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{{Progressive Writers' Movement}}
{{Progressive Writers' Movement}}


'''Khwaja Ahmad Abbas''' (7 June 1914 – 1 June 1987)<ref>{{Cite web|url=https://www.samaa.tv/news/2011/06/death-anniversary-of-khwaja-ahmad-abbas-today/|title=Death anniversary of Khwaja Ahmad Abbas today|date=1 June 2011|website=Samaa.tv|access-date=18 January 2019}}</ref> was an [[Indian film directors|Indian film director]], screenwriter, novelist, and a journalist in [[Urdu]], [[Hindi]] and English languages. He won four [[National Film Awards]] in India, and internationally his films won [[Palme d'Or]] ([[Golden Palm]] Grand Prize) at [[Cannes Film Festival]] (out of three Palme d'Or nominations) and the [[Crystal Globe (Karlovy Vary International Film Festival)|Crystal Globe]] at [[Karlovy Vary International Film Festival]]. As a director and screenwriter, Khwaja Ahmad Abbas is considered one of the pioneers of Indian [[Parallel Cinema|parallel or neo-realistic cinema]].<ref name="Rajadhyaksha"/>
'''Khwaja Ahmad Abbas''' (7 June 1914 – 1 June 1987)<ref>{{Cite web|url=https://www.samaa.tv/news/2011/06/death-anniversary-of-khwaja-ahmad-abbas-today/|title=Death anniversary of Khwaja Ahmad Abbas today|date=1 June 2011|website=Samaa.tv|access-date=18 January 2019}}</ref> was an [[Indian film directors|Indian film director]], screenwriter, novelist, and journalist in [[Urdu]], [[Hindi]] and English. He won four [[National Film Awards]] in India. Internationally, his films won the [[Palme d'Or]] ([[Golden Palm]] Grand Prize) at [[Cannes Film Festival]] (out of three Palme d'Or nominations) and the [[Crystal Globe (Karlovy Vary International Film Festival)|Crystal Globe]] at [[Karlovy Vary International Film Festival]]. As a director and screenwriter, he is considered one of the pioneers of Indian [[Parallel Cinema|parallel or neo-realistic cinema]].<ref name="Rajadhyaksha"/>


As a director, he made [[Hindustani language|Hindustani]] films. ''[[Dharti Ke Lal]]'' (1946), about the [[Bengal famine of 1943]], was one of [[Indian cinema]]'s first [[Parallel Cinema|social-realist films]],<ref name="Rajadhyaksha">{{cite book|last=Rajadhyaksha|first=Ashish|title=Indian Cinema: A Very Short Introduction|date=2016|publisher=[[Oxford University Press]]|isbn=9780191034770|page=61|url=https://books.google.com/books?id=QUq1DAAAQBAJ&pg=PT61|language=en}}</ref> and opened up the [[List of highest-grossing Indian films in overseas markets|overseas market for Indian films]] in the [[Soviet Union]].<ref>{{cite news|title=With love from India to Russia|url=https://www.rbth.com/articles/2009/10/22/221009_indianfilms.html|work=[[Russia Beyond]]|date=22 October 2009}}</ref> ''[[Pardesi (1957 film)|Pardesi]]'' (1957) was nominated for the Palme d'Or at the Cannes Film Festival. ''[[Shehar Aur Sapna]]'' (1963) won the [[National Film Award for Best Feature Film]], while ''[[Saat Hindustani]]'' (1969) and ''[[Do Boond Pani]]'' (1972) both won the [[National Film Award (India)|National Film Awards]] for [[Nargis Dutt Award for Best Feature Film on National Integration|Best Feature Film on National Integration]].
As a director, he made [[Hindustani language|Hindustani]] films. ''[[Dharti Ke Lal]]'' (1946), about the [[Bengal famine of 1943]], was one of [[Indian cinema]]'s first [[Parallel Cinema|social-realist films]],<ref name="Rajadhyaksha">{{cite book|last=Rajadhyaksha|first=Ashish|title=Indian Cinema: A Very Short Introduction|date=2016|publisher=[[Oxford University Press]]|isbn=9780191034770|page=61|url=https://books.google.com/books?id=QUq1DAAAQBAJ&pg=PT61|language=en}}</ref> and opened up the [[List of highest-grossing Indian films in overseas markets|overseas market for Indian films]] in the [[Soviet Union]].<ref>{{cite news|title=With love from India to Russia|url=https://www.rbth.com/articles/2009/10/22/221009_indianfilms.html|work=[[Russia Beyond]]|date=22 October 2009}}</ref> ''[[Pardesi (1957 film)|Pardesi]]'' (1957) was nominated for the Palme d'Or. ''[[Shehar Aur Sapna]]'' (1963) won the [[National Film Award for Best Feature Film]], while ''[[Saat Hindustani]]'' (1969) and ''[[Do Boond Pani]]'' (1972) both won the [[National Film Award (India)|National Film Awards]] for [[Nargis Dutt Award for Best Feature Film on National Integration|Best Feature Film on National Integration]].


