empire declined after the third century AD. Indian merchants began to rely more heavily on the south-east Asian trade. Instead of Roman gold, it was the South-East asian countries which fueled Indian need for precious metals.

Very few monuments built during Gupta reign survive today. Examples of Gupta architecture are found in the Vaishnavite Tigawa temple at Jabalpur (in Madhya Pradesh state) built in 415 AD and another temple at Deogarh near Jhansi built in 510 AD. Bhita in Uttar Pradesh State has a number of ancient Gupta temples, most are in ruins.[38]

Military organization

Gold coin of of Gupta era, depicting a Gupta king holding a bow.

The Imperial Guptas could have achieved their successes through force of arms with an efficient martial system. Historically, the best accounts of this come not from the Hindus themselves but from Chinese and Western observers. However, a contemporary Indian document, regarded as a military classic of the time, the Siva-Dhanur-veda, offers some insight into the military system of the Guptas.

The Iron pillar of Delhi is notable for the composition of the metals used in its construction.

The Guptas seem to have relied heavily on infantry archers, and the bow was one of the dominant weapons of their army. The Hindu version of the longbow was composed of metal, or more typically bamboo, and fired a long bamboo cane arrow with a metal head. Unlike the composite bows of Western and Central Asian foes, bows of this design would be less prone to warping in the damp and moist conditions often prevalent to the region. The Indian longbow was reputedly a powerful weapon capable of great range and penetration and provided an effective counter to invading horse archers. Iron shafts were used against armored elephants and fire arrows were also part of the bowmen's arsenal. India historically has had a prominent reputation for its steel weapons. One of these was the steel bow. Due to its high tensility, the steel bow was capable of long range and penetration of exceptionally thick armor. These were less common weapons than the bamboo design and found in the hands of noblemen rather than in the ranks. Archers were frequently protected by infantry equipped with shields, javelins, and longswords.

The Guptas also had knowledge of siegecraft, catapults, and other sophisticated war machines,and master at adobe

The Guptas apparently showed little predilection for using horse archers, despite the fact these warriors were a main component in the ranks of their Scythian, Parthian, and Hepthalite (Huna) enemies. However, the Gupta armies were probably better disciplined. Able commanders like Samudragupta and Chandragupta II would have likely understood the need for combined armed tactics and proper logistical organization. Gupta military success likely stemmed from the concerted use of elephants, armored cavalry, and foot archers in tandem against both Hindu kingdoms and foreign armies invading from the Northwest. The Guptas also maintained a navy, allowing them to control regional waters.

The collapse of the Gupta Empire in the face of the Huna onslaught was due not directly to the inherent defects of the Gupta army, which after all had initially defeated these people under Skandagupta. More likely, internal dissolution sapped the ability of the Guptas to resist foreign invasion, as was simultaneously occurring in Western Europe and China.

Decline of the empire

Skandagupta was followed by weak rulers Purugupta (467–473), Kumaragupta II (473–476), Budhagupta (476–495?), Narasimhagupta, Kumaragupta III, Vishnugupta, Vainyagupta and Bhanugupta. In the 480's the Hephthalite King Oprah broke through the Gupta defenses in the northwest, and much of the empire in northwest was overrun by the Huna by 500. The empire disintegrated under the attacks of Toramana and his successor Mihirakula. The Hunas conquered several provinces of the empire, including Malwa, Gujarat and Thanesar. It appears from inscriptions that the Guptas, although their power was much diminished, continued to resist the Hunas. They were eventually driven out of India in 528 AD by a coalition oconsisting of Gupta emperor Narasimhagupta and the king Yashodharman from Malwa.[39]. The succession of the sixth-century Guptas is not entirely clear, but the tail end recognized ruler of the dynasty's main line was king Vishnugupta, reigning from 540 to 550. In addition to the Huna invasion, the factors, which contribute to the decline of the empire include competition from the Vakatakas and the rise of Yashodharman in Malwa.[40]

Gupta administration

A study of the epigraphical records of the Gupta empire shows that there was a hierarchy of administrative divisions from top to bottom. The empire was called by various names such as Rajya, Rashtra, Desha, Mandala, Prithvi and Avani. It was divided in to 26 provinces, which were styled as Bhukti, Pradesha and Bhoga. Provinces were also divided into Vishayas and put under the control of the Vishayapatis. A Vishayapati administered the Vishaya with the help of the Adhikarana (council of representatives), which comprised four representatives: Nagarasreshesthi, Sarthavaha, Prathamakulika and Prathama Kayastha. A part of the Vishaya was called Vithi.[41]

