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|years_active = 1952–1973 (actress)<br/>1973–present (animal rights activist)
|years_active = 1952–1973 (actress)<br/>1973–present (animal rights activist)
|spouse = {{marriage|[[Roger Vadim]] <br>|1952|1957|end=divorced}}<br>{{marriage|[[Jacques Charrier]] <br>|1959|1962|end=divorced}}<br>{{marriage|[[Gunter Sachs]] <br>|1966|1969|end=divorced}}<br>{{marriage|Bernard d'Ormale <br>|1992}}
|spouse = {{marriage|[[Roger Vadim]] <br>|1952|1957|end=divorced}}<br>{{marriage|[[Jacques Charrier]] <br>|1959|1962|end=divorced}}<br>{{marriage|[[Gunter Sachs]] <br>|1966|1969|end=divorced}}<br>{{marriage|Bernard d'Ormale <br>|1992}}
|partner = [[Jean-Louis Trintignant]] <small>(1956–58)</small><br/>Bob Zagury <small>(1963–65)</small><br/>[[Serge Gainsbourg]] <small>(1967)</small><br/>Patrick Gilles <small>(1968–71)</small><br/>Miroslav Brozek <small>(1975–79)</small><br/>{{nowrap|Allain Bougrain-duBourg <small>(1980–1985)</small>}}
|children = 1
|children = 1
|relatives = [[Mijanou Bardot]] (sister)
|relatives = [[Mijanou Bardot]] (sister)
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}}
}}


'''Brigitte Anne-Marie Bardot''' ({{IPA-fr|bʁiʒit baʁdo|lang}}; born 28 September 1934), often referred to by the initials B.B.,<ref name="institut-francais">{{cite web|url=https://www.institut-francais.org.uk/cine-lumiere/whats-on/festivals-series/and-bardot-became-bb/|publisher=[[Institut français du Royaume-Uni]]|title=And Bardot Became BB|accessdate=13 January 2017|deadurl=no|archiveurl=https://web.archive.org/web/20180808114518/https://www.institut-francais.org.uk/cine-lumiere/whats-on/festivals-series/and-bardot-became-bb/|archivedate=8 August 2018}}</ref>{{sfn|Probst|2012|p=7}} is a French animal rights activist and former actress, singer, dancer and model. Famous for portraying sexually emancipated persona with hedonistic lifestyles, she was one of the best known [[sex symbol]]s of the 1950s and 1960s decades. Although having withdrawn from the entertainment industry since 1973, she remains a major [[popular culture]] icon.{{sfnm|Cherry|2016|1p=134|Vincendeau|1992|2p=73–76}}
'''Brigitte Anne-Marie Bardot'''<ref>{{cite web|url=http://rateyourmusic.com/artist/brigitte_bardot |archive-url=https://archive.is/20120525093849/http://rateyourmusic.com/artist/brigitte_bardot |dead-url=yes |archive-date=25 May 2012 |title=Films and Music by Brigitte Bardot |publisher=Rate Your Music |accessdate=13 March 2010 }}</ref><ref>{{cite web|url=http://www.dailycelebrations.com/092800.htm|title=Daily Celebrations ~ Brigitte Bardot, Cat Transformed|publisher=Dailycelebrations.com|accessdate=13 March 2010|archive-url=https://web.archive.org/web/20100504235132/http://www.dailycelebrations.com/092800.htm|archive-date=4 May 2010|dead-url=yes|df=dmy-all}}</ref>({{IPA-fr|bʁiʒit baʁdo|lang}}; born 28 September 1934) is a French singer, dancer, fashion model and a retired actress, who later became an animal rights activist. She was one of the best known [[sex symbol]]s of the 1950s and 1960s and was widely referred to by her initials, '''B.B.'''<ref name="institut-francais">{{cite web|url=http://www.institut-francais.org.uk/cine-lumiere/whats-on/festivals-series/and-bardot-became-bb/|publisher=institut-francais.org.uk|title=And Bardot Became BB &#124; Institut français du Royaume-Uni |accessdate=13 January 2017}}</ref>


Bardot was an aspiring ballerina in her early life. She started her acting career in 1952. She achieved international recognition in 1957 for her role in the controversial ''[[And God Created Woman (1956 film)|And God Created Woman]]''. Bardot caught the attention of French intellectuals. She was the subject of [[Simone de Beauvoir]]'s 1959 essay, ''The Lolita Syndrome'', which described Bardot as a "locomotive of women's history" and built upon [[existentialist]] themes to declare her the first and most liberated woman of post-war France.<ref name=guardot/> She later starred in [[Jean-Luc Godard]]'s 1963 film ''[[Contempt (film)|Le Mépris]]''. For her role in [[Louis Malle]]'s 1965 film ''[[Viva Maria!]]'' Bardot was nominated for a [[BAFTA Award for Best Actress in a Leading Role|BAFTA Award for Best Foreign Actress]]. From 1969 to 1978, Bardot was the official face of [[Marianne]] (who had previously been anonymous) to represent the liberty of France.<ref name=Sohn>Anne-Marie Sohn (teacher at the [[École Normale Supérieure|ENS]]-Lyon), [http://hist-geo.ac-rouen.fr/doc/bls/2004/marian.htm Marianne ou l'histoire de l'idée républicaine aux XIXe et XXe siècles à la lumière de ses représentations] (résumé of Maurice Agulhon's three books, ''Marianne au combat'', ''Marianne au pouvoir'' and ''Les métamorphoses de Marianne'') {{fr icon}}</ref>
Born and raised in [[Paris]], Bardot was an aspiring ballerina in her early life. She started her acting career in 1952. She achieved international recognition in 1957 for her role in the controversial ''[[And God Created Woman (1956 film)|And God Created Woman]]''. Bardot caught the attention of French intellectuals. She was the subject of [[Simone de Beauvoir]]'s 1959 essay, ''The Lolita Syndrome'', which described Bardot as a "locomotive of women's history" and built upon [[existentialist]] themes to declare her the first and most liberated woman of post-war France. She later starred in [[Jean-Luc Godard]]'s 1963 film ''[[Contempt (film)|Le Mépris]]''. For her role in [[Louis Malle]]'s 1965 film ''[[Viva Maria!]]'' Bardot was nominated for a [[BAFTA Award for Best Actress in a Leading Role|BAFTA Award for Best Foreign Actress]].


Bardot retired from the entertainment industry in 1973. She had acted in 47 films, performed in several musicals and recorded more than 60 songs. She was awarded the [[Legion of Honour]] in 1985 but refused to accept it.<ref>[https://www.independent.co.uk/news/world/europe/the-big-question-how-does-the-french-honours-system-work-and-why-has-kylie-been-decorated-822752.html "The Big Question: How does the French honours system work, and why has Kylie been decorated?"], independent.co.uk, 8 May 2008.</ref> After retiring, she became an [[animal rights]] activist. During the 2000s, she generated controversy by criticizing immigration and [[Islam in France]] and has been fined five times for [[Incitement to ethnic or racial hatred|inciting racial hatred]].<ref name="race fine">{{cite news|title=Bardot fine for stoking race hate|date=3 June 2008|url=http://news.bbc.co.uk/2/hi/entertainment/7434193.stm|accessdate=3 June 2008|publisher=BBC News|location=London, UK}}</ref><ref>{{cite news|title=Bardot fined for racist remarks|date=16 June 2000|url=http://news.bbc.co.uk/2/hi/entertainment/793390.stm|accessdate=4 June 2008|publisher=BBC News|location=London, UK}}</ref>
Bardot retired from the entertainment industry in 1973. She had acted in 47 films, performed in several musicals and recorded more than 60 songs. She was awarded the [[Legion of Honour]] in 1985 but refused to accept it. After retiring, she became an [[animal rights]] activist. During the 2000s, she generated controversy by criticizing immigration and [[Islam in France]] and has been fined five times for [[Incitement to ethnic or racial hatred|inciting racial hatred]].


==Biography==
==Life and career==
===Early life: 1934-1952===
===Early life: 1934–1951===
Brigitte Anne-Marie Bardot was born on 28 September 1934 in the [[15th arrondissement of Paris|15th arrondissement]] of [[Paris]], France to Louis Bardot (1896–1975) and Anne-Marie Mucel (1912–1978).{{sfn|Bardot|1996|p=15}} Bardot's father, originated from [[Ligny-en-Barrois]], was an engineer and the proprietor of several industrial factories in Paris.<ref name="Lorrain">{{cite news|archiveurl=https://web.archive.org/web/20131202224142/http://www.republicain-lorrain.fr/actualite/2010/05/23/brigitte-bardot-j-en-ai-les-larmes-aux-yeux|url=http://www.republicain-lorrain.fr/actualite/2010/05/23/brigitte-bardot-j-en-ai-les-larmes-aux-yeux|title=Brigitte Bardot: 'J'en ai les larmes aux yeux'|work=[[Le Républicain Lorrain]]|language=French|date=May 23, 2010|archivedate=December 2, 2013|deadurl=yes}}</ref>{{sfn|Singer|2006|p=6}} Her mother was the daughter of an insurance company director.{{sfn|Bigot|2014|p=12}} She grew up in a conservative [[Catholic Church|Catholic]] family, as with her father's upbringing.{{sfn|Bigot|2014|p=11}}<ref name="Observer_outrageous">{{cite web|url=https://www.theguardian.com/film/2014/sep/20/brigitte-bardot-at-80-still-outrageous-outspoken|title=Brigitte Bardot at 80: still outrageous, outspoken and controversial|first=Agnès|last=Poirier|work=[[The Observer]]|date=September 20, 2014|accessdate=March 21, 2019}}</ref> She suffered from [[amblyopia]] as a child, which resulted in [[decreased vision]] of her left eye.{{sfn|Lelièvre|2012|p=18}} She has one younger sister, [[Mijanou Bardot|Mijanou]].{{sfn|Bardot|1996|p=45}}
Bardot was born in Paris, the daughter of Louis Bardot (1896–1975) and Anne-Marie "Toty" Bardot (née Mucel; 1912–1978). Louis had an engineering degree and worked with his father, Charles Bardot, in the family business. Louis and Anne-Marie married in 1933. Bardot grew up in an upper middle-class [[Roman Catholic]] observant home.<ref>{{cite news|url=http://www.tribune.ie/article/2009/sep/27/profile-brigitte-bardot-and-god-created-bardot|title=Profile: Brigitte Bardot&nbsp;– And God created Bardot|publisher=[[Sunday Tribune]]|date=27 September 2009|accessdate=19 September 2010|first=Valerie|last=Shanley}}</ref> When she was seven, Brigitte was admitted to the [[Cours Hattemer]], a private school. She went to school three days a week, and otherwise studied at home. This gave time for lessons at Madame Bourget's dance studio three days a week.<ref name="Singer2006">{{cite book|last=Singer|first=Barnett|title=Brigitte Bardot: A Biography|url=https://books.google.com/books?id=3e5vfj0ybGYC&pg=PA10|accessdate=1 July 2015|date=6 July 2006|publisher=McFarland|isbn=978-0-7864-8426-3|pages=10–11}}</ref>
Brigitte's mother also enrolled Brigitte's younger sister, Marie-Jeanne (born 5 May 1938), in dance. Marie-Jeanne eventually gave up dancing lessons and did not tell her mother, whereas Brigitte concentrated on ballet. In 1947, Bardot was accepted to the [[Conservatoire de Paris]]. For three years she attended ballet classes by Russian choreographer Boris Knyazev. One of her classmates was [[Leslie Caron]]. The other ballerinas nicknamed Bardot "Bichette" ("Little Doe").<ref>[[Leslie Caron|Caron, Leslie]]. ''Thank Heaven'', Plume Publishing (2009)<!-- isbn needed --></ref>


