Inca mythology

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Inca mythology includes many stories and legends that attempt to explain or symbolize Inca beliefs.[1]

Basic beliefs[edit]

Scholarly research demonstrates that Inca belief systems were integrated with their view of the cosmos, especially in regard to the way that the Inca observed the motions of the Milky Way and the solar system as seen from Cusco; the Inka capital whose name meant the centre of the earth. From this perspective, their stories depict the movements of constellations, planets, and planetary formations, which are all connected to their agricultural cycles. This was especially important for the Inca, as they relied on cyclical agricultural seasons, which were not only connected to annual cycles, but to a much wider cycle of time (every 800 years at a time). This way of keeping time was deployed in order to ensure the cultural transmission of key information, in spite of regime change or social catastrophes.

Many Inca myths have been interpreted from Eurocentric perspectives, which detaches the myths from Inka cosmology and agriculture, depriving these myths of their richness and practical ancient functionality.

After the Spanish conquest of the Inca Empire by Francisco Pizarro, colonial official burned the records kept by the Inca. There is currently a theory put forward by Gary Urton that the Quipus could have been a binary system capable of recording phonological or logographic data. Still, to date, all that is known is based on what was recorded by priests, from the iconography on Inca pottery and architecture, and from the myths and legends that have survived among the native peoples of the Andes.

Inca foundation legends[edit]

Viracocha, is the great creator god in Inca mythology

Manco Cápac was the legendary founder of the Inca Dynasty in Peru and the Cusco Dynasty at Cusco. The legends and history surrounding him are very contradictory, especially those concerning his rule at Cuzco and his origins. In one legend, he was the son of Tici Viracocha. In another, he was brought up from the depths of Lake Titicaca by the sun god Inti. However, commoners were not allowed to speak the name of Viracocha, which is possibly an explanation for the need for three foundation legends rather than just one.[2]

There were also many myths about Manco Cápac and his coming to power. In one myth, Manco Cápac and his brother Pacha Kamaq were sons of the sun god Inti. Manco Cápac was worshiped as a fire and sun god. In another myth, Manco Cápac was sent with Mama Ocllo (others even mention numerous siblings) to Lake Titicaca where they resurfaced and settled on the Isla Del Sol. According to this legend, Manco Cápac and his siblings were sent up to the earth by the sun god and emerged from the cave of Puma Orco at Paqariq Tampu carrying a golden staff called ‘tapac-yauri’. They were instructed to create a Temple of the Sun in the spot where the staff sank into the earth to honor the sun god Inti, their father. During the journey, one of Manco's brothers (Ayar Cachi) was tricked into returning to Puma Urqu and sealed inside, or alternatively was turned to ice, because his reckless and cruel behavior angered the tribes that they were attempting to rule. (huaca).

In another version of this legend, instead of emerging from a cave in Cuzco, the siblings emerged from the waters of Lake Titicaca. Since this was a later origin myth than that of Pacaritambo it may have been created as a ploy to bring the powerful Aymara tribes into the fold of the Tawantinsuyo.

In the Inca Virachocha legend, Manco Cápac was the son of Inca Viracocha of Paqariq Tampu which is 25 km (16 mi) south of Cuzco. He and his brothers (Ayar Auca, Ayar Cachi, and Ayar Uchu); and sisters (Mama Ocllo, Mama Huaco, Mama Raua, and Mama Cura) lived near Cusco at Paqariq Tampu, and uniting their people and the ten ayllu they encountered in their travels to conquer the tribes of the Cusco Valley. This legend also incorporates the golden staff, which is thought to have been given to Manco Cápac by his father. Accounts vary, but according to some versions of the legend, the young Manco jealously betrayed his older brothers, killed them, and then became Cusco.

