Nandalal Bose

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Nandalal Bose
নন্দলাল বসু
Nandalal Bose (1883 – 1966).jpg
Born (1882-12-03)3 December 1882
Tarapur, Bengal Presidency, British India(now Bihar, India)[1]
Died 16 April 1966(1966-04-16) (aged 83)
Kolkata, West Bengal, India
Nationality Indian
Known for Painting
Movement Contextual Modernism

Nandalal Bose (Bengali: নন্দলাল বসু, Nondo-lal Boshū) (3 December 1882 – 16 April 1966) was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.

A pupil of Abanindranath Tagore, Bose was known for his "Indian style" of painting. He became the principal of Kala Bhavan, Santiniketan in 1922. He was influenced by the Tagore family and the murals of Ajanta; his classic works include paintings of scenes from Indian mythologies, women, and village life.

Today, many critics consider his paintings among India's most important modern paintings.[2][3][4] In 1976, the Archaeological Survey of India, Department of Culture, Govt. of India declared his works among the "nine artists" whose work, "not being antiquities", were to be henceforth considered "to be art treasures, having regard to their artistic and aesthetic value".[5]

Early life[edit]

House of Nandalal Basu in Kolkata (photographed 2014)

Nandalal was born on 3 December 1882 in a middle-class Bengali family of Kharagpur, in Tarapur, Munger district of Bihar state. His father, Purnachandra Bose, was at that time working in the Darbhanga Estate. His mother Kshetramonidevi was a housewife with a skill in improvising toys and dolls for young Nandalal. From his early days Nandalal began taking an interest in modelling images and later, decorating Puja pandals.

In 1897, Nandalal moved to Calcutta for his high school studies in the Central Collegiate School. After clearing his examinations in 1902, he continued his college studies at the same institution. In June 1903 he married Sudhiradevi, the daughter of a family friend. Nanadalal wanted to study art, but he was not given permission by his family. Unable to qualify for promotion in his classes, Nandalal moved to other colleges, joining the Presidency College in 1905 to study commerce. After repeated failures, he persuaded his family to let him study art at Calcutta's School of Art.[6]

Career[edit]

As a young artist, Nandalal Bose was deeply influenced by the murals of the Ajanta Caves. He had become part of an international circle of artists and writers seeking to revive classical Indian culture; a circle that already included Okakura Kakuzō, William Rothenstein, Yokoyama Taikan, Christiana Herringham, Laurence Binyon, Abanindranath Tagore, and the seminal London Modernist sculptors Eric Gill and Jacob Epstein.[7][8]

To mark the 1930 occasion of Mahatma Gandhi's arrest for protesting the British tax on salt, Bose created a black on white linocut print of Gandhi walking with a staff. It became the iconic image for the non-violence movement.

His genius and original style were recognised by famous artists and art critics like Gaganendranath Tagore, Ananda Coomaraswamy and O. C. Ganguli. These lovers of art felt that objective criticism was necessary for the development of painting and founded the Indian Society of Oriental Art.

He became principal of the Kala Bhavana (College of Arts) at Tagore's International University Santiniketan in 1922.

He was also famously asked by Jawaharlal Nehru to sketch the emblems for the Government of India's awards, including the Bharat Ratna and the Padma Shri.[9] Along with his students, Nandalal Bose took up the historic task of beautifying/decorating the original manuscript of the Constitution of India.[10]

He died on 16 April 1966 in Calcutta.

