List of 20th-century classical composers by birth date
From Wikipedia, the free encyclopedia
| Lists of classical music composers by era |
|
|---|---|
| Medieval | (476–1400) |
| Renaissance | (1400–1600) |
| Baroque | (1600–1760) |
| Classical era | (1730–1820) |
| Romantic era | (1815–1910) |
| 20th century | (1900–2000) |
| 21st century | (since 2000) |
This is a list of composers of 20th-century classical music, sortable by name, year of birth, year of death, nationality, notable works, and remarks. It includes only composers of significant fame and importance. The style of the composer's music is given where possible, bearing in mind that some defy simple classification. Names are listed first by year of birth, then in alphabetical order within each year.
| Name | Year of birth | Year of death | Nationality | Notable works | Remarks |
|---|---|---|---|---|---|
| Charles Dancla | 1817 | 1907 | French | Solo de concours no. 7, Op. 224 | Romanticism |
| Giuseppe Garibaldi | 1819 | 1908 | Italian | ||
| Cornelius Gurlitt | 1820 | 1901 | German | ||
| Maria Anna Stubenberg | 1821 | 1912 | German | ||
| Kornél Ábrányi | 1822 | 1903 | Hungarian | Romanticism | |
| Luigi Arditi | 1822 | 1903 | Italian | ||
| Theodor Kirchner | 1823 | 1903 | German | ||
| Wilhelm Kuhe | 1823 | 1912 | German | ||
| Carl Reinecke | 1824 | 1910 | German | Trio for piano, clarinet and horn in B♭, Op. 274; String Quartet No. 5, Op. 287 | Romanticism |
| Marie Siegling | 1824 | 1919 | American | ||
| Richard Hol | 1825 | 1904 | Dutch | Organ music | Romanticism |
| Kate Loder | 1825 | 1904 | English | Romanticism | |
| Ivar Hallström | 1826 | 1901 | Swedish | Romanticism | |
| Julius Otto Grimm | 1827 | 1903 | German | Romanticism | |
| John Baptiste Calkin | 1827 | 1905 | English | Romanticism | |
| François-Auguste Gevaert | 1828 | 1907 | French | Romanticism | |
| James Cutler Dunn Parker | 1828 | 1916 | American | Romanticism | |
| François-Auguste Gevaert | 1828 | 1908 | Belgian | Romanticism | |
| Jacques Blumenthal | 1829 | 1908 | German | Romanticism | |
| Albert Dietrich | 1829 | 1908 | German | Romanticism | |
| Otto Goldschmidt | 1829 | 1907 | German | Romanticism | |
| Karl Goldmark | 1830 | 1915 | Hungarian | Ein Wintermärchen; Aus Jugendtagen | |
| Karl Klindworth | 1830 | 1916 | German | ||
| Hans Bronsart von Schellendorff | 1830 | 1913 | German | ||
| Salomon Jadassohn | 1831 | 1902 | German | Romanticism | |
| Joseph Joachim | 1831 | 1907 | Hungarian | ||
| Benjamin Dwight Allen | 1831 | 1914 | German | ||
| Mathilde Hannah von Rothschild | 1832 | 1924 | German | ||
| Charles-Wilfrid de Bériot | 1833 | 1914 | French | ||
| Caspar Joseph Brambach | 1833 | 1902 | German | ||
| George Becker | 1834 | 1928 | German - Swiss | ||
| Peter Benoit | 1834 | 1901 | Flemish | ||
| Kārlis Baumanis | 1835 | 1905 | Latvian | ||
| César Cui | 1835 | 1918 | Russian | ||
| Camille Saint-Saëns | 1835 | 1921 | French | ||
| Felix Draeseke | 1835 | 1913 | German | ||
| Susan McFarland Parkhurst | 1836 | 1918 | American | ||
| Johanne Amalie Fenger | 1836 | 1913 | Danish | ||
| Pauline-Marie-Elisa Thys | 1836 | 1909 | French | ||
| Friedrich Baumfelder | 1836 | 1916 | German | ||
| Mily Balakirev | 1837 | 1910 | Russian | Islamey | |
| Smith Newell Penfield | 1837 | 1920 | American | ||
| Alfred R. Gaul | 1837 | 1913 | English | ||
| Paul Lacombe | 1837 | 1927 | French | ||
| Théodore Dubois | 1837 | 1924 | French | ||
| Carlotta Ferrari | 1837 | 1907 | Italian | ||
| Otto Winter Hjelm | 1837 | 1931 | Norwegian | ||
| Heinrich Urban | 1837 | 1901 | German | ||
| Emile Waldteufel | 1837 | 1915 | French | ||
| Joseph Callaerts | 1838 | 1901 | Belgian | ||
| Max Bruch | 1838 | 1920 | German | Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 | Romanticism |
| Melesio Morales | 1838 | 1908 | Mexican | ||
| Sidney Lambert | 1838 | 1905 | American | ||
| Eduard Nápravník | 1839 | 1916 | Czech | ||
| John Knowles Paine | 1839 | 1906 | American | ||
| Josef Rheinberger | 1839 | 1901 | German | Organ Sonata No. 20 in F Major (“Zur Friedensfeier”), Op. 196; Mass in A Minor, Op. 197 | historicist |
| Oskar Rieding | 1840 | 1918 | German | ||
| Ernst Rudorff | 1840 | 1916 | German | ||
| François Borne | 1840 | 1920 | French | ||
| Theodora Cormontan | 1840 | 1922 | Norwegian American | ||
| Elfrida Andrée | 1841 | 1929 | Swedish | Swedish Masses Nos. 1 and 2 | |
| Antonín Dvořák | 1841 | 1904 | Czech | Armida (opera), "Zpěv z Lešetínského kováře" (song) | Romanticism, folk-influenced |
| Felip Pedrell | 1841 | 1922 | Spanish Catalan | ||
| Giovanni Sgambati | 1841 | 1914 | Italian | ||
| Friedrich Hegar | 1841 | 1927 | Swiss | ||
| Louise Héritte-Viardot | 1841 | 1918 | French | ||
| Joseph Friedrich Hummel | 1841 | 1919 | Austrian | ||
| Henri Gobbi | 1841 | 1920 | Hungarian | ||
| Josef Labor | 1842 | 1924 | Czech | ||
| Alphonse Duvernoy | 1842 | 1907 | French | ||
| Arrigo Boito | 1842 | 1918 | Italian | Nerone | |
| Jules Massenet | 1842 | 1912 | French | Piano Concerto; Le jongleur de Notre-Dame; Thérèse; Don Quichotte; Cigale | |
| Franz Xaver Neruda | 1843 | 1915 | Danish | ||
| Ján Levoslav Bella | 1843 | 1936 | Slovak | ||
| Émile Bernard | 1843 | 1902 | French | Nocturne, for piano and orchestra, Op. 51; String Quartet, Op. 52 | |
| Josefina Brdlíková | 1843 | 1910 | Czech | ||
| Asger Hamerik | 1843 | 1923 | Danish | Variations on "Jeg gik mig ud en sommerdag" | |
| Louis Diémer | 1843 | 1919 | French | ||
| Edvard Grieg | 1843 | 1907 | Norwegian | Lyrische Stücke, Op. 71; Slåtter, Op. 73; Four Psalms, Op. 74 | |
| David Popper | 1843 | 1913 | Czech | ||
| Oliveria Prescott | 1843 | 1919 | English | ||
| Stephanie Wurmbrand-Stuppach | 1843 | 1919 | Hungarian | ||
| Eugène Gigout | 1844 | 1925 | French | ||
| Hermann Graedener | 1844 | 1929 | German | ||
| Richard Hofmann | 1844 | 1918 | German | ||
| Marguerite Olagnier | 1844 | 1906 | French | ||
| Nikolai Rimsky-Korsakov | 1844 | 1908 | Russian | ||
| Pablo de Sarasate | 1844 | 1908 | Spanish | ||
| Charles-Marie Widor | 1844 | 1937 | French | ||
| Gabriel Fauré | 1845 | 1924 | French | Prométhée; Pénélope; Masques et bergamasques | |
| Alphonse Hasselmans | 1845 | 1912 | Belgian-born French | ||
| Ernst Perabo | 1845 | 1920 | German-born American | ||
| August Bungert | 1845 | 1915 | German | ||
| Anton Jörgen Andersen | 1845 | 1926 | Norwegian | ||
| Andreas Hallén | 1846 | 1925 | Swedish | Valborgsmässa (opera) | Romanticism |
| Albert Lavignac | 1846 | 1916 | French | ||
| Leopold Auer | 1846 | 1930 | Hungarian | ||
| Ella Adayevskaya | 1846 | 1926 | Russian | ||
| Luigi Denza | 1846 | 1922 | Italian | ||
| Riccardo Drigo | 1846 | 1930 | Italian | ||
| Nicolai Soloviev | 1846 | 1916 | Russian | ||
| Franz Ries | 1846 | 1932 | German | ||
| Marie Jaëll | 1846 | 1925 | French | ||
| Robert Fuchs | 1847 | 1927 | Austrian | Symphony No. 3 in E major, Op. 79; Clarinet Quintet in E♭ major, Op. 102 | |
| Augusta Holmès | 1847 | 1903 | French | ||
| Ignacio Cervantes | 1847 | 1905 | Cuban | ||
| Joachim Andersen | 1847 | 1909 | Danish | ||
| Philipp Scharwenka | 1847 | 1917 | German | ||
| Agnes Zimmermann | 1847 | 1925 | German | ||
| Agathe Backer-Grøndahl | 1847 | 1907 | Norwegian | ||
| Francis Chassaigne | 1847 | 1922 | Belgian-born French | ||
| August Klughardt | 1847 | 1902 | German | ||
| Chiquinha Gonzaga | 1847 | 1935 | Brazilian | ||
| Alexander Mackenzie | 1847 | 1935 | Scottish | The Cricket on the Hearth | Romanticism |
| František Kmoch | 1848 | 1912 | Czech | ||
| Frances Allitsen | 1848 | 1912 | English | ||
| Henri Duparc | 1848 | 1933 | French | ||
| Ludvig Schytte | 1848 | 1909 | Danish | ||
| William J. McCoy | 1848 | 1926 | American | ||
| Richard Eilenberg | 1848 | 1927 | German | ||
| Max Erdmannsdörfer | 1848 | 1905 | German | ||
| Fritz Seitz | 1848 | 1918 | German | ||
| Hubert Parry | 1848 | 1918 | English | Jerusalem | |
| Johann Baptist Singenberger | 1848 | 1924 | Swiss-American | historicist | |
| Nanna Liebmann | 1849 | 1935 | Danish | ||
| Roberta Geddes-Harvey | 1849 | 1930 | Canadian | ||
| Arnold Krug | 1849 | 1904 | German | ||
| Ernesto Köhler | 1849 | 1907 | Italian | ||
| Catalina Berroa | 1849 | 1911 | Cuban | ||
| Hans Sitt | 1850 | 1922 | Czech | ||
| Iver Holter | 1850 | 1941 | Norwegian | ||
| Peter Lange-Müller | 1850 | 1926 | Danish | ||
| Tomás Bretón | 1850 | 1923 | Spanish | ||
| Richard Barth | 1850 | 1923 | German | ||
| Xaver Scharwenka | 1850 | 1924 | German | ||
| Alexandre Luigini | 1850 | 1906 | French | ||
| Emilio Serrano y Ruiz | 1850 | 1939 | Spanish | ||
| Richard Heuberger | 1850 | 1914 | Austrian | ||
| Alexander Taneyev | 1850 | 1918 | Russian | ||
| Heinrich Reimann | 1850 | 1906 | German | ||
| Antonio Scontrino | 1850 | 1922 | Italian | ||
| Alfredo Keil | 1850 | 1907 | Portuguese | ||
| Victor Bendix | 1851 | 1926 | Danish | Symphony No.4 in D minor, Op. 30 | |
| Gabrielle Ferrari | 1851 | 1921 | French-Italian | ||
| Mary Grant Carmichael | 1851 | 1935 | English | ||
| W. H. Jude | 1851 | 1922 | English | ||
| Ludvig Hegner | 1851 | 1923 | Danish | ||
| André Wormser | 1851 | 1926 | French | ||
| Jan Blockx | 1851 | 1912 | Danish | ||
| Vincent d'Indy | 1851 | 1931 | French | String Quartet No. 3; Symphony No. 2 in B♭; Jour d'été à la montagne | |
| Frederic Hymen Cowen | 1852 | 1935 | British | Miniature Variations for orchestra | Romanticism |
| Émile Sauret | 1852 | 1920 | French | Romanticism | |
| Hans Huber | 1852 | 1921 | Swiss | Romanticism | |
| Alfred Grünfeld | 1852 | 1924 | Austrian | Romanticism | |
| Helena Munktell | 1852 | 1919 | Swedish | Romanticism | |
| Frederick Corder | 1852 | 1932 | English | Romanticism | |
| Josef Bayer | 1852 | 1913 | Austrian | Das Damenduell | Romanticism |
| Henrique Oswald | 1852 | 1931 | Brazilian | ||
| Charles Villiers Stanford | 1852 | 1924 | Irish | Six Irish Rhapsodies | Romanticism |
| Charles Malherbe | 1853 | 1911 | French | Romanticism | |
| Iwan Knorr | 1853 | 1916 | German | Romanticism | |
| Hugo Richard Jüngst | 1853 | 1923 | German | Romanticism | |
| Emil Sjögren | 1853 | 1918 | Swedish | Romanticism | |
| Jean Louis Nicodé | 1853 | 1919 | Prussian | Romanticism | |
| Teresa Carreño | 1853 | 1917 | Venezuelan | Romanticism | |
| Hans von Koessler | 1853 | 1926 | German | Romanticism | |
| Arthur Foote | 1853 | 1937 | American | Romanticism | |
| Leoš Janáček | 1854 | 1928 | Czech | Sinfonietta; Taras Bulba; Káťa Kabanová; The Cunning Little Vixen; The Makropoulos Affair; Glagolitic Mass, 2 string quartets | folk-influenced |
| Arturo Buzzi-Peccia | 1854 | 1943 | Italian | songs and piano works[vague] | |
| George Whitefield Chadwick | 1854 | 1931 | American | ||
| Julie Rivé-King | 1854 | 1937 | American | ||
| Pekka Hannikainen | 1854 | 1924 | Finnish | ||
| Bernard Zweers | 1854 | 1924 | Dutch | ||
| Engelbert Humperdinck | 1854 | 1921 | German | ||
| Heinrich Köselitz | 1854 | 1918 | German | ||
| John Philip Sousa | 1854 | 1932 | American | ||
| Alexander Kopylov | 1854 | 1911 | Russian | ||
| Antonio Smareglia | 1854 | 1929 | Austro-Hungarian | ||
| Oscar Fetrás | 1854 | 1931 | German | ||
| Gerónimo Giménez | 1854 | 1923 | Spanish | ||
| Moritz Moszkowski | 1854 | 1925 | German-Polish | ||
| Károly Aggházy | 1855 | 1918 | Hungarian | ||
| Arnold Mendelssohn | 1855 | 1933 | German | Deutsche Messe, Op. 89; Geistliche Chormusik, Op. 90 | |
| Heinrich Grünfeld | 1855 | 1931 | Bohemian-Austrian | ||
| Richard Sahla | 1855 | 1931 | German | ||
| Julius Röntgen | 1855 | 1932 | German | ||
| Anatoly Lyadov | 1855 | 1914 | Russian | ||
| Helen Hopekirk | 1856 | 1945 | Scottish-American | ||
| Kateřina Emingerová | 1856 | 1934 | Czech | ||
| Mary Elizabeth Turner Salter | 1856 | 1938 | American | ||
| Cecilia Arizti | 1856 | 1930 | Cuban | ||
| Sergei Taneyev | 1856 | 1915 | Russian | ||
| Robert Fischhof | 1856 | 1918 | Austrian | ||
| Felix Mottl | 1856 | 1911 | Austrian | ||
| Eva Dell'Acqua | 1856 | 1930 | Belgian | ||
| André Gedalge | 1856 | 1926 | French | ||
| Eduard Schütt | 1856 | 1933 | Russian | ||
| Gilda Ruta | 1856 | 1932 | Italian | ||
| Natalia Janotha | 1856 | 1932 | Polish | ||
| Christian Sinding | 1856 | 1941 | Norwegian | Romanticism | |
| Cécile Chaminade | 1857 | 1944 | French | Concertino for Flute | |
| Frederic Cliffe | 1857 | 1931 | English | Ode to the North-East Wind | Romanticism |
| Berta Bock | 1857 | 1945 | Romanian | ||
| Rudolf Dellinger | 1857 | 1910 | German | ||
| Árpád Doppler | 1857 | 1927 | Hungarian-German | ||
| Wilhelm Kienzl | 1857 | 1941 | Austrian | ||
| Alfred Bruneau | 1857 | 1934 | French | ||
| Ethel R. Harraden | 1857 | 1917 | English | ||
| Henry Schoenfeld | 1857 | 1936 | American | ||
| Rosalind Ellicott | 1857 | 1924 | English | ||