Deities[edit]

Supay, god of death, as interpreted in a Bolivian carnival festival

Like the Romans, the Incas permitted the cultures they integrated into their empire to keep their individual religions. Below are some of the various gods worshiped by the peoples of the Incan empire, many of which have overlapping responsibilities and domains. Unless otherwise noted, it can safely be assumed these were worshipped by different ayllus or worshipped in particular former states.[3]

  • Apu was a god or spirit of mountains. All of the important mountains have their own Apu, and some of them receive sacrifices to bring out certain aspects of their being. Some rocks and caves also are credited as having their own apu.[4]
  • Apocatequil (a.k.a. Apotequil) or Illapa was the god of lightning.He lived in the Andes. His gender is male[5]
  • Ataguchu was a god who assisted in creation myth.
  • Catequil was a god of thunder and lightning.
  • Cavillace was a virgin goddess who ate a fruit, which was actually the sperm of Coniraya, the moon god. When she gave birth to a son, she demanded that the father step forward. No one did, so she put the baby on the ground and it crawled towards Coniraya. She was ashamed because of Coniraya's low stature among the gods, and ran to the coast of Peru, where she changed herself and her son into rocks.
  • Ch'aska ("Venus") or Ch'aska Quyllur ("Venus star") was the goddess of dawn and twilight, the planet
  • Coniraya was the moon deity who fashioned his sperm into a fruit, which Cavillaca then ate.
  • Copacati was a lake goddess.
  • Ekkeko was a god of the hearth and wealth. The ancients made dolls that represented him and placed a miniature version of their desires onto the doll; this was believed to caused the user to receive what he desired.
  • Illapa ("thunder and lightning"; a.k.a. Apu Illapu, Ilyap'a, Katoylla) was a very popular weather god. His holiday was on July 25. He was said to keep the Milky Way in a jug and use it to create rain. He appeared as a man in shining clothes, carrying a club and stones. He was formerly the main god of the Kingdom of Qulla after which the Qullasuyu province of the Inca Empire was named.
  • Inti was the sun god. Source of warmth and light and a protector of the people. Inti was considered the most important god. The Inca Emperors were believed to be the lineal descendants of the sun god.
  • Kon was the god of rain and wind that came from the south. He was a son of Inti and Mama Killa.
  • Mama Allpa was a fertility goddess depicted with multiple breasts.
  • Mama Qucha ("sea mother") was the sea and fish goddess, protectress of sailors and fishermen. In one legend she mothered Inti and Mama Killa with Wiraqucha.
Representation of the cosmology of the Incas, according to Juan de Santa Cruz Pachacuti Yamqui Salcamayhua (1613), after a picture in the Sun Temple Qurikancha in Cusco, with Inti (the Sun), Killa (the Moon), Pachamama (Mother Earth), Mama Qucha (Mother Sea), and Chakana (Southern Cross) with Saramama (Mother Corn) and Kukamama (Mother Coca).
  • Mama Pacha (a.k.a. Pachamama) literally translates to "mother nature" and was the most important figure in mythology, second only to the Sun. She was the wife of Pacha Kamaq, a dragon, and a fertility deity who presided over planting and harvesting. She caused earthquakes.
  • Mama Killa ("mother moon" or "golden mother") was a marriage, festival and moon goddess and daughter of Wiraqucha and Mama Qucha, as well as wife and sister of Inti. She was the mother of Manqu Qhapaq, Pacha Kamaq, Kon and Mama Uqllu.
  • Mama Sara ("maize mother", a.k.a. Saramama) was the goddess of grain. She was associated with maize that grew in multiples or were similarly strange. These strange plants were sometimes dressed as dolls of Mama Sara. She was also associated with willow trees.
  • Pacha Kamaq ("Earth-maker") was a chthonic creator god, earlier worshiped by the Ichma but later adopted into the creation myth of the Inca.
  • Paryaqaqa was a god of water in pre-Inca mythology that was adopted by the Inca. He was a god of rainstorms and a creator-god. He was born a falcon but later became human.
  • Paricia was a god who sent a flood to kill humans who did not respect him adequately. Possibly another name for Pacha Kamaq.
  • Supay was both the god of death and ruler of the Uku Pacha as well as a race of demons.
  • Urcaguary was the god of metals, jewels and other underground items of great value.
  • Urquchillay was a deity that watched over animals.
  • Wiraqucha was the god of everything. In the beginning he was the main god, but when Pachakuti became Inca emperor, he changed this god's importance, pointing out that the most important god was Inti.