Bardot's childhood was one of prosperity, as she lived in her family's seven-bedroom apartment in the luxurious [[16th arrondissement of Paris|16th arrondissement]].<ref name="Observer_outrageous"/>{{sfn|Singer|2006|p=10}} However, she recalled that her early years were resentful.{{sfnm|Bardot|1996|1p=45|Singer|2006|2p=10–14}} Her father demanded her to follow strict behavioural standards, including appropriate clothes and table manners.{{sfn|Singer|2006|p=10–12}} Her mother was extremely selective in choosing companions for Bardot, resulting in her having very few childhood friends.{{sfn|Singer|2006|p=10–11}} Bardot cited a personal traumatic incident when she and her sister broke her parents' favourite vase while they were playing in the house; her father [[whip]]ped the sisters 20 times and henceforth treated them like "strangers", demanding them to address their parents by the pronoun "[[wikt:vous#French|vous]]", which is used to address unfamiliar or respectable persons in the [[French language]].{{sfn|Singer|2006|p=11–12}} The incident decisively led to Bardot's grievance for her parents and future rebellious lifestyle.{{sfn|Singer|2006|p=12}}
At the invitation of an acquaintance of her mother, she modelled in a fashion show in 1949. In the same year, she modelled for a fashion magazine "''Jardin des Modes''" managed by journalist Hélène Lazareff. Aged 15, she appeared on an 8 March 1950 cover of ''[[Elle (magazine)|Elle]]''<ref>{{cite web|url=http://thebiographychannel.co.uk/biography_story/830:112/1/Brigitte_Bardot.htm |title=Brigitte Bardot Biography |publisher=The Biography Channel |accessdate=13 March 2010 |deadurl=yes |archiveurl=https://web.archive.org/web/20090914064938/http://thebiographychannel.co.uk/biography_story/830%3A112/1/Brigitte_Bardot.htm |archivedate=14 September 2009 }}</ref> and was noticed by a young film director, [[Roger Vadim]], while babysitting. He showed an issue of the magazine to director and screenwriter [[Marc Allégret]], who offered Bardot the opportunity to audition for ''Les lauriers sont coupés''. Although Bardot got the role, the film was cancelled but made her consider becoming an actress. Her relationship with Vadim, who attended the audition, influenced her further life and career.<ref name="InitialsBB"/><ref name="twolives"/>


During [[World War II]], when Paris was [[Paris in World War II|occupied]] by [[Nazi Germany]], Bardot spent more time at home due to increasingly strict civilian surveillance.{{sfn|Singer|2006|p=10}} She became engrossed in dancing to [[phonograph record]]s, which her mother saw as a potential for a [[ballet]] career.{{sfn|Singer|2006|p=10}} When she was seven, Bardot was admitted to the private school [[Cours Hattemer]].{{sfn|Singer|2006|p=11}} She went to school three days a week, which gave her ample time to take dance lessons at a local studio, under her mother's arrangements.{{sfn|Singer|2006|p=10–11}} In 1949, Bardot was accepted to the [[Conservatoire de Paris]]. For three years, she attended ballet classes by Russian choreographer Boris Knyazev.{{sfn|Caron|2009|p=62}} She also studied at the Instistut de la Tour, a private Catholic high school near her home.<ref>{{cite news|first=Caroline|last=Pigozzi|title=Bardot s'en va toujours en guerre... pour les animaux|newspaper=[[Paris Match]]|issue=January 2018|pp=76-83}}</ref>
===Career: 1952–1973===
[[File:Brigitte Bardot, 1953 (36209530070).jpg|thumb|Brigitte Bardot at the [[1953 Cannes Film Festival]].]] Bardot debuted in a highly popular [[comedy film]] starring [[Bourvil]], ''Le Trou Normand'' (1952) (English title: ''Crazy for Love'').


[[Hélène Gordon-Lazareff]], the then-director of the magazines ''[[Elle (magazine)|Elle]]'' and ''[[Le Jardin des Modes]]'', hired Bardot in 1949 as a "junior" fashion model.{{sfn|Bardot|1996|p=67}} On 8 March 1950, Bardot (aged 15 at the time) appeared on the cover of ''Elle'', which brought her an acting offer for the film ''Les Lauriers sont coupés'' from director [[Marc Allégret]].{{sfn|Singer|2006|p=19}} Her parents opposed to her becoming an actress, but her grandfather was supportive, saying that "If this little girl is to become a whore, cinema will not be the cause."{{efn-ua|Original quote: "Si cette petite doit devenir putain ou pas, ce ne sera pas le cinéma qui en sera la cause."{{sfn|Bardot|1996|p=68–69}}}} At the audition, Bardot met [[Roger Vadim]], who later notified to her that she did not get the role.{{sfn|Bardot|1996|p=69}} They subsequently fell in love.{{sfn|Bardot|1996|p=70}} Her parents fiercely opposed their relationship; her father announced to her one evening that she would continue education in England and he had bought her a train ticket, which was to leave the following day.{{sfn|Bardot|1996|p=72}} Bardot reacted by putting her head in the oven with open fire; her parents stopped her and ultimately accepted the relationship, on the condition that she marry Vadim at the age of 18.{{sfnm|Bardot|1996|1p=73|Singer|2006|2p=22}}
She played the lead in ''[[Manina, the Girl in the Bikini]]'' (1953) from director [[Willy Rozier]]. She had a small role in ''[[The Long Teeth]]'' (1953), playing Vadim's wife, then had a leading role in a comedy starring [[Jean Richard]], ''[[His Father's Portrait]]'' (1953).

===First marriage and career beginnings: 1952–1955===
[[File:Brigitte Bardot, 1953 (36209530070).jpg|thumb|Brigitte Bardot at the [[1953 Cannes Film Festival]].]]
Bardot appeared on the cover of ''Elle'' again in 1952, which landed her a movie offer for the comedy ''[[Crazy for Love]]'' (1952), starring [[Bourvil]] and directed by [[Jean Boyer (director)|Jean Boyer]].{{sfn|Bardot|1996|p=81}} She was paid 200,000 [[French franc|franc]] for the small role portraying a cousin of the main character.{{sfn|Bardot|1996|p=81}} On 21 December 1952, Bardot (then 18 years old) married Vadim, under the consent of her parents. The wedding was held at the Notre-Dame-de-Grâce Church of Passy in the 16th arrondissement of Paris.<ref>{{cite news|first=Éric|last=Neuhoff|title=Brigitte Bardot et Roger Vadim&nbsp;– Le loup et la biche|work=[[Le Figaro]]|date=12 August 2013|language=French|page=18}}</ref> Bardot had her second film role in ''[[Manina, the Girl in the Bikini]]'' (1953),{{efn-ua|While this is Bardot's second role, the film was released after ''The Long Teeth'' (1952).{{sfn|Bardot|1996|p=84}}}} directed by [[Willy Rozier]].{{sfn|Bardot|1996|p=84}} She also had roles in the 1953 films ''[[The Long Teeth]]'' and ''[[His Father's Portrait]]''.


Bardot had a small role in a Hollywood-financed film being shot in Paris, ''[[Act of Love (1953 film)|Act of Love]]'' (1953), starring [[Kirk Douglas]]. She received media attention when she attended the [[Cannes Film Festival]] in April 1953.<ref name="twolives"/>
Bardot had a small role in a Hollywood-financed film being shot in Paris, ''[[Act of Love (1953 film)|Act of Love]]'' (1953), starring [[Kirk Douglas]]. She received media attention when she attended the [[Cannes Film Festival]] in April 1953.<ref name="twolives"/>
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For the 1956 Italian movie [[Nero's Weekend|''Mio figlio Nerone'']] Bardot was asked by the director to appear as a blonde. Rather than wear a wig to hide her naturally brunette hair she decided to dye her hair. She was so pleased with the results that she decided to retain the hair colour.<ref name="Servat. Page 76">Servat. Page 76.</ref>
For the 1956 Italian movie [[Nero's Weekend|''Mio figlio Nerone'']] Bardot was asked by the director to appear as a blonde. Rather than wear a wig to hide her naturally brunette hair she decided to dye her hair. She was so pleased with the results that she decided to retain the hair colour.<ref name="Servat. Page 76">Servat. Page 76.</ref>


