The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
The Piano is a 1993 historical drama film written and directed by New Zealand filmmaker Jane Campion. It stars Holly Hunter, Harvey Keitel, Sam Neill, and Anna Paquin in her first major acting role. The film focuses on a mute Scottish woman who travels to a remote part of New Zealand with her young daughter after her arranged marriage to a settler. The plot has similarities to Jane Mander's 1920 novel, The Story of a New Zealand River, but also substantial differences. Campion has cited the novels Wuthering Heights and The African Queen as inspirations.
An international co-production between New Zealand, Australia, and France, The Piano was a critical and commercial success, grossing US$140.2 million worldwide (equivalent to $295.7 million in 2023) against its US$7 million budget (equivalent to $14.8 million in 2023). It was noted for its crossover appeal beyond the arthouse circuit to attracting mainstream popularity, largely due to rave reviews and word of mouth. (Full article...)
... that Bulkboeken ('bulk books') were cheap reprints of Dutch literary classics, published from 1971 to the late 1990s, and again from 2007?
... that Univel was an early-1990s attempt to compete with Microsoft on the desktop, but one industry consultant said of the company's goal, "they're dreaming"?
Image 2The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 32Michael Jordan, the most popular NBA player of the 1990s. (from 1990s)
Image 33Go-go boots became fashionable again in 1995. They were worn by women of the hip-hop, alternative, and dance subcultures. (from 1990s in fashion)
Image 60The federal building that was bombed in the Oklahoma City bombing two days after the bombing, viewed from across the adjacent parking lot. (from 1990s)
Image 61Hurricane Georges downed trees in Key West along the old houseboat row on South Roosevelt Blvd. (from 1990s)
Image 72The Nasdaq Composite displaying the dot-com bubble, which ballooned between 1997 and 2000. The bubble peaked on Friday, 10 March 2000. (from 1990s)
Image 73The compact disc reached its peak in popularity in the 1990s, and not once did another audio format surpass the CD in music sales from 1991 throughout the remainder of the decade. By 2000, the CD accounted for 92.3% of the entire market share in regard to music sales. (from 1990s)
Image 111Rwandan genocide: Bones of genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
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An Unforgettable Summer (French: Un été inoubliable; Romanian: O vară de neuitat) is a 1994 drama film directed and produced by Lucian Pintilie. A Romanian-French co-production based on a chapter from a novel by Petru Dumitriu, it stars Kristin Scott Thomas as Hungarian-born aristocrat Marie-Thérèse Von Debretsy. Her marriage with Romanian Land Forces captain Petre Dumitriu brings her to Southern Dobruja (present-day northeastern Bulgaria), where they settle in 1925. There, she witnesses first-hand the violent clashes between, on one hand, the Greater Romanian administration, and, on the other, komitadji brigands of Macedonian origin and ethnic Bulgarian locals. The film shows her failed attempt to rescue Bulgarians held hostage by the Romanian soldiers, and who are destined for execution. An Unforgettable Summer also stars Claudiu Bleonț as Captain Dumitriu and Marcel Iureș as Ipsilanti, a general whose unsuccessful attempt to seduce Von Debretsy and the resulting grudge he holds against the couple account for Dumitriu's reassignment.
Completed in the context of the Yugoslav wars, the film constitutes an investigation into the consequences of xenophobia and state-sanctioned repression, as well as an indictment of a failure in reaching out. It is thus often described as a verdict on the history of Romania, as well as on problems facing the Balkans at large, and occasionally described as a warning that violence could also erupt in a purely Romanian context. (Full article...)
Disney initially envisioned Toy Story 2 as a direct-to-video sequel. The film began production in a building separated from Pixar, on a small scale, as most of the main Pixar staff were busy working on A Bug's Life (1998). When story reels proved promising, Disney upgraded the film to a theatrical release, but Pixar was unhappy with the film's quality. Lasseter and the story team redeveloped the entire plot in one weekend. Although most Pixar features take years to develop, the established release date could not be moved and the production schedule for Toy Story 2 was compressed into nine months. (Full article...)
Set 200 years after the preceding installment, Alien 3 (1992), Ellen Ripley is cloned, and an Alien queen is surgically removed from her body. The United Systems Military (USM) hopes to breed Aliens to study and research on the spaceship USM Auriga, using human hosts abducted and delivered to them by a group of mercenaries. The Aliens escape their enclosures, and Ripley and the mercenaries attempt to escape and destroy the Auriga before it reaches Earth. Additional roles are played by Ron Perlman, Dan Hedaya, J. E. Freeman, Brad Dourif, and Michael Wincott. (Full article...)
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The Frighteners is a 1996 supernaturalcomedy horror film directed by Peter Jackson and co-written with Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, the spirit of a mass murderer appears posing as the Grim Reaper, able to attack the living and the dead, prompting Frank to investigate the supernatural presence.
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed. (Full article...)
Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. However, development was delayed for several years, during which time the network grew disinterested in the project. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. The decision to use a color-blind casting approach originated among the producers to reflect how society had evolved by the 1990s, with Brandy becoming the first black actress to portray Cinderella on screen. Among the most significant changes made to the musical, several songs from other Rodgers and Hammerstein productions were interpolated into the film to augment its score. With a production budget of $12 million, Rodgers & Hammerstein's Cinderella ranks among the most expensive television films ever made. (Full article...)
Hughes conceived Home Alone while on vacation, with Warner Bros. being originally intended to finance and distribute the film. However, Warner Bros. shut down the production after it exceeded its assigned budget. 20th Century Fox assumed responsibilities following meetings with Hughes. Columbus and Culkin were hired soon afterwards. Filming took place between February and May 1990 on location across Illinois. (Full article...)
Burton had no interest in making a sequel to Batman, believing that he was creatively restricted by the expectations of Warner Bros. He agreed to return in exchange for creative control, including replacing original writer Sam Hamm with Daniel Waters, and hiring many of his previous creative collaborators. Waters's script focused on characterization over an overarching plot, and Wesley Strick was hired to complete an uncredited re-write which, among other elements, provided a master plan for the Penguin. Filming took place between September 1991 and February 1992, on a $50–80million budget, on sets and sound stages at Warner Bros. Studios and the Universal Studios Lot in California. Special effects primarily involved practical applications and makeup, with some animatronics and computer-generated imagery. (Full article...)
Alex Cox had tried to make a Mars Attacks film in the 1980s before Burton and Gems began development in 1993. When Gems turned in his first draft in 1994, Warner Bros. commissioned rewrites from Gems, Burton, Scott Alexander and Larry Karaszewski in an attempt to lower the budget to $60 million. The final production budget came to $80 million, while Warner Bros. spent another $20 million on the Mars Attacks! marketing campaign. Filming took place from February to June 1996. The film was shot in California, Nevada, Kansas, Arizona and Argentina. (Full article...)
The film's development began in 1994 as a musical with the involvement of the Who's Pete Townshend, though the project took root once Bird signed on as director and hired McCanlies to write the screenplay in 1996. The film was animated using traditional animation, with computer-generated imagery used to animate the Iron Giant and other effects. The understaffed crew of the film completed it with half of the time and budget of other animated features. Michael Kamen composed the film's score, which was performed by the Czech Philharmonic. It was the final film by Warner Bros. Feature Animation to be fully animated and not a live-action/animation hybrid. (Full article...)
George Lucas began development for the film in the 1970s, originally attached as director for Willard Huyck and Gloria Katz's script, from a story by Lucas. Universal Pictures commenced pre-production and both Steve Martin and Cindy Williams had already been approached for the two leads before Radioland Murders languished in development hell for over 20 years. In 1993, Lucas told Universal that advances in computer-generated imagery from Industrial Light & Magic (owned by Lucasfilm), particularly in digital mattes, would help bring Radioland Murders in for a relatively low budget of about $10 million, which eventually rose to $15 million. Mel Smith was hired to direct and filming lasted from October to December 1993. Radioland Murders was released on October 21, 1994, to negative reviews from critics and bombed at the box office, only grossing $1.3 million in the United States. (Full article...)
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Hard Target is a 1993 American action film directed by Hong Kong film director John Woo in his American film directorial debut. The film stars Jean-Claude Van Damme as Chance Boudreaux, an out-of-work homeless Cajun merchant seaman and former United States Force Recon Marine who saves a young woman named Natasha Binder (Yancy Butler) from a gang of thugs in New Orleans. Chance learns that Binder is searching for her missing father (Chuck Pfarrer), and agrees to aid Binder in her search. They soon learn that Binder's father has died at the hands of hunt organisers Emil Fouchon (Lance Henriksen) and Pik van Cleef (Arnold Vosloo), a ruthless businessman and his right-hand mercenary, who arrange the hunting of homeless men as a form of recreational sport. The screenplay was written by Pfarrer and is based on the 1932 film adaptation of Richard Connell's 1924 short story "The Most Dangerous Game".
Hard Target was Woo's first American film and the first major Hollywood film made by a Chinese director. Universal Pictures was nervous about having Woo direct a feature and sent in director Sam Raimi to look over the film's production and to take Woo's place as director if he were to fail. Woo went through several scripts finding mostly martial arts films with which he was not interested. After deciding on Pfarrer's script for Hard Target, Woo wanted to have actor Kurt Russell in the lead role, but found Russell too busy with other projects. Woo then went with Universal's initial choice of having Van Damme star. Woo got along with Van Damme during filming and raised the amount of action in the film as he knew that the actor was up for it. (Full article...)
Initially, The Lion King was supposed to be a non-musical, leaning towards a style similar to that of a documentary. George Scribner, who had made his feature directorial debut with Oliver & Company (1988), was hired to direct, with Allers joining him soon after following his work as a story artist or head of story on Oliver & Company, The Little Mermaid (1989), Beauty and the Beast (1991), and Aladdin (1992). Allers brought in Brenda Chapman and Chris Sanders, whom he had worked with on Beauty and the Beast and Aladdin, to serve as head of story and production designer, respectively. (Full article...)
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