The Closing of the American Mind

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Closing of the American Mind
The Closing of the American Mind (first edition).jpg
Cover of the first edition
Author Allan Bloom
Country United States
Language English
Subject Education, philosophy, social criticism, cultural criticism, politics
Publisher Simon & Schuster
Publication date
Media type Print (Hardcover and Paperback)
Pages 392
ISBN 5-551-86868-0

The Closing of the American Mind is a 1987 book by the philosopher Allan Bloom, in which the author argued that "higher education has failed democracy and impoverished the souls of today's students." He focused especially upon the "openness" of relativism as leading paradoxically to the great "closing" referenced in the book's title. In Bloom's view, "openness" and absolute understanding undermine critical thinking and eliminate the "point of view" that defines cultures. Bloom's book became an unexpected best seller, eventually selling close to half a million copies in hardback, but drew divided reactions from reviewers.


"Education in our times must try to find whatever there is in students that might yearn for completion, and to reconstruct the learning that would enable them autonomously to seek that completion."

- Allan Bloom, The Closing of the American Mind

Bloom critiques the contemporary American university and how he sees it as failing its students, criticizing modern movements in philosophy and the humanities. Philosophy professors involved in ordinary language analysis or logical positivism disregard important "humanizing" ethical and political issues and fail to pique the interest of students.[1] Literature professors involved in deconstructionism promote irrationalism and skepticism of standards of truth and thereby dissolve the moral imperatives which are communicated through genuine philosophy and which elevate and broaden the intellects of those who engage with these imperatives.[2] To a great extent, Bloom's criticism revolves around his belief that the "great books" of Western thought have been devalued as a source of wisdom. Bloom's critique extends beyond the university to speak to the general crisis in American society. He draws analogies between the United States and the Weimar Republic. The modern liberal philosophy, he says, enshrined in the Enlightenment thought of John Locke—that a just society could be based upon self-interest alone, coupled by the emergence of relativism in American thought—had led to this crisis.

For Bloom, this created a void in the souls of Americans, into which demagogic radicals as exemplified by '60s student leaders could leap. (In the same fashion, Bloom suggests, that the Nazi brownshirts once filled the gap created in German society by the Weimar Republic.) In the second instance, he argued, the higher calling of philosophy and reason understood as freedom of thought, had been eclipsed by a pseudo-philosophy, or an ideology of thought. Relativism was one feature of modern liberal philosophy that had subverted the Platonic–Socratic teaching.

Bloom's critique of contemporary social movements at play in universities or society at large is derived from his classical and philosophical orientation. For Bloom, the failure of contemporary liberal education leads to the sterile social and sexual habits of modern students, and to their inability to fashion a life for themselves beyond the mundane offerings touted as success. Bloom argues that commercial pursuits had become more highly valued than love, the philosophic quest for truth, or the civilized pursuits of honor and glory.

Examining the philosophical effects of popular music on the lives of students, Bloom placed pop music, or as it is generically branded by record companies "rock music", in a historical context from Plato’s Republic to Friedrich Nietzsche’s Dionysian longings. Treating it for the first time with genuine philosophical interest, he gave fresh attention to the industry, its target-marketing to children and teenagers, its top performers, its place in our late-capitalist bourgeois economy, and its pretensions to liberation and freedom. Bloom, informed by Socrates, Aristotle, Rousseau, and Nietzsche, explores music’s power over the human soul. He cites the soldier who throws himself into battle at the urging of the drum corps, the pious believer who prays under the spell of a religious hymn, the lover seduced by the romantic guitar, and points towards the tradition of philosophy that treated musical education as paramount. He names the pop-star Mick Jagger as a cardinal representative of the hypocrisy and erotic-sterility of pop-music. Pop music employs sexual images and language to enthrall the young and to persuade them that their petty rebelliousness is authentic politics, when, in fact, they are being controlled by the money-managers whom successful performers like Jagger quietly serve. Bloom claims that Jagger is a hero to many university students who envy his fame and wealth but are really just bored by the lack of options before them.[3] Along with the absence of literature in the lives of the young and their sexual but often unerotic relationships, Bloom tries to explain the current state of education in a fashion beyond the purview of an economist or psychiatrist—contemporary culture's leading umpires.


The Closing of the American Mind was published in 1987, five years after Bloom published an essay in The National Review about the failure of universities to serve the needs of students. With the encouragement of Saul Bellow, his colleague at the University of Chicago, he expanded his thoughts into a book "about a life, I've led"[4] that critically reflected on the current state of higher education in American universities. His friends and admirers imagined the work would be a modest success, as did Bloom, who recognized his publisher’s modest advance to complete the project as a lack of sales confidence. Yet on the momentum of strong initial reviews, including one by Christopher Lehmann-Haupt in The New York Times and an op-ed piece by syndicated conservative commentator George Will entitled "A How-To Book for the Independent"[5] it became an unexpected best seller, eventually selling close to half a million copies in hardback and remaining at number one on the New York Times Non-fiction Best Seller list for four months.[6]

Critical reception[edit]

The art critic Roger Kimball, writing in The New York Times, called The Closing of the American Mind "an unparalleled reflection on the whole question of what it means to be a student in today's intellectual and moral climate."[7] Martha Nussbaum, a liberal philosopher, and Harry V. Jaffa, a conservative historian, both argued that Bloom was deeply influenced by 19th-century European philosophers, especially Nietzsche. Nussbaum wrote that, for Bloom, Nietzsche had been disastrously influential in modern American thought.[8] Jaffa noted that while Bloom discusses contemporary social movements, particularly those that gained ascendancy in the 1960s, he was virtually silent on the gay rights movement and the role it played in the lives of students at the time.[9] The popular musician and cultural critic Frank Zappa argued that Bloom's view of pop music was based on the same ideas that critics of pop "in 1950s held, ideas about the preservation of 'traditional' white American society."[10]