As a screenwriter, he wrote a number of neo-realistic films, such as ''Dharti Ke Lal'' (which he directed),<ref name="Rajadhyaksha"/> ''[[Neecha Nagar]]'' (1946) which won the Palme d'Or at the [[1946 Cannes Film Festival|first Cannes Film Festival]], ''Naya Sansar'' (1941), ''[[Jagte Raho]]'' (1956), and ''[[Saat Hindustani]]'' (which he also directed). He is also known for writing the best of Raj Kapoor's films, including the Palme d'Or nominated ''[[Awaara]]'' (1951), as well as ''[[Shree 420]]'' (1955), ''[[Mera Naam Joker]]'' (1970), ''[[Bobby (1973 film)|Bobby]]'' (1973) and ''[[Henna (film)|Henna]]'' (1991).<ref name="autogenerated1">[http://www.filmreference.com/Writers-and-Production-Artists-A-Ba/Abbas-K-A.html K. A. Abbas – Films as writer:, Films as director:] filmreference.com</ref>
As a screenwriter, he wrote a number of neo-realistic films, such as ''Dharti Ke Lal'' (which he directed),<ref name="Rajadhyaksha"/> ''[[Neecha Nagar]]'' (1946) which won the Palme d'Or at the [[1946 Cannes Film Festival|first Cannes Film Festival]], ''Naya Sansar'' (1941), ''[[Jagte Raho]]'' (1956), and ''[[Saat Hindustani]]'' (which he also directed). He is also known for writing Raj Kapoor's films, including the Palme d'Or-nominated ''[[Awaara]]'' (1951), as well as ''[[Shree 420]]'' (1955), ''[[Mera Naam Joker]]'' (1970), ''[[Bobby (1973 film)|Bobby]]'' (1973) and ''[[Henna (film)|Henna]]'' (1991).<ref name="autogenerated1">[http://www.filmreference.com/Writers-and-Production-Artists-A-Ba/Abbas-K-A.html K. A. Abbas – Films as writer:, Films as director:] filmreference.com</ref>


His column ‘Last Page’ is one of the longest-running newspaper columns in the history of Indian journalism. The column began in 1935, in ''[[The Bombay Chronicle]]'', and moved to the ''[[Blitz (newspaper)|Blitz]]'' after the ''Chronicle'''s closure, where it continued until his death in 1987.<ref name="ot"/> He was awarded the [[Padma Shri]] by the [[Government of India]] in 1969.
His column ‘Last Page’ was one of the longest-running newspaper columns in the history of Indian journalism. It began in 1935, in ''[[The Bombay Chronicle]]'', and moved to the ''[[Blitz (newspaper)|Blitz]]'' after the ''Chronicle'''s closure, where it continued until his death in 1987.<ref name="ot"/> He was awarded the [[Padma Shri]] by the [[Government of India]] in 1969.


==Biography==
==Biography==
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Abbas was born in [[Panipat]], [[Undivided Punjab]].{{sfn|Rajadhyaksha|1999|p=39}} He was born in the home of [[Altaf Hussain Hali]], a student of [[Mirza Ghalib]].{{Citation needed|date=July 2020}} His grandfather Khwaja Gulam Abbas was one of the chief rebels of the [[Indian Rebellion of 1857|1857 Rebellion]] movement, and the first martyr of [[Panipat]] to be blown from the mouth of a cannon.{{Citation needed|date=July 2020}} Abbas's father Ghulam-Us-Sibtain graduated from Aligarh Muslim University, was a tutor of a prince and a businessman, who modernised the preparation of Unani medicines. Abbas's mother, Masroor Khatoon, was the daughter of Sajjad Husain, an educator.{{Citation needed|date=July 2020}}
Abbas was born in [[Panipat]], [[Undivided Punjab]].{{sfn|Rajadhyaksha|1999|p=39}} He was born in the home of [[Altaf Hussain Hali]], a student of [[Mirza Ghalib]].{{Citation needed|date=July 2020}} His grandfather Khwaja Gulam Abbas was one of the chief rebels of the [[Indian Rebellion of 1857|1857 Rebellion]] movement, and the first martyr of [[Panipat]] to be blown from the mouth of a cannon.{{Citation needed|date=July 2020}} Abbas's father Ghulam-Us-Sibtain graduated from Aligarh Muslim University, was a tutor of a prince and a businessman, who modernised the preparation of Unani medicines. Abbas's mother, Masroor Khatoon, was the daughter of Sajjad Husain, an educator.{{Citation needed|date=July 2020}}


Abbas attended Hali Muslim High School, which was established by his great grandfather, Hali. He was instructed to read the Arabic text of the Quran and his childhood dreams swung at the compulsive behest of his father. Abbas matriculated at the age of fifteen.<ref>{{cite book |last1=Abbas |first1=Khwaja Ahmad |title=I Am Not An Island |publisher=Vikas Publishing House |date=1977 |isbn=070690477X |url=https://archive.org/details/in.ernet.dli.2015.98716}}</ref>{{rp|p=30}}
Abbas attended Hali Muslim High School, which was established by his great grandfather, Hali. He was instructed to read the Arabic text of the Quran and matriculated at the age of fifteen.<ref>{{cite book |last1=Abbas |first1=Khwaja Ahmad |title=I Am Not An Island |publisher=Vikas Publishing House |date=1977 |isbn=070690477X |url=https://archive.org/details/in.ernet.dli.2015.98716}}</ref>{{rp|p=30}}


