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J. M. Coetzee

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J. M. Coetzee
J. M. Coetzee in Warsaw (2006)
J. M. Coetzee in Warsaw (2006)
BornJohn Maxwell Coetzee
(1940-02-09) 9 February 1940 (age 84)
Cape Town, South Africa
OccupationNovelist, essayist, literary critic, linguist, translator
LanguageEnglish, Afrikaans, Dutch
NationalitySouth African (emigrated)
Australian (since 2006)
Alma materUniversity of Texas at Austin, University of Cape Town
Notable awards

John Maxwell "J. M." Coetzee (/kʊtˈsiː/ kuut-SEE;[1] Afrikaans: [kutˈseə]; born 9 February 1940) is a South African novelist, essayist, linguist, translator and recipient of the 2003 Nobel Prize in Literature. He relocated to Australia in 2002 and lives in Adelaide.[2] He became an Australian citizen in 2006.[3]

In 2013, Richard Poplak of the Daily Maverick described Coetzee as "inarguably the most celebrated and decorated living English-language author".[4] Before receiving the 2003 Nobel Prize in Literature, Coetzee was awarded the Jerusalem Prize, CNA Prize (thrice), the Prix Femina Étranger, The Irish Times International Fiction Prize and the Booker Prize (twice), among other accolades.

Early life and academia

Born in Cape Town, Cape Province, Union of South Africa, on 9 February 1940 to Afrikaner parents,[5][6] his father, Zacharias Coetzee, was an occasional attorney and government employee, and his mother, Vera Coetzee (born Wehmeyer), a schoolteacher.[7][8] The family mainly spoke English at home, but John spoke Afrikaans with other relatives.[7] He is descended from early Dutch immigrants to South Africa in the 17th century,[9][10] while his mother was a descendant of German and Polish immigrants.[2][11]

Coetzee spent most of his early life in Cape Town and in Worcester in Cape Province (modern-day Western Cape), as recounted in his fictionalised memoir, Boyhood (1997). The family moved to Worcester when he was eight, after his father had lost his government job.[8] He attended St. Joseph's College, a Catholic school in the Cape Town suburb of Rondebosch,[12] later studying mathematics and English at the University of Cape Town and receiving his Bachelor of Arts with Honours in English in 1960 and his Bachelor of Arts with Honours in Mathematics in 1961.[13][14]

He then relocated to the United Kingdom, in 1962, worked as a computer programmer for IBM in London, and ICT (International Computers and Tabulators) in Bracknell staying until 1965.[7] In 1963, while still in the UK, Coetzee was awarded a Master of Arts degree from the University of Cape Town for a thesis on the novels of Ford Madox Ford entitled "The Works of Ford Madox Ford with Particular Reference to the Novels" (1963).[7] His experiences in England were later recounted in Youth (2002), his second volume of fictionalised memoirs.

Coetzee went to the University of Texas at Austin, in the United States, on the Fulbright Program in 1965, receiving his doctorate in 1969. His PhD dissertation was on computer stylistic analysis of the works of Samuel Beckett and was entitled "The English Fiction of Samuel Beckett: An Essay in Stylistic Analysis" (1968).[7] In 1968, he began teaching English literature at the State University of New York at Buffalo where he stayed until 1971.[7] It was at Buffalo that he began his first novel, Dusklands.[7] From as early as 1968 he sought permanent residence in the United States, a process that was finally unsuccessful, in part due to his involvement in anti-Vietnam-War protests. In March 1970, he had been one of 45 faculty members who occupied the university's Hayes Hall and were subsequently arrested for criminal trespass.[15] The charges against the 45 were dropped in 1971. He then returned to South Africa to teach English literature at the University of Cape Town, where he was promoted Professor of General Literature in 1983 and was Distinguished Professor of Literature between 1999 and 2001.[7] Upon retiring in 2002 and relocating to Adelaide, Australia, he was made an honorary research fellow at the English Department of the University of Adelaide,[16] where his partner, Dorothy Driver,[14] is a fellow academic,[17] and served as professor on the Committee on Social Thought at the University of Chicago until 2003.[18]

Awards and recognition

Coetzee has been the recipient of numerous awards throughout his career, although he has a reputation for avoiding award ceremonies.[19]

Booker Prizes, 1983 and 1999

He was the first writer to be awarded the Booker Prize twice: first for Life & Times of Michael K in 1983, and again for Disgrace in 1999.[20][21] Two other authors have since managed this — Peter Carey (in 1988 and 2001) and Hilary Mantel (in 2009 and 2012).