Important beliefs[edit]

  • Mama Uqllu was the sister and wife of Manqu Qhapaq. She was thought to have taught the Inca the art of spinning.
  • Mamaconas were similar to nuns and lived in temple sanctuaries. They dedicated their lives to Inti, and served the Inca and priests. Young girls of the nobility or of exceptional beauty were trained for four years as acllas and then had the option of becoming mamaconas or marrying Inca nobles. They are comparable to the Roman Vestal Virgins, though Inca society did not value virginity as a virtue the way Western societies have done throughout history.
  • In one legend, Unu Pachakuti was a great flood sent by Virachocha to destroy the giants that built Tiwanaku.
  • A Wak'a was a sacred object such as a mountain or a mummy.

Important places[edit]

Inca cosmology was ordered in three spatio-temporal levels or Pachas.[6] These included:

  • Uku Pacha ("the lower world") was located within the earth's surface.
  • Kay Pacha was the world in which we live.
  • Hanan Pacha ("higher world") was the world above us where the sun and moon lived.[7]

The environment and geography were integral part of Inka mythology as well. Many prominent natural features within the Inka Empire were tied to important myths and legends amongst the Inka[8]. For example, Lake Titicaca, an important body of water on the Altiplano, was incorporated into Inka myths, as the lake of origins from which the world began[8]. Similarly, many of prominent Andean peaks played special roles within the mythology of the Inkas. This is reflected in myths about the Paxil mountain, from which people were alleged to have been created from corn kernels that were scattered by the gods[8]. Terrestrial environments were not the only type of environment that was important to mythology. The Inka often incorporated the stars into legends and myths[9]. For example, many constellations were given names and were incorporated into stories, such as the star formations of the Great Llama and the Fox[9]. While perhaps not relating to a single physical feature per se, environmental sound was extremely important in Inka mythology. For example, in the creation myth of Viracocha the sound of the god’s voice is particularly important. Additionally, myths were transmitted orally, so the acoustics and sound of a location were important for Inka mythology[10]. These examples demonstrate the power that environment held in creating and experiencing Inka myths.

Inca symbols[edit]

Chakana or tree of life
  • Chakana (or Inca Cross, Chakana) is - according to some modern authors - the three-stepped cross equivalent symbolic of what is known in other mythologies as the Tree of Life, World Tree and so on. Through a central axis a shaman journeyed in trance to the lower plane or Underworld and the higher levels inhabited by the superior gods to enquire into the causes of misfortune on the Earth plane. The snake, puma, and condor are totemic representatives of the three levels. The alleged meaning of the chakana symbol is not supported by scholarly literature.

Deployments[edit]

Mythology served many purposes within the Inka Empire. While mythology could often be used to explain natural phenomena, or to give the many denizens of the empire a way of thinking about the world, it was also utilized to support the social inequalities of the elite over the commoners within the empire. For example, there is a well-known origin myth that describes how the Inka Empire began at its center in Cusco. In this origin myth, four men and women emerged from a cave near Cusco, and began to settle within the Valley of Cusco, much to the chagrin of the Hualla people who had already been inhabiting the land[11]. The Hualla subsided by growing coca and chili peppers, which the Inka associated with the peoples of the Amazon, whom were perceived to be inferior and wild[11]. The Inka engaged in battle with the Hualla, fighting quite viciously, and eventually the Inka emerged victorious. Interestingly, the myth alleges these first Inka people would plant corn, a mainstay of the Inka diet, on the location where they viciously defeated the Hualla[11]. Thus, the myth continues, the Inka came to rule over the entire Cusco Valley, before eventually going on to conquer much of the Andean world[11]. While this mythical account of the settlement of the Cusco Valley may seem like an innocuous tall tale, myths like these reinforced social inequalities throughout the Inka Empire.