Today, the National Gallery of Modern Art in Delhi holds 7000 of his works in its collection, including a 1930 black and white linocut of the Dandi March depicting Mahatma Gandhi, and a set of seven posters he later made at the request of Mahatma Gandhi for the 1938 Haripura Session of the Indian National Congress.[11]

His Place in Indian Art[edit]

In his introduction for the Christie's catalogue, R. Siva Kumar wrote-[12]

Nandalal Bose (1882–1966) occupies a place in the history of Modern Indian art that combines those of Raphael and Durer in the history of the Renaissance. Like Raphael Nandalal was a great synthesizer, his originality lay in his ability to marshal discrete ideas drawn from Abanindranath Tagore, Rabindranath Tagore, E. B. Havell, Ananda Coomaraswamy, Okakura Kakuzo and Mahatma Gandhi into a unique and unified programme for the creation of a new art movement in India. And like Durer he combined a passion bordering on devotion with an irrepressible analytical mind that compelled him to prise open different art traditions and unravel their syntactic logic, and make them accessible to a new generation of Indian artists. But he did this so quietly and without self-assertive fanfare that the significance of his work is yet to be fully grasped even in India.

Students[edit]

Some of his students were Benode Behari Mukherjee, Ramkinkar Baij, Beohar Rammanohar Sinha, K. G. Subramanyan, A. Ramachandran, Pratima Thakur, Sovon Som, Jahar Dasgupta, Sabita Thakur, and Kondapalli SeshagiriRao.

Honours and awards[edit]

In 1956, he became the second artist to be elected Fellow of the Lalit Kala Akademi, India's National Academy of Art. In 1954, Nandalal Bose was awarded the Padma Vibhushan.

In 1957, the University of Calcutta conferred honorary D.Litt on him.[13] Vishvabharati University honoured him by conferring on him the title of 'Deshikottama'.

The Academy of Fine Arts in Calcutta honoured Nandalal with the Silver Jubilee Medal. The Tagore Birth Centenary Medal was awarded to Nandalal Bose in 1965 by the Asiatic Society of Bengal.

References[edit]

  1. ^ "Nanadlal Bose A notable Indian painter of Bengal school of art...". 4to40.com. Retrieved 22 February 2014. 
  2. ^ "San Diego museum showcases Nandalal Bose". Rediff.com News. 25 June 2008. 
  3. ^ Robert L. Pincus (15 March 2008). "The Art of Nandalal Bose' is first U.S. showcase for an Indian icon". Paramus Post. 
  4. ^ Kamala Ganesh; Usha Thakkar (13 July 2005). Culture and the Making of Identity in Contemporary India. SAGE Publications. pp. 49–. ISBN 978-0-7619-3381-6. 
  5. ^ Nine Masters Government Museum and Art Gallery, Chandigarh. "Nine Masters: Rabindranath Tagore, Amrita Sher-Gil, Jamini Roy and Nandalal Bose, Ravi Varma, Gaganendranath Tagore, Abanindranath Tagore, Sailoz Mookherjea and Nicholas Roerich."
  6. ^ Dinkar k Kowshik (1985). Nandalal Bose, the doyen of Indian art. National Book Trust, India. Retrieved 18 April 2012. 
  7. ^ Rupert Richard Arrowsmith, "The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System", Modernism/modernity Volume 18, Number 1, January 2011, 27–42. ISSN: 1071-6068.
  8. ^ Video of a Lecture mentioning Bose in the context of Indian influences n global modernism, London University School of Advanced Study, March 2012.
  9. ^ "Nandalal Bose paintings on display in U.S.". The Hindu. 15 March 2008. 
  10. ^ "The Constitution of India". World Digital Library. 7 May 2009. Retrieved 9 December 2010. 
  11. ^ "Bengal School of Art exhibition to open in US". The Economic Times. 24 June 2008. 
  12. ^ http://www.christies.com/lotfinder/drawings-watercolors/nandalal-bose-bull-fighter-5716124-details.aspx
  13. ^ "Annual Convocation". University of Calcutta. 

Further reading[edit]

  • Nandalal Bose and Indian painting, by Ramyansu Sekhar Das. Tower Publishers, 1958.
  • Nandalal Bose: a collection of essays : centenary volume. Lalit Kala Akademi, 1983.
  • Nandalal Bose, the doyen of Indian art. (National biography), by Dinkar Kowshik. National Book Trust, India, 1985.

External links[edit]

Media related to Nandalal Bose at Wikimedia Commons