Summertime, named on the 2009 longlist,[22] was an early favourite to win an unprecedented third Booker Prize for Coetzee.[23][24] It subsequently made the shortlist, but lost out to bookmakers' favourite and eventual winner Wolf Hall by Hilary Mantel.[25] Coetzee was also longlisted in 2003 for Elizabeth Costello and in 2005 for Slow Man.[26]

Nobel Prize in Literature, 2003

On 2 October 2003, Horace Engdahl, head of the Swedish Academy, announced that Coetzee had been chosen as that year's recipient of the Nobel Prize in Literature, making him the fifth African writer to be so honoured[27] and the second South African after Nadine Gordimer.[28] When awarding the prize, the Swedish Academy stated that Coetzee "in innumerable guises portrays the surprising involvement of the outsider".[29] The press release for the award also cited his "well-crafted composition, pregnant dialogue and analytical brilliance," while focusing on the moral nature of his work.[29] The prize ceremony was held in Stockholm on 10 December 2003.[28]

Other awards and recognition

A three-time winner of the CNA Prize,[30] Waiting for the Barbarians received both the James Tait Black Memorial Prize and the Geoffrey Faber Memorial Prize,[31] Age of Iron was awarded the Sunday Express Book of the Year award,[32] and The Master of Petersburg was awarded The Irish Times International Fiction Prize in 1995.[26] He has also won the French Prix Femina Étranger, the Commonwealth Writers' Prize, and the 1987 Jerusalem Prize for the Freedom of the Individual in Society.[31][32][33]

Coetzee was awarded the Order of Mapungubwe (gold class) by the South African government on 27 September 2005 for his "exceptional contribution in the field of literature and for putting South Africa on the world stage."[34] He holds honorary doctorates from The American University of Paris,[35] the University of Adelaide,[36] La Trobe University,[37] the University of Natal,[38] the University of Oxford,[39] Rhodes University,[40] the State University of New York at Buffalo,[32] the University of Strathclyde,[32] the University of Technology, Sydney[41] and the Adam Mickiewicz University in Poznań[42]

In November 2014, Coetzee was honoured with a three-day academic conference entitled "JM Coetzee in the World", held in his adopted city of Adelaide. It was described as "the culmination of an enormous collaborative effort and the first event of its kind in Australia" and "a reflection of the deep esteem in which John Coetzee is held by Australian academia".[43]

Public image

Coetzee is known as reclusive and avoids publicity to such an extent that he did not collect either of his two Booker Prizes in person.[44][45] South African writer Rian Malan has said that:

Coetzee is a man of almost monkish self-discipline and dedication. He does not drink, smoke, or eat meat. He cycles vast distances to keep fit and spends at least an hour at his writing-desk each morning, seven days a week. A colleague who has worked with him for more than a decade claims to have seen him laugh just once. An acquaintance has attended several dinner parties where Coetzee has uttered not a single word.[46]

Asked about this comment in an interview by email, Coetzee said, "I have met Rian Malan only once in my life. He does not know me and is not qualified to talk about my character." [47]

As a result of his reclusive nature, signed copies of Coetzee's fiction are highly sought after.[48] Recognising this, he was a key figure in the establishment of Oak Tree Press's First Chapter Series, limited edition signed works by literary greats to raise money for the child victims and orphans of the African HIV/AIDS crisis.[49]