In creating this myth, the Inka were able to reinforce their authority over the empire. Firstly, by associating the Hualla with plants from the jungle, the Inka’s origin myth would have likely caused the listener to think that the Hualla were primordial heathens compared to supposedly superior Inka. Thus, the Inka’s defeat of the Hualla and their supposed development of maize based agriculture, supported the notion that the Inka were the rightful stewards of the land, as they were able to make the land productive and tame[11]. These myths were recapitulated in the many festivals and rites that were observed throughout the Inka Empire. For example, there were corn festivals that were observed annually during the harvest. During, these festivals the Inka elite were celebrated alongside the corn and the main deity of the Inka, Inti[11]. As such, the myth of original Inka’s planting of the corn crop was utilized to associate the ruling Inka elite with the gods, as well as portraying them as being the bringers of the harvest. In this way, the origin myths of the Inka were used to justify the elite position of the Inka within their vast, multiethnic empire. Within the Inka Empire, the Inka held a special status of “Inka by Blood”, that granted them significant privileges over non-Inka peoples[12]. The ability of the Inka to support their elite position was no small feat, given that less than fifty thousand Inka were able to rule over millions of non-Inka peoples. Mythology was an important way by which the Inka were able to justify both the legitimacy of the Inka state, as well as their privileged position with the state.

The strategic deployment of Inka mythology did not end after the Inka empire was colonized by the Spanish. In fact, Inka mythology was utilized in order to resist and challenge the authority of the Spanish colonial authorities. Many Inka myths were utilized to criticize the seemingly wonton greed and ignorance of European imperialism. For example, there are myths amongst the indigenous people of the former Inka empire that tell the stories of foreigners who come into the Andes and destroy valuable objects[13]. One such myth is the tale of Atoqhuarco amongst the Quechua, which describes how an indigenous woman is destroyed in an act of rebellion against a lascivious foreigner, whom eventually is transformed into a predatory fox[13]. Powerful colonial institutions are also critiqued in some of these myths, with the Catholic Church being frequently lambasted. For example, the story of the Priest and Sexton highlights the hypocrisy and abusive nature of a Catholic Priest and his callous treatment of his indigenous parishioners[13]. As such, these myths show that Inka mythology was strategically deployed for subvert and rebel against Spanish rule in the former Inka Empire.

Inka mythology continues to be a powerful force in contemporary Andean communities. After the nations that were once a part of the Inka Empire gained their independence from Spain, many of these nations struggled to find a suitable origin myth to support the legitimacy of their state[14]. In the early twentieth century, there was a resurgence of interest about the indigenous heritage of these new nations. While these references to Inka mythology can be more overt, such as the presence of Inti on the Argentine flag, other references to the Inka mythology can be subtler[15]. For example, in the late twentieth century the Peruvian Revolutionary government made reference to Inka myths about Pachamama, an Inka Mother Earth figure, in order to justify their land distribution programs[14]. Additionally, modern governments continue to make reference to the former Inka Empire in order to support their claims of legitimacy, to the point that there are municipally funded observances of rituals referencing Inka mythology, especially in and around Cusco[14]. The power of Inka mythology resonates in contemporary politics, with politicians like Alejandro Toledo making references to Inka mythology and imagery during their candidacies and tenures[16]. While the Inka Empire may have ceased to exist hundreds of years ago, its vibrant mythology continues to influence life throughout South America today.

Mummification[edit]

The rulers of the Inca empire, such as the last united Inca ruler Huayna Capac, were often mummified upon the time of their death, allowing for their bodies to be worshipped within the palaces.These worshipping events were intersepted by the Spaniards under Juan Polo de Ondegardo y Zárate, who was newly appointed as the Chief Magistrate of Cuzco in 1559, when it was under Spanish control. Ondegardo conducted a massive effort to prevent the Inca from committing their “idolatrous sins”, mainly by locating the mummified bodies of late Inca kings and sending them to the viceroy in Lima[17]. They remained in a hospital for around 80 years before their whereabouts became unknown.The Inca used to mummify their kings and several times a year they would be aligned in accordance to when they chronologically ruled in Cuzco’s plaza for the public to pay their respects[18]. In the other parts of the year, the mummies were returned to the Cuzco palaces and were worshipped privately by groups of visitors. Francisco Pizarro stated that “It was customary for the dead to visit one another, and they held great dances and debaucheries, and sometimes the dead went to the house of the living, and sometimes the living came to the house of the dead”[17]. The kings were thought to have been able to speak back to the worshippers through the use of oracles, and even gave advice to the protection and ruling of the land. The ruling Inca was expected to seek advice from the mummies of his ancestors for important issues. Not all Inca mummies were glorified, however, as in one case Topa Inca Yupanqui’s mummified body was torched and his bloodline all killed as they sided with Huascar in the civil war. [17]