===Rise to stardom: 1956–1962===
====Stardom====
[[File:Brigitte_Bardot_Venice_1958.jpg|thumb|left|Brigitte Bardot during 1958 [[Venice Film Festival]].]]
[[File:Brigitte_Bardot_Venice_1958.jpg|thumb|left|Brigitte Bardot during 1958 [[Venice Film Festival]].]]
Bardot then appeared in four movies that made her a star. First up was a musical, ''[[Naughty Girl (film)|Naughty Girl]]'' (1956), where Bardot played a troublesome school girl. Directed by [[Michel Boisrond]], it was co-written by Roger Vadim and was a big hit, the 12th most popular film of the year in France.<ref>[http://translate.googleusercontent.com/translate_c?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/france-1956-c22750159&usg=ALkJrhhiLGcr7S1Wd-3bM_0zuo9qMV9r9A Box office figures in France for 1956] at Box Office Story</ref> It was followed by a comedy, ''[[Plucking the Daisy]]'' (1956), written by Vadim with the director Marc Allegret, and another success at France. So too was the comedy ''[[The Bride Is Much Too Beautiful]]'' (1956) with [[Louis Jourdan]].
Bardot then appeared in four movies that made her a star. First up was a musical, ''[[Naughty Girl (film)|Naughty Girl]]'' (1956), where Bardot played a troublesome school girl. Directed by [[Michel Boisrond]], it was co-written by Roger Vadim and was a big hit, the 12th most popular film of the year in France.<ref>[http://translate.googleusercontent.com/translate_c?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/france-1956-c22750159&usg=ALkJrhhiLGcr7S1Wd-3bM_0zuo9qMV9r9A Box office figures in France for 1956] at Box Office Story</ref> It was followed by a comedy, ''[[Plucking the Daisy]]'' (1956), written by Vadim with the director Marc Allegret, and another success at France. So too was the comedy ''[[The Bride Is Much Too Beautiful]]'' (1956) with [[Louis Jourdan]].
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''[[The Female (1959 film)|The Female]]'' (1959) for director [[Julien Duvivier]] was popular, but ''[[Babette Goes to War]]'' (1959), a comedy set in World War Two, was a huge hit, the fourth biggest movie of the year in France.<ref>{{cite web|url=https://translate.google.com/translate?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/box-office-brigitte-bardot-c22691591/21|title=1959 French box office|website=Box Office Story|access-date=28 August 2016}}</ref> Also widely seen was ''[[Come Dance with Me (1959 film)|Come Dance with Me]]'' (1959) from Boisrond.
''[[The Female (1959 film)|The Female]]'' (1959) for director [[Julien Duvivier]] was popular, but ''[[Babette Goes to War]]'' (1959), a comedy set in World War Two, was a huge hit, the fourth biggest movie of the year in France.<ref>{{cite web|url=https://translate.google.com/translate?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/box-office-brigitte-bardot-c22691591/21|title=1959 French box office|website=Box Office Story|access-date=28 August 2016}}</ref> Also widely seen was ''[[Come Dance with Me (1959 film)|Come Dance with Me]]'' (1959) from Boisrond.


====''The Truth''====
Her next film was the courtroom drama ''[[The Truth (1960 film)|The Truth]]'' (1960), from [[Henri-Georges Clouzot]]. It was a highly publicised production, which resulted in Bardot having an affair and attempting suicide. The film was Bardot's biggest ever commercial success in France, the third biggest hit of the year, and was nominated for a Best Foreign Film Oscar.<ref>[http://translate.googleusercontent.com/translate_c?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/box-office-brigitte-bardot-c22691591/23&usg=ALkJrhjiMrG7lbxo6Wu3IvVZsDYW_JPJvA Box office information for film] at Box Office Story</ref>
Her next film was the courtroom drama ''[[The Truth (1960 film)|The Truth]]'' (1960), from [[Henri-Georges Clouzot]]. It was a highly publicised production, which resulted in Bardot having an affair and attempting suicide. The film was Bardot's biggest ever commercial success in France, the third biggest hit of the year, and was nominated for a Best Foreign Film Oscar.<ref>[http://translate.googleusercontent.com/translate_c?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/box-office-brigitte-bardot-c22691591/23&usg=ALkJrhjiMrG7lbxo6Wu3IvVZsDYW_JPJvA Box office information for film] at Box Office Story</ref>


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Bardot was awarded a [[David di Donatello|David di Donatello Award]] for Best Foreign actress for her role in ''[[A Very Private Affair]]'' (''Vie privée'', 1962), directed by [[Louis Malle]]. More popular in France was ''[[Love on a Pillow]]'' (1962), another for Vadim.
Bardot was awarded a [[David di Donatello|David di Donatello Award]] for Best Foreign actress for her role in ''[[A Very Private Affair]]'' (''Vie privée'', 1962), directed by [[Louis Malle]]. More popular in France was ''[[Love on a Pillow]]'' (1962), another for Vadim.


====International films====
===International films and singing career: 1962–1969===
[[File:Brigitte_Bardot_em_visita_ao_Brasil,_1964.tif|thumb|Brigitte Bardot visiting [[Brazil]], 1964.]]
[[File:Brigitte_Bardot_em_visita_ao_Brasil,_1964.tif|thumb|Brigitte Bardot visiting [[Brazil]], 1964.]]
In the mid-1960s Bardot made films which seemed to be more aimed at the international market. In 1963, she starred in [[Jean-Luc Godard]]'s film ''[[Contempt (film)|Le Mépris]]'', produced by [[Joseph E. Levine]] and starring [[Jack Palance]]. The following year she co-starred with [[Anthony Perkins]] in the comedy ''[[Une ravissante idiote]]'' (1964).
In the mid-1960s Bardot made films which seemed to be more aimed at the international market. In 1963, she starred in [[Jean-Luc Godard]]'s film ''[[Contempt (film)|Le Mépris]]'', produced by [[Joseph E. Levine]] and starring [[Jack Palance]]. The following year she co-starred with [[Anthony Perkins]] in the comedy ''[[Une ravissante idiote]]'' (1964).
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After a cameo in Godard's ''[[Masculin Féminin]]'' (1966), she had her first flop in a long time, ''[[Two Weeks in September]]'' (1968), a French–English co-production. She had a small role in the all-star ''[[Spirits of the Dead]]'' (1968), acting opposite [[Alain Delon]], then tried a Hollywood film again: ''[[Shalako (film)|Shalako]]'' (1968), a Western starring [[Sean Connery]], which was a box office disappointment.<ref name="variety">"ABC's 5 Years of Film Production Profits & Losses", ''Variety'', 31 May 1973 p 3</ref>
After a cameo in Godard's ''[[Masculin Féminin]]'' (1966), she had her first flop in a long time, ''[[Two Weeks in September]]'' (1968), a French–English co-production. She had a small role in the all-star ''[[Spirits of the Dead]]'' (1968), acting opposite [[Alain Delon]], then tried a Hollywood film again: ''[[Shalako (film)|Shalako]]'' (1968), a Western starring [[Sean Connery]], which was a box office disappointment.<ref name="variety">"ABC's 5 Years of Film Production Profits & Losses", ''Variety'', 31 May 1973 p 3</ref>


She participated in several musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with [[Serge Gainsbourg]], Bob Zagury and [[Sacha Distel]], including "Harley Davidson"; "Je Me Donne À Qui Me Plaît"; "Bubble gum"; "Contact"; "Je Reviendrai Toujours Vers Toi"; "L'Appareil À Sous"; "La Madrague"; "On Déménage"; "Sidonie"; "Tu Veux, Ou Tu Veux Pas?"; "Le Soleil De Ma Vie" (the cover of [[Stevie Wonder]]'s "[[You Are the Sunshine of My Life]]"); and the notorious "Je t'aime... moi non-plus". Bardot pleaded with Gainsbourg not to release this duet and he complied with her wishes; the following year, he rerecorded a version with British-born model and actress [[Jane Birkin]] that became a massive hit all over Europe. The version with Bardot was issued in 1986 and became a popular download hit in 2006 when [[Universal Music]] made its back catalogue available to purchase online, with this version of the song ranking as the third most popular download.<ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/6058742.stm|title=Bardot revived as download star|date=17 October 2006|work=BBC News|accessdate=3 August 2010}}</ref>
====Final films====

===Final films: 1969–1973===
[[File:Brigitte Bardot.jpg|thumb|left|Bardot in 1968]]
[[File:Brigitte Bardot.jpg|thumb|left|Bardot in 1968]]
From 1969 to 1978, Bardot was the official face of [[Marianne]] (who had previously been anonymous) to represent the liberty of France.<ref name=Sohn>Anne-Marie Sohn (teacher at the [[École Normale Supérieure|ENS]]-Lyon), [http://hist-geo.ac-rouen.fr/doc/bls/2004/marian.htm Marianne ou l'histoire de l'idée républicaine aux XIXe et XXe siècles à la lumière de ses représentations] (résumé of Maurice Agulhon's three books, ''Marianne au combat'', ''Marianne au pouvoir'' and ''Les métamorphoses de Marianne'') {{fr icon}}</ref>

''[[Les Femmes]]'' (1969) was a flop, although the screwball comedy ''[[The Bear and the Doll]]'' (1970) performed slightly better. Her last few films were mostly comedies: ''[[Les Novices]]'' (1970), ''[[Boulevard du Rhum]]'' (1971) (with [[Lino Ventura]]). ''[[The Legend of Frenchie King]]'' (1971) was more popular, helped by Bardot co-starring with [[Claudia Cardinale]]. She made one more with Vadim, ''[[Don Juan, or If Don Juan Were a Woman]]'' (1973), playing the title role. Vadim said the film marked "Underneath what people call "the Bardot myth" was something interesting, even though she was never considered the most professional actress in the world. For years, since she has been growing older, and the Bardot myth has become just a souvenir... I was curious in her as a woman and I had to get to the end of something with her, to get out of her and express many things I felt were in her. Brigitte always gave the impression of sexual freedom - she is a completely open and free person, without any aggression. So I gave her the part of a man - that amused me.<ref name="vadim">ROGER VADIM Wilson, Timothy. The Guardian (1959-2003) [London (UK)] 07 Apr 1973: 9.</ref>
''[[Les Femmes]]'' (1969) was a flop, although the screwball comedy ''[[The Bear and the Doll]]'' (1970) performed slightly better. Her last few films were mostly comedies: ''[[Les Novices]]'' (1970), ''[[Boulevard du Rhum]]'' (1971) (with [[Lino Ventura]]). ''[[The Legend of Frenchie King]]'' (1971) was more popular, helped by Bardot co-starring with [[Claudia Cardinale]]. She made one more with Vadim, ''[[Don Juan, or If Don Juan Were a Woman]]'' (1973), playing the title role. Vadim said the film marked "Underneath what people call "the Bardot myth" was something interesting, even though she was never considered the most professional actress in the world. For years, since she has been growing older, and the Bardot myth has become just a souvenir... I was curious in her as a woman and I had to get to the end of something with her, to get out of her and express many things I felt were in her. Brigitte always gave the impression of sexual freedom - she is a completely open and free person, without any aggression. So I gave her the part of a man - that amused me.<ref name="vadim">ROGER VADIM Wilson, Timothy. The Guardian (1959-2003) [London (UK)] 07 Apr 1973: 9.</ref>