| Edward Elgar | 1857 | 1934 | English | Symphony No. 1; No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius; Pomp and Circumstance Marches | Romanticism |
| Ruggero Leoncavallo | 1857 | 1919 | Italian | Zingari (opera) | verismo |
| Heinrich Berté | 1858 | 1924 | Austrian-Hungarian | Der Glücksnarr | |
| Catherine van Rennes | 1858 | 1940 | Dutch | ||
| Richard Franck | 1858 | 1938 | German | ||
| Lucien-Léon Guillaume Lambert | 1858 | 1945 | French | ||
| Frank Lynes | 1858 | 1913 | American | ||
| Georges Hüe | 1858 | 1948 | French | ||
| Siegfried Alkan | 1858 | 1941 | German | ||
| Stella Stocker | 1858 | 1925 | American | ||
| Mélanie Bonis | 1858 | 1937 | French | ||
| Guy d'Hardelot | 1858 | 1936 | French | ||
| Giacomo Puccini | 1858 | 1924 | Italian | La fanciulla del West; Turandot | Romanticism; verismo |
| Catharinus Elling | 1858 | 1942 | Norwegian | Violin Concerto in D minor | Romanticism |
| Ethel Smyth | 1858 | 1944 | English | ||
| Jenő Hubay | 1858 | 1937 | Hungarian | ||
| Eugène Ysaÿe | 1858 | 1931 | Belgian | ||
| Victor Herbert | 1859 | 1924 | Irish - American | The Magic Knight (opera); The Red Mill (musical comedy); A Suite of Serenades | |
| Narcisa Freixas | 1859 | 1926 | Catalan | ||
| Teresa Tanco Cordovez de Herrera | 1859 | 1946 | Colombian | ||
| Laura Sedgwick Collins | 1859 | 1927 | American | ||
| Ida Georgina Moberg | 1859 | 1947 | Finnish | Symphony | |
| Ellen Riley Wright | 1859 | 1904 | English | ||
| Hedwige Chrétien | 1859 | 1944 | French | ||
| Gerard von Brucken Fock | 1859 | 1935 | Dutch | De wederkomst van Christus | |
| Josef Bohuslav Foerster | 1859 | 1951 | Czech | ||
| Hope Temple | 1859 | 1938 | Irish | ||
| Susie Frances Harrison | 1859 | 1935 | Canadian | ||
| Mikhail Ippolitov-Ivanov | 1859 | 1935 | Russian | ||
| Vincenza Garelli della Morea | 1859 | 1924 | Italian | ||
| Sergei Lyapunov | 1859 | 1924 | Russian | ||
| William Reed | 1859 | 1945 | Canadian | ||
| Isaac Albéniz | 1860 | 1909 | Spanish | Iberia | Romanticism |
| Emil von Řezníček | 1860 | 1945 | Austrian | Two symphonies | |
| Edward MacDowell | 1860 | 1908 | American | ||
| Alberto Franchetti | 1860 | 1942 | Italian | ||
| Edouard Potjes | 1860 | 1931 | Dutch | ||
| Valborg Aulin | 1860 | 1928 | Swedish | ||
| Gustave Charpentier | 1860 | 1956 | French | Julien | |
| Felix Woyrsch | 1860 | 1944 | German | ||
| William Wallace | 1860 | 1940 | Scottish | ||
| Pietro Floridia | 1860 | 1932 | Italian | ||
| Celeste de Longpré Heckscher | 1860 | 1928 | American | ||
| Gustav Mahler | 1860 | 1911 | Austrian | Symphony No. 5, No. 6, and No. 9; Das Lied von der Erde; Kindertotenlieder | Romanticism; modernism |
| Ignacy Jan Paderewski | 1860 | 1941 | Polish | Symphony in B minor, Op. 24 | |
| Anton Arensky | 1861 | 1906 | Russian | Piano Trio no. 2 in F minor, op. 73 | |
| Charles Martin Loeffler | 1861 | 1935 | French-born American | ||
| Václav Suk | 1861 | 1933 | Czech-born Russian | ||
| Marie Emmanuel Augustin Savard | 1861 | 1942 | French | ||
| Georgy Catoire | 1861 | 1926 | Russian | ||
| Florence Everilda Goodeve | 1861 | 1915 | English | ||
| Rudolf Raimann | 1861 | 1913 | Hungarian | Unser Stammhalter (opera) | Romanticism |
| Marco Enrico Bossi | 1861 | 1925 | Italian | ||
| Wilhelm Berger | 1861 | 1911 | German | Symphony No. 2 in B minor, op. 80; Variations and Fugue on an Original Theme, op. 97; Serenade for Twelve Winds, op. 102 | Romanticism |
| Claude Debussy | 1862 | 1918 | French | Clair de lune; Syrinx; La mer; Pelléas et Mélisande; Préludes | Impressionism |
| Frederick Delius | 1862 | 1934 | English | A Village Romeo and Juliet; On Hearing the First Cuckoo in Spring | Impressionism |
| Mona McBurney | 1862 | 1932 | British | ||
| Henry Holden Huss | 1862 | 1953 | American | ||
| Conrad Ansorge | 1862 | 1930 | German | ||
| Emil von Sauer | 1862 | 1942 | German | ||
| Georgi Conus | 1862 | 1933 | Russian | ||
| Edward German | 1862 | 1936 | English | Merrie England; A Princess of Kensington; Tom Jones | |
| Alberto Williams | 1862 | 1952 | Argentine | Poema del Iguazú, nine symphonies | Folk-influenced, modermism, impressionism, nationalism, post-Wagnerian |
| Arthur De Greef | 1862 | 1940 | Belgian | Concerto for Piano and Orchestra No. 1 in C minor, Concerto for Piano and Orchestra No. 2 in B flat minor,Sonata in C minor for 2 Pianos | |
| Walter Damrosch | 1862 | 1950 | German-born American | Sonata for violin and piano | |
| Dora Bright | 1862 | 1951 | English | ||
| Ferdinand Pfohl | 1862 | 1949 | German | ||
| August Nölck | 1862 | 1928 | German | ||
| Florence Aylward | 1862 | 1950 | English | ||
| Meliton Balanchivadze | 1862 | 1937 | Georgian | ||
| Maurice Emmanuel | 1862 | 1938 | French | ||
| Alphons Diepenbrock | 1862 | 1921 | Dutch | ||
| Hugo Becker | 1863 | 1941 | German | Cello Concerto | |
| Hugo Kaun | 1863 | 1932 | German | Symphony No. 3 in E minor, op. 96 | |
| Arthur Somervell | 1863 | 1937 | English | ||
| Charles Bordes | 1863 | 1909 | French | ||
| Enrique Fernández Arbós | 1863 | 1939 | Spanish | ||
| Alfred Reisenauer | 1863 | 1907 | German | ||
| Abbie Gerrish-Jones | 1863 | 1929 | American | ||
| Cornélie van Oosterzee | 1863 | 1943 | Dutch | ||
| Vladimir Sokalsky | 1863 | 1919 | Russian | ||
| Emánuel Moór | 1863 | 1931 | Hungarian | ||
| Felix Blumenfeld | 1863 | 1931 | Russian | ||
| Izabella Kuliffay | 1863 | 1945 | Hungarian | Magyar suite | |
| Maria Chefaliady-Taban | 1863 | 1932 | Romanian | ||
| Horatio Parker | 1863 | 1919 | American | ||
| Helen Francis Hood | 1863 | 1949 | American | ||
| Pietro Mascagni | 1863 | 1945 | Italian | Amica | Verismo |
| Gabriel Pierné | 1863 | 1937 | French | Cydalise et le Chèvre-pied; Ramuntcho | |
| Eugen d'Albert | 1864 | 1932 | Russian | Tiefland | Romanticism |
| Hugh Blair | 1864 | 1932 | English | Magnificat; Nunc Dimittis for double choir | |
| Hjalmar Borgstrøm | 1864 | 1925 | Norwegian | Piano Concerto in C, op.22, Violin Concerto in G major op.25, Piano Quintet in F op.31, Symphony in C, op.5, String Quartet in C, op.6 | |
| Harry Falkenau | 1864 | 1907 | American | ||
| Ricardo Castro | 1864 | 1907 | Mexican | ||
| Alberto Nepomuceno | 1864 | 1920 | Brazilian | ||
| Louis Glass | 1864 | 1936 | Danish | ||
| Alessandro Longo | 1864 | 1945 | Italian | ||
| Alexander Gretchaninov | 1864 | 1956 | Russian | ||
| Peter Griesbacher | 1864 | 1933 | German | historicist | |
| Johan Halvorsen | 1864 | 1935 | Norwegian | Norwegian rhapsodies, three symphonies | Romanticism, French influence |
| Guy Ropartz | 1864 | 1955 | French | Le Pays | Impressionism |
| Richard Strauss | 1864 | 1949 | German | An Alpine Symphony; Der Rosenkavalier; Oboe Concerto; Salome; Metamorphosen | Romanticism |
| Giovanni Tebaldini | 1864 | 1952 | Italian | historicist | |
| Enric Morera i Viura | 1865 | 1942 | Catalan | ||
| August de Boeck | 1865 | 1937 | Belgian | ||
| Eduardo di Capua | 1865 | 1917 | Italian | ||
| Paul Dukas | 1865 | 1935 | French | La Péri (ballet) | |
| Paul Gilson | 1865 | 1942 | Belgian | ||
| Alexander Glazunov | 1865 | 1936 | Russian | Symphony No. 4 and No. 5; The Seasons (ballet); Violin Concerto; Saxophone Concerto | Romanticism |
| Gustav Jenner | 1865 | 1920 | German | ||
| Alfred Hollins | 1865 | 1942 | English | ||
| Robert Kahn | 1865 | 1951 | German | ||
| Borghild Holmsen | 1865 | 1938 | Norweigian | ||
| Albéric Magnard | 1865 | 1914 | French | Guercoeur | |
| Carl Nielsen | 1865 | 1931 | Danish | Symphony No. 4; No. 5; Maskarade; Clarinet Concerto | |
| Jean Sibelius | 1865 | 1957 | Finnish | Symphony No. 2, No. 5, and No. 7; Violin Concerto | |
| Francesco Cilea | 1866 | 1950 | Italian | L'arlesiana; Adriana Lecouvreur | |
| Ferruccio Busoni | 1866 | 1924 | Italian | Fantasia contrappuntistica; Turandot Suite; Piano Concerto | |
| Vladimir Rebikov | 1866 | 1920 | Russian | Children's piano music[vague] | |
| Erik Satie | 1866 | 1925 | French | Piano music[vague] | Minimalism, avant-garde |
| Clara Anna Korn | 1866 | 1941 | American | Piano Concerto | |
| Vasily Kalinnikov | 1866 | 1901 | Russian | ||
| Laura Lemon | 1866 | 1924 | Canadian | ||
| Amanda Christina Elizabeth Aldridge | 1866 | 1956 | British | ||
| Tor Aulin | 1866 | 1914 | Swedish | ||
| Caro Roma | 1866 | 1937 | American | ||
| Gustave Doret | 1866 | 1943 | Swiss | ||
| Margherita Galeotti | 1867 | 1912 | Italian | Piano Trio in D minor | |
| Karel Navrátil | 1867 | 1936 | Czech | ||
| Amy Elsie Horrocks | 1867 | 1920 | English | ||
| Amy Beach | 1867 | 1944 | American | ||
| Umberto Giordano | 1867 | 1948 | Italian | Siberia; Madame Sans-Gêne; La cena delle beffe | Verismo |
| Enrique Granados | 1867 | 1916 | Spanish | Goyescas (piano suite); Goyescas | |
| Fini Henriques | 1867 | 1940 | Danish | ||
| Česlovas Sasnauskas | 1867 | 1916 | Lithuanian | ||
| Charles Koechlin | 1867 | 1950 | French | ||
| Wilhelm Peterson-Berger | 1867 | 1942 | Swedish | Frösöblomster | Romantic nationalism |
| Scott Joplin | c. 1867/1868? | 1917 | American | Treemonisha | Ragtime |
| Granville Bantock | 1868 | 1946 | British | Omar Khayyám, Hebridean Symphony | Romanticism, often with an exotic flavour |
| Frederic Lamond | 1868 | 1948 | Scottish | ||
| José Vianna da Motta | 1868 | 1948 | Portuguese | ||
| Leone Sinigaglia | 1868 | 1944 | Italian | ||
| Hamish MacCunn | 1868 | 1916 | Scottish | ||
| Hermann Bischoff | 1868 | 1936 | German | ||
| Carl Frühling | 1868 | 1937 | Austrian | Suite in F major, op. 36 | |
| Tokichi Setoguchi | 1868 | 1941 | Japanese | ||
| Annie Patterson | 1868 | 1934 | Irish | ||
| František Drdla | 1868 | 1944 | Czech | ||
| Alberto Jonás | 1868 | 1943 | Spanish | ||
| Signe Lund | 1868 | 1950 | Norwegian | Valse de Concert Op.40 | |
| Oskar Merikanto | 1868 | 1924 | Finnish | ||
| Vittorio Monti | 1868 | 1922 | Italian | Csárdás | |
| John Blackwood McEwen | 1868 | 1948 | Scottish | ||
| Jan Brandts Buys | 1868 | 1933 | Dutch-Austrian | ||
| Lodewijk Mortelmans | 1868 | 1952 | Belgian | ||
| Maria Antonietta Picconi | 1869 | 1926 | Italian | ||
| Vasily Kalafati | 1869 | 1942 | Russian | ||
| Demetrios Lialios | 1869 | 1940 | Greek | chamber music[vague] | |
| Vassily Brandt | 1869 | 1923 | Russian | ||
| Joséphine Boulay | 1869 | 1925 | French | ||
| Julius Conus | 1869 | 1942 | Russian | ||
| Armas Järnefelt | 1869 | 1958 | Finnish | ||
| John N. Klohr | 1869 | 1956 | American | Billboard March | |
| Hans Pfitzner | 1869 | 1949 | German | Palestrina | |
| Albert Roussel | 1869 | 1937 | French | Symphony No. 3 and No. 4; Bacchus et Ariane (ballet) | Neoclassicism |
| Henry Eichheim | 1870 | 1942 | American | ||
| Leopold Godowsky | 1870 | 1938 | Polish | Studies on Chopin's Études; Passacaglia; Triakontameron | |
| Alfred Hill | 1870 | 1960 | Australian | ||
| Mon Schjelderup | 1870 | 1934 | Norwegian | Sonata in B minor, Op. 12 | |
| Ludvík Čelanský | 1870 | 1931 | Czech | ||
| Franz Lehár | 1870 | 1948 | Hungarian | Der Graf von Luxemburg, Der Zarewitsch | operettas |
| Viktor Kalinnikov | 1870 | 1927 | Russian | ||
| Joseph Ryelandt | 1870 | 1965 | Belgian | ||
| Vítězslav Novák | 1870 | 1949 | Czech | ||
| Arthur Pryor | 1870 | 1942 | American | ||
| Florent Schmitt | 1870 | 1958 | French | ||
| Oscar Straus | 1870 | 1954 | Austrian | Ein Walzertraum; The Chocolate Soldier | |
| Charles Tournemire | 1870 | 1939 | French | L'Orgue Mystique | |
| Cornelis Dopper | 1870 | 1939 | Dutch | ||
| Louis Vierne | 1870 | 1937 | French | ||
| Hélène-Frédérique de Faye-Jozin | 1871 | 1942 | French | ||
| Alexander Spendiaryan | 1871 | 1936 | Armenian | ||
| Ruben Liljefors | 1871 | 1936 | Swedish | ||
| Daniel Alomía Robles | 1871 | 1942 | Peruvian | ||
| Adolphe Biarent | 1871 | 1916 | Belgian | ||
| Leon Jessel | 1871 | 1942 | German | The Parade of the Tin Soldiers | |
| Wilhelm Stenhammar | 1871 | 1927 | Swedish | Symphony No. 2 | Romanticism |
| Alexander von Zemlinsky | 1871 | 1942 | Austrian | Lyric Symphony; String Quartet No. 2; Der Zwerg | post-Romanticism, New Objectivity, neoclassicism |
| Hugo Alfvén | 1872 | 1960 | Swedish | Symphony No. 4: From the Outermost Skerries; Midsummer Vigil | Romanticism |
| William H. Potstock | 1872 | 1941 | American | ||
| Henri Büsser | 1872 | 1973 | French | ||
| Sergei Vasilenko | 1872 | 1956 | Russian | ||
| Paul Juon | 1872 | 1940 | Russian | ||
| Siegmund von Hausegger | 1872 | 1948 | Austrian | ||
| Stanislav Binički | 1872 | 1942 | Serbian | Marš na Drinu | |
| Julius Fučík | 1872 | 1916 | Czech | Entrance of the Gladiators | |
| Eyvind Alnæs | 1872 | 1932 | Norwegian | Two symphonies, Piano Concerto | |
| Joan Lamote de Grignon | 1872 | 1949 | Catalan Spanish | ||
| Ezra Jenkinson | 1872 | 1947 | English | ||
| Rubin Goldmark | 1872 | 1936 | American | ||