Personal life

He married Philippa Jubber in 1963[50] and divorced in 1980.[8] He has a daughter, Gisela (born 1968) and a son, Nicolas (born 1966) from this marriage.[50] Nicolas died in 1989 at the age of 23 in an accident.[8][50][51][52][53]

On 6 March 2006, Coetzee became an Australian citizen,[16] and it has been argued that his "acquired 'Australianness' is deliberately adopted and stressed".[43]

Coetzee's younger brother, the journalist David Coetzee, died in 2010.[54]

His partner, Dorothy Driver, is an academic at the University of Adelaide. [14] [17]

Philosophy

South Africa

Along with André Brink and Breyten Breytenbach, Coetzee was, according to Fred Pfeil, at "the forefront of the anti-apartheid movement within Afrikaner literature and letters".[55] On accepting the Jerusalem Prize in 1987, Coetzee spoke of the limitations of art in South African society, whose structures had resulted in "deformed and stunted relations between human beings" and "a deformed and stunted inner life". He went on to say that "South African literature is a literature in bondage. It is a less than fully human literature. It is exactly the kind of literature you would expect people to write from prison". He called on the South African government to abandon its apartheid policy.[33] Scholar Isidore Diala states that J. M. Coetzee, Nadine Gordimer and André Brink are "three of South Africa's most distinguished white writers, all with definite anti-apartheid commitment".[56]

It has been argued that Coetzee's 1999 novel Disgrace allegorises South Africa's Truth and Reconciliation Commission.[57] Asked about his views on the TRC, Coetzee has stated: "In a state with no official religion, the TRC was somewhat anomalous: a court of a certain kind based to a large degree on Christian teaching and on a strand of Christian teaching accepted in their hearts by only a tiny proportion of the citizenry. Only the future will tell what the TRC managed to achieve".[58]

Following his Australian citizenship ceremony, Coetzee said that "I did not so much leave South Africa, a country with which I retain strong emotional ties, but come to Australia. I came because from the time of my first visit in 1991, I was attracted by the free and generous spirit of the people, by the beauty of the land itself and – when I first saw Adelaide – by the grace of the city that I now have the honour of calling my home."[16] When he initially moved to Australia, he had cited the South African government's lax attitude to crime in that country as a reason for the move, leading to a spat with Thabo Mbeki, who, speaking of Coetzee's novel Disgrace stated that "South Africa is not only a place of rape".[44] In 1999, the African National Congress submission to an investigation into racism in the media by the South African Human Rights Commission named Disgrace as a novel exploiting racist stereotypes.[59] However, when Coetzee won his Nobel Prize, Mbeki congratulated him "on behalf of the South African nation and indeed the continent of Africa".[60]

Politics

Coetzee has never specified any political orientation, though has alluded to politics in his work. Writing about his past in the third person, Coetzee states in Doubling the Point that:

Politically, the raznochinets can go either way. But during his student years he, this person, this subject, my subject, steers clear of the right. As a child in Worcester he has seen enough of the Afrikaner right, enough of its rant, to last him a lifetime. In fact, even before Worcester he has perhaps seen more of cruelty and violence than should have been allowed to a child. So as a student he moves on the fringes of the left without being part of the left. Sympathetic to the human concerns of the left, he is alienated, when the crunch comes, by its language – by all political language, in fact.[61]

Asked about the latter part of this quote in an interview, Coetzee said:

There is no longer a left worth speaking of, and a language of the left. The language of politics, with its new economistic bent, is even more repellent than it was fifteen years ago.[58]

Law

In 2005, Coetzee criticised contemporary anti-terrorism laws as resembling those employed by the apartheid regime in South Africa: "I used to think that the people who created [South Africa's] laws that effectively suspended the rule of law were moral barbarians. Now I know they were just pioneers ahead of their time".[62] The main character in Coetzee's 2007 Diary of a Bad Year, which has been described as blending "memoir with fiction, academic criticism with novelistic narration" and refusing "to recognize the border that has traditionally separated political theory from fictional narrative",[63] shares similar concerns about the policies of John Howard and George W. Bush.[64]