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Her career had traversed epochs where it was possible to say, "In the Sixties and early Seventies, there was no better known – or more scandalous – movie star on earth. Not since the death of Valentino had a star aroused such insane devotion in their fans."<ref>[http://www.dailymail.co.uk/femail/article-1215704/The-suicidal-sex-bomb-As-Brigitte-Bardot-celebrates-75th-birthday.html Brigitte Bardot celebrates her 75th birthday], dailymail.co.uk; accessed 4 August 2015.</ref> In 1973, Bardot announced she was retiring from acting as "a way to get out elegantly".<ref name="The Modesto Bee-7 June 1973">{{cite news|title=Brigitte Bardot Gives Up Films at Age of 39|url=https://news.google.com/newspapers?id=d-EpAAAAIBAJ&sjid=AYEFAAAAIBAJ&pg=3388%2C1836097|agency=UPI|newspaper=The Modesto Bee|location=Modesto, California|date=7 June 1973|page=A-8|accessdate=17 August 2010}}</ref>
Her career had traversed epochs where it was possible to say, "In the Sixties and early Seventies, there was no better known – or more scandalous – movie star on earth. Not since the death of Valentino had a star aroused such insane devotion in their fans."<ref>[http://www.dailymail.co.uk/femail/article-1215704/The-suicidal-sex-bomb-As-Brigitte-Bardot-celebrates-75th-birthday.html Brigitte Bardot celebrates her 75th birthday], dailymail.co.uk; accessed 4 August 2015.</ref> In 1973, Bardot announced she was retiring from acting as "a way to get out elegantly".<ref name="The Modesto Bee-7 June 1973">{{cite news|title=Brigitte Bardot Gives Up Films at Age of 39|url=https://news.google.com/newspapers?id=d-EpAAAAIBAJ&sjid=AYEFAAAAIBAJ&pg=3388%2C1836097|agency=UPI|newspaper=The Modesto Bee|location=Modesto, California|date=7 June 1973|page=A-8|accessdate=17 August 2010}}</ref>


===Animal rights activism: 1973–present===
====Singing career====
She participated in several musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with [[Serge Gainsbourg]], Bob Zagury and [[Sacha Distel]], including "Harley Davidson"; "Je Me Donne À Qui Me Plaît"; "Bubble gum"; "Contact"; "Je Reviendrai Toujours Vers Toi"; "L'Appareil À Sous"; "La Madrague"; "On Déménage"; "Sidonie"; "Tu Veux, Ou Tu Veux Pas?"; "Le Soleil De Ma Vie" (the cover of [[Stevie Wonder]]'s "[[You Are the Sunshine of My Life]]"); and the notorious "Je t'aime... moi non-plus". Bardot pleaded with Gainsbourg not to release this duet and he complied with her wishes; the following year, he rerecorded a version with British-born model and actress [[Jane Birkin]] that became a massive hit all over Europe. The version with Bardot was issued in 1986 and became a popular download hit in 2006 when [[Universal Music]] made its back catalogue available to purchase online, with this version of the song ranking as the third most popular download.<ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/6058742.stm|title=Bardot revived as download star|date=17 October 2006|work=BBC News|accessdate=3 August 2010}}</ref>

===Animal welfare activism : 1973–present===
In 1973, before her 39th birthday, Bardot announced her retirement. After appearing in more than forty motion pictures and recording several music albums, most notably with [[Serge Gainsbourg]], she used her fame to promote [[animal rights]].
In 1973, before her 39th birthday, Bardot announced her retirement. After appearing in more than forty motion pictures and recording several music albums, most notably with [[Serge Gainsbourg]], she used her fame to promote [[animal rights]].


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<blockquote>Over the last twenty years, we have given in to a subterranean, dangerous, and uncontrolled infiltration, which not only resists adjusting to our laws and customs but which will, as the years pass, attempt to impose its own.<ref name="Orland">{{cite news|title=Brigitte Bardot's Cry in the Silence|date=2 September 2003|url=http://vdare.com/misc/orland_silence.htm|accessdate=14 January 2008|publisher=By David Orland}}</ref></blockquote>
<blockquote>Over the last twenty years, we have given in to a subterranean, dangerous, and uncontrolled infiltration, which not only resists adjusting to our laws and customs but which will, as the years pass, attempt to impose its own.<ref name="Orland">{{cite news|title=Brigitte Bardot's Cry in the Silence|date=2 September 2003|url=http://vdare.com/misc/orland_silence.htm|accessdate=14 January 2008|publisher=By David Orland}}</ref></blockquote>


In the book, she contrasted her close gay friends with today's homosexuals, who "jiggle their bottoms, put their little fingers in the air and with their little castrato voices moan about what those ghastly heteros put them through" and said some contemporary homosexuals behave like "fairground freaks".<ref>{{cite news|url=https://www.theguardian.com/world/2003/may/15/france.davidhearst|title=Anti-gay, anti-Islam Bardot to be sued|last1=Webster|first1=Paul|last2=Hearst|first2=David|date=5 May 2003|work=The Guardian|location=UK|accessdate=3 October 2009}}</ref> In her own defence, Bardot wrote in a letter to a French gay magazine: "Apart from my husband — who maybe will cross over one day as well — I am entirely surrounded by homos. For years, they have been my support, my friends, my adopted children, my confidants."<ref name="Indep">{{cite news|title=Brigitte a Political Animal by David Usborne|date=24 March 2006|url=http://findarticles.com/p/articles/mi_qn4158/is_20060324/ai_n16163852/pg_2|archive-url=https://web.archive.org/web/20080424031103/http://findarticles.com/p/articles/mi_qn4158/is_20060324/ai_n16163852/pg_2|dead-url=yes|archive-date=24 April 2008|accessdate=9 January 2008|publisher=The Independent}}</ref>
In the book, she contrasted her close gay friends with today's homosexuals, who "jiggle their bottoms, put their little fingers in the air and with their little castrato voices moan about what those ghastly heteros put them through" and said some contemporary homosexuals behave like "fairground freaks".<ref>{{cite news|url=https://www.theguardian.com/world/2003/may/15/france.davidhearst|title=Anti-gay, anti-Islam Bardot to be sued|last1=Webster|first1=Paul|last2=Hearst|first2=David|date=5 May 2003|work=The Guardian|location=UK|accessdate=3 October 2009}}</ref> In her own defence, Bardot wrote in a letter to a French gay magazine: "Apart from my husband — who maybe will cross over one day as well — I am entirely surrounded by homos. For years, they have been my support, my friends, my adopted children, my confidants."<ref name="Indep">{{cite news|title=Brigitte a Political Animal by David Usborne|date=24 March 2006|url=http://findarticles.com/p/articles/mi_qn4158/is_20060324/ai_n16163852/pg_2|archive-url=https://web.archive.org/web/20080424031103/http://findarticles.com/p/articles/mi_qn4158/is_20060324/ai_n16163852/pg_2|dead-url=yes|archive-date=24 April 2008|accessdate=9 January 2008|publisher=The Independent}}</ref><ref name="race fine">{{cite news|title=Bardot fine for stoking race hate|date=3 June 2008|url=http://news.bbc.co.uk/2/hi/entertainment/7434193.stm|accessdate=3 June 2008|publisher=BBC News|location=London, UK}}</ref>


In her book she wrote about issues such as racial mixing, immigration, the role of women in politics, and Islam. The book also contained a section attacking what she called the mixing of genes and praised previous generations who, she said, had given their lives to push out invaders.<ref name="race hate">{{cite news|title=Bardot fined for 'race hate' book|date=10 June 2004|url=http://news.bbc.co.uk/2/hi/europe/3794513.stm|accessdate=3 June 2008|publisher=BBC News}}</ref>
In her book she wrote about issues such as racial mixing, immigration, the role of women in politics, and Islam. The book also contained a section attacking what she called the mixing of genes and praised previous generations who, she said, had given their lives to push out invaders.<ref name="race hate">{{cite news|title=Bardot fined for 'race hate' book|date=10 June 2004|url=http://news.bbc.co.uk/2/hi/europe/3794513.stm|accessdate=3 June 2008|publisher=BBC News}}</ref>
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==References==
==References==
===Notes===
{{Notelist-ua|30em}}

===Footnotes===
{{Reflist|30em}}
{{Reflist|30em}}

===Sources===
{{Refbegin|30em}}
*{{cite book|first=Brigitte|last=Bardot|year=1996|title=Initiales B.B. : Mémoires|publisher=[[Éditions Grasset]]|language=French|isbn=978-2-246526018|ref=harv}}
*{{cite book|first=Yves|last=Bigot|year=2014|title=Brigitte Bardot. La femme la plus belle et la plus scandaleuse au monde|language=French|publisher=Don Quichotte|isbn=978-2-359490145|ref=harv}}
*{{cite book|first=Leslie|last=Caron|title=Thank Heaven|publisher=[[Viking Press]]|year=2009|isbn=978-0670021345|ref=harv}}
*{{cite book|title=Culture and Activism: Animal Rights in France and the United States|first=Elizabeth|last=Cherry|publisher=[[Routledge]]|year=2016|ref=harv|isbn=978-1-317156154}}
*{{cite book|first=Marie-Dominique|last=Lelièvre|title=Brigitte Bardot&nbsp;– Plein la vue|language=French|publisher=[[Groupe Flammarion]]|year=2012|isbn=978-2-08-124624-9|ref=harv}}
*{{cite book|title=Das Sexsymbol der 1950-er Jahre|first=Ernst|last=Probst|publisher=GRIN Publishing|language=German|year=2012|ref=harv|isbn=978-3-656186212}}
*{{cite book|first=Barnett|last=Singer|title=Brigitte Bardot : A Biography|publisher=[[McFarland & Company]]|year=2006|isbn=978-0786425150|ref=harv}}
*{{cite journal|title=The old and the new: Brigitte Bardot in 1950s France|first=Ginette|last=Vincendeau|journal=[[Paragraph (journal)|Paragraph]]|volume=15|issue=1|date=March 1992|publisher=[[Edinburgh University Press]]|ref=harv|url=https://www.jstor.org/stable/43151735?seq=1#page_scan_tab_contents}}
{{Refend}}