Upon the arrival of the Spanish, the Inca started to hide the bodies of the kings and become more secretive with their worship, as stated by Juan de Betanzos. After being appointed, Polo do Ondegardo and his men found most of the mummified kings and took their bodies along with other ritualistic items such as their huaques, or their statues. A popular thought is that Ondegardo had the bodies buried in or around Cuzco in secret so that they would not be uncovered and worshipped again. Garcilaso de la Vega visited Ondegardo’s house and was shown an assembly of embalmed kings and attested to the degree of their preservation: “The bodies were perfectly preserved without the loss of hair of the head or brow or an eyelash. They were dressed as if they had been in life, with Ilautus (royal headbands) on their heads… their hands were crossed across their breast.”. The mummies were afterwards sent to the viceroy for him to see them and then afterwards they were brought back to Cuzco and thought to be secretly buried.The viceroy stored the mummies in the Hospital of San Andres in Lima because he was “a major benefactor of it”. Since the hospital was solely for the Spanish residents, they were likely on display for the citizens to view, away from the natives. [17]

Animals in Inca Mythology[edit]

Like other Native American cultures, the Inca society was heavily influenced by the local animal populations, both as food, textile, and transportational sources as well as religious and cultural cornerstones. Many myths and legends of the Inca include or are solely about an animal or a mix of animals and their interactions with the gods, humans, and or natural surroundings.

Dogs[edit]

The Inca bred dogs for hunting and scavenging but rarely for religious purposes. The Huanca people, however, had a much more religious basis for their consumption of dog meat as in Inca mythology Paria Caca, their god, was pictured as feeding solely on dog after he defeated another god, Huallallo Carhuincho, in a skirmish. In some parts of South America the Huanca are referred to as “the dog-eating Huanca”. This behaviour of eatin dog was looked down upon in other parts of the empire.[19]

There also exists a city named Alqollacta, or “Dog town”, which contains statues of dogs and are thought to represent the souls of dogs that have passed away. The people would often save up bones and leave them at the statues thinking that it would give them a better standing in the afterlife.

Dogs were sometimes believed to be able of moving between life and death and also see the soul of the dead. In addition, the Inca believed that unhappy dead souls could visit people in the form of of black dogs.The Aymara people of Bolivia were reported to believe that dogs were associated with death and incest. They believed that those who die must cross an ocean to the afterlife in the ear of, or on the nose of, a black dog. Additionally, some sources report that women who sleep alone at night were capable of being impregnated by ghosts which would yield a baby with dog feet. [19]

Bears[edit]

Despite there only being one bear species in South America (the spectacled bear, Tremarctus ornatus), the story of The Bear’s Wife and Children is a prominent story among the Inca. [19] The Andean people believed that bears represented the sexual habits of men and women and the girls were warned of “bear-rape”. This story details a bear who disguises himself as a man who subdues a girl and takes her to his cave where he feeds her and takes care of her. Soon after, she bares two half bear half human children. With the help of the children the three are able to escape the cave and return to human society. The bear children are given to the town’s priest who attempts to kill the cubs several times (by throwing them off buildings, sending them into the wild, sending them to fight officers) but is only capable of getting the younger bear-child killed [19]. The older bear beats the trials and is sent to fight a damned soul, which he defeats and saves from damnation. The soul gives the bear his estate and wealth and the now fully grown bear man leaves human society as a white dove. This tale could be interpreted as a Native American’s plight story against the Hispanic society in which they find them in, which becomes more believable as this folklore become more prominent after the Spanish Conquest. [19]

In addition to this story, half bear half human beings called Ukuku are thought to be the only being that are able to bring ice from the top of mountains as they have the intelligence of men but the strength of bears. Ukuku clowns can be seen in the Corpus Christi celebrations of Cuzco where they undergo pilgrimage to a nearby glacier and spend the night on the ice as an initiation of manhood.[20]

Foxes[edit]