Animals

In recent years, Coetzee has become a vocal critic of animal cruelty and advocate for the animal rights movement.[65] In a speech given on his behalf by Hugo Weaving in Sydney on 22 February 2007, Coetzee railed against the modern animal husbandry industry.[66] The speech was for Voiceless, the animal protection institute, an Australian non-profit animal protection organization, of which he became a patron in 2004.[67] Coetzee's fiction has similarly engaged with the problems of animal cruelty and animal welfare, in particular his books Disgrace, The Lives of Animals, Elizabeth Costello and in the short story The Old Woman and the Cats which has as its protagonist Elizabeth Costello. He is a vegetarian.[68]

Coetzee wanted to be a candidate in the 2014 European Parliament election for the Dutch Party for the Animals. His candidature was however rejected by the Dutch election board, which argued that candidates had to prove legal residence in the European Union to be allowed.

Bibliography

Coetzee's published work consists of fiction, fictionalised autobiographies (in the mode of what he terms "autrebiography"),[69] criticism, translations, poetry, screenplays, and letters. In addition, Coetzee has published critical works and translations from Dutch and Afrikaans.[48]

Novels

Short fiction

Fictionalised autobiography

Criticism and letters

Translations and introductions

Film and television adaptations

Collaborations

Further reading

Monographs

  • Dovey, Teresa (1988). The Novels of J.M. Coetzee: Lacanian allegories. Johannesburg: Ad. Donker. ISBN 0-86852-132-9.
  • Penner, Dick (1989). Countries of the Mind: The Fiction of J. M. Coetzee. New York, NY: Greenwood Press. ISBN 0-313-26684-0.
  • Gallagher, Susan VanZanten (1991). A Story of South Africa: J.M. Coetzee's Fictions in Context. Cambridge, MA: Harvard University Press. ISBN 0-674-83972-2.
  • Attwell, David (1993). J. M. Coetzee: South Africa and the Politics of Writing. Berkeley, CA: University of California Press. ISBN 0-520-07812-8.
  • Kossew, Sue (1996). Pen and Power: A Post-Colonial Reading of J. M. Coetzee and André Brink. Amsterdam: Rodopi. ISBN 978-90-420-0094-0.
  • Head, Dominic (1997). J. M. Coetzee. Cambridge: Cambridge University Press. ISBN 978-0-521-48232-5.
  • Attridge, Derek (2004). J. M. Coetzee and the Ethics of Reading: Literature in the Event. Chicago, IL: University of Chicago Press. ISBN 978-0-226-03117-0.
  • Canepari-Labib, Michela (2005). Old Myths-Modern Empires: Power, Language, and Identity in J. M. Coetzee's work. Oxford; New York, NY: Peter Lang. ISBN 0-8204-7191-7.
  • Fiorella, Lucia (2006). Figure del Male nella narrativa di J.M. Coetzee. Pisa, Italy: ETS. ISBN 88-467-1382-6.
  • Wright, Laura (2006). Writing 'out of all the camps': J. M. Coetzee's Narratives of Displacement. New York, NY: Routledge. ISBN 978-0-415-97707-4.
  • Masłoń, Sławomir (2007). Père-Versions of the Truth: The Novels of J.M. Coetzee. Katowice: University of Silesia. ISBN 978-83-226-1721-2.
  • Mulhall, Stephen (2008). The Wounded Animal: J. M. Coetzee and the Difficulty of Reality in Literature and Philosophy. Princeton, NJ: Princeton University Press. ISBN 978-0-691-13737-7.
  • Poyner, Jane (2009). J. M. Coetzee and the Paradox of Postcolonial Authorship. Farnham; Burlington, VT: Ashgate. ISBN 978-0-7546-5462-9.
  • Clarkson, Carrol (2009). J. M. Coetzee: Countervoices. Basingstoke; New York, NY: Palgrave Macmillan. ISBN 978-0-230-22156-7.
  • Nashef, Hania A.M. (2009). The Politics of Humiliation in the Novels of J. M. Coetzee. New York, NY: Routledge. ISBN 978-0-415-65260-5.
  • Marais, Mike (2009). Secretary of the Invisible: The Idea of Hospitality in the Fiction of J. M. Coetzee. Amsterdam: Rodopi. ISBN 90-420-2712-6.
  • Head, Dominic (2009). The Cambridge Introduction to J.M. Coetzee. Cambridge: Cambridge University Press. ISBN 978-0-521-68709-6.
  • Dooley, Gillian (2010). J. M. Coetzee and the Power of Narrative. New York: Cambria Press. ISBN 978-1-60497-673-1.
  • van der Vlies, Andrew (2010). J.M. Coetzee's 'Disgrace'. New York, NY: Continuum. ISBN 0-8264-0661-0.
  • Hayes, Patrick (2010). J. M. Coetzee and the Novel: Writing and Politics After Beckett. Oxford; New York, NY: Oxford University Press. ISBN 978-0-19-958795-7.
  • López, María J. (2011). Acts of Visitation: The Narrative of J. M. Coetzee. Amsterdam: Rodopi. ISBN 978-90-420-3407-5.
  • MacFarlane, Elizabeth (2013). Reading Coetzee. Amsterdam: Rodopi. ISBN 978-90-420-3701-4.
  • Hallemeier, Katherine (2013). J. M. Coetzee and the Limits of Cosmopolitanism. New York, NY: Palgrave MacMillan. ISBN 978-1-137-35254-5.
  • Pawlicki, Marek (2013). Between Illusionism and Anti-Illusionism: Self-Reflexivity in the Chosen Novels of J. M. Coetzee. Newcastle Upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-443-85304-0.
  • Zimbler, Jarad (2014). J. M. Coetzee and the Politics of Style. Cambridge: Cambridge University Press. ISBN 978-1-107-04625-2.