| Lorenzo Perosi | 1872 | 1956 | Italian | Il Giudizio Universale (oratorio) | historicist |
| Alexander Scriabin | 1872 | 1915 | Russian | The Poem of Ecstasy; Prometheus: The Poem of Fire; piano sonatas Nos. 4–10 | Mysticism |
| Ralph Vaughan Williams | 1872 | 1958 | English | A Sea Symphony; A London Symphony; Sinfonia antartica; Fantasia on a Theme by Thomas Tallis; Fantasia on Greensleeves; The Lark Ascending | Impressionism, folk-influenced |
| Joseph Jongen | 1873 | 1953 | Belgian | Symphonie Concertante for organ and orchestra | |
| Lucien Capet | 1873 | 1928 | French | Poème for violin and orchestra | |
| María de las Mercedes Adam de Aróstegui | 1873 | 1957 | Cuban | ||
| Walter Rabl | 1873 | 1940 | Austrian | Romanticism | |
| Leo Fall | 1873 | 1925 | Austrian | Madame Pompadour (operetta) | Romanticism |
| Dimitri Arakishvili | 1873 | 1953 | Georgian | ||
| Modest Altschuler | 1873 | 1963 | Russian | ||
| William Henry Bell | 1873 | 1946 | English | ||
| Henri Rabaud | 1873 | 1949 | French | ||
| Sergei Rachmaninoff | 1873 | 1943 | Russian | Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor | Romanticism |
| Arnold Safroni-Middleton | 1873 | 1950 | British | ||
| Jean Roger-Ducasse | 1873 | 1954 | French | ||
| Emma Lomax | 1873 | 1963 | English | ||
| Nikolai Tcherepnin | 1873 | 1945 | Russian | ||
| Max Reger | 1873 | 1916 | German | organ music, Variations and Fugue on a Theme by Mozart, Hebbel Requiem | Romanticism |
| Katharine Emily Eggar | 1874 | 1961 | English | ||
| Pol Albrecht | 1874 | 1975 | Luxembourgian | ||
| Charles Ives | 1874 | 1954 | American | The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata | Avant-garde, folk-influenced |
| Gustav Holst | 1874 | 1934 | English | The Planets; Beni Mora; Egdon Heath | |
| Ernest Austin | 1874 | 1947 | English | Symphony | Atonaliity, Romanticism, folk-influenced, Impressionism |
| Giulio Bas | 1874 | 1929 | Italian | organ works[vague] | |
| Ethel Barns | 1874 | 1948 | English | ||
| Reynaldo Hahn | 1874 | 1947 | Venezuelan | ||
| Serge Koussevitzky | 1874 | 1951 | Russian | ||
| Franz Schmidt | 1874 | 1939 | Austrian | The Book with Seven Seals | |
| Arnold Schoenberg | 1874 | 1951 | Austrian | Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra; Violin Concerto | Romanticism, later Expressionism and Serialism; founder of the Second Viennese School |
| Josef Suk | 1874 | 1935 | Czech | Asrael Symphony; A Winter's Tale | |
| Henriette Renié | 1875 | 1956 | French | ||
| Franco Alfano | 1875 | 1954 | Italian | ||
| Julián Carrillo | 1875 | 1965 | Mexican | 13th sound | Microtonal music |
| Samuel Coleridge-Taylor | 1875 | 1912 | English | The Song of Hiawatha (cantata) | |
| Mikalojus Konstantinas Čiurlionis | 1875 | 1911 | Lithuanian | ||
| Reinhold Glière | 1875 | 1956 | Russian | Horn Concerto; The Red Poppy | Romanticism |
| Alexander Goldenweiser | 1875 | 1961 | Russian | ||
| Jenő Huszka | 1875 | 1960 | Hungarian | ||
| Dobri Hristov | 1875 | 1941 | Bulgarian | ||
| Ernesto de Curtis | 1875 | 1937 | Italian | ||
| Fritz Kreisler | 1875 | 1962 | Austrian | Caprice Viennois; Liebesfreud; Liebesleid; Schön Rosmarin | |
| Erkki Melartin | 1875 | 1937 | Finnish | ||
| Maurice Ravel | 1875 | 1937 | French | Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music | Impressionism, Neoclassicism |
| Hakon Børresen | 1876 | 1954 | Danish | The Royal Guest | romanticism |
| Havergal Brian | 1876 | 1972 | English | Gothic Symphony | |
| Teresa del Riego | 1876 | 1968 | English | ||
| Lucia Contini Anselmi | 1876 | 1913 | Italian | ||
| Ludolf Nielsen | 1876 | 1939 | Danish | ||
| John Alden Carpenter | 1876 | 1951 | American | ||
| Mieczysław Karłowicz | 1876 | 1909 | Polish | Stanislaw i Anna Oświęcimovie Lithuanian Rhapsody; Symphony in E Minor; Violin Concerto | Romanticism |
| Manuel de Falla | 1876 | 1946 | Spanish | The Three-Cornered Hat; Nights in the Gardens of Spain | Impressionism, Neoclassicism |
| Ernest Schelling | 1876 | 1939 | American | ||
| Carl Ruggles | 1876 | 1971 | American | Sun-Treader | |
| Mikhail Savoyarov | 1876 | 1941 | Russian | The Drunken Moon, Trumpeters, Because of the Ladies | chansonnier, light music, jazz-influenced |
| Ermanno Wolf-Ferrari | 1876 | 1948 | Italian | comic operas | |
| Alexander Goedicke | 1877 | 1957 | Russian | ||
| Louis Aubert | 1877 | 1968 | French | ||
| Yevgeny Gunst | 1877 | 1950 | Russian | ||
| Russell Alexander | 1877 | 1915 | American | ||
| Sergei Bortkiewicz | 1877 | 1952 | Russian (Ukrainian-born) | ||
| Ernő Dohnányi | 1877 | 1960 | Hungarian | Variations on a Nursery Tune | Romanticism |
| Vladimir Tsybin | 1877 | 1949 | Russian | ||
| Sigfrid Karg-Elert | 1877 | 1933 | German | organ and harmonium works[vague] | |
| Mykola Leontovych | 1877 | 1921 | Ukrainian | Shchedryk, church music, arrangements of folk songs | A capella choral music |
| Elisabeth Kuyper | 1877 | 1953 | Dutch | Violin Concerto in B minor, Violin Sonata in A major, Piano Trio in D major | |
| Hnat Khotkevych | 1877 | 1938 | Ukrainian | ||
| Jean Huré | 1877 | 1930 | French | ||
| Roger Quilter | 1877 | 1953 | English | songs | |
| Rutland Boughton | 1878 | 1960 | English | ||
| Selim Palmgren | 1878 | 1951 | Finnish | ||
| Jeanne Beijerman-Walraven | 1878 | 1969 | Dutch | ||
| Harry Farjeon | 1878 | 1948 | British | ||
| Antun Dobronić | 1878 | 1955 | Croatian | ||
| Caradog Roberts | 1878 | 1935 | Welsh | ||
| Adam Carse | 1878 | 1958 | English | Two symphonies | |
| André Caplet | 1878 | 1925 | French | ||
| Mabel Wheeler Daniels | 1878 | 1971 | American | ||
| Ossip Gabrilowitsch | 1878 | 1936 | Russian-born American | ||
| Conrado del Campo | 1878 | 1953 | Spanish | ||
| Carl Ehrenberg | 1878 | 1962 | German | Anneliese (opera) | Post-romanticism |
| Gabriel Dupont | 1878 | 1914 | French | ||
| Fritz Brun | 1878 | 1959 | Swiss | ||
| Joseph Holbrooke | 1878 | 1958 | English | ||
| Franz Schreker | 1878 | 1934 | Austrian | Der ferne Klang (opera), Kammersymphonie | modernism, eclectic (Romanticism, naturalism, symbolism, impressionism, Expressionism and Neue Sachlichkeit) |
| Frank Bridge | 1879 | 1941 | English | Enter Spring; The Sea | Impressionism, later Expressionism; mentor of Benjamin Britten |
| Joseph Canteloube | 1879 | 1957 | French | Chants d'Auvergne | |
| Joseph Haas | 1879 | 1960 | German | Romanticism | |
| Marcel Tournier | 1879 | 1951 | French | ||
| Jean Cras | 1879 | 1932 | French | ||
| Stanyslav Lyudkevych | 1879 | 1979 | Ukrainian | ||
| Gabriel Grovlez | 1879 | 1944 | French | ||
| Maurice Delage | 1879 | 1961 | French | ||
| Stefano Donaudy | 1879 | 1925 | Italian | ||
| Percy Fletcher | 1879 | 1932 | English | ||
| Philippe Gaubert | 1879 | 1941 | French | ||
| Hamilton Harty | 1879 | 1941 | Irish | An Irish Symphony; With the Wild Geese | |
| John Ireland | 1879 | 1962 | English | Piano Concerto in E flat | |
| Pablo Luna | 1879 | 1942 | Spanish | El niño judío | |
| Josip Hatze | 1879 | 1959 | Croatian | ||
| Hugo Riesenfeld | 1879 | 1939 | Austrian-American | ||
| Otakar Ostrčil | 1879 | 1935 | Czech | ||
| Joaquín Nin | 1879 | 1949 | Cuban | ||
| Otto Olsson | 1879 | 1964 | Swedish | Te Deum | |
| Ottorino Respighi | 1879 | 1936 | Italian | The Fountains of Rome; The Pines of Rome | Impressionism |
| Cyril Scott | 1879 | 1970 | English | ||
| Ernest Bloch | 1880 | 1959 | American (Swiss-born) | Schelomo; Suite hébraïque | |
| Edgar Thomas Cook | 1880 | 1953 | English | ||
| John Foulds | 1880 | 1939 | English | A World Requiem | Post-romanticism, Indian influence |
| Nikolai Medtner | 1880 | 1951 | Russian | 38 Skazki for piano, Piano Concerto No. 3 | Romanticism |
| Ildebrando Pizzetti | 1880 | 1968 | Italian | Assassinio nella cattedrale | |
| Healey Willan | 1880 | 1968 | English | ||
| Domenico Alaleona | 1881 | 1928 | Italian | ||
| Kenneth J. Alford | 1881 | 1945 | British | Colonel Bogey | "British March King" |
| Béla Bartók | 1881 | 1945 | Hungarian | Concerto for Orchestra; six string quartets; The Miraculous Mandarin; Piano Concerto No. 1; Piano Concerto No. 2; Piano Concerto No. 3; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion | Neoclassicism, folk-influenced |
| Gena Branscombe | 1881 | 1977 | Canadian | ||
| Nancy Dalberg | 1881 | 1949 | Danish | String Quartet No. 2 | |
| George Enescu | 1881 | 1955 | Romanian | Romanian Rhapsody No. 1, Sonata No. 3 for Violin and Piano ("In the Romanian Popular Style"), Œdip (opera), Cantabile et Presto for flute and piano | folk-influenced; father of Romanian classical music |
| Henry Fillmore | 1881 | 1956 | American | marches | |
| Paul Le Flem | 1881 | 1984 | French | ||
| Arthur Marshall | 1881 | 1968 | American | ||
| Ignatz Waghalter | 1881 | 1949 | Polish-German | Concerto for Violin in A Major; Mandragola; Jugend | Romanticism |
| Richard Hageman | 1881 | 1966 | Dutch-born American | ||
| Jan van Gilse | 1881 | 1944 | Dutch | Thijl | |
| Nikolai Myaskovsky | 1881 | 1950 | Russian | Symphony No. 6, No. 10 and No. 13; Cello Concerto in C minor | Romanticism |
| Nikolai Roslavets | 1881 | 1944 | Russian | ||
| Marion Bauer | 1882 | 1955 | American | ||
| Percy Grainger | 1882 | 1961 | Australian | Country Gardens, Irish Tune from County Derry, Lincolnshire Posy | folk-influenced |
| Mary Howe | 1882 | 1964 | American | ||
| Emmerich Kálmán | 1882 | 1953 | Hungarian | operettas | |
| Zoltán Kodály | 1882 | 1967 | Hungarian | Háry János; Székelyfonó; Psalmus Hungaricus | folk-influenced |
| Gian Francesco Malipiero | 1882 | 1973 | Italian | ||
| Joseph Marx | 1882 | 1964 | Austrian | vocal music | |
| Geoffrey O'Hara | 1882 | 1967 | Canadian | ||
| Manuel Ponce | 1882 | 1948 | Mexican | Concierto del sur for guitar and orchestra, guitar and piano pieces, songs (especially "Estrellita"), and folk-song arrangements | |
| Igor Stravinsky | 1882 | 1971 | Russian | The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments | Neoclassicism, Neo-Baroque, neotonality, later Serialism |
| Karol Szymanowski | 1882 | 1937 | Polish | Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 | Impressionism, later folk-influenced |
| Walter Braunfels | 1882 | 1954 | German | Organ Concerto | neotonality |
| Ernestina Lecuona Casado | 1882 | 1951 | Cuban | Bolero | |
| Joaquín Turina | 1882 | 1949 | Spanish | ||
| Arnold Bax | 1883 | 1953 | English | Symphony No. 2, No. 3, and No. 6; Tintagel | Romanticism, Impressionism |
| Alfredo Casella | 1883 | 1947 | Italian | ||
| George Dyson | 1883 | 1964 | English | Symphony in G major | |
| Josef Matthias Hauer | 1883 | 1959 | Austrian | ||
| Manolis Kalomiris | 1883 | 1962 | Greek | ||
| Paul von Klenau | 1883 | 1946 | Danish | ||
| Maximilian Steinberg | 1883 | 1946 | Russian | ||
| Augustin Barié | 1883 | 1915 | French | ||
| Toivo Kuula | 1883 | 1918 | Finnish | ||
| Robert Graham Manson | 1883 | 1950 | British | ||
| Jules Van Nuffel | 1883 | 1953 | Belgian | In convertendo Dominus; Tedeum | |
| Enrico Toselli | 1883 | 1926 | Italian | Serenata 'Rimpianto' Op.6 No.1 | |
| Edgard Varèse | 1883 | 1965 | French | Amériques; Ionisation; Arcana; Density 21.5 | Musique concrète, Electronic music |
| Anton Webern | 1883 | 1945 | Austrian | Symphony; Six Pieces for Orchestra | Serialism; pupil of Arnold Schoenberg |
| York Bowen | 1884 | 1961 | English | ||
| Juhan Aavik | 1884 | 1982 | Estonian | ||
| Raoul Koczalski | 1884 | 1948 | Polish | Piano Concerto, Op. 83 | |
| Dina Appeldoorn | 1884 | 1938 | Dutch | ||
| May Brahe | 1884 | 1956 | Australian | Bless This House and other songs | |
| Ralph Benatzky | 1884 | 1957 | Czech | ||
| Max Brod | 1884 | 1968 | Czech | ||
| Charles Griffes | 1884 | 1920 | American | ||
| Boris Asafyev | 1884 | 1949 | Russian | ||
| Louis Gruenberg | 1884 | 1964 | Russian | ||
| Juozas Gruodis | 1884 | 1948 | Lithuanian | ||
| Ture Rangström | 1884 | 1947 | Swedish | Four symphonies | |
| Alexander Albrecht | 1885 | 1958 | Slovak | ||
| Agustín Barrios | 1885 | 1944 | Paraguayan | ||
| Alban Berg | 1885 | 1935 | Austrian | Violin Concerto; Wozzeck; Lyric Suite | Serialism, Romanticism, Expressionism; pupil of Arnold Schoenberg |
| George Butterworth | 1885 | 1916 | English | ||
| Benjamin Dale | 1885 | 1943 | English | ||
| Adriano Lualdi | 1885 | 1971 | Italian | ||
| Heino Kaski | 1885 | 1957 | Finnish | ||
| Eduard Kunneke | 1885 | 1953 | German | Der Vetter aus Dingsda | |
| Artur Lemba | 1885 | 1963 | Estonian | ||
| Dora Pejačević | 1885 | 1923 | Croatian | Symphony in F-sharp Minor, Phantasie Concertante | |
| Wallingford Riegger | 1885 | 1961 | American | Symphony No. 3 | |
| Pedro Humberto Allende | 1885 | 1959 | Chilean | ||
| Leo Weiner | 1885 | 1960 | Hungarian | ||
| Egon Wellesz | 1885 | 1974 | Austrian | nine symphonies | |
