Classical Hollywood cinema

Film classic Gone with the Wind (1939) starring Clark Gable and Vivien Leigh

Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the latter years of the silent film era. It then became characteristic of American cinema during the Golden Age of Hollywood, between roughly 1927 (with the advent of sound film) to 1969. It eventually became the most powerful and pervasive style of filmmaking worldwide.

Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. The period is also referred to as the studio era, which may also include films of the late silent era.

History

1910s–1927: Silent era and emergence of the classical style

For millennia, the only visual standard of narrative storytelling art was the theatre. Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. Most of these filmmakers started as directors on the late 19th-century stage, and likewise, most film actors had roots in vaudeville (e.g. The Marx Brothers) or theatrical melodramas. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and melodrama. Before the visual style which would become known as "classical continuity", scenes were filmed in full shot and used carefully choreographed staging to portray plot and character relationships. Editing technique was extremely limited, and mostly consisted of close-ups of writing on objects for their legibility.

Still from the silent film The Birth of a Nation (1915), starring Lillian Gish (second from right)

Though lacking the reality inherent to the stage, film (unlike the stage) offers the freedom to manipulate apparent time and space, and thus create the illusion of realism – that is temporal linearity and spatial continuity. By the early 1910s, when the Lost Generation was coming of age, filmmaking was beginning to fulfill its artistic potential. In Sweden and Denmark, this period would later be known as the "Golden Age" of the film; in America, this artistic change is attributed to filmmakers like D. W. Griffith finally breaking the grip of the Edison Trust to make films independent of the manufacturing monopoly. Films worldwide began to noticeably adopt visual and narrative elements which would be found in classical Hollywood cinema. 1913 was a particularly fruitful year for the medium, as pioneering directors from several countries produced films such as The Mothering Heart (D. W. Griffith), Ingeborg Holm (Victor Sjöström), and L'enfant de Paris (Léonce Perret) that set new standards for the film as a form of storytelling. It was also the year when Yevgeni Bauer (the first true film artist, according to Georges Sadoul) started his short, but prolific, career.

Theatrical release poster for Ben-Hur: A Tale of the Christ (1925)

In the world generally and America specifically, the influence of Griffith on filmmaking was unmatched. Equally influential were his actors in adapting their performances to the new medium. Lillian Gish, the star of film short The Mothering Heart, is particularly noted for her influence on on-screen performance techniques. Griffith's 1915 epic The Birth of a Nation also starring Gish was ground-breaking for film as a means of storytelling – a masterpiece of literary narrative with numerous innovative visual techniques. The film initiated so many advances in American cinema that it was rendered obsolete within a few years. Though 1913 was a global landmark for filmmaking, 1917 was primarily an American one; the era of "classical Hollywood cinema" is distinguished by a narrative and visual style which began to dominate the film medium in America by 1917.

1927–1969: Sound era and the Golden Age of Hollywood

See also: Pre-Code Hollywood and Hays Code

The narrative and visual style of classical Hollywood style developed further after the transition to sound-film production. The primary changes in American filmmaking came from the film industry itself, with the height of the studio system. This mode of production, with its reigning star system promoted by several key studios, had preceded sound by several years. By mid-1920, most of the prominent American directors and actors, who had worked independently since the early 1910s, had to become a part of the new studio system to continue to work.

The beginning of the sound era itself is ambiguously defined. To some, it began with The Jazz Singer, which was released in 1927, when the Interbellum Generationers became of age and increased box-office profits for films as sound was introduced to feature films. To others, the era began in 1929, when the silent age had definitively ended. Most Hollywood pictures from the late 1920s to 1960s adhered closely to a genre — Western, slapstick comedy, musical, animated cartoon, and biopic (biographical picture) — and the same creative teams often worked on films made by the same studio. For instance, Cedric Gibbons and Herbert Stothart always worked on MGM films; Alfred Newman worked at 20th Century Fox for twenty years; Cecil B. DeMille's films were almost all made at Paramount Pictures; and director Henry King's films were mostly made for Twentieth Century Fox. Similarly, actors were mostly contract players. Film historians and critics note that it took about a decade for films to adapt to sound and return to the level of artistic quality of the silents, which they did in the late 1930s when the Greatest Generationers became of age.