Collected essays

  • The Writings of J. M. Coetzee, ed. Michael Valdez Moses (Durham, NC: Duke University Press, 1994).
  • Critical perspectives on J. M. Coetzee, eds. Graham Huggan and Stephen Watson (New York, NY: St. Martin's Press, 1996).
  • Critical Essays on J. M. Coetzee, ed. Sue Kossew (New York, NY: G.K. Hall, 1998).
  • A Universe of (Hi)stories: Essays on J. M. Coetzee, ed. Liliana Sikorska (Frankfurt am Main; New York, NY: Peter Lang, 2006).
  • J. M. Coetzee and the Idea of the Public Intellectual, ed. Jane Poyner (Athens, OH: Ohio University Press, 2006).
  • J. M. Coetzee: Critical Perspectives, ed. Kailash C. Baral (New Delhi: Pencraft, 2008).
  • J. M. Coetzee in Context and Theory, eds. Elleke Boehmer, Katy Iddiols, and Robert Eaglestone (London; New York, NY: Continuum, 2009).
  • J. M. Coetzee's Austerities, eds. Graham Bradshaw and Michael Neill (Surrey; Burlington, VT: Ashgate, 2010).
  • J. M. Coetzee and Ethics: Philosophical Perspectives on Literature, eds. Anton Leist and Peter Singer (New York, NY: Columbia University Press, 2010).
  • A Companion to the Works of J. M. Coetzee, eds. Tim Mehigan (Rochester: Camden House, 2011).
  • Strong Opinions: J. M. Coetzee and the Authority of Contemporary fiction, eds. Chris Danta, Sue Kossew, and Julian Murphet (New York, NY: Routledge, 2011).
  • Approaches to Teaching Coetzee's 'Disgrace' and Other Works, eds. Laura Wright, Jane Poyner, and Elleke Boehmer (The Modern Language Association of America, 2014).