He gained a [[Bachelor of Arts]] degree in English literature in 1933 and a [[Bachelor of Laws]] degree in 1935 from [[Aligarh Muslim University]].<ref>{{Cite web|last=Krishnankutty|first=Pia|date=2020-06-07|title=Writer, filmmaker, journalist — Khwaja Ahmad Abbas was master of all trades|url=https://theprint.in/india/writer-filmmaker-journalist-khwaja-ahmad-abbas-was-master-of-all-trades/436923/|access-date=2020-10-13|website=ThePrint|language=en-US}}</ref>
He gained a [[Bachelor of Arts]] degree in English literature in 1933 and a [[Bachelor of Laws]] degree in 1935 from [[Aligarh Muslim University]].<ref>{{Cite web|last=Krishnankutty|first=Pia|date=2020-06-07|title=Writer, filmmaker, journalist — Khwaja Ahmad Abbas was master of all trades|url=https://theprint.in/india/writer-filmmaker-journalist-khwaja-ahmad-abbas-was-master-of-all-trades/436923/|access-date=2020-10-13|website=ThePrint|language=en-US}}</ref>
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He entered films as a part-time publicist for [[Bombay Talkies]] in 1936, a production house owned by [[Himanshu Rai]] and [[Devika Rani]], to whom he sold his first screenplay ''[[Naya Sansar (1941 film)|Naya Sansar]]'' (1941).{{sfn|Rajadhyaksha|1999|p=39}}
He entered films as a part-time publicist for [[Bombay Talkies]] in 1936, a production house owned by [[Himanshu Rai]] and [[Devika Rani]], to whom he sold his first screenplay ''[[Naya Sansar (1941 film)|Naya Sansar]]'' (1941).{{sfn|Rajadhyaksha|1999|p=39}}


While at ''The Bombay Chronicle'', (1935–1947), he started a weekly column called 'Last Page', which he continued when he joined the Blitz magazine.<ref name="autogenerated1" /> "The Last Page", (‘Azad Kalam’ in the Urdu edition), thus became the longest-running political column in India's history (1935–87).<ref>{{cite web|url=http://www.legacy-project.org/index.php?page=lit_library|archive-url=https://web.archive.org/web/20060621014124/http://www.legacy-project.org/index.php?page=lit_library|url-status=dead|archive-date=21 June 2006|title=The Legacy Project – View Entire Literary Sampler|access-date=1 April 2015}}</ref> A collection of these columns was later published as two books. He continued to write for The Blitz and Mirror till his last days.
While at ''The Bombay Chronicle'', (1935–1947), he started a weekly column called 'Last Page', which he continued when he joined the Blitz magazine.<ref name="autogenerated1" /> "The Last Page", (‘Azad Kalam’ in the Urdu edition), became the longest-running political column in India's history (1935–87).<ref>{{cite web|url=http://www.legacy-project.org/index.php?page=lit_library|archive-url=https://web.archive.org/web/20060621014124/http://www.legacy-project.org/index.php?page=lit_library|url-status=dead|archive-date=21 June 2006|title=The Legacy Project – View Entire Literary Sampler|access-date=1 April 2015}}</ref> A collection of these columns was later published as two books. He continued to write for The Blitz and Mirror till his last days.


Meanwhile, he had started writing scripts for other directors, ''[[Neecha Nagar]]'' for Chetan Anand and ''[[Dr. Kotnis Ki Amar Kahani]]'' for V. Shantaram.
Meanwhile, he had started writing scripts for other directors, ''[[Neecha Nagar]]'' for Chetan Anand and ''[[Dr. Kotnis Ki Amar Kahani]]'' for V. Shantaram.
Line 52: Line 52:
He wrote the story for the controversial themed film in 1974 [[Call Girl (1974 film)|Call Girl]] starring Zahera.
He wrote the story for the controversial themed film in 1974 [[Call Girl (1974 film)|Call Girl]] starring Zahera.