Many great works of cinema that emerged from this period were of highly regimented filmmaking. One reason this was possible is that, as so many films were made, not every one had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors. This was the case with Citizen Kane (1941), directed by Orson Welles and regarded as one of the greatest films of all time. Other strong-willed directors, like Howard Hawks, Alfred Hitchcock and Frank Capra, battled the studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz; Gone with the Wind; The Hunchback of Notre Dame; Stagecoach; Mr. Smith Goes to Washington; Destry Rides Again; Young Mr. Lincoln; Wuthering Heights; Only Angels Have Wings; Ninotchka; Beau Geste; Babes in Arms; Gunga Din; The Women; Goodbye, Mr. Chips; and The Roaring Twenties.

Style

The visual-narrative style of classical Hollywood cinema, as elaborated by David Bordwell, was heavily influenced by the ideas of the Renaissance and its resurgence of mankind as the focal point. It is distinguished at three general levels: devices, systems, and the relations of systems.

Devices

The devices most inherent to classical Hollywood cinema are those of continuity editing. This includes the 180-degree rule, one of the major visual-spatial elements of continuity editing. The 180-degree rule keeps with the "photographed play" style by creating an imaginary 180-degree axis between the viewer and the shot, allowing viewers to clearly orient themselves within the position and direction of action in a scene. According to the 30-degree rule, cuts in the angle that the scene is viewed from must be significant enough for the viewer to understand the purpose of a change in perspective. Cuts that do not adhere to the 30-degree rule, known as jump cuts, are disruptive to the illusion of temporal continuity between shots. The 180-degree and 30-degree rules are elementary guidelines in filmmaking that preceded the official start of the classical era by over a decade, as seen in the pioneering 1902 French film A Trip to the Moon. Cutting techniques in classical continuity editing serve to help establish or maintain continuity, as in the cross cut, which establishes the concurrence of action in different locations. Jump cuts are allowed in the form of the axial cut, which does not change the angle of shooting at all, but has the clear purpose of showing a perspective closer or farther from the subject, and therefore does not interfere with temporal continuity.

Systems

Narrative logic

Classical narration progresses always through psychological motivation, i.e., by the will of a human character and its struggle with obstacles towards a defined goal. This narrative element is commonly composed of a primary narrative (e.g. a romance) intertwined with a secondary narrative or narratives. This narrative is structured with an unmistakable beginning, middle and end, and generally there is a distinct resolution. Utilizing actors, events, causal effects, main points, and secondary points are basic characteristics of this type of narrative. The characters in classical Hollywood cinema have clearly definable traits, are active, and very goal oriented. They are causal agents motivated by psychological rather than social concerns. The narrative is a chain of cause and effect with causal agents – in classical style, events do not occur randomly.

Cinematic time and space

Time in classical Hollywood is continuous, linear, and uniform, since non-linearity calls attention to the illusory workings of the medium. The only permissible manipulation of time in this format is the flashback. It is mostly used to introduce a memory sequence of a character, e.g., Casablanca.

The greatest rule of classical continuity regarding space is object permanence: the viewer must believe that the scene exists outside the shot of the cinematic frame to maintain the picture's realism. The treatment of space in classical Hollywood strives to overcome or conceal the two-dimensionality of film ("invisible style") and is strongly centered upon the human body. The majority of shots in a classical film focus on gestures or facial expressions (medium-long and medium shots). André Bazin once compared classical film to a photographed play in that the events seem to exist objectively and that cameras only give us the best view of the whole play.

This treatment of space consists of four main aspects: centering, balancing, frontality, and depth. Persons or objects of significance are mostly in the center part of the picture frame and never out of focus. Balancing refers to the visual composition, i. e., characters are evenly distributed throughout the frame. The action is subtly addressed towards the spectator (frontality) and set, lighting (mostly three-point lighting, especially high-key lighting), and costumes are designed to separate foreground from the background (depth).

Relations of systems

The aspects of space and time are subordinated to the narrative element.

Legacy

The New Hollywood of the mid-1960s to early 1980s was influenced by the romanticism of the classical era, as was the French New Wave.

Major figures from classical Hollywood cinema

Main article: AFI's 100 Years...100 Stars

These were recognized on the American Film Institute's list ranking the top 25 male and 25 female greatest screen legends of American film history. As of 2023, Sophia Loren (89) is the only living star listed.