==Literature==
==Literature==
* Brigitte Tast, Hans-Jürgen Tast (Hrsg.) ''Brigitte Bardot. Filme 1953–1961. Anfänge des Mythos B.B.'' (Hildesheim 1982) {{ISBN|3-88842-109-8}}.
* Brigitte Tast, Hans-Jürgen Tast (Hrsg.) ''Brigitte Bardot. Filme 1953–1961. Anfänge des Mythos B.B.'' (Hildesheim 1982) {{ISBN|3-88842-109-8}}.
*{{cite book | last= Servat | first = Henry-Jean |title=Brigitte Bardot - My Life in Fashion | location=Paris | publisher=Flammation S.A. | date=2016 | type = Hardback | isbn=978-2--08-0202697}}
*{{cite book | last= Servat | first = Henry-Jean |title=Brigitte Bardot - My Life in Fashion | location=Paris | publisher=Flammation S.A. | date=2016 | type = Hardback | isbn=978-2--08-0202697}}
* Singer, Barnett ''Brigitte Bardot: A Biography'' (McFarland & Company, 2006) {{ISBN|0-7864-2515-6}}, {{ISBN|978-0-7864-2515-0}}


==External links==
==External links==
<!-- please, no linkspam -->
<!-- please, no linkspam -->
{{commons}}
{{commons cat}}
{{wikiquote}}
{{wikiquote}}
*{{Official website|http://www.fondationbrigittebardot.fr/|name=Fondation Brigitte Bardot}} {{fr icon}}
*{{Official website|http://www.fondationbrigittebardot.fr/|name=Fondation Brigitte Bardot}} {{fr icon}}

Revision as of 04:50, 22 March 2019

Brigitte Bardot
Bardot in 1962
Born
Brigitte Anne-Marie Bardot

(1934-09-28) 28 September 1934 (age 89)
Occupations
  • Actress
  • model
  • singer
  • dancer
  • animal rights activist
Years active1952–1973 (actress)
1973–present (animal rights activist)
Spouse(s)
(m. 1952; div. 1957)

(m. 1959; div. 1962)

(m. 1966; div. 1969)

Bernard d'Ormale
(m. 1992)
Children1
RelativesMijanou Bardot (sister)
Signature

Brigitte Anne-Marie Bardot (French: [bʁiʒit baʁdo]; born 28 September 1934), often referred to by the initials B.B.,[1][2] is a French animal rights activist and former actress, singer, dancer and model. Famous for portraying sexually emancipated persona with hedonistic lifestyles, she was one of the best known sex symbols of the 1950s and 1960s decades. Although having withdrawn from the entertainment industry since 1973, she remains a major popular culture icon.[3]

Born and raised in Paris, Bardot was an aspiring ballerina in her early life. She started her acting career in 1952. She achieved international recognition in 1957 for her role in the controversial And God Created Woman. Bardot caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay, The Lolita Syndrome, which described Bardot as a "locomotive of women's history" and built upon existentialist themes to declare her the first and most liberated woman of post-war France. She later starred in Jean-Luc Godard's 1963 film Le Mépris. For her role in Louis Malle's 1965 film Viva Maria! Bardot was nominated for a BAFTA Award for Best Foreign Actress.

Bardot retired from the entertainment industry in 1973. She had acted in 47 films, performed in several musicals and recorded more than 60 songs. She was awarded the Legion of Honour in 1985 but refused to accept it. After retiring, she became an animal rights activist. During the 2000s, she generated controversy by criticizing immigration and Islam in France and has been fined five times for inciting racial hatred.

Life and career

Early life: 1934–1951

Brigitte Anne-Marie Bardot was born on 28 September 1934 in the 15th arrondissement of Paris, France to Louis Bardot (1896–1975) and Anne-Marie Mucel (1912–1978).[4] Bardot's father, originated from Ligny-en-Barrois, was an engineer and the proprietor of several industrial factories in Paris.[5][6] Her mother was the daughter of an insurance company director.[7] She grew up in a conservative Catholic family, as with her father's upbringing.[8][9] She suffered from amblyopia as a child, which resulted in decreased vision of her left eye.[10] She has one younger sister, Mijanou.[11]

Bardot's childhood was one of prosperity, as she lived in her family's seven-bedroom apartment in the luxurious 16th arrondissement.[9][12] However, she recalled that her early years were resentful.[13] Her father demanded her to follow strict behavioural standards, including appropriate clothes and table manners.[14] Her mother was extremely selective in choosing companions for Bardot, resulting in her having very few childhood friends.[15] Bardot cited a personal traumatic incident when she and her sister broke her parents' favourite vase while they were playing in the house; her father whipped the sisters 20 times and henceforth treated them like "strangers", demanding them to address their parents by the pronoun "vous", which is used to address unfamiliar or respectable persons in the French language.[16] The incident decisively led to Bardot's grievance for her parents and future rebellious lifestyle.[17]

During World War II, when Paris was occupied by Nazi Germany, Bardot spent more time at home due to increasingly strict civilian surveillance.[12] She became engrossed in dancing to phonograph records, which her mother saw as a potential for a ballet career.[12] When she was seven, Bardot was admitted to the private school Cours Hattemer.[18] She went to school three days a week, which gave her ample time to take dance lessons at a local studio, under her mother's arrangements.[15] In 1949, Bardot was accepted to the Conservatoire de Paris. For three years, she attended ballet classes by Russian choreographer Boris Knyazev.[19] She also studied at the Instistut de la Tour, a private Catholic high school near her home.[20]

Hélène Gordon-Lazareff, the then-director of the magazines Elle and Le Jardin des Modes, hired Bardot in 1949 as a "junior" fashion model.[21] On 8 March 1950, Bardot (aged 15 at the time) appeared on the cover of Elle, which brought her an acting offer for the film Les Lauriers sont coupés from director Marc Allégret.[22] Her parents opposed to her becoming an actress, but her grandfather was supportive, saying that "If this little girl is to become a whore, cinema will not be the cause."[A] At the audition, Bardot met Roger Vadim, who later notified to her that she did not get the role.[24] They subsequently fell in love.[25] Her parents fiercely opposed their relationship; her father announced to her one evening that she would continue education in England and he had bought her a train ticket, which was to leave the following day.[26] Bardot reacted by putting her head in the oven with open fire; her parents stopped her and ultimately accepted the relationship, on the condition that she marry Vadim at the age of 18.[27]

First marriage and career beginnings: 1952–1955

File:Brigitte Bardot, 1953 (36209530070).jpg
Brigitte Bardot at the 1953 Cannes Film Festival.

Bardot appeared on the cover of Elle again in 1952, which landed her a movie offer for the comedy Crazy for Love (1952), starring Bourvil and directed by Jean Boyer.[28] She was paid 200,000 franc for the small role portraying a cousin of the main character.[28] On 21 December 1952, Bardot (then 18 years old) married Vadim, under the consent of her parents. The wedding was held at the Notre-Dame-de-Grâce Church of Passy in the 16th arrondissement of Paris.[29] Bardot had her second film role in Manina, the Girl in the Bikini (1953),[B] directed by Willy Rozier.[30] She also had roles in the 1953 films The Long Teeth and His Father's Portrait.

Bardot had a small role in a Hollywood-financed film being shot in Paris, Act of Love (1953), starring Kirk Douglas. She received media attention when she attended the Cannes Film Festival in April 1953.[31]

Bardot had a leading role in an Italian melodrama, Concert of Intrigue (1954) and in a French adventure film, Caroline and the Rebels (1954). She had a good part as a flirtatious student in School for Love (1955), opposite Jean Marais for director Marc Allégret.

Bardot played her first sizeable English-language role in Doctor at Sea (1955), as the love interest for Dirk Bogarde. The film was the third most popular movie at the British box office that year.[32]

She had a small role in The Grand Maneuver (1955) for director René Clair, supporting Gérard Philipe and Michelle Morgan. The part was bigger in The Light Across the Street (1956) for director Georges Lacombe. She did another with Hollywood film, Helen of Troy, playing Helen's handmaiden.

For the 1956 Italian movie Mio figlio Nerone Bardot was asked by the director to appear as a blonde. Rather than wear a wig to hide her naturally brunette hair she decided to dye her hair. She was so pleased with the results that she decided to retain the hair colour.[33]

Rise to stardom: 1956–1962

Brigitte Bardot during 1958 Venice Film Festival.

Bardot then appeared in four movies that made her a star. First up was a musical, Naughty Girl (1956), where Bardot played a troublesome school girl. Directed by Michel Boisrond, it was co-written by Roger Vadim and was a big hit, the 12th most popular film of the year in France.[34] It was followed by a comedy, Plucking the Daisy (1956), written by Vadim with the director Marc Allegret, and another success at France. So too was the comedy The Bride Is Much Too Beautiful (1956) with Louis Jourdan.

Finally there was the melodrama And God Created Woman (1956), Vadim's debut as director, with Bardot starring opposite Jean-Louis Trintignant and Curt Jurgens. The film, about an immoral teenager in a respectable small-town setting, was a huge success, not just in France but also around the world - it was among the ten most popular films in Britain in 1957.[35] It turned Bardot into an international star.[31] From at least 1956[36] she was being hailed as the "sex kitten".[37][38][39]

During her early career, professional photographer Sam Lévin's photos contributed to the image of Bardot's sensuality. One showed Bardot from behind, dressed in a white corset. British photographer Cornel Lucas made images of Bardot in the 1950s and 1960s that have become representative of her public persona.

Bardot followed And God Created Woman with La Parisienne (1957), a comedy co-starring Charles Boyer for director Boisrond. She was reunited with Vadim in another melodrama The Night Heaven Fell (1958) and played a criminal who seduced Jean Gabin in In Case of Adversity (1958). The latter was the 13th most seen movie of the year in France.[40]

The Female (1959) for director Julien Duvivier was popular, but Babette Goes to War (1959), a comedy set in World War Two, was a huge hit, the fourth biggest movie of the year in France.[41] Also widely seen was Come Dance with Me (1959) from Boisrond.