Abbas wrote 73 books in English, Hindi and Urdu.<ref>[http://www.dawn.com/weekly/books/archive/021013/books6.htm AUTHOR: Khwaja Ahmad Abbas (1914–87): Communicator of repute -DAWN – Books and Authors; 13 October 2002] {{webarchive |url=https://web.archive.org/web/20100420005838/http://www.dawn.com/weekly/books/archive/021013/books6.htm |date=20 April 2010 }}</ref> Abbas was considered a leading light of the Urdu short story.<ref>{{cite web|url=http://motso.wordpress.com/|title=Indian Scripts|access-date=1 April 2015}}</ref> His best known fictional work remains 'Inquilab', based Communal violence, which made him a household name in Indian literature.<ref>{{cite web|url=http://india-today.com/itoday/20010416/books.shtml|title=India Today Magazine|access-date=1 April 2015|archive-url=https://web.archive.org/web/20101124062415/http://india-today.com/itoday/20010416/books.shtml|archive-date=24 November 2010|url-status=dead}}</ref> Like Inquilab, many of his works were translated into many Indian, and foreign languages, like Russian, German, Italian, French and Arabic.
Abbas wrote 73 books in English, Hindi and Urdu<ref>[http://www.dawn.com/weekly/books/archive/021013/books6.htm AUTHOR: Khwaja Ahmad Abbas (1914–87): Communicator of repute -DAWN – Books and Authors; 13 October 2002] {{webarchive |url=https://web.archive.org/web/20100420005838/http://www.dawn.com/weekly/books/archive/021013/books6.htm |date=20 April 2010 }}</ref> and was considered a leading light of the Urdu short story.<ref>{{cite web|url=http://motso.wordpress.com/|title=Indian Scripts|access-date=1 April 2015}}</ref> His best known fictional work remains 'Inquilab', which made him a household name in Indian literature.<ref>{{cite web|url=http://india-today.com/itoday/20010416/books.shtml|title=India Today Magazine|access-date=1 April 2015|archive-url=https://web.archive.org/web/20101124062415/http://india-today.com/itoday/20010416/books.shtml|archive-date=24 November 2010|url-status=dead}}</ref> Like Inquilab, many of his works were translated into many Indian, and foreign languages, like Russian, German, Italian, French and Arabic.


Abbas interviewed several renowned personalities in literary and non-literary fields, including the Russian Prime Minister Khrushchov, American President Roosevelt, Charlie Chaplin, Mao-Tse-Tung and Yuri Gagarin.
Abbas interviewed several renowned personalities in literary and non-literary fields, including the Russian Prime Minister Khrushchov, American President Roosevelt, Charlie Chaplin, Mao-Tse-Tung and Yuri Gagarin.


He went on to write scripts for [[Jagte Raho]], and most of the prominent [[Raj Kapoor]] films including ''[[Awaara]], [[Shri 420]], [[Mera Naam Joker]], [[Bobby (1973 film)|Bobby]]'' and ''[[Henna (film)|Henna]]''.{{sfn|Rajadhyaksha|1999|p=39}}
He went on to write scripts for [[Jagte Raho]], and prominent [[Raj Kapoor]] films including ''[[Awaara]], [[Shri 420]], [[Mera Naam Joker]], [[Bobby (1973 film)|Bobby]]'' and ''[[Henna (film)|Henna]]''.{{sfn|Rajadhyaksha|1999|p=39}}


His autobiography, ''I Am not an Island: An Experiment in Autobiography'', was published in 1977 and again in 2010.<ref name="ot">{{cite web|url=http://www.outlookindia.com/article.aspx?265339|title=A Piece of the Continent: K.A. Abbas wrote an iconic column, but will be most remembered for the socially relevant films he produced|date=17 May 2010|website=Outlookindia.com|access-date=30 May 2010|archive-url=https://web.archive.org/web/20131026013247/http://www.outlookindia.com/article.aspx?265339|archive-date=26 October 2013|url-status=dead}}</ref>
His autobiography, ''I Am not an Island: An Experiment in Autobiography'', was published in 1977 and again in 2010.<ref name="ot">{{cite web|url=http://www.outlookindia.com/article.aspx?265339|title=A Piece of the Continent: K.A. Abbas wrote an iconic column, but will be most remembered for the socially relevant films he produced|date=17 May 2010|website=Outlookindia.com|access-date=30 May 2010|archive-url=https://web.archive.org/web/20131026013247/http://www.outlookindia.com/article.aspx?265339|archive-date=26 October 2013|url-status=dead}}</ref>

Revision as of 03:20, 11 November 2022

Khawaja Ahmad Abbas
Abbas in 1939
Born
Khwaja Ahmad Abbas

7 June 1914 (1914-06-07)[1]
Panipat, Punjab, British India
Died1 June 1987(1987-06-01) (aged 72)
Bombay, Maharashtra, India
Other namesK A Abbas
Occupation(s)Film director, screenwriter, novelist, journalist, columnist
Years active1935–1987
Notable workSaat Hindustani; Mera Naam Joker
AwardsNational Film Awards; Golden Palm
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Khwaja Ahmad Abbas (7 June 1914 – 1 June 1987)[2] was an Indian film director, screenwriter, novelist, and journalist in Urdu, Hindi and English. He won four National Film Awards in India. Internationally, his films won the Palme d'Or (Golden Palm Grand Prize) at Cannes Film Festival (out of three Palme d'Or nominations) and the Crystal Globe at Karlovy Vary International Film Festival. As a director and screenwriter, he is considered one of the pioneers of Indian parallel or neo-realistic cinema.[3]

As a director, he made Hindustani films. Dharti Ke Lal (1946), about the Bengal famine of 1943, was one of Indian cinema's first social-realist films,[3] and opened up the overseas market for Indian films in the Soviet Union.[4] Pardesi (1957) was nominated for the Palme d'Or. Shehar Aur Sapna (1963) won the National Film Award for Best Feature Film, while Saat Hindustani (1969) and Do Boond Pani (1972) both won the National Film Awards for Best Feature Film on National Integration.