• Chico Marx (1887–1961)
• Harpo Marx (1888–1964)
• Charlie Chaplin (1889–1977)
• Groucho Marx (1890–1977)
• Mary Pickford (1892–1979)
• Edward G. Robinson (1893–1973)
• Mae West (1893–1980)
• Lillian Gish (1893–1993)
• Buster Keaton (1895–1966)
• Fred Astaire (1899–1987)
• James Cagney (1899–1986)
• Humphrey Bogart (1899–1957)
• Spencer Tracy (1900–1967)
• Clark Gable (1901–1960)
• Gary Cooper (1901–1961)
• Marlene Dietrich (1901–1992)
• Zeppo Marx (1901–1979)
• Claudette Colbert (1903–1996)
• Cary Grant (1904–1986)
• Greta Garbo (1905–1990)
• Henry Fonda (1905–1982)
• Joan Crawford (190?–1977)
• Laurence Olivier (1907–1989)
• Katharine Hepburn (1907–2003)
• John Wayne (1907–1979)
• Barbara Stanwyck (1907–1990)
• Bette Davis (1908–1989)
• Carole Lombard (1908–1942)
• James Stewart (1908–1997)
• Jean Harlow (1911–1937)
• Ginger Rogers (1911–1995)
• Gene Kelly (1912–1996)
• Vivien Leigh (1913–1967)
• Burt Lancaster (1913–1994)
• Orson Welles (1915–1985)
• Ingrid Bergman (1915–1982)
• Gregory Peck (1916–2003)
• Kirk Douglas (1916–2020)
• Robert Mitchum (1917–1997)
• William Holden (1918–1981)
• Rita Hayworth (1918–1987)
• Judy Garland (1922–1969)
• Ava Gardner (1922–1990)
• Lauren Bacall (1924–2014)
• Marlon Brando (1924–2004)
• Marilyn Monroe (1926–1962)
• Sidney Poitier (1927–2022)
• Shirley Temple (1928–2014)
• Audrey Hepburn (1929–1993)
• Grace Kelly (1929–1982)
• James Dean (1931–1955)
• Elizabeth Taylor (1932–2011)
• Sophia Loren (1934–present)

List of American films from the Hollywood Classical and Golden Age

The following is hollywoodsgoldenage.com's list of notable American films that were produced during Hollywood's Golden Age.

Silent era

• The Mothering Heart (film short, 1913)
• The Birth of a Nation (1915)
• Intolerance (1916)
• Rebecca of Sunnybrook Farm (1917)
• The Immigrant (1917)
• The Poor Little Rich Girl (1917)
• Wild and Woolly (1917)
• Broken Blossoms (1919)
• Pollyanna (1920)
• The Last of the Mohicans (1920)
• Within Our Gates (1920)
• Way Down East (1920)
• Orphans of the Storm (1921)
• The Four Horsemen of the Apocalypse (1921)
• The Kid (1921)
• A Woman of Paris (1923)
• The Covered Wagon (1923)
• The Hunchback of Notre Dame (1923)
• Safety Last! (1923)
• Greed (1924)
• Sherlock Jr. (1924)
• The Thief of Bagdad (1924)
• Ben-Hur: A Tale of the Christ (1925)
• The Big Parade (1925)
• The Gold Rush (1925)
• Little Annie Rooney (1925)
• The Phantom of the Opera (1925)
• Flesh and the Devil (1926)
• Sparrows (1926)
• The Black Pirate (1926)
• The Canadian (1926)
• The General (1926)
• 7th Heaven (1927)
• It (1927)
• The Unknown (1927)
• Wings (1927)
• The Circus (1928)
• The Wind (1928)
• City Lights (1931)
• Tabu (1931)
• Legong: Dance of the Virgins (1935)
• Modern Times (1936)