In her review, Nussbaum questioned whether Bloom deserved to be considered a philosopher.[8] The criticism of the book was continued by impassioned reviews by Benjamin Barber in Harper's; by the scholar of ancient philosophy and Nietzsche Alexander Nehamas in the London Review of Books; and by David Rieff in The Times Literary Supplement.[11] David Rieff called Bloom "an academic version of Oliver North: vengeful, reactionary, antidemocratic." The book, he said, was one that "decent people would be ashamed of having written." The tone of these reviews led James Atlas in the New York Times Magazine to conclude "the responses to Bloom's book have been charged with a hostility that transcends the usual mean-spiritedness of reviewers."[4] The philosopher Robert Paul Wolff, writing in the scholarly journal Academe, reviewed the book as a work of fiction: he claimed that Bloom's friend Saul Bellow, who had written the introduction, had written a "coruscatingly funny novel in the form of a pettish, bookish, grumpy, reactionary complaint against the last two decades", using as the narrator a "mid-fiftyish professor at the University of Chicago, to whom Bellow gives the evocative name 'Bloom.'"[11]

Fred Matthews, a historian from York University, tempered his criticism with an admission of the merits of Bloom's writing, beginning a review in the American Historical Review with the statement that Bloom's "probes into popular culture" were "both amusing and perceptive" and that the work was "a rich, often brilliant, and disturbing book".[12]

The neoconservative writer Norman Podhoretz embraced Bloom's argument, noting that the closed-mindedness in his title refers to the paradoxical consequence of the academic "open mind" found in liberal political thought—namely "the narrow and intolerant dogmatism" that dismisses any attempt, by Plato or the Hebrew Bible for example, to provide a rational basis for moral judgments. Podhoretz continued, "Bloom goes on to charge liberalism with vulgarizing the noble ideals of freedom and equality, and he offers brilliantly acerbic descriptions of the sexual revolution and the feminist movement, which he sees as products of this process of vulgarization."[13] In a 1989 article (The German Quarterly, Vol. 62, No. 3, Focus: Literature since 1945 (Summer, 1989)), Ann Clark Fehn discussed the critical reception of the book, noting that it had eclipsed other titles that year dealing with higher education (College, by Ernest L. Boyer, and Cultural Literacy, by E. D. Hirsch), and quoting Publishers Weekly, which had described Bloom's book as a "best-seller made by reviews." The poet Frederick Turner described The Closing of the American Mind as, "The most thoughtful conservative analysis of the nation's cultural sickness."[14]

The critic Camille Paglia called The Closing of the American Mind "the first shot in the culture wars", writing of Bloom that she was "confident that in the long run he will be vindicated and his critics swallowed in obscurity".[15] The jurist Richard Posner compared Bloom's book to Paglia's Sexual Personae (1990), finding both books to be examples of "difficult academic works that mysteriously strike a chord with a broad public."[16] The linguist Noam Chomsky dismissed Bloom's book as "mind-bogglingly stupid" for "basically saying... you just march the students through a canon of 'great thoughts' that are picked out for everybody" when "the effect of that is that students will end up knowing and understanding virtually nothing."[17]


  1. ^ Bloom, Allan. "The Student and the University", p. 378. Closing of the American Mind. New York: Simon & Schuster.
  2. ^ Bloom, Allan. "The Student and the University", p. 379. Closing of the American Mind. New York: Simon & Schuster.
  3. ^ Bloom, Allan. “Music” p. 68-81. The Closing of the American Mind. New York: Simon & Schuster.
  4. ^ a b Atlas, James. “Chicago’s Grumpy Guru: Best-Selling Professor Allan Bloom and the Chicago Intellectuals.” New York Times Magazine. January 3, 1988. 12.
  5. ^ Will, George F. (July 30, 1987). "A How-To Book for the Independent". 
  6. ^ Goldstein, William. “The Story behind the Best Seller: Allan Bloom’s Closing of the American Mind.” Publishers Weekly. July 3, 1987.
  7. ^ New York Times. Arts. "The Groves of Ignorance". April 5, 1987. url:
  8. ^ a b Nussbaum, Martha. "Undemocratic Vistas," New York Review of Books 34, no.17 (November 5, 1987)
  9. ^ Jaffa, Harry V. "Humanizing Certitudes and Impoverishing Doubts: A Critique of Closing of the American Mind". Interpretation. 16 Fall 1988.
  10. ^ Zappa, Frank. "On Junk Food for the Soul." New Perspective's Quarterly. 1987. Available online at: "On Junk Food for the Soul"
  11. ^ a b Atlas, James (1988-01-03). "CHICAGO'S GRUMPY GURU". New York Times. Retrieved 2008-05-08. 
  12. ^ The American Historical Review, Vol. 95, No. 2 (Apr., 1990), pp. 429–447. url: (Accessed May 16, 2008)
  13. ^ Podhoretz, Norman. “Conservative Book Becomes a Best-Seller.” Human Events July 11, 1987: 5–6.
  14. ^ Turner, Frederick (1995). The Culture of Hope: A New Birth of the Classical Spirit. New York: The Free Press. p. 277. ISBN 0-02-932792-X. 
  15. ^ Paglia, Camille (July 1997). "Ask Camille". Retrieved 2008-05-09. 
  16. ^ Posner, Richard A. (2001). Public Intellectuals: A Study of Decline. Cambridge, Massachusetts: Harvard University Press. p. 103. ISBN 0-674-00633-X. 
  17. ^ Chomsky, Noam. "Understanding Power." Ed. Mitchell, Peter R. and John Schoeffel. New York: The New Press, 2002. pg. 233.

External links[edit]