As a screenwriter, he wrote a number of neo-realistic films, such as Dharti Ke Lal (which he directed),[3] Neecha Nagar (1946) which won the Palme d'Or at the first Cannes Film Festival, Naya Sansar (1941), Jagte Raho (1956), and Saat Hindustani (which he also directed). He is also known for writing Raj Kapoor's films, including the Palme d'Or-nominated Awaara (1951), as well as Shree 420 (1955), Mera Naam Joker (1970), Bobby (1973) and Henna (1991).[5]

His column ‘Last Page’ was one of the longest-running newspaper columns in the history of Indian journalism. It began in 1935, in The Bombay Chronicle, and moved to the Blitz after the Chronicle's closure, where it continued until his death in 1987.[6] He was awarded the Padma Shri by the Government of India in 1969.

Biography

Early life and education

Abbas was born in Panipat, Undivided Punjab.[7] He was born in the home of Altaf Hussain Hali, a student of Mirza Ghalib.[citation needed] His grandfather Khwaja Gulam Abbas was one of the chief rebels of the 1857 Rebellion movement, and the first martyr of Panipat to be blown from the mouth of a cannon.[citation needed] Abbas's father Ghulam-Us-Sibtain graduated from Aligarh Muslim University, was a tutor of a prince and a businessman, who modernised the preparation of Unani medicines. Abbas's mother, Masroor Khatoon, was the daughter of Sajjad Husain, an educator.[citation needed]

Abbas attended Hali Muslim High School, which was established by his great grandfather, Hali. He was instructed to read the Arabic text of the Quran and matriculated at the age of fifteen.[8]: 30 

He gained a Bachelor of Arts degree in English literature in 1933 and a Bachelor of Laws degree in 1935 from Aligarh Muslim University.[9]

Career

After leaving university, Abbas began his career as a journalist at the National Call, a New Delhi-based newspaper. Later while studying law in 1934, started Aligarh Opinion.[7]

He joined The Bombay Chronicle in 1935 as a political correspondent and later became a film critic for the newspaper.[7]

He entered films as a part-time publicist for Bombay Talkies in 1936, a production house owned by Himanshu Rai and Devika Rani, to whom he sold his first screenplay Naya Sansar (1941).[7]

While at The Bombay Chronicle, (1935–1947), he started a weekly column called 'Last Page', which he continued when he joined the Blitz magazine.[5] "The Last Page", (‘Azad Kalam’ in the Urdu edition), became the longest-running political column in India's history (1935–87).[10] A collection of these columns was later published as two books. He continued to write for The Blitz and Mirror till his last days.

Meanwhile, he had started writing scripts for other directors, Neecha Nagar for Chetan Anand and Dr. Kotnis Ki Amar Kahani for V. Shantaram.

In 1945, he made his directorial debut with a film based on the Bengal famine of 1943, Dharti Ke Lal (Children of the Earth) for the Indian People's Theatre Association (IPTA).[7] In 1951, he founded his own production company called Naya Sansar,[7] which consistently produced films that were socially relevant including, Anhonee, Munna, Rahi (1953), based on a Mulk Raj Anand story, was on the plight of workers on tea plantations, the National Film Award winner, Shehar Aur Sapna (1964) and Saat Hindustani (1969), which won the Nargis Dutt Award for Best Feature Film on National Integration and is also remembered as Bollywood icon Amitabh Bachchan's debut film. He wrote the story for the controversial themed film in 1974 Call Girl starring Zahera.

Abbas wrote 73 books in English, Hindi and Urdu[11] and was considered a leading light of the Urdu short story.[12] His best known fictional work remains 'Inquilab', which made him a household name in Indian literature.[13] Like Inquilab, many of his works were translated into many Indian, and foreign languages, like Russian, German, Italian, French and Arabic.

Abbas interviewed several renowned personalities in literary and non-literary fields, including the Russian Prime Minister Khrushchov, American President Roosevelt, Charlie Chaplin, Mao-Tse-Tung and Yuri Gagarin.

He went on to write scripts for Jagte Raho, and prominent Raj Kapoor films including Awaara, Shri 420, Mera Naam Joker, Bobby and Henna.[7]

His autobiography, I Am not an Island: An Experiment in Autobiography, was published in 1977 and again in 2010.[6]

Censorship case

In 1968, Abbas made a documentary film called Char Shaher Ek Kahani (A Tale of Four Cities).[14] The film depicted the contrast between the luxurious life of the rich in the four cities of Calcutta, Bombay, Madras and Delhi and that of the squalor and poverty of the poor. He approached the Central Board of Film Certification to obtain a 'U' (Unrestricted Public Exhibition) certificate. Abbas was however informed by the regional office of the Board that film was not eligible to be granted a 'U' certificate but was suitable for exhibition only for adults. His appeal to the revising committee of the Central Board of Film Certification led to the decision of the censors being upheld.[15]