Sound era

• A Few Moments with Eddie Cantor (1923)
• My Old Kentucky Home (1926)
• The Jazz Singer (1927)
• Lights of New York (1928)
• Interference (1928)
• In Old Arizona (1928)
• Steamboat Willie (1928)
• The Broadway Melody (1929)
• On with the Show! (1929)
• A Free Soul (1930)
• All Quiet on the Western Front (1930)
• Anna Christie (1930)
• Morocco (1930)
• King of Jazz (1930)
• Romance (1930)
• The Divorcee (1930)
• Bad Girl (1931)
• Blonde Crazy (1931)
• Dracula (1931)
• Frankenstein (1931)
• Platinum Blonde (1931)
• The Public Enemy (1931)
• A Farewell to Arms (1932)
• Flowers and Trees (1932)
• Forbidden (1932)
• Freaks (1932)
• Grand Hotel (1932)
• Red Dust (1932)
• Scarface (1932)
• Shanghai Express (1932)
• The Animal Kingdom (1932)
• Trouble in Paradise (1932)
• She Done Him Wrong (1933)
• 42nd Street (1933)
• Baby Face (1933)
• Design for Living (1933)
• Dinner at Eight (1933)
• Duck Soup (1933)
• Flying Down to Rio (1933)
• Footlight Parade (1933)
• The Invisible Man (1933)
• King Kong (1933)
• Lady for a Day (1933)
• Man's Castle (1933)
• Queen Christina (1933)
• Snow-White (1933)
• Sons of the Desert (1933)
• Broadway Bill (1934)
• Imitation of Life (1934)
• It Happened One Night (1934)
• Manhattan Melodrama (1934)
• No Greater Glory (1934)
• Of Human Bondage (1934)
• Poor Cinderella (1934)
• The Gay Divorcee (1934)
• The Old Fashioned Way (1934)
• The Thin Man (1934)
• Twentieth Century (1934)
• Woman Haters (1934)
• Wonder Bar (1934)
• Mutiny on the Bounty (1935)
• A Night at the Opera (1935)
• A Tale of Two Cities (1935)
• Anna Karenina (1935)
• The Band Concert (1935)
• Becky Sharp (1935)
• Gold Diggers of 1935 (1935)
• Sylvia Scarlett (1935)
• Top Hat (1935)
• Disorder in the Court (1936)
• Camille (1936)
• Follow the Fleet (1936)
• Libeled Lady (1936)
• Mr. Deeds Goes to Town (1936)
• My Man Godfrey (1936)
• Popeye the Sailor Meets Sindbad the Sailor (1936)
• San Francisco (1936)
• Swing Time (1936)
• Theodora Goes Wild (1936)
• The Awful Truth (1937)
• Captains Courageous (1937)
• Easy Living (1937)
• Gold Diggers of 1937 (1937)
• Heidi (1937)
• Lost Horizon (1937)
• Make Way for Tomorrow (1937)
• Marked Woman (1937)
• Nothing Sacred (1937)
• The Prisoner of Zenda (1937)
• Shall We Dance (1937)
• Snow White and the Seven Dwarfs (1937)
• Stage Door (1937)
• A Star Is Born (1937)
• Stella Dallas (1937)
• True Confession (1937)
• Varsity Show (1937)
• Wee Willie Winkie (1937)
• The Adventures of Robin Hood (1938)
• Algiers (1938)
• Angels with Dirty Faces (1938)
• A Yank at Oxford (1938)
• Bringing Up Baby (1938)
• Holiday (1938)
• Jezebel (1938)
• The Lady Vanishes (1938)
• Pygmalion (1938)
• You Can't Take It with You (1938)
• 5th Avenue Girl (1939)
• Babes in Arms (1939)
• Beau Geste (1939)
• Dark Victory (1939)
• Destry Rides Again (1939)
• Gone with the Wind (1939)
• Goodbye, Mr. Chips (1939)
• Gulliver's Travels (1939)
• Gunga Din (1939)
• Love Affair (1939)
• Midnight (1939)
• Mr. Smith Goes to Washington (1939)
• Ninotchka (1939)
• Only Angels Have Wings (1939)
• Stagecoach (1939)
• The Hunchback of Notre Dame (1939)
• The Little Princess (1939)
• The Oklahoma Kid (1939)
• The Roaring Twenties (1939)
• The Story of Vernon and Irene Castle (1939)
• The Wizard of Oz (1939)
• The Women (1939)
• Wuthering Heights (1939)
• Young Mr. Lincoln (1939)
• All This, and Heaven Too (1940)