Legacy of the Gupta Empire

The Ajanta paintings were made during the Gupta period

Scholars of this period include Varahamihira and Aryabhata, who is believed to be the first to come up with the concept of zero, postulated the theory that the Earth moves round the Sun, and studied solar and lunar eclipses. Kalidasa, who was a great playwright, who wrote plays such as Shakuntala, which is said to have inspired Goethe, and marked the highest point of Sanskrit literature is also said to have belonged to this period.The famous Sushruta Samhita, which is a Sanskrit redaction text on all of the major concepts of ayurvedic medicine with innovative chapters on surgery, dates to the Gupta period.

The flow of invasions from the Huns from central Asia aided in accelerating the demise of the glorious Gupta dynasty rule in India, although the effects of its fall was far less devastating than that of the Han or Roman at the same time. According to historian's work,

The Gupta Empire is considered by many scholars to be the "classical age" of Hindu and Buddhist art and literature. The Rulers of the Gupta Empire were strong supporters of developments in the arts, architecture, science, and literature. The Gupta Empire circulated a large number of gold coins, called dinars, and supported the Universities of Nalanda and Vikramasila.

Chess is said to have originated in this period,[42] where its early form in the 6th century was known as caturaṅga, which translates as "four divisions [of the military]" – infantry, cavalry, elephants, and chariotry – represented by the pieces that would evolve into the modern pawn, knight, bishop, and rook, respectively. Doctors also invented several medical instruments, and even performed operations. The Indian numerals which were the first positional base 10 numeral systems in the world originated from Gupta India. The ancient Gupta text Kama Sutra is widely considered to be the standard work on human sexual behavior in Sanskrit literature written by the Indian scholar Vatsyayana. Aryabhata, a noted mathematician-astronomer of the Gupta period proposed that the earth is not flat, but is instead round and rotates about its own axis. He also discovered that the Moon and planets shine by reflected sunlight. Instead of the prevailing cosmogony in which eclipses were caused by pseudo-planetary nodes Rahu and Ketu, he explained eclipses in terms of shadows cast by and falling on Earth. These and the other scientific discoveries made by Indians during this period about gravity[citation needed] and the planets of the solar system spread throughout the world through trade.

Gupta dynasty rulers

File:Gupta Empire, India.jpg
Expansion of Gupta Empire

The main branch of the Gupta dynasty ruled the Gupta Empire in India, from around 320 to 550. This dynasty was founded by Srigupta. The rulers are:

Preceded by Magadha dynasties
AD 240–550
Succeeded by
possibly Pala dynasty

See also

Notes

  1. ^ Gupta Dynasty – MSN Encarta. Archived from the original on 2009-10-31. {{cite encyclopedia}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ The Gupta Dynasty and Empire. Fsmitha.com. Retrieved on 2011-11-21.
  3. ^ India – Historical Setting – The Classical Age – Gupta and Harsha. Historymedren.about.com (2010-06-17). Retrieved on 2011-11-21.
  4. ^ GUPTA DYNASTY, GOLDEN AGE OF INDIA. nupam.com
  5. ^ Ancient India. The Age of the Guptas. wsu.edu
  6. ^ Gupta Empire in India, art in the Gupta empire, Indian history – India. Indianchild.com. Retrieved on 2011-11-21.
  7. ^ Raghu Vamsa v 4.60–75
  8. ^ Gupta dynasty (Indian dynasty). Britannica Online Encyclopedia. Retrieved on 2011-11-21.
  9. ^ Mahajan, p. 540
  10. ^ Gupta dynasty: empire in 4th century. Britannica Online Encyclopedia. Retrieved on 2011-11-21.
  11. ^ The Gupta Empire of India | Chandragupta I | Samudragupta. Historybits.com (2001-09-11). Retrieved on 2011-11-21.
  12. ^ Trade | The Story of India – Photo Gallery. PBS. Retrieved on 2011-11-21.
  13. ^ Agarwal, Ashvini (1989). Rise and Fall of the Imperial Guptas, Delhi:Motilal Banarsidass, ISBN 81-208-0592-5, pp.264–9
  14. ^ Agarwal, Ashvini (1989). Rise and Fall of the Imperial Guptas, Delhi:Motilal Banarsidass, ISBN 81-208-0592-5, pp.84–7
  15. ^ Majumdar, p. 474
  16. ^ Smith, Vincent A. (1999). The Early History of India: From 600 B.C. to the Muhammadan Conquest. Atlantic. p. 289. ISBN 81-7156-618-9.
  17. ^ Mahajan, p. 487
  18. ^ Mahajan, p. 491
  19. ^ Cite error: The named reference Raychaudhuri, H.C. 1972 pp.488 was invoked but never defined (see the help page).
  20. ^ "Hindu Art;Vishnu". Encyclopædia Britannica. Retrieved 2010-03-25.
  21. ^ Agarwal, Ashvini (1989). Rise and Fall of the Imperial Guptas. Delhi: Motilal Banarsidass. pp. 153–9. ISBN 81-208-0592-5.
  22. ^ Bajpai, K.D. (2004). Indian Numismatic Studies. New Delhi: Abhinav Publications. pp. 120–1. ISBN 8170170354.
  23. ^ Raychaudhuri, p. 489
  24. ^ "The conquest is indicated by the issue of the new Gupta silver coinage modelled on the previous Saka coinage showing on observe the King's head, Greek script, and dates as on Saka coins" in Early history of Jammu region: pre-historic to 6th century A.D. by Raj Kumar p.511
  25. ^ "Evidence of the conquest of Saurastra during the reign of Chandragupta II is to be seen in his rare silver coins which are more directly imitated from those of the Western Satraps... they retain some traces of the old inscriptions in Greek characters, while on the reverse, they substitute the Gupta type (a peacock) for the chaitya with crescent and star." in Rapson "A catalogue of Indian coins in the British Museum. The Andhras etc...", p.cli
  26. ^ Raghu Vamsa v 4.60–75
  27. ^ ata shrivikramadityo helya nirjitakhilah Mlechchana Kamboja. Yavanan neechan Hunan Sabarbran Tushara. Parsikaanshcha tayakatacharan vishrankhalan hatya bhrubhangamatreyanah bhuvo bharamavarayate (Brahata Katha, 10/1/285-86, Kshmendra).
  28. ^ Kathasritsagara 18.1.76–78
  29. ^ Cf:"In the story contained in Kathasarit-sagara, king Vikarmaditya is said to have destroyed all the barbarous tribes such as the Kambojas, Yavanas, Hunas, Tokharas and the , National Council of Teachers of English Committee on Recreational Reading – Sanskrit language.
  30. ^ Agarwal, Ashvini (1989). Rise and Fall of the Imperial Guptas, Delhi:Motilal Banarsidass, ISBN 81-208-0592-5, pp.191–200
  31. ^ Prasanna Rao Bandela (1 January 2003). Coin splendour: a journey into the past. Abhinav Publications. pp. 112–. ISBN 978-81-7017-427-1. Retrieved 21 November 2011.
  32. ^ "Evidence of the conquest of Saurastra during the reign of Chandragupta II is to be see n in his rare silver coins which are more directly imitated from those of the Western Satraps... they retain some traces of the old inscriptions in Greek characters, while on the reverse, they substitute the Gupta type (a peacock) for the chaitya wit crescent and star." in Rapson "A catalogue of Indian coins in the British Museum. The Andhras etc...", p.cli
  33. ^ Raychaudhuri, p. 510
  34. ^ Raychaudhuri, p. 516
  35. ^ http://www.indonesia.travel/en/destination/233
  36. ^ http://www.nupam.com/Sgupta1.html
  37. ^ http://www.nupam.com/Sgupta1.html
  38. ^ http://www.nupam.com/Sgupta1.html
  39. ^ Cite error: The named reference Columbia Encyclopedia was invoked but never defined (see the help page).
  40. ^ Singh, Upinder (2008). A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century. New Delhi: Pearson Education. p. 480. ISBN 978-81-317-1677-9.
  41. ^ Mahajan, pp. 530–1
  42. ^ Murray, H.J.R. (1913). A History of Chess. Benjamin Press (originally published by Oxford University Press). ISBN 0-936317-01-9. OCLC 13472872.

References

  • Majumdar, R.C. (1977). Ancient India, New Delhi:Motilal Banarsidass, ISBN 8120804368
  • Raychaudhuri, H.C. (1972). Political History of Ancient India, Calcutta: University of Calcutta ISBN 1440052727

Further reading

  • Andrea Berens Karls & Mounir A. Farah. World History The Human Experience.