Khwaja Ahmad Abbas further appealed to the Central Government but the government decided to grant the film a 'U' certificate provided certain scenes were cut. Following this, Abbas approached the Supreme Court of India by filing a writ petition under Article 19(1) of the Indian Constitution. He claimed that his fundamental right of free speech and expression was denied by the Central Government's refusal to grant the film a 'U' certificate.[15] Abbas also challenged the constitutional validity of pre-censorship on films.[16]

However the Supreme Court of India upheld the constitutional validity pre-censorship on films. [17][18]

Awards and honours

Films

Literary

Haryana State Robe of Honour for literary achievements in 1969, the Ghalib Award for his contribution to Urdu prose literature in 1983[26]

Vorosky Literary Award of the Soviet Union in 1984, Urdu Akademi Delhi Special Award 1984, Maharashtra State Urdu Akademi Award in 1985 and the Soviet Award for his contribution to the cause of Indo-Soviet Friendship in 1985.

Filmography

  • Naya Sansar (1941) – Screenplay, Story
  • Dharti Ke Lal (1946) – Screenwriter, director, producer
  • Dr. Kotnis Ki Amar Kahani (1946) – Screenwriter, Story
  • Neecha Nagar (1946) – Screenwriter
  • Aaj Aur Kal (1947) – Director
  • Awara (1951) – Screenwriter, Dialogue
  • Anhonee (1952) – Screenwriter, Dialogue, Story, director, producer
  • Rahi 1953 – Director
  • Munna (1954) – Screenwriter, director, producer
  • Shree 420 (1955) – Screenwriter, Dialogue, Story
  • Jagte Raho (1956) – Screenwriter
  • Pardesi (1957)– Screenwriter, director
  • Char Dil Char Rahen (1959) – Screenwriter, Dialogue, director
  • Eid Mubarak (1960) Documentary / Short – Director
  • Gir Game Sanctuary (1961) Documentary – Director
  • Flight to Assam (1961) – Director
  • Gyara Hazar Ladkian (1962) – Director
  • Teen Gharaney (1963) – Director
  • Shehar Aur Sapna (1964) – Director, screenwriter
  • Hamara Ghar (1964) – Director
  • Tomorrow Shall Be Better (1965) Documentary[27] – Director
  • Aasman Mahal (1965) – Director
  • Bambai Raat Ki Bahon Mein (1967) – Writer, director, producer[28]
  • Dharti Ki Pukaar (1967) Short Film – Director
  • Chaar Shaher Ek Kahani (1968) Documentary – Director
  • Saat Hindustani (1969) – Director, producer
  • Mera Naam Joker (1970) – Screenwriter, Story
  • Do Boond Pani (1971) – Director[29]
  • Bharat Darshan (1972) Documentary - Director
  • Luv Kush (1972) Short film - Director[30]
  • Bobby (1973) – Screenwriter, Story
  • Kal Ki Baat (1973) Short Film – Director
  • Call Girl (1973) - Story and Screenplay
  • Achanak (1973) – Screenwriter
  • Juhu (1973) (TV) – Director
  • Faslah (1974) – Director, producer
  • Papa Miya of Aligarh (1975) Documentary – Director
  • Phir Bolo Aaye Sant Kabir (1976) Documentary – Director
  • Dr. Iqbal (1978) – Documentary – Director
  • The Naxalites (1980) – Screenwriter, director
  • Hindustan Hamara (1983) Documentary / Short – Director
  • Love in Goa (1983) – Screenwriter
  • Nanga Fakir (1984) (TV) – Director
  • Ek Aadmi (1988) – Director
  • Akanksha (1989) (TV) – Dialogue, Screenplay
  • Henna (1991) – Story

Books

His books in English, Urdu and Hindi include:[31] including:

  • Outside India: The Adventures of a Roving Reporter, Hali Pub. House, Delhi, 1939.
  • An Indian looks at America (The Rampart library of good reading), 1943.
  • An Indian looks at America, Thacker, Bombay, 1943.
  • Tomorrow is ours! A novel of the India of Today; Bombay, Popular Book Depot, 1943.
  • "Let India fight for freedom", Bombay, Sound magazine (Publication dept.), 1943.
  • Defeat for death: A story without names, Padmaja Publications 1944.
  • "...and One Did Not Come Back!", Sound magazine, 1944
  • A report to Gandhiji: A survey of Indian and world events during the 21 months of Gandhiji's incarceration, 1944
  • Invitation to Immortality: a one-act play, Bombay: Padma Pub., 1944.
  • Not all Lies. Delhi: Rajkamal Pub., 1945.
  • Blood and stones and other stories. Bombay: Hind Kitabs, 1947
  • Rice and other stories, Kutub, 1947
  • Kashmir fights for freedom, 1948
  • I Write as I Feel, Hind Kitabs, Bombay, 1948
  • Cages of freedom and other stories, Bombay, Hind Kitabs Ltd., 1952.
  • China can make it: Eye-witness account of the amazing industrial progress in new China, 1952.
  • In the Image of Mao Tse-Tung, Peoples Publishing House, 1953
  • INQILAB. First Great Novel of the Indian Revolution, Jaico Publishing House, 1958
  • Face To Face with Khrushchov, Rajpal & Sons, 1960
  • Till We Reach the Stars. The Story of Yuri Gagarin, Asia Pub. House, 1961
  • The Black sun and Other stories, Jaico Publishing House, 1963.
  • Raat ki bahon mein, Hindi, Radhakr̥ishṇa Prakashan, 1965.
  • Indira Gandhi; return of the red rose, Hind Pocket Books, New Delhi, 1966.
  • Divided heart, Paradise Publications, 1968
  • When Night Falls, 1968.
  • Chabili, Hindi, Allahabad, Mitra Prakashan, 1968.
  • The most beautiful woman in the world, Paradise Publications, 1968
  • Salma aur Samundar, Urdu/Hindi, New Delhi, Komala Pocket Books, 1969.
  • Mera Naam Joker, 1970
  • Maria, Delhi, Hind Pocket Books, 1971.
  • Teen Pahiye, Urdu/Hindi, Delhi, Rajpal & Sons, 1971.
  • Bobby, Urdu/Hindi, 1973
  • Boy meets Girl, Sterling Publishers, 1973
  • That Woman: Her Seven Years in Power; New Delhi, Indian Book Co., 1973
  • Jawaharlal Nehru: Portrait of an integrated Indian; New Delhi, NCERT, 1974.
  • Fasilah", Urud/Hindi, Hind Pocket Books, Delhi, 1974
  • Distant dream, New Delhi, Sterling Pub., 1975.
  • The walls of glass: A novel, 1977
  • Barrister-at-law: A play about the early life of Mahatma Gandhi, New Delhi, Orient Paperbacks, 1977.
  • Men and women: Specially selected long and short stories, 1977
  • Mad, mad, mad world of Indian films, 1977
  • I Am not an Island: An Experiment in Autobiography, New Delhi, 1977.
  • Four Friends, Arnold-Heinemann, New Delhi, 1977.
  • 20 March 1977: a day like any other day, Vikas Publishing House, New Delhi, 1978.
  • Janata in a jam?, 1978.
  • The Naxalites, Lok Publications, 1979.
  • Bread, beauty, and revolution: being a chronological selection from the Last pages, 1947 to 1981, Marwah Publications, New Delhi, 1982.
  • Nili Sari aur Doosri Kahaniyan̲, Urdu, Maktabah-e-Jamia, New Delhi, 1982.
  • The gun and other stories, Arnold-Heinemann, New Delhi, 1985.
  • The Thirteenth Victim, Amar Prakashan, 1986.
  • The World Is My Village: A Novel With An Index, Ajanta, 1984. ISBN 978-81-202-0104-0
  • Bombay My Bombay: A Love Story of the City, Ajanta Publications/Ajanta Books International, 1987. ISBN 978-81-202-0174-3
  • Indira Gandhi: The Last Post; Bombay, Ramdas G. Bhatkal, 1989
  • Defeat for death: a story without names. Baroda: Padmaja Pub., 1994
  • How Films Are Made, National Book Trust, 1999, ISBN 978-81-237-1103-4
  • Soney Chandi ke Butt, Urdu, Alhamra, 2001, ISBN 978-969-516-074-9
  • Khwaja Ahmad Abbas; Vasant Sāthe; Suhail Akhtar (2010). The Dialogue of Awaara: Raj Kapoor's Immortal Classic. Vijay Jani, Nasreen Munni Kabir. Niyogi Books. ISBN 978-81-89738-54-9.

For detailed listing :[32][33]

Books on Khwaja Ahmad Abbas

  • Ahmad Hasib, The Novels of Khwaja Ahmad Abbas, Seema. 1987
  • Hemendra Singh Chandalia, Ethos of Khwaja Ahmad Abbas, novelist, film-maker, and journalist: A study in social realism, Bohra Prakashan (1996)
  • Raj Narain Raz, Khawaja Ahmed Abbas-Ifkar. Guftar, Kirdar, Haryana Urdu Akademi[34]
  • Vasudev and Lenglet, eds., Indian Cinema Super-bazaar, Vikas, New Delhi, 1978.

Articles on Khwaja Ahmad Abbas

  • Dr. R.G. Mathapati, "Abbas: An Island"
  • Indian Film Culture (New Delhi), no. 4, September 1964.
  • Film World, vol. 1, no. 10, October 1978.
  • Ghish, S., "K. A. Abbas: A Man in Tune with History", Screen (Bombay), 19 June 1987.
  • Obituary in Jump Cut (Berkeley, California), no. 33, February 1988.
  • Abbas, Communicator of repute, The Dawn, 13 October 2002.
  • Shoba S. Rajgopal, The Legacy of Ajitha
  • Ismat Chughtai, "Bachu", Urdu
  • V. P. Sathe, "K.A. Abbas, The Crusader", Filmfare, 16–30 June 1987