Her next film was the courtroom drama The Truth (1960), from Henri-Georges Clouzot. It was a highly publicised production, which resulted in Bardot having an affair and attempting suicide. The film was Bardot's biggest ever commercial success in France, the third biggest hit of the year, and was nominated for a Best Foreign Film Oscar.[42]

She made a comedy with Vadim, Please, Not Now! (1961) and had a role in the all-star anthology, Famous Love Affairs (1962).

Bardot was awarded a David di Donatello Award for Best Foreign actress for her role in A Very Private Affair (Vie privée, 1962), directed by Louis Malle. More popular in France was Love on a Pillow (1962), another for Vadim.

International films and singing career: 1962–1969

Brigitte Bardot visiting Brazil, 1964.

In the mid-1960s Bardot made films which seemed to be more aimed at the international market. In 1963, she starred in Jean-Luc Godard's film Le Mépris, produced by Joseph E. Levine and starring Jack Palance. The following year she co-starred with Anthony Perkins in the comedy Une ravissante idiote (1964).

Bardot finally appeared in a Hollywood film in Dear Brigitte (1965), a comedy starring James Stewart as an academic whose son develops a crush on Bardot. Bardot's appearance was relatively brief and the film was not a big hit.

More successful was the Western buddy comedy Viva Maria! (1965) for director Louis Malle, appearing opposite Jeanne Moreau. It was a big hit in France and around the world although it did not break through in the US as much as was hoped.[43]

After a cameo in Godard's Masculin Féminin (1966), she had her first flop in a long time, Two Weeks in September (1968), a French–English co-production. She had a small role in the all-star Spirits of the Dead (1968), acting opposite Alain Delon, then tried a Hollywood film again: Shalako (1968), a Western starring Sean Connery, which was a box office disappointment.[44]

She participated in several musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including "Harley Davidson"; "Je Me Donne À Qui Me Plaît"; "Bubble gum"; "Contact"; "Je Reviendrai Toujours Vers Toi"; "L'Appareil À Sous"; "La Madrague"; "On Déménage"; "Sidonie"; "Tu Veux, Ou Tu Veux Pas?"; "Le Soleil De Ma Vie" (the cover of Stevie Wonder's "You Are the Sunshine of My Life"); and the notorious "Je t'aime... moi non-plus". Bardot pleaded with Gainsbourg not to release this duet and he complied with her wishes; the following year, he rerecorded a version with British-born model and actress Jane Birkin that became a massive hit all over Europe. The version with Bardot was issued in 1986 and became a popular download hit in 2006 when Universal Music made its back catalogue available to purchase online, with this version of the song ranking as the third most popular download.[45]

Final films: 1969–1973

Bardot in 1968

From 1969 to 1978, Bardot was the official face of Marianne (who had previously been anonymous) to represent the liberty of France.[46]

Les Femmes (1969) was a flop, although the screwball comedy The Bear and the Doll (1970) performed slightly better. Her last few films were mostly comedies: Les Novices (1970), Boulevard du Rhum (1971) (with Lino Ventura). The Legend of Frenchie King (1971) was more popular, helped by Bardot co-starring with Claudia Cardinale. She made one more with Vadim, Don Juan, or If Don Juan Were a Woman (1973), playing the title role. Vadim said the film marked "Underneath what people call "the Bardot myth" was something interesting, even though she was never considered the most professional actress in the world. For years, since she has been growing older, and the Bardot myth has become just a souvenir... I was curious in her as a woman and I had to get to the end of something with her, to get out of her and express many things I felt were in her. Brigitte always gave the impression of sexual freedom - she is a completely open and free person, without any aggression. So I gave her the part of a man - that amused me.[47]

"If Don Juan is not my last movie it will be my next to last," said Bardot during filming.[48] She kept her word and only made one more film, The Edifying and Joyous Story of Colinot (1973).

Her career had traversed epochs where it was possible to say, "In the Sixties and early Seventies, there was no better known – or more scandalous – movie star on earth. Not since the death of Valentino had a star aroused such insane devotion in their fans."[49] In 1973, Bardot announced she was retiring from acting as "a way to get out elegantly".[50]

Animal rights activism: 1973–present

In 1973, before her 39th birthday, Bardot announced her retirement. After appearing in more than forty motion pictures and recording several music albums, most notably with Serge Gainsbourg, she used her fame to promote animal rights.

In 1986, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals.[51] She became a vegetarian[52] and raised three million francs to fund the foundation by auctioning off jewellery and personal belongings.[51]

She is a strong animal rights activist and a major opponent of the consumption of horse meat. In support of animal protection, she condemned seal hunting in Canada during a visit to that country with Paul Watson of the Sea Shepherd Conservation Society.[53] On 25 May 2011 the Sea Shepherd Conservation Society renamed its fast interceptor vessel, MV Gojira, as MV Brigitte Bardot in appreciation of her support.[54]

She once had a neighbour's donkey castrated while looking after it, on the grounds of its "sexual harassment" of her own donkey and mare, for which she was taken to court by the donkey's owner in 1989.[55][56] Bardot wrote a 1999 letter to Chinese President Jiang Zemin, published in French magazine VSD, in which she accused the Chinese of "torturing bears and killing the world's last tigers and rhinos to make aphrodisiacs".

She has donated more than $140,000 over two years for a mass sterilization and adoption program for Bucharest's stray dogs, estimated to number 300,000.[57]

In August 2010, Bardot addressed a letter to the Queen of Denmark, Margrethe II of Denmark, appealing for the sovereign to halt the killing of dolphins in the Faroe Islands. In the letter, Bardot describes the activity as a "macabre spectacle" that "is a shame for Denmark and the Faroe Islands ... This is not a hunt but a mass slaughter ... an outmoded tradition that has no acceptable justification in today's world".[58]

On 22 April 2011, French culture minister Frédéric Mitterrand officially included bullfighting in the country's cultural heritage. Bardot wrote him a highly critical letter of protest.[59]

From 2013 onwards the Brigitte Bardot Foundation in collaboration with Kagyupa International Monlam Trust of India has operated an annual Veterinary Care Camp. She has committed to the cause of animal welfare in Bodhgaya year after year.[60]

On 23 July 2015, Brigitte Bardot condemned Australian politician Greg Hunt's plan to eradicate 2 million cats to save endangered species such as the Warru and Night Parrot.[61]

Personal life

La Madrague

In May 1958, Bardot withdrew to the seclusion of Southern France, where she had bought the house La Madrague in Saint-Tropez.

Relationships

Bardot and Sami Frey in St. Tropez, 1963

On 21 December 1952, aged 18, Bardot married director Roger Vadim. They divorced in 1957, after less than five years of marriage; they had no children together, but remained in touch, and even collaborated on later projects. The stated reason for the divorce was Bardot's affairs with two other men. While married to Vadim, Bardot had an affair with Jean-Louis Trintignant, who was her co-star in And God Created Woman. Trintignant at the time was married to actress Stéphane Audran.[62][31] The two lived together for about two years, spanning the period before and after Bardot's divorce from Vadim, but they never married. Their relationship was complicated by Trintignant's frequent absence due to military service and Bardot's affair with musician Gilbert Bécaud.[62]

In early 1958, her divorce from Vadim was followed in quick order by her break-up with Trintignant, and a reported nervous breakdown in Italy, according to newspaper reports. A suicide attempt with sleeping pills two days earlier was also noted, but was denied by her public relations manager.[63] She recovered within weeks and began an affair with actor Jacques Charrier. She became pregnant well before they were married on 18 June 1959. Bardot's only child, her son Nicolas-Jacques Charrier, was born on 11 January 1960. After she and Charrier divorced in 1962, Nicolas was raised in the Charrier family and had little contact with his biological mother until his adulthood.[62]

Bardot's third marriage was to German millionaire playboy Gunter Sachs, and lasted from 14 July 1966 to 1 October 1969.[62][31] In 1968, she began dating Patrick Gilles, who went on to co-star with her in The Bear and the Doll (1970); but she ended their relationship in spring 1971.[64]

Over the next few years, Bardot dated in succession bartender/ski instructor Christian Kalt, club owner Luigi Rizzi, musician (later producer) Bob Zagury, singer Serge Gainsbourg, writer John Gilmore, actor Warren Beatty, and Laurent Vergez, her co-star in Don Juan, or If Don Juan Were a Woman.[64][65] The longest of these relationships was with sculptor Miroslav Brozek; she lived with him from 1975 to December 1979[66] and posed for some of his sculptures. After breaking up with Brozek, she was in a long-term relationship with French TV producer Allain Bougrain-duBourg.[66]

Bardot's fourth and current husband is Bernard d'Ormale, a former adviser of Jean-Marie Le Pen, former leader of the far right party Front National; they were married on 16 August 1992.[67]

Health

In 1974 Bardot appeared in a nude photo shoot in Playboy magazine, which celebrated her 40th birthday. On 28 September 1983, her 49th birthday, Bardot took an overdose of sleeping pills or tranquilizers with red wine. She had to be rushed to hospital, where her life was saved after a stomach pump was used to evacuate the pills from her body.[66] Bardot is also a breast cancer survivor.[68][69]

Bardot expressed support for President Charles de Gaulle in the 1960s.[62][70] Her husband Bernard d'Ormale is a former adviser of the Front National, the main far right party in France, known for its nationalist and conservative beliefs.[71][31][70]

In her 1999 book Le Carré de Pluton ("Pluto's Square"), Bardot criticizes the procedure used in the ritual slaughter of sheep during the Muslim festival of Eid al-Adha. Additionally, in a section in the book entitled, "Open Letter to My Lost France", Bardot writes that "my country, France, my homeland, my land is again invaded by an overpopulation of foreigners, especially Muslims". For this comment, a French court fined her 30,000 francs in June 2000. She had been fined in 1997 for the original publication of this open letter in Le Figaro and again in 1998 for making similar remarks.[72][73][74]

File:Brigitte Bardot and Pope.jpg
Bardot and John Paul II in Rome, 1995.