| Mana-Zucca | 1885 | 1981 | American | ||
| Joseph Achron | 1886 | 1943 | Russian | Hebrew Melody | |
| Edward Ballantine | 1886 | 1971 | American | Variations on "Mary Had a Little Lamb" for piano | |
| Kosaku Yamada | 1886 | 1965 | Japanese | Overture in D major | |
| John J. Becker | 1886 | 1961 | American | ||
| Rebecca Helferich Clarke | 1886 | 1979 | English | ||
| Wilhelm Furtwängler | 1886 | 1954 | German | Symphony No. 1 in B minor, Symphony No. 2 in E minor, Symphony No. 3 in C♯ minor, Piano Quintet, Religöser Hymnus, Te Deum for Choir and Orchestra | Neoclassicism, folk-influenced, twelve-tone technique |
| Elizabeth Gyring | 1886 | 1970 | American | ||
| Henri Gagnebin | 1886 | 1977 | Belgian-born Swiss | ||
| Marcel Dupré | 1886 | 1971 | French | organ music | |
| Jesús Guridi | 1886 | 1961 | Spanish | Sinfonia pirenaica | |
| Paul Paray | 1886 | 1979 | French | Mass for the 500th Anniversary of the Death of Joan of Arc | |
| Othmar Schoeck | 1886 | 1957 | Swiss | Penthesilea | |
| Pietro Yon | 1886 | 1943 | Italian | Gesù bambino | |
| Kurt Atterberg | 1887 | 1974 | Swedish | Symphony No. 6 "Dollar Symphony" | |
| Oskar Lindberg | 1887 | 1955 | Swedish | ||
| Ernest Pingoud | 1887 | 1942 | Finnish | ||
| Nadia Boulanger | 1887 | 1979 | French | ||
| Mildred Couper | 1887 | 1974 | American | quarter tone | |
| Stasys Šimkus | 1887 | 1943 | Lithuanian | ||
| Heino Eller | 1887 | 1970 | Estonian | ||
| Emilia Gubitosi | 1887 | 1972 | Italian | ||
| Leevi Madetoja | 1887 | 1947 | Finnish | ||
| Emil Reesen | 1887 | 1964 | Danish | operas | |
| Rudi Stephan | 1887 | 1915 | German | Romanticism | |
| Willem Andriessen | 1887 | 1964 | Dutch | Piano Concerto in D♭ major | |
| Ernst Toch | 1887 | 1964 | German | 7 symphonies | |
| Heitor Villa-Lobos | 1887 | 1959 | Brazilian | Chôros; Bachianas brasileiras; Magdalena: a Musical Adventure; Rudepoêma; | Neoclassicism, folk-influenced |
| Johanna Beyer | 1888 | 1944 | German-American | ||
| Philip Greeley Clapp | 1888 | 1954 | American | 12 symphonies | |
| Maria Rodrigo | 1888 | 1967 | Spanish | ||
| Alexei Stanchinsky | 1888 | 1914 | Russian | ||
| Irving Berlin | 1888 | 1989 | American | ||
| Carmen Barradas | 1888 | 1963 | Uruguayan | ||
| Cecil Coles | 1888 | 1918 | Scottish | ||
| Emiliana de Zubeldia | 1888 | 1987 | Spanish | ||
| Anna Maria Klechniowska | 1888 | 1973 | Polish | ||
| Ina Boyle | 1888 | 1967 | Irish | ||
| Poul Schierbeck | 1888 | 1949 | Danish | ||
| Matthijs Vermeulen | 1888 | 1967 | Dutch | ||
| Levko Revutsky | 1889 | 1977 | Ukrainian | Piano Concerto in F major | |
| Alton Adams | 1889 | 1987 | American | ||
| Grigoraş Dinicu | 1889 | 1949 | Romanian | ||
| Armstrong Gibbs | 1889 | 1960 | English | ||
| Ethel Glenn Hier | 1889 | 1971 | American | ||
| Vladimir Shcherbachov | 1889 | 1952 | Russian | ||
| Victor Dolidze | 1890 | 1933 | Soviet Georgian | ||
| Luís de Freitas Branco | 1890 | 1955 | Portuguese | ||
| Hans Gál | 1890 | 1987 | Austrian | ||
| Ivor Gurney | 1890 | 1937 | English | ||
| Jacques Ibert | 1890 | 1962 | French | neoclassicism Impressionism | |
| Frank Martin | 1890 | 1974 | Swiss | Ballade for flute and piano | |
| Bohuslav Martinů | 1890 | 1959 | Czech | Symphony No. 3, No. 4, and No. 6; Gilgamesh (oratorio); chamber music | neoclassicism, folk-influenced |
| Gösta Nystroem | 1890 | 1966 | Swedish | ||
| Arthur Bliss | 1891 | 1975 | English | A Colour Symphony | |
| Claude Champagne | 1891 | 1965 | Canadian | ||
| Karel Boleslav Jirák | 1891 | 1972 | Czechoslovak | ||
| Alexis Roland-Manuel | 1891 | 1966 | French | ||
| Roy Agnew | 1891 | 1944 | Australian | ||
| Mikhail Bulgakov | 1891 | 1940 | Russian | ||
| Frida Kern | 1891 | 1988 | Austrian | ||
| Noël Gallon | 1891 | 1966 | French | ||
| Marcel Grandjany | 1891 | 1975 | French | Pieces for harp; Headed Harp Dept at Fontainebleau & Juilliard | Noted harpist and teacher |
| Thomas Griselle | 1891 | 1955 | American | ||
| Mihail Jora | 1891 | 1971 | Romanian | ||
| Karl King | 1891 | 1971 | American | Barnum and Bailey's Favorite | marches |
| Federico Moreno Torroba | 1891 | 1982 | Spanish | classical guitar | |
| Sergei Prokofiev | 1891 | 1953 | Russian | Romeo and Juliet); The Love for Three Oranges; Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; Peter and the Wolf | neoclassicism, Romanticism |
| Paul Abraham | 1892 | 1960 | Hungarian | operettas | |
| Hendrik Andriessen | 1892 | 1981 | Dutch | father of Louis Andriessen | |
| Ferde Grofé | 1892 | 1972 | American | Grand Canyon Suite; Mississippi Suite | |
| Johanna Bordewijk-Roepman | 1892 | 1971 | Dutch | ||
| Sandor Harmati | 1892 | 1936 | Hungarian-American | ||
| Mirrie Hill | 1892 | 1986 | Australian | ||
| Arthur Honegger | 1892 | 1955 | Swiss | Symphony No. 3 "Liturgique"; Pacific 231; Les Misérables (film music) | neoclassicism |
| Herbert Howells | 1892 | 1983 | English | Hymnus paradisi | |
| Yrjö Kilpinen | 1892 | 1959 | Finnish | Neoclassical | |
| Samuel L. M. Barlow | 1892 | 1982 | American | ||
| László Lajtha | 1892 | 1963 | Hungarian | ||
| Darius Milhaud | 1892 | 1974 | French | La Création du Monde; Le Bœuf sur le toit | jazz-influenced, neoclassical, polytonal |
| Hilding Rosenberg | 1892 | 1985 | Swedish | Violin Concerto | |
| Kaikhosru Shapurji Sorabji | 1892 | 1988 | English | Opus clavicembalisticum; Études transcendantes (100); Sequentia cyclica super "Dies irae" ex Missa pro defunctis; Piano Symphony No. 2; "Gulistān"—Nocturne for Piano | neoclassical, neoromantic, postimpressionistic |
| Germaine Tailleferre | 1892 | 1983 | French | ||
| Ilmari Hannikainen | 1892 | 1955 | Finnish | Romanticism | |
| Jean Absil | 1893 | 1974 | Belgian | ||
| Arthur Benjamin | 1893 | 1960 | Australian | Jamaican Rhumba | |
| Lili Boulanger | 1893 | 1918 | French | ||
| Eugene Aynsley Goossens | 1893 | 1962 | English | ||
| Alois Hába | 1893 | 1973 | Czech | Matka | microtonal |
| Helen Eugenia Hagan | 1893 | 1964 | American | ||
| Rued Langgaard | 1893 | 1952 | Danish | 16 symphonies, The Music of the Spheres, Antikrist | |
| Federico Mompou | 1893 | 1987 | Spanish | piano music | |
| Douglas Moore | 1893 | 1969 | American | The Ballad of Baby Doe, The Devil and Daniel Webster (folk opera) | |
| Sergei Protopopov | 1893 | 1954 | Russian | 3 piano sonatas | avant-garde |
| Bernard Rogers | 1893 | 1968 | American | ||
| Ivor Novello | 1893 | 1951 | Welsh | ||
| Leo Ornstein | 1893 | 2002 | American (Russian-born) | Wild Men's Dance, Suicide in an Airplane, 8 piano sonatas, Piano Quintet, 3 String Quartets | Avant-garde, later Neoromanticism |
| Charles Wilfred Orr | 1893 | 1976 | English | songs | |
| Hugo Chaim Adler | 1894 | 1955 | Belgian | ||
| Krešimir Baranović | 1894 | 1975 | Yugoslav | ||
| Robert Russell Bennett | 1894 | 1981 | American | Broadway arrangements; pieces for band | |
| Sabin Drăgoi | 1894 | 1968 | Romanian | Piano Concerto | |
| Peter Warlock | 1894 | 1930 | Anglo-Welsh | ||
| Nicolas Slonimsky | 1894 | 1995 | Russian-born American | ||
| Jane M. Joseph | 1894 | 1929 | English | ||
| Ernest John Moeran | 1894 | 1950 | English | Symphony in G minor | folk-influenced |
| Willem Pijper | 1894 | 1947 | Dutch | Six Adagios; Piano Concerto | atonal |
| Walter Piston | 1894 | 1976 | American | The Incredible Flutist (ballet); Symphony No. 2, No. 3, No. 6, and No. 7 | Neoclassicism |
| Erwin Schulhoff | 1894 | 1942 | Czech | ||
| Mark Wessel | 1894 | 1973 | American | The King of Babylon; Concertino for Flute or Violin and Orchestra | |
| August Baeyens | 1895 | 1966 | Belgian | ||
| Jakov Gotovac | 1895 | 1982 | Croatian | ||
| Henriëtte Bosmans | 1895 | 1952 | Dutch | ||
| Mario Castelnuovo-Tedesco | 1895 | 1968 | Italian | guitar music | |
| Juan José Castro | 1895 | 1968 | Argentine | ||
| Georges Dandelot | 1895 | 1975 | French | ||
| Johann Nepomuk David | 1895 | 1977 | Austrian | neoclassical | |
| Paul Hindemith | 1895 | 1963 | German | Symphonic Metamorphosis of Themes by Carl Maria von Weber; Mathis der Maler; Ludus Tonalis | Neo-Baroque, neoclassicism, Expressionism |
| Gordon Jacob | 1895 | 1984 | English | ||
| Eva Jessye | 1895 | 1992 | American | ||
| Borys Lyatoshynsky | 1895 | 1968 | Ukrainian | ||
| Carl Orff | 1895 | 1982 | German | Carmina Burana | |
| Kathleen Richards | 1895 | 1984 | English | ||
| Leo Sowerby | 1895 | 1968 | American | ||
| William Grant Still | 1895 | 1978 | American | 5 symphonies, including Symphony No. 1 "Afro-American"; Troubled Island (opera), A Bayou Legend (opera) | folk-influenced; known as "the Dean" of African-American composers |
| Lindley Evans | 1895 | 1982 | South African-born Australian | ||
| Boris Sobinov | 1895 | 1956 | Russian | ||
| Eduard Toldrà | 1895 | 1962 | Spanish | ||
| Shirley Graham Du Bois | 1896 | 1977 | American | ||
| Jacobo Ficher | 1896 | 1978 | Argentine | 10 symphonies; 3 piano concertos; chamber music; El Oso (opera, after Chekhov) | eclectic |
| Maria Bach | 1896 | 1978 | Austrian | Klavierquartett | |
| Jean Rivier | 1896 | 1987 | French | ||
| Roberto Gerhard | 1896 | 1970 | Spanish | ||
| Howard Hanson | 1896 | 1981 | American | 7 symphonies | Romanticism |
| Viktor Kosenko | 1896 | 1938 | Ukrainian | piano concerto | |
| Roger Sessions | 1896 | 1985 | American | 9 symphonies, Violin Concerto, Montezuma | neoclassicism, twelve-tone technique |
| Petko Staynov | 1896 | 1977 | Bulgarian | ||
| George Thalben-Ball | 1896 | 1986 | British | ||
| Virgil Thomson | 1896 | 1989 | American | Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic | folk-influenced, eclectic |
| Jaromír Weinberger | 1896 | 1967 | Czech | Schwanda the Bagpiper | |
| António Fragoso | 1897 | 1918 | Portuguese | ||
| Jørgen Bentzon | 1897 | 1951 | Danish | ||
| Harrison Kerr | 1897 | 1978 | American | ||
| György Kósa | 1897 | 1984 | Hungarian | ||
| Yefim Golyshev | 1897 | 1970 | Ukrainian | String Trio | |
| Jaroslav Řídký | 1897 | 1956 | Czech | ||
| Paul Ben-Haim | 1897 | 1984 | Israeli | ||
| Gaspar Cassadó | 1897 | 1966 | Spanish | Toccata, Requiebros | |
| Henry Cowell | 1897 | 1965 | American | The Tides of Manaunaun, Dynamic Motion | eclectic, experimental |
| Oscar Lorenzo Fernández | 1897 | 1948 | Brazilian | "Batuque" from Malazarte | nationalism |
| Erich Wolfgang Korngold | 1897 | 1957 | Austrian | Violin Concerto; film music; Die Tote Stadt | |
| Agustín Lara | 1897 | 1970 | Mexican | Granada | |
| Fernando Obradors | 1897 | 1945 | Spanish | Canciones clásicas españolas | |
| Quincy Porter | 1897 | 1966 | American | 2 symphonies, 9 string quartets, Piano Quintet, Concerto concertante for two pianos and orchestra | |
| Harald Sæverud | 1897 | 1992 | Norwegian | Peer Gynt, 9 symphonies | |
| Sim Gokkes | 1897 | 1943 | Dutch | Modernist | |
| Pablo Sorozábal | 1897 | 1988 | Spanish | ||
| Alexandre Tansman | 1897 | 1986 | Polish | ||
| Hanns Eisler | 1898 | 1962 | German/Austrian | Auferstanden aus Ruinen (Eastern Germany national anthem) | |
| George Gershwin | 1898 | 1937 | American | Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess | jazz-influenced |
| Roy Harris | 1898 | 1979 | American | Symphony No. 3 | neotonality |
| Viktor Ullmann | 1898 | 1944 | Austrian | ||
| Dorothy Howell | 1898 | 1982 | English | ||
| Lev Knipper | 1898 | 1974 | Russian | ||
| Alexander Abramsky | 1898 | 1985 | Russian | folk-influenced | |
| Jeanne Leleu | 1898 | 1979 | French | ||
| Maurice Journeau | 1898 | 1999 | French | ||
| Vittorio Rieti | 1898 | 1994 | Italian | ||
| Pancho Vladigerov | 1899 | 1978 | Bulgarian | 4 piano concertos | folk-influenced |
| William Baines | 1899 | 1922 | English | ||
| Patrick Hadley | 1899 | 1973 | British | ||
| Ephraim Amu | 1899 | 1995 | Ghanaian | ||
| Georges Auric | 1899 | 1983 | French | ||
| Carlos Chávez | 1899 | 1978 | Mexican | Sinfonía de Antígona, Sinfonía india, Symphony No. 6, Toccata for percussion instruments, The Visitors (opera) | modernist, primitivist, folk-influenced, neoclassicism, serialist |
| Sophie Carmen Eckhardt-Gramatté | 1899 | 1974 | Russian-born Canadian | ||
| Jón Leifs | 1899 | 1968 | Icelandic | Oratorios based on Edda | idiosyncratic orchestration and percussion used to evoke Icelandic natural phenomena |
| George Frederick McKay | 1899 | 1970 | American | ||
| Francis Poulenc | 1899 | 1963 | French | Babar the Elephant; Flute Sonata Stabat Mater | neoclassicism |
| Silvestre Revueltas | 1899 | 1940 | Mexican | Janitzio, Homenaje a Federico García Lorca, Sensemayá | nationalist, political music, primitivist, popular-music influence. modernism |
| Ricard Lamote de Grignon | 1899 | 1962 | Catalan Spanish | ||
| Pavel Haas | 1899 | 1944 | Czech | ||
| Mansi Barberis | 1899 | 1986 | Romanian | ||
| Alexander Tcherepnin | 1899 | 1977 | Russian | ||