• Broadway Melody of 1940 (1940)
• Fantasia (1940)
• Foreign Correspondent (1940)
• The Grapes of Wrath (1940)
• The Great Dictator (1940)
• His Girl Friday (1940)
• Kitty Foyle (1940)
• The Letter (1940)
• The Long Voyage Home (1940)
• The Mortal Storm (1940)
• My Favorite Wife (1940)
• The Philadelphia Story (1940)
• Pinocchio (1940)
• Pride and Prejudice (1940)
• Primrose Path (1940)
• Rebecca (1940)
• The Shop Around the Corner (1940)
• The Thief of Bagdad (1940)
• Waterloo Bridge (1940)
• 49th Parallel (1941)
• Ball of Fire (1941)
• Blossoms in the Dust (1941)
• Citizen Kane (1941)
• Dumbo (1941)
• Here Comes Mr. Jordan (1941)
• High Sierra (1941)
• Hold Back the Dawn (1941)
• How Green Was My Valley (1941)
• The Little Foxes (1941)
• The Maltese Falcon (1941)
• Meet John Doe (1941)
• Mr. Bug Goes to Town (1941)
• Mr. and Mrs. Smith (1941)
• One Foot in Heaven (1941)
• Penny Serenade (1941)
• Sergeant York (1941)
• Sullivan's Travels (1941)
• Suspicion (1941)
• The Bride Came C.O.D. (1941)
• The Lady Eve (1941)
• You'll Never Get Rich (1942)
• Tulips Shall Grow (1942)
• All Through the Night (1942)
• Bambi (1942)
• Casablanca (1942)
• Holiday Inn (1942)
• Kings Row (1942)
• The Magnificent Ambersons (1942)
• Now, Voyager (1942)
• The Man Who Came to Dinner (1942)
• Mrs. Miniver (1942)
• The Palm Beach Story (1942)
• The Pied Piper (1942)
• The Pride of the Yankees (1942)
• Random Harvest (1942)
• Saboteur (1942)
• The Talk of the Town (1942)
• Tortilla Flat (1942)
• Woman of the Year (1942)
• Yankee Doodle Dandy (1942)
• You Were Never Lovelier (1942)
• For Whom the Bell Tolls (1943)
• Heaven Can Wait (1943)
• The Human Comedy (1943)
• Journey into Fear (1943)
• Madame Curie (1943)
• The More the Merrier (1943)
• The Ox-Bow Incident (1943)
• Shadow of a Doubt (1943)
• The Song of Bernadette (1943)
• Stormy Weather (1943)
• Watch on the Rhine (1943)
• Arsenic and Old Lace (1944)
• Cover Girl (1944)
• Double Indemnity (1944)
• Gaslight (1944)
• Going My Way (1944)
• Henry V (1944)
• Laura (1944)
• Lifeboat (1944)
• The Lodger (1944)
• Meet Me in St. Louis (1944)
• The Miracle of Morgan's Creek (1944)
• National Velvet (1944)
• The Barber of Seville (1944)
• Since You Went Away (1944)
• To Have and Have Not (1944)
• The Uninvited (1944)
• Wilson (1944)
• Anchors Aweigh (1945)
• The Bells of St. Mary's (1945)
• Detour (1945)
• Hangover Square (1945)
• The Lost Weekend (1945)
• Mildred Pierce (1945)
• Spellbound (1945)
• Anna and the King of Siam (1946)
• John Henry and the Inky-Poo (1946)
• The Best Years of Our Lives (1946)
• The Big Sleep (1946)
• Cluny Brown (1946)
• Duel in the Sun (1946)
• Gilda (1946)
• Great Expectations (1946)
• Humoresque (1946)
• It's a Wonderful Life (1946)
• The Killers (1946)
• The Locket (1946)
• Notorious (1946)
• The Postman Always Rings Twice (1946)
• The Razor's Edge (1946)
• The Yearling (1946)
• The Bishop's Wife (1947)
• The Cat Concerto (1947)
• Crossfire (1947)
• Dead Reckoning (1947)
• Gentleman's Agreement (1947)
• The Ghost and Mrs. Muir (1947)
• The Lady from Shanghai (1947)
• Miracle on 34th Street (1947)
• Monsieur Verdoux (1947)
• The Paradine Case (1947)
• Tubby the Tuba (1947)
• Easter Parade (1948)
• Fort Apache (1948)
• Johnny Belinda (1948)
• Key Largo (1948)
• Moonrise (1948)
• Red River (1948)
• Unfaithfully Yours (1948)
• Rope (1948)
• The Snake Pit (1948)