In her 2003 book, Un cri dans le silence (A Scream in the Silence), she warned of an "Islamicization of France", and said of Muslim immigration:

Over the last twenty years, we have given in to a subterranean, dangerous, and uncontrolled infiltration, which not only resists adjusting to our laws and customs but which will, as the years pass, attempt to impose its own.[75]

In the book, she contrasted her close gay friends with today's homosexuals, who "jiggle their bottoms, put their little fingers in the air and with their little castrato voices moan about what those ghastly heteros put them through" and said some contemporary homosexuals behave like "fairground freaks".[76] In her own defence, Bardot wrote in a letter to a French gay magazine: "Apart from my husband — who maybe will cross over one day as well — I am entirely surrounded by homos. For years, they have been my support, my friends, my adopted children, my confidants."[77][78]

In her book she wrote about issues such as racial mixing, immigration, the role of women in politics, and Islam. The book also contained a section attacking what she called the mixing of genes and praised previous generations who, she said, had given their lives to push out invaders.[79]

On 10 June 2004, Bardot was convicted for a fourth time by a French court for inciting racial hatred and fined €5,000.[80] Bardot denied the racial hatred charge and apologized in court, saying: "I never knowingly wanted to hurt anybody. It is not in my character."[81]

In 2008, Bardot was convicted of inciting racial/religious hatred in regard to a letter she wrote, a copy of which she sent to Nicolas Sarkozy when he was Interior Minister of France. The letter stated her objections to Muslims in France ritually slaughtering sheep by slitting their throats without anesthetizing them first. She also said, in reference to Muslims, that she was "fed up with being under the thumb of this population which is destroying us, destroying our country and imposing its habits". The trial[82] concluded on 3 June 2008, with a conviction and fine of €15,000, the largest of her fines to date. The prosecutor stated she was tired of charging Bardot with offences related to racial hatred.[78]

During the 2008 United States presidential election, she branded the Republican Party vice-presidential candidate Sarah Palin as "stupid" and a "disgrace to women". She criticized the former governor of Alaska for her stance on global warming and gun control. She was also offended by Palin's support for Arctic oil exploration and by her lack of consideration in protecting polar bears.[83]

On 13 August 2010, Bardot lashed out at director Kyle Newman regarding his plan to make a biographical film on her life. She told him, "Wait until I'm dead before you make a movie about my life!" otherwise "sparks will fly".[84]

Bardot expressed support for Front National leader Marine le Pen, calling her "the Joan of Arc of the 21st century".[85] She endorsed Le Pen in the 2017 French presidential election.[86]

Influence in pop culture

Brigitte Bardot statue in Búzios, Brazil

In fashion, the Bardot neckline (a wide open neck that exposes both shoulders) is named after her. Bardot popularized this style which is especially used for knitted sweaters or jumpers although it is also used for other tops and dresses. Bardot popularized the bikini in her early films such as Manina (1952) (released in France as Manina, la fille sans voiles). The following year she was also photographed in a bikini on every beach in the south of France during the Cannes Film Festival.[87] She gained additional attention when she filmed ...And God Created Woman (1956) with Jean-Louis Trintignant (released in France as Et Dieu Créa La Femme). In it Bardot portrays an immoral teenager cavorting in a bikini who seduces men in a respectable small-town setting. The film was an international success.[31] The bikini was in the 1950s relatively well accepted in France but was still considered risqué in the United States. As late as 1959, Anne Cole, one of the United States' largest swimsuit designers, said, "It's nothing more than a G-string. It's at the razor's edge of decency."[88]

She also brought into fashion the choucroute ("Sauerkraut") hairstyle (a sort of beehive hair style) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier.[89] She was the subject of an Andy Warhol painting.

Bardot's fashion in 1961.

The Bardot pose describes an iconic modeling portrait shot around 1960 where Bardot is dressed only in a pair of black pantyhose, cross-legged over her front and cross-armed over her breasts. This pose has been emulated numerous times by models and celebrities such as Lindsay Lohan, Elle Macpherson and Monica Bellucci.[90]

In addition to popularizing the bikini swimming suit, Bardot has been credited with popularizing the city of St. Tropez and the town of Armação dos Búzios in Brazil, which she visited in 1964 with her boyfriend at the time, Brazilian musician Bob Zagury. The place where she stayed in Búzios is today a small hotel, Pousada do Sol, and also a French restaurant, Cigalon.[91] The town hosts a Bardot statue by Christina Motta.[92]

Bardot was idolized by the young John Lennon and Paul McCartney.[93][94] They made plans to shoot a film featuring The Beatles and Bardot, similar to A Hard Day's Night, but the plans were never fulfilled.[31] Lennon's first wife Cynthia Powell lightened her hair color to more closely resemble Bardot, while George Harrison made comparisons between Bardot and his first wife Pattie Boyd, as Cynthia wrote later in A Twist of Lennon. Lennon and Bardot met in person once, in 1968 at the Mayfair Hotel, introduced by Beatles press agent Derek Taylor; a nervous Lennon took LSD before arriving, and neither star impressed the other. (Lennon recalled in a memoir, "I was on acid, and she was on her way out.")[95] According to the liner notes of his first (self-titled) album, musician Bob Dylan dedicated the first song he ever wrote to Bardot. He also mentioned her by name in "I Shall Be Free", which appeared on his second album, The Freewheelin' Bob Dylan. The first-ever official exhibition spotlighting Bardot's influence and legacy opened in Boulogne-Billancourt on 29 September 2009 – a day after her 75th birthday.[96] The Australian pop group Bardot was named after her.

Filmography

Discography

Bardot released several albums and singles during the 1960s and 1970s[97]

  • "Sidonie" (1961, Barclay), lyrics by Charles Cros, music by Jean-Max Rivière and Yanis Spanos, guitar by Brigitte – first song, from the film Vie privée
  • Brigitte Bardot Sings (1963, Philips) – collaborations by Serge Gainsbourg ("L'Appareil à sous", "Je me donne à qui me plaît"), Jean-Max Rivière as writer ("La Madrague") and singer ("Tiens ! C'est toi!"), Claude Bolling and Gérard Bourgeois
  • B.B. (1964, Philips) with Claude Bolling, Alain Goraguer, Gérard Bourgeois
  • "Ah ! Les p'tites femmes de Paris", duet with Jeanne Moreau in Viva Maria (1965, Philips), directed by Georges Delerue
  • Brigitte Bardot Show 67 (1967, Mercury) with Serge Gainsbourg (writes "Harley Davidson", "Comic Strip", "Contact" and "Bonnie and Clyde"), Sacha Distel, Manitas de Plata, Claude Brasseur and David Bailey
  • "Je t'aime... moi non plus", duet with Serge Gainsbourg (1967, published by Philips in 1986)
  • Brigitte Bardot Show (1968, Mercury), themes by Francis Lai
  • [Burlington Cameo Brings You] Special Bardot (1968. RCA) with "The Good Life" by Sacha Distel and "Comic Strip (with Gainsbourg) in English
  • Single Duet with Serge Gainsbourg "Bonnie and Clyde" (Fontana)
  • "La Fille de paille"/"Je voudrais perdre la mémoire" (1969, Philips), collaboration with Gérard Lenorman
  • Tu veux ou tu veux pas (1970, Barclay) with the hit "Tu veux ou tu veux pas" (the French version of the Brazilian "Nem Vem Que Não Tem"), directed by François Bernheim; "John and Michael", hymn to the collective love; "Mon léopard et moi", a collaboration with Darry Cowl, and "Depuis que tu m'as quitté"
  • "Nue au soleil"/"C'est une bossa nova" (1970, Barclay)
  • "Chacun son homme", duet with Annie Girardot in Les Novices (1970, Barclay)
  • "Boulevard du rhum" and "Plaisir d'amour", duet with Guy Marchand, in Boulevard du rhum (1971, Barclay)
  • "Vous ma lady", duet with Laurent Vergez, and "Tu es venu mon amour" (1973, Barclay)
  • "Le Soleil de ma vie", duet with Sacha Distel
  • "Toutes les bêtes sont à aimer" (1982, Polydor)

Books

Bardot has also written five books:

  • Noonoah: Le petit phoque blanc (Grasset, 1978)
  • Initales B.B. (autobiography, Grasset & Fasquelle, 1996)
  • Le Carré de Pluton (Grasset & Fasquelle, 1999)
  • Un Cri Dans Le Silence (Editions Du Rocher, 2003)
  • Pourquoi? (Editions Du Rocher, 2006)

References

Notes

  1. ^ Original quote: "Si cette petite doit devenir putain ou pas, ce ne sera pas le cinéma qui en sera la cause."[23]
  2. ^ While this is Bardot's second role, the film was released after The Long Teeth (1952).[30]