| Randall Thompson | 1899 | 1984 | American | Alleluia; The Testament of Freedom | |
| George Antheil | 1900 | 1959 | American | Ballet mécanique; Symphony No. 4 | Avant-garde, modernism, later neoclassical |
| Willy Burkhard | 1900 | 1955 | Swiss | ||
| Alan Bush | 1900 | 1995 | English | ||
| Aaron Copland | 1900 | 1990 | American | Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto | neoclassical, folk-influenced, jazz-influenced, early twelve-tone, later serialism |
| Isadore Freed | 1900 | 1960 | Belarusian-born American | ||
| Leo Smit | 1900 | 1943 | Dutch | ||
| Gotfrid Hasanov | 1900 | 1965 | Russian | ||
| Amadeo Roldán | 1900 | 1939 | Cuban | ||
| Hector Gratton | 1900 | 1970 | Canadian | ||
| Isaak Dunayevsky | 1900 | 1955 | Russian | ||
| Henry Barraud | 1900 | 1997 | French | Concertino for piano, flute, clarinet, horn, bassoon and chamber orchestra | |
| Maurice Jaubert | 1900 | 1940 | French | ||
| Uuno Klami | 1900 | 1961 | Finnish | Sea Pictures; Kalevala Suite | |
| Ernst Krenek | 1900 | 1991 | Austrian | Jonny spielt auf, Karl V | neoclassical, twelve-tone, later serial, neoromantic, eclectic |
| Colin McPhee | 1900 | 1964 | Canadian | Tabuh-Tabuhan: Toccata for Orchestra | folk-influenced |
| Alexander Mosolov | 1900 | 1973 | Russian | Iron Foundry | Avant-garde |
| Zdenka Ticharich | 1900 | 1979 | Hungarian | ||
| Fred Raymond | 1900 | 1954 | Austrian | operettas; film music | |
| Hans Schimmerling | 1900 | 1967 | Czech | ||
| Evald Aav | 1900 | 1939 | Estonian | ||
| Kai Normann Andersen | 1900 | 1967 | Danish | ||
| Yasuji Kiyose | 1900 | 1981 | Japanese | ||
| Marko Tajčević | 1900 | 1984 | Serbian | ||
| Kurt Weill | 1900 | 1950 | German | neoclassical | |
| Karel Albert | 1901 | 1987 | Belgian | Marieken van Niemeghen (incidental music); four symphonies | constructionist, neoclassical, twelve-tone technique |
| Blaž Arnič | 1901 | 1970 | Slovenian | neoromanticism | |
| Ruth Crawford Seeger | 1901 | 1953 | American | String Quartet | modernism |
| Dimitar Nenov | 1901 | 1953 | Bulgarian | Toccata | |
| Gerald Finzi | 1901 | 1956 | English | Cello Concerto; songs | neoromantic |
| Victor Hely-Hutchinson | 1901 | 1947 | British | ||
| Lillian Fuchs | 1901 | 1995 | American | ||
| Eivind Groven | 1901 | 1977 | Norwegian | ||
| Conrad Beck | 1901 | 1989 | Swiss | ||
| Dorothy James | 1901 | 1982 | American | ||
| Harry Partch | 1901 | 1974 | American | Daphne of the Dunes, Revelation in the Courthouse Park | microtonal, just intonation, self-built instruments |
| Heinz Eric Roemheld | 1901 | 1985 | American | ||
| Marcel Poot | 1901 | 1988 | Belgian | ||
| Joaquín Rodrigo | 1901 | 1999 | Spanish | Concierto de Aranjuez; guitar music | neoclassical, folk music influence |
| Edmund Rubbra | 1901 | 1986 | English | ||
| Henri Sauguet | 1901 | 1989 | French | ||
| Henri Tomasi | 1901 | 1971 | French | ||
| Olav Kielland | 1901 | 1985 | Norwegian | ||
| Theodore Chanler | 1902 | 1961 | American | ||
| Maurice Duruflé | 1902 | 1986 | French | Requiem; organ music | |
| Veselin Stoyanov | 1902 | 1969 | Bulgarian | Three concertos for piano and orchestra; Concerto for Violin and Orchestra, Concerto for Cello and Orchestra, Concertino for violin | folk-influenced |
| Helvi Leiviskä | 1902 | 1982 | Finnish | ||
| Antonio José | 1902 | 1936 | Spanish | ||
| Lūcija Garūta | 1902 | 1977 | Latvian | Piano Concerto | |
| Vissarion Shebalin | 1902 | 1963 | Russian | ||
| John Vincent | 1902 | 1977 | American | Consort for Piano and Strings | neoclassical |
| William Walton | 1902 | 1983 | English | Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) | avant-garde (early), neoromantic, neoclassical |
| Stefan Wolpe | 1902 | 1972 | German | serial, modernism | |
| Vladimir Vlasov | 1903 | 1986 | Russian | ||
| Claude Arrieu | 1903 | 1990 | French | ||
| Lennox Berkeley | 1903 | 1989 | English | neoclassical, later serial | |
| Vladimir Horowitz | 1903 | 1989 | American | ||
| Boris Blacher | 1903 | 1975 | German | ||
| Abram Chasins | 1903 | 1987 | American | Two piano concertos; Parade for orchestra | |
| Jens Bjerre Jacobsen | 1903 | 1986 | Danish | ||
| Luis H. Salgado | 1903 | 1977 | Ecuadorian | Sanjuanito futurista; Eunice; Cumandá | folk-influenced, modernist |
| Avril Coleridge-Taylor | 1903 | 1998 | English | ||
| Vernon Duke | 1903 | 1969 | Russian | both post-tonal style as Dukelsky and in the style of Tin Pan Alley as Duke | |
| Vittorio Giannini | 1903 | 1966 | Italian | Blennerhassett | neoclassical |
| Mykola Kolessa | 1903 | 2006 | Ukrainian | ||
| Walter Goehr | 1903 | 1960 | German | ||
| He Luting | 1903 | 1999 | Chinese | ||
| Berthold Goldschmidt | 1903 | 1996 | German | ||
| Aram Khachaturian | 1903 | 1978 | Armenian | Gayane (ballet, includes Sabre Dance); Spartacus (ballet); concertos | |
| Marc Lavry | 1903 | 1967 | Israeli | Symphonic Poem Emek, Opera Dan Hashomer | |
| Ervin Nyíregyházi | 1903 | 1987 | Hungarian | Romanticism | |
| Mario Pilati | 1903 | 1938 | Italian | Piedigrotta (opera) | |
| Priaulx Rainier | 1903 | 1986 | South African / English | Ploërmel, Quanta, String Trio | |
| Robin Milford | 1903 | 1959 | English | ||
| Percy Whitlock | 1903 | 1946 | English | ||
| Richard Addinsell | 1904 | 1977 | British | Warsaw Concerto | |
| John Antill | 1904 | 1986 | Australian | Corroboree (ballet suite) | |
| Walter Bricht | 1904 | 1970 | Austrian | ||
| Erik Chisholm | 1904 | 1965 | Scottish | Piano Concerto No. 2 ("Hindustani") | "Scotland's forgotten composer", nicknamed "MacBartok" |
| Luigi Dallapiccola | 1904 | 1975 | Italian | Il prigioniero (opera); Il canto sospeso | serialism, electronic music |
| Dmitry Kabalevsky | 1904 | 1987 | Russian | The Comedians | |
| Aleksey Zhivotov | 1904 | 1964 | Russian | ||
| Kunihiko Hashimoto | 1904 | 1949 | Japanese | ||
| Manuel Rosenthal | 1904 | 2003 | French | ||
| Iša Krejčí | 1904 | 1968 | Czech | 20 Variations on the Composer s Own Theme in the Style of a Folk Song | neoclassical |
| Joseph Ahrens | 1904 | 1997 | German | ||
| Goffredo Petrassi | 1904 | 2003 | Italian | ||
| Gavriil Popov | 1904 | 1972 | Russian | Chamber Symphony; Symphony No. 1 | |
| Nikos Skalkottas | 1904 | 1949 | Greek | twelve-tone, folk music influence, modernism | |
| Ulric Cole | 1905 | 1992 | American | ||
| Heikki Aaltoila | 1905 | 1975 | Finnish | ||
| William Alwyn | 1905 | 1985 | English | Lyra Angelica; Elizabethan Dances | neoromantic |
| Boris Arapov | 1905 | 1992 | Russian | Violin Concerto | neoromantic, Atonality |
| Albert Arlen | 1905 | 1993 | Turkish Australian | ||
| Vytautas Bacevičius | 1905 | 1970 | Lithuanain | Atonality | |
| Marc Blitzstein | 1905 | 1964 | American | The Cradle Will Rock (musical) | political music |
| Eugène Bozza | 1905 | 1991 | French | ||
| Mario Braggiotti | 1905 | 1996 | American (Italian-born) | ||
| Francis Chagrin | 1905 | 1972 | Romanian | ||
| Ferenc Farkas | 1905 | 2000 | Hungarian | ||
| Karl Amadeus Hartmann | 1905 | 1963 | German | ||
| André Hossein | 1905 | 1983 | Iranian | ||
| André Jolivet | 1905 | 1974 | French | ||
| Constant Lambert | 1905 | 1951 | English | The Rio Grande | popular music influence, jazz influence |
| Walter Leigh | 1905 | 1942 | English | Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings | neoclassical |
| Alan Rawsthorne | 1905 | 1971 | English | 3 symphonies; Symphonic Studies | neoclassical |
| Luis Sandi | 1905 | 1996 | Mexican | ||
| Giacinto Scelsi | 1905 | 1988 | Italian | Quattro pezzi chiascuno su una nota sola | |
| Michael Tippett | 1905 | 1998 | English | The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) | |
| Eduard Tubin | 1905 | 1982 | Estonian | 11 symphonies | |
| Xian Xinghai | 1905 | 1945 | Chinese | Yellow River Cantata | |
| Xiao Shuxian | 1905 | 1991 | Chinese | ||
| Winfried Zillig | 1905 | 1963 | German | ||
| Murray Adaskin | 1906 | 2002 | Canadian | ||
| Ahn Eak-tai | 1906 | 1965 | Korean | Aegukga | |
| Daniel Ayala Pérez | 1906 | 1975 | Mexican | Tribu (symphonic poem) | |
| Andria Balanchivadze | 1906 | 1992 | Georgian | ||
| Franz Biebl | 1906 | 2001 | German | Ave Maria | |
| Arnold Cooke | 1906 | 2005 | British | ||
| Paul Creston | 1906 | 1985 | Italian-American | neoclassical | |
| Claire Delbos | 1906 | 1959 | French | ||
| Antal Doráti | 1906 | 1988 | American | ||
| Klaus Egge | 1906 | 1979 | Norwegian | ||
| Ulvi Cemal Erkin | 1906 | 1972 | Turkish | ||
| Eric Fenby | 1906 | 1997 | English | ||
| Benjamin Frankel | 1906 | 1973 | English | ||
| Alejandro García Caturla | 1906 | 1940 | Cuban | ||
| Zoltán Gárdonyi | 1906 | 1986 | Hungarian | Psalm 46, organ sonatas, motets | sacred music |
| Miriam Gideon | 1906 | 1996 | American | modernism | |
| Radamés Gnattali | 1906 | 1988 | Brazilian | ||
| Willy Hess | 1906 | 1997 | Swiss | ||
| Joaquim Homs | 1906 | 2003 | Spanish | ||
| Tomojirō Ikenouchi | 1906 | 1991 | Japanese | ||
| Jānis Ivanovs | 1906 | 1983 | Latvian | neoromantic | |
| Jaroslav Ježek | 1906 | 1942 | Czech | ||
| Oscar Levant | 1906 | 1972 | American | ||
| Elisabeth Lutyens | 1906 | 1983 | English | ||
| Peter Mieg | 1906 | 1990 | Swiss | neoclassical | |
| Alexander Moyzes | 1906 | 1984 | Slovakian | neoromantic | |
| Abdylas Maldybaev | 1906 | 1978 | Kyrgyzstani | ||
| Willson Osborne | 1906 | 1979 | American | Neoclassical | |
| Boris Papandopulo | 1906 | 1991 | Croatian | ||
| Dmitri Shostakovich | 1906 | 1975 | Russian | 15 symphonies, including No. 5, No. 7, No. 9, No. 10, and No. 11; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; 15 string quartets, including String Quartet No. 8; Piano Quintet; The Gadfly Suite | modernism, neoclassical, neoromantic |
| Louise Talma | 1906 | 1996 | American | ||
| David Van Vactor | 1906 | 1994 | American | ||
| Grace Williams | 1906 | 1977 | Welsh | ||
| Federico Elizalde | 1907 | 1979 | Filipino-Spanish | Concertos, symphonic poems | |
| Tolibjon Sadikov | 1907 | 1957 | Uzbekistani | ||
| Lora Aborn | 1907 | 2005 | American | Toccata for Piano | folk-influenced |
| Jean Langlais | 1907 | 1991 | French | ||
| Henk Badings | 1907 | 1987 | Dutch | ||
| Yoritsune Matsudaira | 1907 | 2001 | Japanese | ||
| Ödön Pártos | 1907 | 1977 | Hungarian-Israeli | ||
| Wolfgang Fortner | 1907 | 1987 | German | ||
| Camargo Guarnieri | 1907 | 1993 | Brazilian | ||
| Gene Gutchë | 1907 | 2000 | German | ||
| Imogen Holst | 1907 | 1984 | British | ||
| Elizabeth Maconchy | 1907 | 1994 | English | ||
| Roy Douglas | 1907 | British | |||
| Hisato Ohzawa | 1907 | 1953 | Japanese | ||
| Miklós Rózsa | 1907 | 1995 | Hungarian | folk-influenced | |
| Ahmed Adnan Saygun | 1907 | 1991 | Turkish | ||
| Burrill Phillips | 1907 | 1988 | American | ||
| Roman Palester | 1907 | 1989 | Polish | ||
| Martin Scherber | 1907 | 1974 | German | ||
| Necil Kazım Akses | 1908 | 1999 | Turkish | ||
| Leroy Anderson | 1908 | 1975 | American | Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols | |
| Menachem Avidom | 1908 | 1995 | Israeli | ||
| Elliott Carter | 1908 | 2012 | American | Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets | neoclassical (early), modernist |
| Jean Coulthard | 1908 | 2000 | Canadian | ||
| Joseph Beer | 1908 | 1987 | German | ||
| Lucien Martin | 1908 | 1950 | Canadian | ||
| Gustav Ernesaks | 1908 | 1993 | Estonian | ||
| Gunnar de Frumerie | 1908 | 1987 | Swedish | ||
| Jan Zdeněk Bartoš | 1908 | 1981 | Czech | ||
| Roberta Bitgood | 1908 | 2007 | American | ||
| Irwin Heilner | 1908 | 1991 | American | ||
| Herman David Koppel | 1908 | 1998 | Danish | neoclassical | |
| Lars-Erik Larsson | 1908 | 1986 | Swedish | ||
| Joan Mary Last | 1908 | 2002 | English | ||
| Olivier Messiaen | 1908 | 1992 | French | Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise | mysticism, postimpressionist |
| Helen Glatz | 1908 | 1996 | English | ||
| Vano Muradeli | 1908 | 1970 | Soviet Georgian | ||
| Jean-Yves Daniel-Lesur | 1908 | 2002 | French | ||
| Julian Scriabin | 1908 | 1919 | Russian | ||
| Eugen Suchoň | 1908 | 1993 | Slovak | folk-influenced | |
| Geirr Tveitt | 1908 | 1981 | Norwegian | folk-influenced | |
| Isador Goodman | 1909 | 1982 | South African-Australian | ||
| Grażyna Bacewicz | 1909 | 1969 | Polish | ||
| Gunnar Berg | 1909 | 1989 | Danish (Swiss-born) | Suite for cello | serialism |
| Richard de Guide | 1909 | 1962 | Belgian | 3 symphonies, choral works, songs for voice and piano, a concerto for the piano and chamber works | |
| Jean Berger | 1909 | 2002 | American (German-born) | ||
| Asaf Zeynally | 1909 | 1932 | Azerbaijani | ||
| Myoma Nyein | 1909 | 1955 | Burmese | ||
| Isabel Aretz | 1909 | 2005 | Argentine-Venezuelan | ||
| Kurt Schwaen | 1909 | 2007 | German | neoclassicism | |
| Harald Genzmer | 1909 | 2007 | German | neoclassicism | |