Interviews

  • "Speaking J. M. Coetzee", Stephen Watson, Speak vol. 1, no. 3 (1978): 21–24.
  • "An Interview with J. M. Coetzee", Tony Morphet, Social Dynamics vol. 10, no. 1 (1984): 62-65.
  • "An Interview with J. M. Coetzee", Jean Sévry, Commonwealth: Essays and Studies vol. 9, no. 1 (1986): 1–7.
  • "Two Interviews with J. M. Coetzee, 1983 and 1987," Tony Morphet, TriQuarterly 69 (Spring-Summer 1987): 454–64.
  • "On the Question of Autobiography: Interview with J. M. Coetzee", David Attwell, Current Writing: Text and Reception in South Africa vol. 3, no. 1 (1991): 117–122.
  • "An Interview with J. M. Coetzee", Richard Begam, Contemporary Literature vol. 33, no. 3 (1992): 419–431.
  • "An Interview with J. M. Coetzee", World Literature Today vol. 70, no. 1 (1996): 107–110.
  • "Voice and Trajectory: An Interview with J. M. Coetzee", Joanna Scott, Salmagundi 114/115 (1997): 82–102.
  • "The Sympathetic Imagination: A Conversation with J. M. Coetzee", Eleanor Wachtel, Brick: A Literary Journal 56 (2001): 37–47.
  • "A Rare Interview with a Literary Giant", Michael Shechner, Buffalo News Oct. 13, 2002, page E1.
  • "An Exclusive Interview with J. M. Coetzee", David Attwell, Dagens Nyheter, Dec. 8, 2003
  • "Animals, Humans, and Cruelty", Djurens Rätt, 2004
  • "An Interview with J. M. Coetzee", Erik Grayson, Stirrings Still vol. 3, no. 1 (2006): 4–7.
  • "All Autobiography is Autre-biography", David Atwell, in Selves in Question: Interviews on South African Auto/biography, ed. Judith Lütge Coullie et al. (Honolulu, HI: University of Hawai'i Press, 2006), 213–218.
  • "The Canadian Seal Hunt: An Interview with J. M. Coetzee", The Humane Society of the United States, Mar. 14, 2008
  • "Nevertheless, My Sympathies are with the Karamazovs: An Email Correspondence: May – December 2008", Arabella Kurtz, Salmagundi 166/167 (Spring 2010): 39–72.
  • "An Interview with J. M. Coetzee", Lawrence Rainey, David Attwell, and Benjamin Madden, Modernism/Modernity vol. 18, no. 4 (2011): 847–853.
  • "... A Certain Age ...", Lore Watterson, Classicfeel Dec/Jan (2012–13): 22–29.
  • The Good Story: Exchanges on Truth, Fiction and Psychotherapy (21 May 2015), J M Coetzee and Arabella Kurtz , Harvill Secker ISBN 978-1846558887

Biography

  • Kannemeyer, J. C. (2012). J. M. Coetzee: A Life in Writing. Johannesburg and Cape Town: Jonathan Ball. ISBN 978-1-86842-495-5.
  • Attwell, David (2015). J. M. Coetzee and the Life of Writing: Face to Face with Time. New York, NY: Viking Books. ISBN 978-0-525-42961-6.