Footnotes

  1. ^ "And Bardot Became BB". Institut français du Royaume-Uni. Archived from the original on 8 August 2018. Retrieved 13 January 2017. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ Probst 2012, p. 7.
  3. ^ Cherry 2016, p. 134; Vincendeau 1992, p. 73–76.
  4. ^ Bardot 1996, p. 15. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  5. ^ "Brigitte Bardot: 'J'en ai les larmes aux yeux'". Le Républicain Lorrain (in French). 23 May 2010. Archived from the original on 2 December 2013. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  6. ^ Singer 2006, p. 6.
  7. ^ Bigot 2014, p. 12.
  8. ^ Bigot 2014, p. 11.
  9. ^ a b Poirier, Agnès (20 September 2014). "Brigitte Bardot at 80: still outrageous, outspoken and controversial". The Observer. Retrieved 21 March 2019.
  10. ^ Lelièvre 2012, p. 18.
  11. ^ Bardot 1996, p. 45. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  12. ^ a b c Singer 2006, p. 10.
  13. ^ Bardot 1996, p. 45 sfnm error: multiple targets (2×): CITEREFBardot1996 (help); Singer 2006, p. 10–14.
  14. ^ Singer 2006, p. 10–12.
  15. ^ a b Singer 2006, p. 10–11.
  16. ^ Singer 2006, p. 11–12.
  17. ^ Singer 2006, p. 12.
  18. ^ Singer 2006, p. 11.
  19. ^ Caron 2009, p. 62.
  20. ^ Pigozzi, Caroline. "Bardot s'en va toujours en guerre... pour les animaux". Paris Match. No. January 2018. pp. 76–83.
  21. ^ Bardot 1996, p. 67. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  22. ^ Singer 2006, p. 19.
  23. ^ Bardot 1996, p. 68–69. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  24. ^ Bardot 1996, p. 69. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  25. ^ Bardot 1996, p. 70. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  26. ^ Bardot 1996, p. 72. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  27. ^ Bardot 1996, p. 73 sfnm error: multiple targets (2×): CITEREFBardot1996 (help); Singer 2006, p. 22.
  28. ^ a b Bardot 1996, p. 81. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  29. ^ Neuhoff, Éric (12 August 2013). "Brigitte Bardot et Roger Vadim – Le loup et la biche". Le Figaro (in French). p. 18.
  30. ^ a b Bardot 1996, p. 84. sfn error: multiple targets (2×): CITEREFBardot1996 (help)
  31. ^ a b c d e f g Robinson, Jeffrey (1994). Bardot — Two Lives (First British ed.). Simon & Schuster (London). ASIN: B000KK1LBM.
  32. ^ "'The Dam Busters'." Times [London, England] 29 Dec. 1955: 12. The Times Digital Archive. Web. 11 July 2012.
  33. ^ Servat. Page 76.
  34. ^ Box office figures in France for 1956 at Box Office Story
  35. ^ Most Popular Film Of The Year. The Times (London, England), Thursday, Dec 12, 1957; pg. 3; Issue 54022
  36. ^ "Mam'selle Kitten New box-office beauty". Australian Women's Weekly. 5 December 1956. p. 32. Retrieved 5 March 2019 – via Trove.
  37. ^ "Brigitte Bardot: her life and times so far – in pictures | Film | The Guardian". theguardian.com. Retrieved 13 January 2017.
  38. ^ "Brigitte Bardot: Rare and Classic Photos of the Original 'Sex Kitten'". time.com. Retrieved 13 January 2017.
  39. ^ The earliest use cited in the OED Online (accessed 26 November 2011) is in the Daily Sketch, 2 June 1958.
  40. ^ "Box office information for Love is My Profession". Box office story.
  41. ^ "1959 French box office". Box Office Story. Retrieved 28 August 2016.
  42. ^ Box office information for film at Box Office Story
  43. ^ Tino Balio, United Artists: The Company That Changed the Film Industry, University of Wisconsin Press, 1987 p. 281
  44. ^ "ABC's 5 Years of Film Production Profits & Losses", Variety, 31 May 1973 p 3
  45. ^ "Bardot revived as download star". BBC News. 17 October 2006. Retrieved 3 August 2010.
  46. ^ Anne-Marie Sohn (teacher at the ENS-Lyon), Marianne ou l'histoire de l'idée républicaine aux XIXe et XXe siècles à la lumière de ses représentations (résumé of Maurice Agulhon's three books, Marianne au combat, Marianne au pouvoir and Les métamorphoses de Marianne) Template:Fr icon
  47. ^ ROGER VADIM Wilson, Timothy. The Guardian (1959-2003) [London (UK)] 07 Apr 1973: 9.
  48. ^ Brigitte Bardot: No longer a sex symbol Morgan, Gwen. Chicago Tribune (1963-Current file) [Chicago, Ill] 04 Mar 1973: d3.
  49. ^ Brigitte Bardot celebrates her 75th birthday, dailymail.co.uk; accessed 4 August 2015.
  50. ^ "Brigitte Bardot Gives Up Films at Age of 39". The Modesto Bee. Modesto, California. UPI. 7 June 1973. p. A-8. Retrieved 17 August 2010.
  51. ^ a b "Brigitte Bardot foundation for the welfare and protection of animals". fondationbrigittebardot.fr. Archived from the original on 25 May 2011. Retrieved 21 August 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  52. ^ Follain, John (9 April 2006) Brigitte Bardot profile, The Times Online: Life & Style; retrieved 2 April 2009.
  53. ^ "Hardline warrior in war to save the whale". The New Zealand Herald. 11 January 2010. Retrieved 22 September 2011.
  54. ^ "Sea Shepherd Conservation Society". Seashepherd.org. 25 May 2011. Archived from the original on 3 July 2011. Retrieved 25 December 2012. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  55. ^ "PHOTOICON ONLINE FEATURES: Andy Martin: Brigitte Bardot". Photoicon.com. Archived from the original on 28 March 2010. Retrieved 13 March 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  56. ^ "Mr Pop History". Mr Pop History. Archived from the original on 21 January 2010. Retrieved 13 March 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  57. ^ "Bardot 'saves' Bucharest's dogs". BBC News. 2 March 2001. Retrieved 13 March 2010.
  58. ^ Brigitte Bardot pleads to Denmark in dolphin 'slaughter', AFP, 19 August 2010.
  59. ^ Victoria Ward, Devorah Lauter (4 January 2013). "Brigitte Bardot's sick elephants add to circus over French wealth tax protests", telegraph.co.uk; accessed 4 August 2015.
  60. ^ Bardot commits to animal welfare in Bodhgaya Archived 19 February 2015 at the Wayback Machine, phayul.com; accessed 4 August 2015.
  61. ^ "Bardot condemns Australia's plan to cull 2 million feral cats". ABC News. 22 July 2015. Retrieved 6 June 2017.
  62. ^ a b c d e Bardot, Brigitte (1996). Initiales B.B. Grasset & Fasquelle. ISBN 2-246-52601-9.
  63. ^ "LA times 1958". The Los Angeles Times. Retrieved 21 August 2010.
  64. ^ a b Singer, B. (2006). Brigitte Bardot: A Biography. McFarland, Incorporated Publishers. ISBN 9780786484263. Retrieved 13 January 2017.
  65. ^ Malossi, G. (1996). Latin Lover: The Passionate South. Charta. ISBN 9788881580491. Retrieved 13 January 2017.
  66. ^ a b c "Swept Away by Her Sadness". people.com. Retrieved 13 January 2017.
  67. ^ "Gunter Sachs". The Daily Telegraph. London. 9 May 2011.
  68. ^ Famous breast cancer survivors, ecoglamazine.blogspot.com; accessed 4 August 2015.
  69. ^ Famous proof that breast cancer is survivable, beliefnet.com; accessed 4 August 2015.
  70. ^ a b "Drinking champagne with: Brigitte Bardot; And God Created An Animal Lover By Alan Riding, published: 30 March 1994". The New York Times. 14 January 2008. Retrieved 14 January 2008.
  71. ^ Happy birthday, Brigitte Bardot, The Guardian. 22 September 2009.
  72. ^ "Bardot fined for racist remarks". London: BBC News. 16 June 2000. Retrieved 13 March 2010.
  73. ^ "BBC News Bardot racism conviction upheld". London: BBC News. 11 May 2001. Retrieved 17 January 2008.
  74. ^ "Bardot anti-Muslim comments draw fire". London: BBC News. 14 May 2003. Retrieved 17 January 2008.
  75. ^ "Brigitte Bardot's Cry in the Silence". By David Orland. 2 September 2003. Retrieved 14 January 2008.
  76. ^ Webster, Paul; Hearst, David (5 May 2003). "Anti-gay, anti-Islam Bardot to be sued". The Guardian. UK. Retrieved 3 October 2009.
  77. ^ "Brigitte a Political Animal by David Usborne". The Independent. 24 March 2006. Archived from the original on 24 April 2008. Retrieved 9 January 2008. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  78. ^ a b "Bardot fine for stoking race hate". London, UK: BBC News. 3 June 2008. Retrieved 3 June 2008.
  79. ^ "Bardot fined for 'race hate' book". BBC News. 10 June 2004. Retrieved 3 June 2008.
  80. ^ Larent, Shermy (12 May 2003). "Brigitte Bardot unleashes colourful diatribe against Muslims and modern France". Indybay. Retrieved 13 March 2010.
  81. ^ "Bardot denies 'race hate' charge". BBC News. 7 May 2003. Retrieved 17 January 2008.
  82. ^ "Brigitte Bardot: Heroine of Free Speech". Brusselsjournal.com. Retrieved 13 March 2010.
  83. ^ "Brigitte Bardot calls Sarah Palin a 'disgrace to women'" The Telegraph, 8 October 2008.
  84. ^ "Brigitte Bardot: 'Wait Until I'M Dead Before You Make Biopic'". Showbiz Spy. 14 August 2010. Archived from the original on 2 February 2013. Retrieved 21 August 2010. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  85. ^ "Brigitte Bardot calls Marine Le Pen 'modern Joan of Arc". The Daily Telegraph. 22 August 2014. Retrieved 28 December 2018.
  86. ^ "Brigitte Bardot Supports Underdog Marine Le Pen In French Presidential Election, Says Macron Has Cold Eyes". Inquisitr. 7 May 2017. Retrieved 28 December 2018.
  87. ^ "Bikinis: a brief history". Telegraph. Retrieved 20 August 2013.
  88. ^ Johnson, William Oscar (7 February 1989). "In The Swim". Sports Illustrated. Archived from the original on 20 October 2013. Retrieved 18 August 2013.
  89. ^ "Style Icon: Brigitte Bardot". Femminastyle.com. Retrieved 13 March 2010.
  90. ^ "The Bardot Pose: just a pair of black stockings | The Heritage Studio". theheritagestudio.com. Retrieved 13 January 2017.
  91. ^ "TOemBUZIOS.com". toembuzios.com (in Portuguese). TOemBUZIOS.com. Archived from the original on 8 January 2013. Retrieved 27 December 2012. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  92. ^ "BuziosOnline.com". BuziosOnline.com. Retrieved 13 March 2010.
  93. ^ Miles, Barry (1998). Many Years From Now. VintageRandom House. ISBN 0-7493-8658-4. pg. 69
  94. ^ Spitz, Bob (2005). The Beatles: The Biography. Little, Brown and Company (New York). ISBN 1-84513-160-6. pg. 171
  95. ^ Lennon, John (1986). Skywriting by Word of Mouth. Harper Collins. ISBN 0-06-015656-2. pg. 24
  96. ^ Brigitte Bardot at 75: the exhibition Archived 26 September 2009 at the Wayback Machine, connexionfrance.com, September 2009; accessed 4 August 2015.
  97. ^ "Brigitte Bardot discography". allmusic. Retrieved 21 August 2010.

Sources

Literature

  • Brigitte Tast, Hans-Jürgen Tast (Hrsg.) Brigitte Bardot. Filme 1953–1961. Anfänge des Mythos B.B. (Hildesheim 1982) ISBN 3-88842-109-8.
  • Servat, Henry-Jean (2016). Brigitte Bardot - My Life in Fashion (Hardback). Paris: Flammation S.A. ISBN 978-2--08-0202697.