| Paul Constantinescu | 1909 | 1963 | Romanian | ||
| Vagn Holmboe | 1909 | 1996 | Danish | 13 symphonies | neoclassicism |
| Ljubica Marić | 1909 | 2003 | Serb | Sounds of Space; Ostinato Super Thema Octoicha; Threshold of Dream | post-modernism |
| Elie Siegmeister | 1909 | 1991 | American | 9 operas[vague]; 8 symphonies[vague]; Western Suite | |
| Samuel Barber | 1910 | 1981 | American | Adagio for Strings; Violin Concerto; Symphony in One Movement; Vanessa | Romanticism |
| Ronald Binge | 1910 | 1979 | British | light music | |
| Patricia Blomfield Holt | 1910 | 2003 | Canadian | ||
| Mohamed Jamoussi | 1910 | 1982 | Tunisian | ||
| Paul Bowles | 1910 | 1999 | American | ||
| Salvador Contreras | 1910 | 1982 | Mexican | String Quartet No. 2; Tres movimientos para guitarra; Dos piezas dodecafónicas | neoclassical, serial |
| Miguel Bernal Jiménez | 1910 | 1956 | Mexican | ||
| Francis Judd Cooke | 1910 | 1995 | American | ||
| Farid al-Atrash | 1910 | 1974 | Syrian-Egyptian | ||
| William Reed | 1910 | 2002 | English | ||
| Willy Berking | 1910 | 1979 | German | ||
| Gerard Hengeveld | 1910 | 2001 | Dutch | ||
| Blas Galindo | 1910 | 1993 | Mexican | ||
| Remo Giazotto | 1910 | 1998 | Italian | Adagio attributed to Albinoni | |
| Jiang Wen-Ye | 1910 | 1983 | Taiwanese | modernist | |
| Jean Martinon | 1910 | 1976 | French | ||
| Paule Maurice | 1910 | 1967 | French | ||
| Evgeny Golubev | 1910 | 1988 | Russian | ||
| Bernhard Heiden | 1910 | 2000 | German-American | ||
| Josef Tal | 1910 | 2008 | Israeli | ||
| Erland von Koch | 1910 | 2009 | Swedish | ||
| Rolf Liebermann | 1910 | 1999 | Swiss | Leonore 40/45 (opera); Concerto for Jazzband and Symphony Orchestra | |
| Herbert Owen Reed | 1910 | American | La Fiesta Mexicana | folk-influenced | |
| Pierre Schaeffer | 1910 | 1995 | French | Musique concrète | |
| William Schuman | 1910 | 1992 | American | New England Triptych | |
| Jehan Alain | 1911 | 1940 | French | Litanies (organ) | |
| Gábor Darvas | 1911 | 1985 | Hungarian | electronic music | |
| Roberto García Morillo | 1911 | 2003 | Argentine | ||
| Mark Fax | 1911 | 1974 | American | ||
| Jeanne Behrend | 1911 | 1988 | American | ||
| Kikuko Kanai | 1911 | 1986 | Japanese | ||
| Ján Cikker | 1911 | 1989 | Slovak | folk-influenced | |
| René Amengual | 1911 | 1954 | Chilean | ||
| Jean-Jacques Grunenwald | 1911 | 1982 | French | ||
| Bernard Herrmann | 1911 | 1975 | American | Wuthering Heights | |
| Alan Hovhaness | 1911 | 2000 | American | 67 numbered symphonies including Mysterious Mountain; And God Created Great Whales (taped whale sounds and orchestra); Fantasy on Japanese Woodprints | |
| Robert McBride | 1911 | 2007 | American | ||
| Gian Carlo Menotti | 1911 | 2007 | Italian | The Medium; The Consul; Amahl and the Night Visitors | |
| Allan Pettersson | 1911 | 1980 | Swedish | Neoromanticism | |
| Ananda Samarakoon | 1911 | 1962 | Sri Lankan | ||
| José Ardévol | 1911 | 1981 | Cuban | 3 symphonies | Atonality |
| Władysław Szpilman | 1911 | 2000 | Polish | ||
| Stanley Bate | 1911 | 1959 | English | ||
| Jan Koetsier | 1911 | 2006 | Dutch | ||
| Nino Rota | 1911 | 1979 | Italian | ||
| Endre Szervánszky | 1911 | 1977 | Hungarian | ||
| Hans Vogt | 1911 | 1992 | German | Die Stadt hinter dem Strom (opera), Requiem | |
| John Cage | 1912 | 1992 | American | 4'33"; Sonatas and Interludes | Aleatoric music, extended technique, prepared piano |
| Mukhtar Ashrafi | 1912 | 1975 | Uzbekistani | ||
| Robert Hughes | 1912 | 2007 | Scottish-born Australian | ||
| Arthur Berger | 1912 | 2003 | American | ||
| Tauno Marttinen | 1912 | 2008 | Finnish | ||
| Alfred Desenclos | 1912 | 1971 | French | ||
| Arkady Filippenko | 1912 | 1983 | Ukrainian | ||
| Bojan Adamič | 1912 | 1995 | Slovenian | ||
| Nie Er | 1912 | 1935 | Chinese | folk-influenced | |
| Jean Françaix | 1912 | 1997 | French | ||
| Don Gillis | 1912 | 1978 | American | Symphony No. 5½ | |
| Peggy Glanville-Hicks | 1912 | 1990 | Australian | ||
| Barbara Pentland | 1912 | 2000 | Canadian | ||
| Carlos Guastavino | 1912 | 2000 | Argentine | ||
| Zoltán Pongrácz | 1912 | 2007 | Hungarian | ||
| Gisela Hernández | 1912 | 1971 | Cuban | ||
| Daniel Jones | 1912 | 1993 | Welsh | ||
| Wayne Barlow | 1912 | 1996 | American | The Winter's Passed, for oboe and string orchestra; Hampton Beach Overture; Sinfonia da camera | |
| Ingolf Dahl | 1912 | 1970 | German-born American | ||
| Jiří Traxler | 1912 | 2011 | Czech | ||
| Igor Markevitch | 1912 | 1983 | Ukrainian | ||
| José Pablo Moncayo | 1912 | 1958 | Mexican | Huapango | |
| Xavier Montsalvatge | 1912 | 2002 | Spanish | ||
| Conlon Nancarrow | 1912 | 1997 | American-Mexican | Studies for player-piano | |
| Aleksandr Machavariani | 1913 | 1995 | Georgian | ||
| Violet Archer | 1913 | 2000 | Canadian | ||
| Margaret Bonds | 1913 | 1972 | American | ||
| Henry Brant | 1913 | 2008 | Canadian-American | Orbits, Verticals Ascending, Angels and Devils | spatial music |
| Benjamin Britten | 1913 | 1976 | English | War Requiem; Sinfonia da Requiem; Peter Grimes; The Young Person's Guide to the Orchestra; Cello Symphony | Neoclassicism, neotonality |
| Peggy Stuart Coolidge | 1913 | 1981 | American | Spirituals in Sunshine and Shadow, New England Autumn | folk- and blues-influenced |
| Hans Henkemans | 1913 | 1995 | Dutch | ||
| Alvin Etler | 1913 | 1973 | American | ||
| Ernest van der Eyken | 1913 | 2010 | Belgian | Elegie voor Bieke | |
| Raimond Valgre | 1913 | 1949 | Estonian | ||
| Vivian Fine | 1913 | 2000 | American | ||
| Morton Gould | 1913 | 1996 | American | ||
| Dulcie Holland | 1913 | 2000 | Australian | ||
| Tikhon Khrennikov | 1913 | 2007 | Russian | ||
| Miriam Hyde | 1913 | 2005 | Australian | ||
| Kent Kennan | 1913 | 2003 | American | ||
| George Lloyd | 1913 | 1998 | English | ||
| Witold Lutosławski | 1913 | 1994 | Polish | Concerto for Orchestra; Musique funebre; Symphony No. 2; Symphony No. 3 | Neoclassicism, folk-influenced, later Aleatoric music |
| Valery Zhelobinsky | 1913 | 1946 | Russian | ||
| Milton Adolphus | 1913 | 1988 | American | ||
| Maurice Ohana | 1913 | 1992 | French | ||
| Willy Ostijn | 1913 | 1993 | Belgian | neoclassicism | |
| Constantin Silvestri | 1913 | 1969 | Romanian | ||
| Cecil Effinger | 1914 | 1990 | American | Little Symphony No. 1; Four Pastorales for oboe and chorus | neoclassicism |
| Irving Fine | 1914 | 1963 | American | serial | |
| Alexei Haieff | 1914 | 1994 | American | ||
| Cacilda Borges Barbosa | 1914 | 2010 | Brazilian | ||
| Fumio Hayasaka | 1914 | 1955 | Japanese | ||
| Akira Ifukube | 1914 | 2006 | Japanese | ||
| Dezider Kardoš | 1914 | 1991 | Slovak | ||
| Wilfrid Mellers | 1914 | 2008 | English | ||
| Roger Goeb | 1914 | 1997 | American | ||
| Dimitris Dragatakis | 1914 | 2001 | Greek | ||
| Andrzej Panufnik | 1914 | 1991 | Polish | 10 symphonies | |
| Ludwig Lenel | 1914 | 2002 | American | ||
| Harold Truscott | 1914 | 1992 | English | ||
| Josée Vigneron-Ramackers | 1914 | 2002 | Belgian | ||
| Haim Alexander | 1915 | 2012 | Israeli | ||
| David Diamond | 1915 | 2005 | American | neoclassicism | |
| Grigory Frid | 1915 | 2012 | Russian | The Diary of Anne Frank | |
| George Perle | 1915 | 2009 | American | ||
| David Ashkenazi | 1915 | 1997 | Russian | ||
| Júlia Hajdú | 1915 | 1987 | Hungarian | ||
| Vítězslava Kaprálová | 1915 | 1940 | Czech | Military Sinfonietta | |
| Douglas Lilburn | 1915 | 2001 | New Zealander | ||
| Najla Jabor | 1915 | 2001 | Brazilian | ||
| Dimitar Sagaev | 1915 | 2003 | Bulgarian | ||
| Knut Nystedt | 1915 | Norwegian | |||
| Vincent Persichetti | 1915 | 1987 | American | neoclassicism | |
| John Serry, Sr. | 1915 | 2003 | American | American Rhapsody; Concerto For Free Bass Accordion | |
| Esther Ballou | 1915 | 1973 | American | ||
| Robert Strassburg | 1915 | 2003 | American | ||
| Georgy Sviridov | 1915 | 1998 | Russian | Piano Sonata | neoromantic |
| Earl Wild | 1915 | 2010 | American | ||
| Rostom Aramovic Alagian | 1916 | 2009 | Georgian | ||
| Gaston Allaire | 1916 | 2011 | Canadian | ||
| Nikolay Peyko | 1916 | 1995 | Russian | ||
| Veli Mukhatov | 1916 | 2005 | Turkmenistani | ||
| Luis Herrera de la Fuente | 1916 | Mexican | |||
| Denis ApIvor | 1916 | 2004 | British | ||
| Milton Babbitt | 1916 | 2011 | American | Composition for Four Instruments; String Quartet No. 2; All Set; Philomel | serialism, electronic music |
| Karl-Birger Blomdahl | 1916 | 1968 | Swedish | Swedish modernism | |
| Henri Dutilleux | 1916 | French | Timbres, espace, mouvement; Tout un Monde Lointain; The Shadows of Time | Neo-impressionism | |
| Douglas Guest | 1916 | 1996 | English | ||
| Mutal Burhonov | 1916 | 2002 | Uzbekistani | ||
| Einar Englund | 1916 | 1999 | Finnish | ||
| Alberto Ginastera | 1916 | 1983 | Argentine | Bomarzo; Cinco canciones populares argentinas; Danzas Argentinas | |
| Richard Arnell | 1917 | 2009 | English | ||
| Robert Ward | 1917 | 2013 | American | Concerto for piano and orchestra | |
| Brian Boydell | 1917 | 2000 | Irish | ||
| Rudolf Brucci | 1917 | 2002 | Italian-Croatian | ||
| Clarisse Leite | 1917 | 2003 | Brazilian | ||
| Anthony Burgess | 1917 | 1993 | English | ||
| Ivor Darreg | 1917 | 1994 | American | microtone, xenharmonic | |
| Robert Erickson | 1917 | 1997 | American | twelve tone, extended technique | |
| Robert Farnon | 1917 | 2005 | Canadian | light music | |
| John Gardner | 1917 | 2011 | English | Tomorrow Shall Be My Dancing Day | |
| Prenkë Jakova | 1917 | 1969 | Albanian | ||
| Egil Harder | 1917 | 1997 | Danish | ||
| Roque Cordero | 1917 | 2008 | Panamanian | ||
| Lou Harrison | 1917 | 2003 | American | Concerto for Violin and Percussion Orchestra; Piano Concerto; | |
| José Maceda | 1917 | 2004 | Filipino | ||
| Hilda Jerea | 1917 | 1980 | Romanian | ||
| Antonio Lauro | 1917 | 1986 | Venezuelan | guitar music | |
| Dinu Lipatti | 1917 | 1950 | Romanian | ||
| Isang Yun | 1917 | 1995 | Korean-German | ||
| Jürg Baur | 1918 | 2010 | German | Concerto romano for oboe and orchestra; Der Roman mit dem Kontrabass (opera) | serialism, quotation, neoclassicism |
| Leonard Bernstein | 1918 | 1990 | American | West Side Story; Chichester Psalms; Candide; Serenade; Mass | jazz-influenced and pop-influence |
| Leonard B. Meyer | 1918 | 2007 | American | ||
| Liviu Comes | 1918 | 2004 | Romanian | choral | |
| Gottfried von Einem | 1918 | 1996 | Austrian | Dantons Tod, Der Besuch der alten Dame, cantata An die Nachgeborenen | eclectic |
| Raymond Gallois-Montbrun | 1918 | 1994 | French | ||
| Denise Tolkowsky | 1918 | 1991 | English | ||
| Jórunn Viðar | 1918 | Icelandic | |||
| Louis Applebaum | 1918 | 2000 | Canadian | ||
| Olivier Alain | 1918 | 1994 | French | ||
| Godfrey Ridout | 1918 | 1984 | Canadian | ||
| Gara Garayev | 1918 | 1982 | Azerbaijani | ||
| Marcelo Koc | 1918 | 2006 | Argentine | Música para 5 instrumentos; Concerto for Viola and Orchestra | |
| Harold Gramatges | 1918 | 2008 | Cuban | ||
| George Rochberg | 1918 | 2005 | American | serialism, later Neoromanticism | |
| Bernd Alois Zimmermann | 1918 | 1970 | German | Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi | serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic |
| Gideon Klein | 1919 | 1945 | Czech | ||
| Bülent Arel | 1919 | 1990 | Turkish | electronic music | |
| István Anhalt | 1919 | 2012 | Hungarian-Canadian | ||
| Udo Kasemets | 1919 | Estonian-born Canadian | |||
| Juan Orrego-Salas | 1919 | Chilean | |||
| Eleonora Eksanishvili | 1919 | Georgian | |||
| Jacob Avshalomov | 1919 | 2013 | American | ||
| Sven-Erik Bäck | 1919 | 1994 | Swedish | ||
| Niels Viggo Bentzon | 1919 | 2000 | Danish | ||
| John W. Duarte | 1919 | 2004 | British | ||
| Talivaldis Kenins | 1919 | 2008 | Latvian-Canadian | ||
| Jiří Pauer | 1919 | 2007 | Czech | ||
| Bernard Barrell | 1919 | 2005 | English | ||
| Leon Kirchner | 1919 | 2009 | American | ||
| Galina Ustvolskaya | 1919 | 2006 | Russian | ||
| Mieczysław Weinberg | 1919 | 1996 | Polish | ||
| Alexander Arutiunian | 1920 | 2012 | Armenian | Trumpet Concerto in A-flat major | avant-garde |
| Bebe Barron | 1920 | 1989 | American | electronic music | |
| Dave Brubeck | 1920 | 2012 | American | ||
| Geoffrey Bush | 1920 | 1998 | English | ||
| Rolande Falcinelli | 1920 | 1996 | French | ||
| Peter Racine Fricker | 1920 | 1990 | English | ||
| Karen Khachaturian | 1920 | 2011 | Soviet and Russian | ||
| Jacob Gilboa | 1920 | 2007 | Israeli | ||
| John La Montaine | 1920 | American | |||
| Earl Kim | 1920 | 1998 | Korean-American | ||
| Robert Turner | 1920 | 2012 | Canadian | ||
| John Lessard | 1920 | 2003 | American | ||
| Bruno Maderna | 1920 | 1973 | Italian | Satyricon | avant-garde, electronic music |
| Harold Shapero | 1920 | American | Symphony for Classical Orchestra | ||