See also

References

  1. ^ "Ahmad Abbas: The man who gave us Amitabh Bachchan". The Hindu.
  2. ^ "Death anniversary of Khwaja Ahmad Abbas today". Samaa.tv. 1 June 2011. Retrieved 18 January 2019.
  3. ^ a b c Rajadhyaksha, Ashish (2016). Indian Cinema: A Very Short Introduction. Oxford University Press. p. 61. ISBN 9780191034770.
  4. ^ "With love from India to Russia". Russia Beyond. 22 October 2009.
  5. ^ a b K. A. Abbas – Films as writer:, Films as director: filmreference.com
  6. ^ a b "A Piece of the Continent: K.A. Abbas wrote an iconic column, but will be most remembered for the socially relevant films he produced". Outlookindia.com. 17 May 2010. Archived from the original on 26 October 2013. Retrieved 30 May 2010.
  7. ^ a b c d e f g Rajadhyaksha 1999, p. 39.
  8. ^ Abbas, Khwaja Ahmad (1977). I Am Not An Island. Vikas Publishing House. ISBN 070690477X.
  9. ^ Krishnankutty, Pia (7 June 2020). "Writer, filmmaker, journalist — Khwaja Ahmad Abbas was master of all trades". ThePrint. Retrieved 13 October 2020.
  10. ^ "The Legacy Project – View Entire Literary Sampler". Archived from the original on 21 June 2006. Retrieved 1 April 2015.
  11. ^ AUTHOR: Khwaja Ahmad Abbas (1914–87): Communicator of repute -DAWN – Books and Authors; 13 October 2002 Archived 20 April 2010 at the Wayback Machine
  12. ^ "Indian Scripts". Retrieved 1 April 2015.
  13. ^ "India Today Magazine". Archived from the original on 24 November 2010. Retrieved 1 April 2015.
  14. ^ "Char Shaher Ek Kahani (A Tale of four cities) | the Life & Times of Khwaja Ahmad Abbas". www.abbaska.com. Archived from the original on 14 July 2014. Retrieved 15 January 2022.
  15. ^ a b "K. A. Abbas vs The Union Of India & Anr on 24 September, 1970". Indiankanoon.org. Retrieved 25 April 2019.
  16. ^ Bhatia, Gautam (13 June 2016). "A case for cutting out the censor". The Hindu. Retrieved 25 April 2019.
  17. ^ Bhatia, Gautam (7 May 2016). "Film censorship and the courts". Livemint.com. Retrieved 25 April 2019.
  18. ^ "Eastern Book Company – Practical Lawyer". Ebc-india.com. Retrieved 25 April 2019.
  19. ^ 5th Annual BFJA Awards – Awards For The Year 1941 BFJA Awards Official website. Archived 30 April 2010 at the Wayback Machine
  20. ^ "10th Karlovy Vary IFF". Film Servis Festival Karlovy Vary. Archived from the original on 4 November 2013. Retrieved 22 May 2014.
  21. ^ "4th National film Awards" (PDF). Archived from the original (PDF) on 22 November 2017. Retrieved 17 December 2017.
  22. ^ Khwaja Ahmad Abbas – Awards – IMDb IMDb Awards
  23. ^ "8th National Film Awards". International Film Festival of India. Archived from the original on 23 November 2016. Retrieved 7 September 2011.
  24. ^ "WebHost4Life – Web Hosting, Unix Hosting, E-Mail, Web Design". Webhost4life.com. Retrieved 25 April 2019.
  25. ^ "Berlinale 1966: Juries". berlinale.de. Retrieved 22 February 2010.
  26. ^ "Ghalib Institute". 20 October 2013. Archived from the original on 20 October 2013. Retrieved 25 April 2019.
  27. ^ "Tomorrow Shall Be Better". Citwf.com. Alan Goble. Archived from the original on 25 February 2015. Retrieved 25 February 2015.
  28. ^ "Bambai Raat Ki Bahon Mein (1968)". The Hindu. 8 April 2012. Retrieved 2 May 2013.
  29. ^ Ashish Rajadhyaksha; Paul Willemen; Professor of Critical Studies Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Routledge. pp. 69–. ISBN 978-1-135-94318-9. Retrieved 4 March 2015.
  30. ^ "Khwaja Mohammed Abbas". Abbaska.com. K. A. Abbas Memorial Trust. Archived from the original on 30 September 2015. Retrieved 3 March 2015.
  31. ^ M.K. Naik, "Abbas, Khwaja Ahmad (1914–1987)" in Eugene Benson (ed.), Bholi, Encyclopedia of Post-Colonial Literatures in English, Routledge (2004), p. 2
  32. ^ Results for 'au:Khwaja Ahmad Abbas' > 'Khwaja Ahmad Abbas' [WorldCat.org],
  33. ^ South Asian literature in English, Pre-independence era Archived 30 August 2009 at the Wayback Machine
  34. ^ "Archived copy". haryanaurdu.nic.in. Archived from the original on 23 July 2004. Retrieved 15 January 2022.{{cite web}}: CS1 maint: archived copy as title (link)

Cited sources

External links

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