The fox did not generally have a good reputation among the Inca or people of the Andes and was seen as an omen. Sacrifices to the gods included a variety of goods and animals, including humans, but were never seen to ever include foxes. Inca mythology contains references to gods being deceived by foxes. In one encounter, the deity Cuniraya Viracocha was angered by a fox and stated that “As for you, even when you skilk around keeping your distance, people will thoroughly despise you and say ‘That fox is a thief!’. When they kill you they’ll carelessly throw you away and your skin too”[21]. In other narratives, the fox is said to have tried to steal the moon but the moon hugged the fox close which resulted in the spots on the moon. Finally, the fox still plays a role in current Andean society where the howling of a fox in the month of August is perceived as a sign of good luck.[19]

See also[edit]

Sources[edit]

  1. ^ Handbook of Inca Mythology by Paul Richard Steele, Catherine J. Allen
  2. ^ The History of the Incas by Pedro Sarmiento De Gamboa, Brian S. Bauer, Vania Smith
  3. ^ Roza, Greg (2008). Incan Mythology and Other Myths of the Andes. The Rosen Publishing Group, Inc. 
  4. ^ Sacred Mountain Expedition: April 2007
  5. ^ http://www.godchecker.com/pantheon/incan-mythology.php?deity=APOCATEQUIL
  6. ^ Heydt-Coca, Magda von der (1999). "When Worlds Collide: The Incorporation Of The Andean World Into The Emerging World-Economy In The Colonial Period". Dialectical Anthropology. 24 (1): 1–43. 
  7. ^ Steele, Richard James (2004). Handbook of Inca Mythology. ABC-CLIO. 
  8. ^ a b c Toohey, Jason (Jul–Sep 2013). "Feeding the Mountains: Sacred Landscapes, Mountain Worship, and Sacrifice in the Maya and Inca Worlds". Reviews in Anthropology. 42 (3): 161–178. 
  9. ^ a b Bryan, Penprase (2017). The Power of Stars. Chem: Springer. pp. 81–84. ISBN 978-3-319-52595-2. 
  10. ^ Classen, Constance (Nov 1990). "Sweet colors, fragrant songs: sensory models of the Andes and the Amazon". American Ethnologist. 17 (4): 722–735. doi:10.1525/ae.1990.17.4.02a00070. 
  11. ^ a b c d e f Bauer, Brian (June 1996). "Legitimization of the State in Inca Myth and Ritual". American Anthropologist. 98 (2): 327–337. doi:10.1525/aa.1996.98.2.02a00090. 
  12. ^ Peregrine, Peter N; Ember, Ember (2007). Encyclopedia of Prehistory (7 ed.). Boston: Springer. pp. 150–194. 
  13. ^ a b c Marín-Dale, Margarita (2016). Decoding Andean Mythology. Salt Lake City: University of Utah Press. ISBN 9781607815099. 
  14. ^ a b c Molinié, Antionette (Sep 2004). "The resurrection of the Inca: the role of Indian representations in the invention of the Peruvian nation". History & Anthropology. 15 (3): 233. 
  15. ^ Busaniche, José Luis (1965). Historia Argentina. Buenos Aires: Solar. 
  16. ^ Greene, Shane (February 2005). "Incas, Indios and Indigenism in Peru". NACLA Report on the Americas. 38 (4): 34–69. 
  17. ^ a b c d Bauer, Brian S.; Rodriguez, Antonio C. (2007). "The Hospital of San Andrés (Lima, Peru) and the Search for the Royal Mummies of the Incas". Fieldana Anthropology. 39: 1-31. 
  18. ^ Palma, Ricardo (2004). Peruvian Traditions. Oxford, England: Oxford University Press. 
  19. ^ a b c d e f Handbook of Inca Mythology. Allen, Catherine (Hardcover ed.). Santa Barbara, California: ABC CLIO. 2004. ISBN 1-57607-354-8. 
  20. ^ de Molina, Christobal (2011). Account of the Fables and Rites of the Incas. Austin, Texas: University of Texas Press. 
  21. ^ Saloman, Frank (1991). The Huarochiri Manuscript: a testament of ancient and colonial Andean religion. Austin, Texas: University of Texas Press.