| Heikki Suolahti | 1920 | 1936 | Finnish | Sinfonia piccola | Romanticism |
| Malcolm Arnold | 1921 | 2006 | English | Symphony No. 5 and No. 7; English Dances | |
| Chaya Arbel | 1921 | 2007 | Israeli | ||
| Arno Babajanian | 1921 | 1983 | Armenian | ||
| Jack Beeson | 1921 | 2010 | American | Lizzie Borden | |
| Oscar Feltsman | 1921 | 2013 | Russian | ||
| William Bergsma | 1921 | 1994 | American | ||
| Alfred Reed | 1921 | 2005 | American | ||
| Dennis Berry | 1921 | 1994 | English | ||
| Marcel Bitsch | 1921 | 2011 | French | ||
| Jeanne Demessieux | 1921 | 1968 | French | ||
| Halim El-Dabh | 1921 | Egyptian-born American | electronic music | ||
| Ruth Gipps | 1921 | 1999 | British | ||
| Hans Ulrich Engelmann | 1921 | 2011 | German | ||
| Nazife Güran | 1921 | 1993 | Turkish | ||
| Antony Hopkins | 1921 | British | |||
| Joseph Hanson Kwabena Nketia | 1921 | Ghanaian | |||
| Ariel Ramírez | 1921 | 2010 | Argentine | Misa Criolla (1964); composer, pianist and music director | |
| Karel Husa | 1921 | Czech-American | Music for Prague 1968; Music for Band, Orchestra, Chamber Ensembles | ||
| Andrew Imbrie | 1921 | 2007 | American | neoclassicism | |
| Božidar Kantušer | 1921 | 1999 | American/Slovenian | ||
| Kan Ishii | 1921 | 2009 | Japanese | ||
| Yoshirō Irino | 1921 | 1980 | Japanese | ||
| Fritz Geißler | 1921 | 1984 | German | ||
| Joonas Kokkonen | 1921 | 1996 | Finnish | ||
| Ástor Piazzolla | 1921 | 1992 | Argentine | tangos | |
| Ralph Shapey | 1921 | 2002 | American | ||
| Robert Simpson | 1921 | 1997 | English | ||
| Rosalina Abejo | 1922 | 1991 | Philippine | ||
| Stefans Grové | 1922 | South African | |||
| Zhu Jian'er | 1922 | Chinese | |||
| Ester Mägi | 1922 | Estonian | |||
| Gérard Calvi | 1922 | French | |||
| Leo Kraft | 1922 | American | |||
| Sadao Bekku | 1922 | 2012 | Japanese | ||
| Raymond Wilding-White | 1922 | 2001 | English | ||
| German Galynin | 1922 | 1966 | Russian | Sonata Triad for piano, First Concerto for Piano and Orchestra, Second Concerto for Piano and Orchestra, Spanish Fantasy for piano | |
| Kelsey Jones | 1922 | 2004 | Canadian | ||
| Tale Ognenovski | 1922 | 2012 | Macedonian | ||
| John Boda | 1922 | 2002 | American | ||
| Doreen Carwithen | 1922 | 2003 | British | ||
| Raffaello de Banfield | 1922 | 2008 | English | ||
| Lukas Foss | 1922 | 2009 | German-born American | Griffelkin | |
| Iain Hamilton | 1922 | 2000 | Scottish | chamber & orchestral works; operas & vocal works[vague] | |
| David N. Johnson | 1922 | 1987 | American | ||
| James Wilson | 1922 | 2005 | Irish | ||
| Kazimierz Serocki | 1922 | 1981 | Polish | ||
| Iannis Xenakis | 1922 | 2001 | Greek | Metastaseis | avant-garde, Stochastic |
| Antonio Bibalo | 1922 | 2008 | Italian-Norwegian | opera | |
| Doris Akers | 1923 | 1995 | American | ||
| Radim Drejsl | 1923 | 1953 | Czech | ||
| Ned Rorem | 1923 | American | 3 symphonies | ||
| Warren Barker | 1923 | 2006 | American | ||
| Triphon Silyanovski | 1923 | 2005 | Bulgarian | ||
| Lester Trimble | 1923 | 1986 | American | ||
| İlhan Usmanbaş | 1923 | Turkish | |||
| Leslie Bassett | 1923 | American | |||
| Arthur Butterworth | 1923 | English | influenced by Sibelius | ||
| Chou Wen-chung | 1923 | Chinese/American | Landscapes | ||
| Ursula Mamlok | 1923 | German-born, American | |||
| Madeleine Dring | 1923 | 1977 | English | ||
| Karel Goeyvaerts | 1923 | 1993 | Belgian | Sonata for Two Pianos, Nr. 2 for thirteen instruments, Nr. 5 met zuivere tonen, Aquarius (opera) | neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music |
| Jean Eichelberger Ivey | 1923 | 2010 | American | ||
| György Ligeti | 1923 | 2006 | Hungarian | Atmosphères, Musica ricercata, Lux Aeterna | avant-garde, micropolyphony |
| Asankhan Dzhumakhmatov | 1923 | 2008 | Kyrgyzstani | ||
| Elena Romero | 1923 | 1996 | Spanish | ||
| Jocelyne Binet | 1923 | 1968 | Canadian | ||
| Henryk Czyż | 1923 | 2003 | Polish | ||
| Daniel Pinkham | 1923 | 2006 | American | ||
| Peter Mennin | 1923 | 1983 | American | ||
| Ned Rorem | 1923 | American | Our Town | ||
| Simeon ten Holt | 1923 | 2012 | Dutch | Canto Ostinato | minimalism |
| Jiří Hudec | 1923 | 1996 | Czech | ||
| Joly Braga Santos | 1924 | 1988 | Portuguese | ||
| Ezra Laderman | 1924 | American | |||
| Altamiro Carrilho | 1924 | 2012 | Brazilian | ||
| Stephen Dodgson | 1924 | 2013 | British | ||
| Krystyna Moszumańska-Nazar | 1924 | 2009 | Polish | ||
| Heimo Erbse | 1924 | 2005 | German | ||
| Arthur Frackenpohl | 1924 | American | |||
| Serge Nigg | 1924 | 2008 | French | ||
| Leni Alexander | 1924 | 2005 | German-Chilean | ||
| Lejaren Hiller | 1924 | 1994 | American | ||
| Klaus Huber | 1924 | Swiss | |||
| Angela Morley | 1924 | 2009 | English | ||
| Milko Kelemen | 1924 | Croatian | |||
| Egil Hovland | 1924 | 2013 | Norwegian | church music | |
| Ikuma Dan | 1924 | 2001 | Japanese | Symphony No. 4 (1965), Sonata for flute and piano (1986) | Atonality |
| Axel Borup-Jørgensen | 1924 | 2012 | Danish | ||
| Riichiro Manabe | 1924 | Japanese | |||
| Otar Taktakishvili | 1924 | 1989 | Georgian | ||
| Mikhaïl Nossyrev | 1924 | 1981 | Russian | Modernist | |
| Maurice Jarre | 1924 | 2009 | French | ||
| Benjamin Lees | 1924 | 2010 | American | Concerto for String Quartet and Orchestra | |
| Luigi Nono | 1924 | 1990 | Italian | Il canto sospeso, Intolleranza 1960, Prometeo | avant-garde |
| Joly Braga Santos | 1924 | 1988 | Portuguese | ||
| Sulkhan Tsintsadze | 1925 | 1991 | Georgian | ||
| Jurriaan Andriessen | 1925 | 1996 | Dutch | ||
| Giselher Klebe | 1925 | 2009 | German | ||
| Veniamin Basner | 1925 | 1996 | Russian | ||
| Clytus Gottwald | 1925 | German | |||
| Louis Barron | 1925 | 2008 | American | electronic music | |
| Claudio Spies | 1925 | Chilean-American | |||
| Eloy Fominaya | 1925 | 2002 | American | ||
| Robert Beadell | 1925 | 1994 | American | ||
| Cathy Berberian | 1925 | 1983 | American | Stripsody | avant-garde |
| Luciano Berio | 1925 | 2003 | Italian | Sequenza; Sinfonia | Avant-garde |
| Fernando González Casellas | 1925 | 1998 | Argentine | ||
| Gunther Schuller | 1925 | American | |||
| Pierre Boulez | 1925 | French | Le marteau sans maître; …explosante-fixe…; Répons | Avant-garde, serialism, aleatory | |
| Włodzimierz Kotoński | 1925 | Polish | Concerto per quattro, for piano, harpsichord, guitar, harp, and orchestra | ||
| Aldo Clementi | 1925 | 2011 | Italian | ||
| Tristram Cary | 1925 | 2008 | English-Australian | ||
| Kiril Makedonski | 1925 | 1984 | Macedonian | five symphonies, two ballets, two symphonic poems, choral music and songs | |
| Andrei Eshpai | 1925 | Russian | |||
| Gustavo Becerra-Schmidt | 1925 | 2010 | Chilean | ||
| Jindřich Feld | 1925 | 2007 | Czech | ||
| Ron Goodwin | 1925 | 2003 | British | film scores | |
| Gerard Kockelmans | 1925 | 1965 | Dutch | ||
| Bertold Hummel | 1925 | 2002 | German | ||
| Teo Macero | 1925 | 2008 | American | One and Three Quarters | microtonal, jazz-influenced |
| Ivo Malec | 1925 | French | Cantate pour elle; Dodecameron; Lumina | ||
| Julián Orbón | 1925 | 1991 | Spanish/Cuban | Three Symphonic Versions | |
| Gunther Schuller | 1925 | American | jazz-influence; Third Stream | ||
| Yasushi Akutagawa | 1925 | 1989 | Japanese | Rapsodia per orchestra (1971) | Atonality |
| Vladimir Vavilov | 1925 | 1973 | Russian | ||
| Paul W. Whear | 1925 | American | Catharsis Suite for orchestra; Lancaster Overture for orchestra; Catskill Legend for band | ||
| Boris Tchaikovsky | 1925 | 1996 | Russian | ||
| Mikis Theodorakis | 1925 | Greek | Film scores including Zorba the Greek | ||
| Earle Brown | 1926 | 2002 | American | Open Form; Graphic Notation | |
| Johann Melchior Gletle | 1926 | 1983 | Swiss | Vespers in Vienna | |
| Edwin Carr | 1926 | 2003 | New Zealander | ||
| Jani Christou | 1926 | 1970 | Greek | atonalism, meta-serialism, improvisation | |
| Barney Childs | 1926 | 2000 | American | extended technique, improvisation, indeterminacy | |
| Modesta Bor | 1926 | 1998 | Venezuelan | ||
| Rodolfo Arízaga | 1926 | 1985 | Argentine | ||
| John Bevan Baker | 1926 | 1994 | British | Suite for Piano; The Seer (opera) | |
| Brian Bonsor | 1926 | 2011 | Scottish | ||
| Oldřich František Korte | 1926 | Czech | Concerto Grosso | neo-classicism, expressionist, neo-romantic | |
| Edward Bland | 1926 | 2013 | American | ||
| Francis Dhomont | 1926 | French | |||
| Friedrich Cerha | 1926 | Austrian | |||
| Rolv Yttrehus | 1926 | American | |||
| Natela Svanidze | 1926 | Georgian | |||
| Morton Feldman | 1926 | 1987 | American | ||
| Carlisle Floyd | 1926 | American | Susannah; Wuthering Heights; Of Mice and Men | ||
| William Schmidt | 1926 | 2009 | American | ||
| Eric Gross | 1926 | 2011 | Austrian-Australian | ||
| Kenneth Gaburo | 1926 | 1993 | American | The Flow of (u) | |
| Hans Werner Henze | 1926 | 2012 | German | Ondine | |
| Herbert H. Ágústsson | 1926 | Icelandic | |||
| Lee Hoiby | 1926 | 2011 | American | ||
| Zhun Huang | 1926 | Chinese | |||
| Marga Richter | 1926 | American | Concerto for Piano and Violas, Cellos and Basses | ||
| Marilyn J Ziffrin | 1926 | American | |||
| Ben Johnston | 1926 | American | |||
| Čestmír Gregor | 1926 | 2011 | Czech | ||
| Celso Garrido Lecca | 1926 | Peruvian | |||
| Aleksandr Zatsepin | 1926 | Russian | |||
| Louis Calabro | 1926 | 1991 | Italian-American | ||
| Gottfried Michael Koenig | 1926 | German-Dutch | |||
| Karl Kohn | 1926 | American | |||
| Janine Charbonnier | 1926 | French | |||
| Jacques Castérède | 1926 | French | |||
| Betsy Jolas | 1926 | French | |||
| György Kurtág | 1926 | Hungarian | Játékok | ||
| John Beckwith | 1927 | Canadian | |||
| Asger Lund Christiansen | 1927 | 1998 | Danish | neoclassicism | |
| Dolores Claman | 1927 | Canadian | |||
| Pascal Bentoiu | 1927 | Romanian | |||
| Margrit Zimmermann | 1927 | Swiss | |||
| Ştefan Niculescu | 1927 | 2010 | Romanian | Ison II | |
| Bernard Parmegiani | 1927 | French | electronic or acousmatic music | ||
| Osvaldo Lacerda | 1927 | 2011 | Brazilian | ||
| John Diercks | 1927 | American | |||
| Wayne Peterson | 1927 | American | |||
| Emma Lou Diemer | 1927 | American | |||
| W. D. Amaradeva | 1927 | Sri Lankan | |||
| Franco Donatoni | 1927 | 2000 | Italian | ||
| Donald Erb | 1927 | 2008 | American | Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra | jazz-influenced, aleatory, electronic music, eclectic |
| Çesk Zadeja | 1927 | 1997 | Albanian | ||
| John W. Downey | 1927 | 2004 | American | ||
| Janet Maguire | 1927 | Austrian | |||
| Paul Angerer | 1927 | Austrian | |||
| Bernhard Lewkovitch | 1927 | Danish | |||
| Pierre Henry | 1927 | French | |||
| Elaine Hugh-Jones | 1927 | Welsh | |||
| John Joubert | 1927 | English | |||
| Wilhelm Killmayer | 1927 | German | Sinfonia I–III, Hölderlin Lieder | ||
| Ruth Anderson | 1928 | American | |||
| Samuel Adler | 1928 | American (German-born) | |||
| Kamilló Lendvay | 1928 | Hungarian | |||
| Tadeusz Baird | 1928 | 1981 | Polish | ||
| Jean Barraqué | 1928 | 1973 | French | serialism | |
| Lubor Bárta | 1928 | 1972 | Czech | Piano Trio in C Major, Concertino for trombone and piano | |
| Jean-Michel Damase | 1928 | 2013 | French | ||
| Luna Alcalay | 1928 | 2012 | Austrian | ||
| Euel Box | 1928 | American | |||
| George Dreyfus | 1928 | French | |||
| Jacob Druckman | 1928 | 1996 | American | Windows | |
| David Farquhar | 1928 | 2007 | New Zealander | A Unicorn for Christmas, Ring Round the Moon | Neoclassicism |
| Nicolas Flagello | 1928 | 1994 | American | Neoclassicism | |
| Vitaly Bujanovsky | 1928 | 1993 | Russian | ||
| Bidzina Kvernadze | 1928 | 2010 | Georgian | ||
| Tommy Tycho | 1928 | 2013 | Hungarian-Australian | ||
| Jay Sydeman | 1928 | American | |||
| Otar Gordeli | 1928 | 1994 | Georgia | ||
| Ronald Stevenson | 1928 | British | |||
| Robert Helps | 1928 | 2001 | American | ||
| Frigyes Hidas | 1928 | 2007 | Hungarian | ||
| Ennio Morricone | 1928 | Italian | Once Upon a Time in America; The Mission; The Good, the Bad and the Ugly; A Fistful of Dollars; Once Upon a Time in the West | ||
| Karl Korte | 1928 | American | |||
| Thea Musgrave | 1928 | Scottish | |||
| Einojuhani Rautavaara | 1928 | Finnish | Cantus Arcticus; Symphony No. 7 "Angel of Light"; Piano Concerto No. 3 "The Gift of Dreams" | ||
| Valentin Gheorghiu | 1928 | Romanian | |||
| Karlheinz Stockhausen | 1928 | 2007 | German | Kontra-Punkte; Gesang der Jünglinge; Klavierstücke; Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Inori, first six operas of the Licht cycle | avant-garde, electronic music, serialism, aleatory, intuitive music, formula composition |
| Teizo Matsumura | 1929 | 2007 | Japanese | Atonality | |
| Akio Yashiro | 1929 | 1976 | Japanese | piano concerto | Atonality |
