Ali Akbar Khan

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Ali Akbar Khan
Background information
Born(1922-04-14)14 April 1922
Shibpur, Bengal Presidency, British India
(present day Bangladesh)
(present-day Madhya Pradesh, India)
Died18 June 2009(2009-06-18) (aged 87)
San Anselmo, California, U.S.
GenresHindustani classical music
Occupation(s)Composer, Sarodiya

Ali Akbar Khan (14 April 1922 – 18 June 2009) was an Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. Trained as a classical musician and instrumentalist by his father, Allauddin Khan, he also composed numerous classical ragas and film scores.[1] He established a music school in Calcutta in 1956, and the Ali Akbar College of Music in 1967, which moved with him to the United States and is now based in San Rafael,[citation needed] California, with a branch in Basel, Switzerland.

Khan was instrumental in popularizing Indian classical music in the West, both as a performer and as a teacher. He first came to America in 1955 on the invitation of violinist Yehudi Menuhin and later settled in California.[2] He was a Distinguished Adjunct Professor of Music at the University of California, Santa Cruz.[3]

Khan was accorded India's second highest civilian honour, the Padma Vibhushan, in 1989.[4] Nominated five times for the Grammy Award, Khan was also a recipient of the MacArthur Fellowship and the National Endowment for the Arts' National Heritage Fellowship.

Childhood and training[edit]

Ali Akbar Khan was born in the village of Shibpur, Brahmanbaria, in present-day Bangladesh, to musician and teacher, Allauddin Khan and Madina Begum.[5] Soon after his birth, Khan's family returned to Maihar (in present-day Madhya Pradesh, India) where his father was the primary court musician for the Maharaja of the princely state.[6]

From an early age Khan received training from his father in various instruments as well as vocal composition, but finally gravitated towards the sarod. Allauddin was a perfectionist and a strict taskmaster, and Khan's lessons started before dawn and often lasted 18 hours a day.[7] Khan also learned to play the tabla and the pakhavaj from his uncle, Aftabuddin Khan, who he visited at Shibpur.[8] During this period he met several prominent musicians, such as the sarodist Timir Baran and flautist Pannalal Ghosh, who came to study with his father; in later years he was joined in his lessons by his sister Annapurna Devi, who became an accomplished player of the surbahar, and fellow student Ravi Shankar. Shankar and Annapurna Devi were married in 1941.[6]

Of his training on the sarod, he wrote:

If you practice for ten years, you may begin to please yourself, after 20 years you may become a performer and please the audience, after 30 years you may please even your guru, but you must practice for many more years before you finally become a true artist—then you may please even God.[9]


Khan on a 2014 stamp sheet of India

Khan, after years of rigorous training, gave his debut performance at a music conference in Allahabad in 1936, at the age of 13. Three years later, in December 1939, he accompanied Ravi Shankar on the sarod during the latter's debut performance at the same conference; this was the first of many jugalbandis (duets) between the two musicians. In 1938 Khan gave his first recital on All India Radio (AIR), Bombay (accompanied on the tabla by Alla Rakha), and starting in January 1940, he gave monthly performances on AIR, Lucknow. Finally in 1944, both Shankar and Khan left Maihar to start their professional careers as musicians; Shankar went to Bombay, while Khan became the youngest Music Director for AIR, Lucknow, and was responsible for solo performances and composing for the radio orchestra.[7]

In 1943, on his father's recommendation, Khan was appointed a court musician for the Maharaja of Jodhpur, Umaid Singh.[10] There, he taught and composed music besides giving recitals and was accorded the title of Ustad by the Maharaja. When the princely states were wound down with India's independence in 1947 and Maharaja Hanwant Singh died in a plane crash in 1952, Khan moved to Bombay.[7]

In Bombay, he won acclaim as a composer of several film scores, including Chetan Anand's Aandhiyan (1952). Lata Mangeshkar sang the title song, "Har Kahin Pe Shaadmani" and as a token of her respect to sarod maestro, did not charge any fee.[11] This was followed by Satyajit Ray's Devi (1960), Merchant-Ivory's The Householder, and Tapan Sinha's Khudito Pashan ("Hungry Stones", 1960), for which he won the "Best Musician of the Year" award. He also played sarod for a song in 1955 film Seema which had the music composed by Shankar Jaikishan. Later in 1993, he would score some of the music for Bernardo Bertolucci's Little Buddha.[12]

Beginning in 1945, Khan also started recording a series of 78 rpm disks (which could record about three minutes of music) at the HMV Studios in Bombay. For one such record he conceived a new composition Raga Chandranandan ("moonstruck"), based on four evening ragas, Malkauns, Chandrakauns, Nandakauns and Kaushi Kanada. This record was a huge success in India, and the raga found a worldwide audience, when a 22-minute rendition was re-recorded for the Master Musician of India LP in 1965 − one of Khan's seminal recordings.[13]

He performed in India and traveled extensively in the West. In 1956, Khan founded the Ali Akbar College of Music in Calcutta, with the mission to teach and spread Indian classical music. He founded another school of the same name in Berkeley, California in 1967 and later moved it to San Rafael, California.[10][better source needed] Khan performed in Boston with Shankar Ghosh in 1969 for the Peabody Mason Concert series. In 1985 he founded another branch of the Ali Akbar College of Music in Basel, Switzerland. Khan was the first Indian musician to record an LP album of Indian classical music in the United States and to play sarod on American television.[14]