• State of the Union (1948)
• The Treasure of the Sierra Madre (1948)
• Adam's Rib (1949)
• All the King's Men (1949)
• Battleground (1949)
• The Heiress (1949)
• Intruder in the Dust (1949)
• A Letter to Three Wives (1949)
• She Wore a Yellow Ribbon (1949)
• The Third Man (1949)
• Twelve O'Clock High (1949)
• All About Eve (1950)
• Annie Get Your Gun (1950)
• Born Yesterday (1950)
• Caged (1950)
• Cinderella (1950)
• Father of the Bride (1950)
• In a Lonely Place (1950)
• King Solomon's Mines (1950)
• Rio Grande (1950)
• Summer Stock (1950)
• The Furies (1950)
• Sunset Boulevard (1950)
• Treasure Island (1950)
• Ace in the Hole (1951)
• The African Queen (1951)
• Alice in Wonderland (1951)
• An American in Paris (1951)
• The Day the Earth Stood Still (1951)
• Decision Before Dawn (1951)
• A Place in the Sun (1951)
• Quo Vadis (1951)
• Rooty Toot Toot (1951)
• Royal Wedding (1951)
• Strangers on a Train (1951)
• A Streetcar Named Desire (1951)
• The Bad and the Beautiful (1952)
• The Greatest Show on Earth (1952)
• High Noon (1952)
• Ivanhoe (1952)
• Limelight (1952)
• The Miracle of Our Lady of Fatima (1952)
• Monkey Business (1952)
• Moulin Rouge (1952)
• The Prisoner of Zenda (1952)
• The Quiet Man (1952)
• Singin' in the Rain (1952)
• The Story of Robin Hood and His Merrie Men (1952)
• Don't Bother to Knock (1952)
• Calamity Jane (1953)
• The Band Wagon (1953)
• The Big Heat (1953)
• Duck Amuck (1953)
• From Here to Eternity (1953)
• Gentlemen Prefer Blondes (1953)
• How to Marry a Millionaire (1953)
• Julius Caesar (1953)
• Mogambo (1953)
• Peter Pan (1953)
• The Robe (1953)
• Roman Holiday (1953)
• Shane (1953)
• The Sword and the Rose (1953)
• The War of the Worlds (1953)
• 20,000 Leagues Under the Sea (1954)
• A Star Is Born (1954)
• The Caine Mutiny (1954)
• The Country Girl (1954)
• Dial M for Murder (1954)
• On the Waterfront (1954)
• Rear Window (1954)
• Rob Roy, the Highland Rogue (1954)
• Sabrina (1954)
• Seven Brides for Seven Brothers (1954)
• Three Coins in the Fountain (1954)
• Vera Cruz (1954)
• When Magoo Flew (1954)
• Blackboard Jungle (1955)
• Kiss Me Deadly (1955)
• Lady and the Tramp (1955)
• Love Is a Many-Splendored Thing (1955)
• Love Me or Leave Me (1955)
• The Man with the Golden Arm (1955)
• Marty (1955)
• Mister Roberts (1955)
• Picnic (1955)
• East of Eden (1955)
• Rebel Without a Cause (1955)
• Guys and Dolls (1955)
• Richard III (1955)
• The Rose Tattoo (1955)
• The Seven Year Itch (1955)
• Around the World in 80 Days (1956)
• Autumn Leaves (1956)
• Forbidden Planet (1956)
• Bigger Than Life (1956)
• Friendly Persuasion (1956)
• Giant (1956)
• Invasion of the Body Snatchers (1956)
• The King and I (1956)
• The Man Who Knew Too Much (1956)
• The Searchers (1956)
• The Swan (1956)
• The Ten Commandments (1956)
• War and Peace (1956)
• 12 Angry Men (1957)
• The Bridge on the River Kwai (1957)
• Old Yeller (1957)
• Paths of Glory (1957)
• Sweet Smell of Success (1957)
• A Face in the Crowd (1957)
• Peyton Place (1957)
• Sayonara (1957)
• What's Opera, Doc? (1957)
• Witness for the Prosecution (1957)
• Auntie Mame (1958)
• The Big Country (1958)
• The Brothers Karamazov (1958)
• Cat on a Hot Tin Roof (1958)
• The Defiant Ones (1958)
• Gigi (1958)
• The Long, Hot Summer (1958)
• No Time for Sergeants (1958)
• Separate Tables (1958)
• Touch of Evil (1958)
• Vertigo (1958)