See also

References

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  3. ^ Donadio, Rachel (16 December 2007). "Out of South Africa". The New York Times. Retrieved 12 January 2014.
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  5. ^ Attridge, Derek (2004). J. M. Coetzee and the Ethics of Reading: Literature in the Event. Chicago: University of Chicago Press. p. 94. ISBN 978-0-226-03117-0.
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  46. ^ Cowley, Jason (25 October 1999). "The New Statesman Profile – J M Coetzee". New Statesman. Retrieved 12 January 2014.
  47. ^ Quoted in J.C. Kannemeyer, J.M. Coetzee: A Life in Writing' (Scribe, 2012), p.583.
  48. ^ a b "The reclusive Nobel Prize winner: JM Coetzee". South African Tourism. Retrieved 12 January 2014.
  49. ^ Bray, Nancy. "How The First Chapter Series was born". Booker Prize Foundation. Archived from the original on 24 February 2012. Retrieved 2 August 2009.
  50. ^ a b c "J. M. Coetzee". The Nobel Foundation. 2003. Retrieved 1 August 2009.
  51. ^ Gallagher, Susan (1991). A Story of South Africa: J. M. Coetzee's Fiction in Context. Cambridge, MA: Harvard University Press. p. 194. ISBN 0-674-83972-2.
  52. ^ Scanlan, Margaret (1997). "Incriminating documents: Nechaev and Dostoevsky in J. M. Coetzee's The Master of St Petersburg". Philological Quarterly. 76 (4): 463–477.
  53. ^ Pearlman, Mickey (18 September 2005). "J.M. Coetzee again sheds light on the 'black gloom' of isolation". Star Tribune. p. 14F. {{cite news}}: |access-date= requires |url= (help)
  54. ^ Whiteman, Kaye (26 March 2010). "David Coetzee obituary". The Guardian. Retrieved 12 January 2014.
  55. ^ Pfeil, Fred (21 June 1986). "Sexual healing". The Nation. Retrieved 21 February 2011.(subscription required)
  56. ^ Diala, Isidore (2002). "Nadine Gordimer, J. M. Coetzee, and André Brink: Guilt, expiation, and the reconciliation process in post-apartheid South Africa". Journal of Modern Literature. 25 (2): 50–68 [51]. doi:10.1353/jml.2003.0004.
  57. ^ Poyner, Jane (2000). "Truth and reconciliation in JM Coetzee's Disgrace (novel)". Scrutiny2: Issues in English Studies in Southern Africa. 5 (2): 67–77. doi:10.1080/18125440008565972.
  58. ^ a b Poyner, Jane, ed. (2006). "J. M. Coetzee in conversation with Jane Poyner". J. M. Coetzee and the Idea of the Public Intellectual. Athens, OH: Ohio University Press. p. 22. ISBN 0-8214-1687-1. Retrieved 12 January 2014.
  59. ^ Jolly, Rosemary (2006). "Going to the dogs: Humanity in J. M. Coetzee's Disgrace, The Lives of Animals, and South Africa's Truth and Reconciliation Commission". In Poyner, Jane (ed.). J. M. Coetzee and the Idea of the Public Intellectual. Athens, OH: Ohio University Press. p. 149. ISBN 0-8214-1687-1. Retrieved 12 January 2014.
  60. ^ Laurence, Patrick (27 September 2007). "JM Coetzee incites an ANC egg-dance". Helen Suzman Foundation. Retrieved 2 August 2009.
  61. ^ Coetzee, J. M. (1992). Attwell, David (ed.). Doubling the Point: Essays and Interviews. Harvard University Press: Cambridge, MA. p. 394. ISBN 0-674-21518-4. Retrieved 12 January 2014.
  62. ^ "Aussie laws 'like apartheid'". News24 archives. 24 October 2005. Retrieved 12 January 2014.
  63. ^ Moses, Michael Valdez (July 2008). "State of discontent: J.M. Coetzee's anti-political fiction". Reason. Retrieved 12 January 2014.
  64. ^ Hope, Deborah (25 August 2007). "Coetzee 'diary' targets PM". The Australian. Retrieved 12 January 2014.
  65. ^ Coetzee, J. M. (22 February 2007). "Animals can't speak for themselves — it's up to us to do it". The Age. Retrieved 2 August 2009.
  66. ^ Coetzee, J. M. (22 February 2007). "Voiceless: I feel therefore I am". Hugo Weaving at Random Scribblings. Retrieved 12 January 2014.
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  71. ^ Derkaczew, Joanna (11 July 2012). "'Slow Man' - Coetzee w operze. Jak gaśnie człowiek". Gazeta Wyborcza.
  72. ^ Books Live South Africa [1].
  73. ^ Willem De Vries, South Africa, Boekenbrug [2].
  74. ^ Uitgeverij Cossee [3].
  75. ^ JM Coetzee NL [4].
  76. ^ Lepszy Poznan Publikacje [5].
  77. ^ The Ordinary Man, Dorota Semenowicz (Empik) [6].
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