Khan has participated in a number of classic jugalbandi pairings, most notably with Ravi Shankar, Nikhil Banerjee and violinist L. Subramaniam. A few recordings of duets with Vilayat Khan also exist. He also collaborated with Western musicians; he taught Grateful Dead drummers Mickey Hart[15] and, by extension, Bill Kreutzmann. In August 1971, Khan performed at Madison Square Garden for the Concert for Bangladesh, along with Ravi Shankar, Alla Rakha and Kamala Chakravarty; other musicians at the concert included George Harrison, Bob Dylan, Eric Clapton and Ringo Starr. A live album and a movie of the event were later released.[1][10]

Personal life[edit]

Khan was married three times and had at least 11 children, including sarod players Aashish Khan and Alam Khan.[16]

Khan was based in the United States for the last four decades of his life. He toured extensively until he was prevented from doing so by ill health. He had been a dialysis patient since 2004. He died from kidney failure at his home in San Anselmo, California on 18 June 2009, at age 87.[17]


Khan was awarded the Padma Bhushan in 1967[18] and the Padma Vibhushan in 1989,[19] among other awards. He received a MacArthur Fellowship in 1991,[10] the first Indian musician to receive the so-called "genius grant".[17] In 1997, Khan received the National Endowment for the Arts' prestigious National Heritage Fellowship, the United States' highest honour in the traditional arts.[20] Khan received five Grammy nominations over the course of his life.[17] In September 2014, a postage stamp featuring Khan was released by India Post commemorating his contributions.[21]

Selected discography[edit]

Solo albums:

  • Sound of the Sarod: Recorded in Concert (World Pacific) (recorded in LA, c1962)
  • The Classical Music of India (Prestige, 1964)
  • Bear's Sonic Journals: That Which Colors the Mind (Owsley Stanley Foundation, 2020)[22][23]

With Ravi Shankar:

  • The Master Musicians of India (Prestige, 1964)

With John Handy:


  1. ^ a b Grimes, William (19 June 2009). "Ali Akbar Khan, Sarod Virtuoso of Depth and Intencity, Is Dead at 87". The New York Times. Retrieved 13 September 2019.
  2. ^ "50 Most Influential Indian Americans". Retrieved 29 July 2017.
  3. ^ Rappaport, Scott. "Ali Akbar Khan Endowment for Indian Classical Music". UC Santa Cruz.
  4. ^ "Padma Awards". Ministry of Communications and Information Technology (India). Archived from the original on 7 April 2015. Retrieved 13 September 2019.
  5. ^ "Sarod maestro Ali Akbar Khan passes away at 87". Sify News. Asian News International (ANI). 19 June 2009. Archived from the original on 23 August 2014. Retrieved 19 June 2009.
  6. ^ a b Lavezzoli 2006, pp. 51–52
  7. ^ a b c Lavezzoli 2006, pp. 53–55
  8. ^ Massey, Reginald (1996). The music of India. Abhinav Publications. p. 142. ISBN 81-7017-332-9.
  9. ^ Thomason, Robert E. (20 June 2009). "Bengali Musician Ali Akbar Khan Dies at 87". The Washington Post.
  10. ^ a b c d Thomason, Robert E. (19 June 2009). "Sarod Virtuoso Ali Akbar Khan Dies at 87". The Washington Post. Retrieved 13 September 2019.
  11. ^ "Soul-stirring strains". The Hindu. Chennai, India. 26 June 2011. Retrieved 13 September 2019.
  12. ^ "Ali Akbar Khan biography". AMMP. Archived from the original on 20 June 2009. Retrieved 13 September 2019.
  13. ^ Lavezzoli 2006, pp. 55–56
  14. ^ "Ali Akbar Khan: Many firsts to his credit". The Hindu. Chennai, India. Press Trust of India (PTI). 19 June 2009. Archived from the original on 22 June 2009. Retrieved 13 September 2019.
  15. ^ Curiel, Jonathan (20 June 2009). "Famed Indian-born musician Ali Akbar Khan dies". San Francisco Chronicle. Retrieved 24 February 2021.
  16. ^ Massey, Reginald (22 June 2009). "Obituary Ali Akbar Khan". The Guardian. Retrieved 4 November 2023.
  17. ^ a b c Thurber, Jon (20 June 2009). "Ali Akbar Khan dies at 87; sarod player helped bring Indian music to U.S." Los Angeles Times. Los Angeles, CA. Retrieved 16 November 2017.
  18. ^ "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Archived from the original (PDF) on 15 October 2015. Retrieved 21 July 2015.
  19. ^ "Sarod maestro Ustad Ali Akbar Khan passes away". The Hindu. Chennai, India. Press Trust of India (PTI). 20 June 2009. Archived from the original on 23 June 2009. Retrieved 13 September 2019.
  20. ^ "NEA National Heritage Fellowships 1997". National Endowment for the Arts. Archived from the original on 13 August 2020. Retrieved 17 December 2020.
  21. ^ Govind, Ranjani (3 September 2014). "Four of eight commemorative stamps feature musical legends from State". The Hindu. ISSN 0971-751X. Retrieved 22 December 2022.
  22. ^ Patel, Madhu (29 October 2020). "Owsley Stanley Foundation to Release Rare Performance by Ali Akbar Khan from 1970". India Post. Retrieved 27 November 2020.
  23. ^ Kureshi, Anisa (8 December 2020). "Smoke in a Bottle: That Which Colors the Mind". India Currents. Retrieved 11 December 2020.

Cited sources[edit]

  • Lavezzoli, Peter (2006). The dawn of Indian music in the West: Bhairavi. London: Continuum. ISBN 0-8264-1815-5.

External links[edit]