Momus (//; Greek: Μῶμος Momos) was in Greek mythology the personification of satire, mockery, censure; a god of writers and poets; a spirit of evil-spirited blame and unfair criticism. His name is related to μομφή, meaning 'blame' or 'censure'. He is depicted in classical art as lifting a mask from his face. He is the twin of Oizys, a misery goddess.
In classical literature
Hesiod said that Momus was a son of Night (Nyx). He mocked Hephaestus, Lucian of Samosata recalled, for having made mankind without doors in their breast, through which their thoughts could be seen. He mocked Aphrodite, though all he could find was that she was talkative and had creaky sandals. He even found fit to mock Zeus, saying he is a violent god and lusts for woman, giving birth to two villainous sons equal to him in disgust[who?] (works of Apollonius Molon). Because of his constant criticism, he was exiled from Mt. Olympus.
Momus is featured in one of Aesop's fables, where he is to judge the handiwork of three gods (the gods vary depending on the version). However, he is jealous of what they have done and derides all of their creations. He is then banished from Olympus by Zeus for his jealousy.
In Lucian's satiric dialogue Assembly of the Gods (ca 165 CE) it is Momus who is the secretary when the gods stage a city meeting as if at Athens, to decide what to do about newly arrived outsiders and metics, the target of the satire being the recent development of complete enfranchisement of unworthy outsiders (Lucian himself being of Syrian origin).
Renaissance and later writers
Leon Battista Alberti wrote a savage and pessimistic Latin satiric dialogue, Momus, (ca. 1450) which drew upon Lucian's example; as with his model — though some readers, with Eugenio Garin, detect in it some of Alberti's own streak of bitterness — the end use of the cynicism in the satire is to amuse.
When Sir Francis Bacon wrote an essay "Of Building," (XLV) he said that "He that builds a fair house upon an ill seat, committeth himself to prison. .. Neither is it ill air only that maketh an ill seat, but ill ways, ill markets, and, if you consult with Momus, ill neighbours."
In Giordano Bruno's philosophical treatise "The Expulsion of the Triumphant Beast", Momus plays an integral part in the series of dialogues conducted by the Olympian Deities and Bruno's narrators. Momus was brought back from her expulsion deep in the cosmos in order to assist Jove in reconstructing the heavens by purging them of vice and heralding in an age of virtue.
In one scene of Jonathan Swift's The Battle of the Books, Momus, while rushing to defend the Moderns, gets some aid from the goddess Criticism. Interestingly, Swift, a renowned satirist, sides with the Ancients while the goddess of satire sides with the Moderns
Antonin Artaud is referencing him in his brief Artaud Le Momo (1947), written shortly after nine years of incarceration.
Henry David Thoreau references him in Walden. In his first chapter, "Economy", Thoreau notes what he considers the valid objection of Momus/Momos against the house which Minerva/Athena made, that she "had not made it moveable, by which means a bad neighborhood might be avoided".
- Top God, an episode of Hercules: The Legendary Journeys
- The Puccini opera "La Bohème", where the Café Momus is the setting for Act II, in the Latin Quarter, Paris (although the actual Café Momus described in the original stories by Henri Murger on which the opera is based was located on the Right Bank near the church of Saint-Germain l'Auxerrois).
- Kafka's novel The Castle, where Momus appears in chapter nine
- Mikhail Bulgakov's novel The White Guard, where a bust of Momus appears in the house of the Turbins.
- Boris Akunin's The Jack of Spades (an Erast Fandorin story), where Momus is the pseudonym assumed by a character
- Lev Grossman's novel Codex, where MOMUS is an addictive and mysterious computer game
- Sean Stewart's novel Galveston, where Momus is a mysterious but powerful ruler of a realm in a world where magic has returned.
- Rei Momo ("King Momus") is one of the figures of the Brazilian Carnival.
- In John Dryden's poem The Secular Masque, Momus mocks the gods Diana, Mars, and Venus for the vanity of what they represent among human beings.
- Scottish artist and musician Nick Currie, who performs under the stage name Momus
- Knights of Momus, a Mardi Gras organisation
- Les amours de Momus, opéra-ballet in 3 acts and a prologue, story by Duché de Vancy, first performed at the Académie Royale de Musique on 12 June 1695. Music by Henry Desmarets
- Carl Sandburg's poem Momus in his 1916 collection of Chicago Poems.
|Wikisource has the text of the 1911 Encyclopædia Britannica article Momus.|
- Media related to Momus at Wikimedia Commons
- Harry Thurston Peck, Harper's Dictionary of classical antiquity, 1898: Momus
- Lawrence Sterne, Tristram Shandy: ruminations on Momus' windows of glass, in Volume 1, chapter 23 (text)
- Ella Wheeler Wilcox, 'Momus, God of Laughter': Poem at www.americanpoems.com