• A Hole in the Head (1959)
• Anatomy of a Murder (1959)
• Ben-Hur (1959)
• Darby O'Gill and the Little People (1959)
• The Diary of Anne Frank (1959)
• Imitation of Life (1959)
• North by Northwest (1959)
• Pillow Talk (1959)
• The Nun's Story (1959)
• Sleeping Beauty (1959)
• Some Like It Hot (1959)
• Suddenly, Last Summer (1959)
• The Last Angry Man (1959)
• The Time Machine (1960)
• The Alamo (1960)
• The Apartment (1960)
• Elmer Gantry (1960)
• Hell to Eternity (1960)
• Home from the Hill (1960)
• The Magnificent Seven (1960)
• Psycho (1960)
• Spartacus (1960)
• The Sundowners (1960)
• Breakfast at Tiffany's (1961)
• The Children's Hour (1961)
• Fanny (1961)
• The Guns of Navarone (1961)
• The Hustler (1961)
• Judgment at Nuremberg (1961)
• One Hundred and One Dalmatians (1961)
• Pocketful of Miracles (1961)
• Splendor in the Grass (1961)
• The Parent Trap (1961)
• West Side Story (1961)
• King of Kings (1961)
• The Misfits (1961)
• Dr. No (1962)
• Gay Purr-ee (1962)
• Hell Is for Heroes (1962)
• How the West Was Won (1962)
• Lawrence of Arabia (1962)
• The Longest Day (1962)
• The Music Man (1962)
• Mutiny on the Bounty (1962)
• Mr. Hobbs Takes a Vacation (1962)
• To Kill a Mockingbird (1962)
• What Ever Happened to Baby Jane? (1962)
• Gypsy (1962)
• America America (1963)
• The Birds (1963)
• Charade (1963)
• Cleopatra (1963)
• The Great Escape (1963)
• From Russia with Love (1963)
• Love with the Proper Stranger (1963)
• Jason and the Argonauts (1963)
• Lilies of the Field (1963)
• The Sword in the Stone (1963)
• Bye Bye Birdie (1963)
• Irma la Douce (1963)
• Move Over, Darling (1963)
• Hud (1963)
• McLintock! (1963)
• A Hard Day's Night (1964)
• Becket (1964)
• Dr. Strangelove (1964)
• Goldfinger (1964)
• Sex and the Single Girl (1964)
• Robin and the 7 Hoods (1964)
• Mary Poppins (1964)
• My Fair Lady (1964)
• Zorba the Greek (1964)
• Send Me No Flowers (1964)
• Viva Las Vegas (1964)
• The Night of the Iguana (1964)
• The Sound of Music (1965)
• Doctor Zhivago (1965)
• Cast a Giant Shadow (1966)
• Guess Who's Coming to Dinner (1967)
• The Jungle Book (1967)
• The Aristocats (1970)
• Bedknobs and Broomsticks (1971)

See also

• Animation in the United States during the silent era
• Golden age of American animation
• Golden Age of Radio
• Golden Age of Television
• Maximalist and minimalist cinema
• Modernist film
• New Hollywood
• Poverty Row – B-movies during this era

Further reading

• Bordwell, David; Staiger, Janet; Thompson, Kristin (1985). The Classical Hollywood Cinema. New York: Columbia University Press. ISBN 0-231-06055-6.
• Davis, Blair (2012). The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema. New Jersey: Rutgers University Press. ISBN 978-0813552538.
• Dixon, Wheeler Winston (2013). Cinema at the Margins. Anthem Press. ISBN 978-0-85728-186-9.
• Fawell, John (2008). The Hidden Art of Hollywood. Westport Conn.: Praeger Press.
• McGilligan, Patrick (1985). Backstory 1: Interviews with Screenwriters of Hollywood's Golden Age (No. 1). University of California Press. ISBN 978-0520056893.
• Salt, Barry. Film Style and Technology: History and Analysis.

External links

• David Bordwell and Kristin Thompson, "Happy Birthday, classical cinema!", December 28, 2007. Analysis of classical continuity in narrative film from 1917 to this day.
• The Movies - Hollywood's Golden Age.com