| Carlton Gamer | 1929 | American | |||
| Gerd Zacher | 1929 | German | |||
| Erling Bjerno | 1929 | Danish | |||
| Augustyn Bloch | 1929 | 2006 | Polish | ||
| Antonio Braga | 1929 | 2009 | Italian | ||
| Theo Bruins | 1929 | 1993 | Dutch | ||
| George Crumb | 1929 | American | Ancient Voices of Children, Black Angels | Extended technique, Numerology | |
| André Mathieu | 1929 | 1968 | Canadian | ||
| Edison Denisov | 1929 | 1996 | Russian | ||
| Frédéric Devreese | 1929 | Belgian | |||
| Petr Eben | 1929 | 2007 | Czech | ||
| Robert Muczynski | 1929 | 2010 | American | ||
| Hormoz Farhat | 1929 | Iranian | |||
| Luc Ferrari | 1929 | 2005 | French | ||
| Jerry Goldsmith | 1929 | 2004 | American | Film scores, Music for Orchestra; Fireworks | |
| Alun Hoddinott | 1929 | 2008 | Welsh | ||
| Charles Knox | 1929 | American | neo-classical, musical palindromes | ||
| Kenneth Leighton | 1929 | 1988 | English | ||
| Pedro Iturralde | 1929 | Spanish | |||
| Toshiro Mayuzumi | 1929 | 1997 | Japanese | ||
| Aleksandra Pakhmutova | 1929 | Russian | |||
| Ron Nelson | 1929 | American | Rocky Point Holiday | ||
| Henri Pousseur | 1929 | 2009 | Belgian | Votre Faust; Trois visages à Liège; Couleurs croisées | serialism, aleatory, eclectic, electronic music, world music, popular music influence |
| André Previn | 1929 | German/American | A Streetcar Named Desire | ||
| Leonard Kastle | 1929 | 2011 | American | ||
| Josef Anton Riedl | 1929 | German | |||
| Bogusław Schaeffer | 1929 | Polish | |||
| Peter Sculthorpe | 1929 | Australian | Requiem; Kakadu; Earth Cry | ||
| Hans Stadlmair | 1929 | Austrian | Trumpet Concerto with strings; Saxofonia; Miró | ||
| Siegfried Strohbach | 1929 | German | 5 Galgenlieder; Ein Stern aus Jacob | ||
| Harry Bannink | 1929 | 1999 | Dutch | ||
| Samar Das | 1929 | 2001 | Bangladeshi | ||
| Muhal Richard Abrams | 1930 | American | |||
| Robert Ashley | 1930 | American | electronic music, extended techniques | ||
| Larry Austin | 1930 | American | electronic music | ||
| Petar Bergamo | 1930 | Croatian | romanticism, atonality | ||
| Günter Kochan | 1930 | 2009 | German | ||
| Jacques Calonne | 1930 | Belgian | |||
| Robert Cogan | 1930 | American | |||
| Cristóbal Halffter | 1930 | Spanish | Líneas y puntos; Don Quixote | eclectic, electronic music | |
| Christopher Headington | 1930 | 1996 | British | ||
| Jean Guillou | 1930 | French | |||
| Ryōhei Hirose | 1930 | 2008 | Japanese | ||
| Nikolai Karetnikov | 1930 | 1994 | Russian | Symphony No. 3, Concert Piece for piano | |
| Gordon Langford | 1930 | English | Facets of Glass; Rhapsody for Trombone | brass band music | |
| Theo Loevendie | 1930 | Dutch | |||
| Robert William Witt | 1930 | 1967 | American | neoclassical | |
| Yardena Alotin | 1930 | 1994 | Israeli | ||
| Yen Lu | 1930 | 2008 | Chinese-born Taiwanese | ||
| David Amram | 1930 | American | |||
| Claude Bolling | 1930 | French | |||
| Pierre Max Dubois | 1930 | 1995 | French | ||
| William P. Perry | 1930 | American | |||
| Dieter Schnebel | 1930 | German | Mahler-Moment; Maulwerke; Baumzucht | ||
| Tōru Takemitsu | 1930 | 1996 | Japanese | A Flock Descends into the Pentagonal Garden; Toward the Sea | Neo-impressionism |
| Joan Franks Williams | 1930 | 2003 | American | ||
| John Carmichael | 1930 | Australian | |||
| Eino Tamberg | 1930 | 2010 | Estonian | ||
| Betty Roe | 1930 | English | |||
| Veljo Tormis | 1930 | Estonian | |||
| Nancy Van de Vate | 1930 | American | |||
| Heinz Werner Zimmermann | 1930 | German | |||
| Nancy Laird Chance | 1931 | American | |||
| Lucien Goethals | 1931 | 2006 | Belgian | ||
| Sylvano Bussotti | 1931 | Italian | |||
| Charles Camilleri | 1931 | 2009 | Maltese | ||
| F. R. C. Clarke | 1931 | 2009 | Italian | ||
| Vytautas Barkauskas | 1931 | Lithuanian | |||
| Lucia Dlugoszewski | 1931 | 2000 | Polish-American | ||
| Frederick A. Fox | 1931 | 2011 | American | ||
| Sofia Gubaidulina | 1931 | Russian | Offertorium; Music for Flute, Strings, and Percussion | ||
| Hikaru Hayashi | 1931 | 2012 | Japanese | Viola Concerto "Elegia" | |
| Peter Westergaard | 1931 | American | |||
| Robert Gauldin | 1931 | American | |||
| Donald Harris | 1931 | American | |||
| Derek Holman | 1931 | English | |||
| Mauricio Kagel | 1931 | 2008 | Argentine / German | Staatstheater; Kantrimiusik; Ludwig van | |
| Krzysztof Komeda | 1931 | 1969 | Polish | ||
| Yüksel Koptagel | 1931 | Turkish | |||
| Martin Boykan | 1931 | American | Echoes of Petrarch; Piano Trio No. 2; String Quartet No. 3 | serialism | |
| Rudolf Komorous | 1931 | Canadian | |||
| Rudolf Kelterborn | 1931 | Swiss | |||
| André Laporte | 1931 | Belgian | Das Schloss | eclectic | |
| Arne Nordheim | 1931 | 2010 | Norwegian | Epitaffio; The Tempest (ballet); Magma | many works include electronics |
| Louis W. Ballard | 1931 | 2007 | American | ||
| David Lumsdaine | 1931 | Australian | |||
| Ib Nørholm | 1931 | Danish | |||
| Ivo Petrić | 1931 | Slovenian | |||
| Makoto Shinohara | 1931 | Japanese | Fragmente | electronic music, influence of traditional Japanese music | |
| Malcolm Williamson | 1931 | 2003 | Australian | Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations | |
| Niccolò Castiglioni | 1932 | 1996 | Italian | ||
| Henri Lazarof | 1932 | Bulgarian | |||
| Henning Christiansen | 1932 | 2008 | Danish | fluxus | |
| Tod Dockstader | 1932 | 2008 | American | electronic music | |
| James Douglas | 1932 | Scottish | |||
| André Hajdu | 1932 | Israeli | |||
| Alexander Goehr | 1932 | English | Arianna | twelve-tone, later modal, eclectic | |
| Pelle Gudmundsen-Holmgreen | 1932 | Danish | |||
| François Bayle | 1932 | French | |||
| Baligh Hamdi | 1932 | 1993 | Egyptian | ||
| Max Schubel | 1932 | 2010 | American | ||
| Diana Pereira Hay | 1932 | Danish | |||
| Bronius Kutavičius | 1932 | Lithuanian | |||
| Kilza Setti | 1932 | Brazilian | |||
| Elaine Barkin | 1932 | American | |||
| Marta Jiráčková | 1932 | Czech | |||
| M. William Karlins | 1932 | 2005 | American | Works for Saxophone; works for Double Bass[vague] | |
| Wojciech Kilar | 1932 | Polish | Krzesany; Dracula (film music) | holy minimalism | |
| Richard Meale | 1932 | 2009 | Australian | Voss | avant-garde |
| Per Nørgård | 1932 | Danish | Voyage into the Golden Screen | ||
| Rudi Martinus van Dijk | 1932 | 2003 | Dutch | ||
| Soe Nyunt | 1932 | 2009 | Burmese | ||
| Rodion Shchedrin | 1932 | Russian | Lolita; 2 Symphonies; The Carmen Ballet; 6 piano concertos | ||
| Gilles Tremblay | 1932 | Canadian | Sonorisation du Pavillon du Québec; Fleuves | electronic music, serialism | |
| John Williams | 1932 | American | film scores, The Five Sacred Trees | ||
| Hugh Wood | 1932 | English | Symphony; Cello Concerto; Piano Concerto; Violin Concerto No.1; Scenes from Comus | symphonic serialism | |
| Leonardo Balada | 1933 | Spanish-American | 6 symphonies[vague]; 6 operas[vague] | Avant-garde, later folk-influenced | |
| Easley Blackwood, Jr. | 1933 | American | polyrhythm, microtone | ||
| Justin Connolly | 1933 | British | modernism | ||
| Ramiro Cortés | 1933 | 1984 | American | serialism, atonality | |
| Michael Brimer | 1933 | Australian | |||
| Walter Buczynski | 1933 | Canadian | |||
| Altaf Mahmud | 1933 | 1971 | Bangladeshi | ||
| Colin Brumby | 1933 | Australian | |||
| Seóirse Bodley | 1933 | Irish | |||
| István Láng | 1933 | Hungarian | |||
| Akira Miyoshi | 1933 | Japanese | |||
| Ton-That Tiet | 1933 | Vietnamese-French | |||
| Roland Trogan | 1933 | American | |||
| Pozzi Escot | 1933 | American | |||
| Henryk Górecki | 1933 | 2010 | Polish | Symphony of Sorrowful Songs | holy minimalism |
| Don Kay | 1933 | Australian | |||
| Justin Connolly | 1933 | British | |||
| Bo Linde | 1933 | 1970 | Swedish | Neoromanticism | |
| Antón García Abril | 1933 | Spanish | |||
| Krzysztof Penderecki | 1933 | Polish | Threnody for the Victims of Hiroshima; St. Luke Passion; Polish Requiem; Symphony No. 2: Christmas | avant-garde, extended technique, later Neoromanticism | |
| Yves Prin | 1933 | French | Neo-impressionism | ||
| Harrison Birtwistle | 1934 | English | The Mask of Orpheus | ||
| Arlene Zallman | 1934 | 2006 | American | ||
| Anthony Gilbert | 1934 | British | |||
| Alan Ridout | 1934 | 1996 | British | ||
| Gonzalo de Olavide | 1934 | 2005 | Spanish | ||
| Bernard Rands | 1934 | English | |||
| Nicole Lachartre | 1934 | 1991 | French | ||
| Alain Bancquart | 1934 | French | |||
| Paul Panhuysen | 1934 | Dutch | |||
| Benjamin Boretz | 1934 | American | |||
| Mario Davidovsky | 1934 | Argentine-American | |||
| Peter Maxwell Davies | 1934 | English | Taverner, Eight Songs for a Mad King, Symphony No. 1, Symphony No. 3, Symphony No. 6, Strathclyde Concertos, Naxos Quartets | ||
| Pierre Ancelin | 1934 | 2001 | French | ||
| Vinko Globokar | 1934 | French | |||
| William Mathias | 1934 | 1992 | Welsh | Let the people praise Thee, O God | |
| Siegfried Matthus | 1934 | German | Judith, Te Deum | ||
| Harrison Birtwistle | 1934 | British | |||
| Bernard Vitet | 1934 | French | |||
| Roger Reynolds | 1934 | American | |||
| Alfred Schnittke | 1934 | 1998 | Russian | ||
| Ramon Sender | 1934 | Spanish | electronic music | ||
| Christian Wolff | 1934 | American | Summer, for string quartet; Pebbles, for violin and piano | indeterminacy | |
| Derek Bell | 1935 | 2002 | Irish | ||
| John Eaton | 1935 | American | microtonal music | ||
| Nigel Butterley | 1935 | Australian | |||
| Teiji Ito | 1935 | 1982 | Japanese | ||
| André Tchaikowsky | 1935 | 1982 | Polish | ||
| Kurt Schwertsik | 1935 | Austrian | |||
| Kazuko Hara | 1935 | Japanese | |||
| Elgar Howarth | 1935 | English | |||
| Giya Kancheli | 1935 | Georgian | 7 symphonies | holy minimalism | |
| Helmut Lachenmann | 1935 | German | Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern | extended technique | |
| Conrad Susa | 1935 | American | |||
| Diego Masson | 1935 | French | |||
| Samuel Jones | 1935 | American | |||
| Luis Advis | 1935 | 2004 | Chilean | ||
| François-Bernard Mâche | 1935 | French | |||
| Nicholas Maw | 1935 | 2009 | English | Odyssey; The World in the Evening | |
| Arvo Pärt | 1935 | Estonian | Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten | holy minimalism | |
| Terry Riley | 1935 | American | In C | minimalism | |
| Aulis Sallinen | 1935 | Finnish | The King Goes Forth to France | ||
| Jiří Bárta | 1935 | 2012 | Czech | Concerto for Orchestra | |
| Vasif Adigozalov | 1935 | 2006 | Azerbaijani | ||
| Sandor Kalloś | 1935 | Russian | |||
| Mirjana Živković | 1935 | Serbian | |||
| Theodore Antoniou | 1935 | Greek | |||
| Pierre Mariétan | 1935 | 2003 | Swiss | ||
| Peter Schat | 1935 | 2003 | Dutch | ||
| La Monte Young | 1935 | American | The Well-Tuned Piano | minimalism, microtonal music, improvisation, Asian-music influence | |
| Gilbert Amy | 1936 | French | serialism, film music, electronic music | ||
| Izabella Arazova | 1936 | Armenian | Concerto for Orchestra | ||
| Richard Rodney Bennett | 1936 | 2012 | English | ||
| David Blake | 1936 | British | |||
| Herbert Blendinger | 1936 | German-Austrian | viola concerto, cantata Mdia in vita, string quartets | also a violist | |
| Harold Budd | 1936 | American | avant-garde, ambient music | ||
| Cornelius Cardew | 1936 | 1981 | English | Treatise; The Great Learning | serialism, improvisation, aleatory |
| Daniel Goode | 1936 | American | |||
| Michel Decoust | 1936 | French | |||
| Aleksandar Džambazov | 1936 | Macedonian | Rhapsody for Skopje, Seven dance variations for piano and orchestra | ||
| Iván Erőd | 1936 | Hungarian-Austrian | opera Seidenraupen, song cycle Milchzahnlieder, piano trios | ||
| Malcolm Forsyth | 1936 | 2011 | Canadian | ||
| Éric Gaudibert | 1936 | 2012 | Swiss | ||
| Malcolm Goldstein | 1936 | American | |||
| Frans Geysen | 1936 | Belgian | |||
| Barbara Heller | 1936 | German | |||
| Takekuni Hirayoshi | 1936 | 1998 | Japanese | ||
| Maki Ishii | 1936 | 2003 | Japanese | ||
| Ladislav Kupkovič | 1936 | Slovak | Vier Präparierter Texte | Wandelkonzerte, historicism | |
| Colin Mawby | 1936 | English | Laudate Pueri Dominum; Requiem of Hope; The Quest | ||
| Anthony Payne | 1936 | English | |||
| Steve Reich | 1936 | American | Piano Phase; Music for 18 Musicians | minimalism | |
| Aribert Reimann | 1936 | German | Lear; Nahe Ferne; Wolkenloses Christfest | ||
| Elliott Schwartz | 1936 | American | Equinox for orchestra | ||
| Robert Suderburg | 1936 | American | Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII ("Ceremonies") | ||
| John White | 1936 | English | Cello and Tuba Machine; 175 piano sonatas | ||
| Hans Zender | 1936 | German | |||
| Gérard Masson | 1936 | French | |||
| Olly Wilson | 1937 | American | |||
| Philip Ledger | 1937 | 2012 | British | ||
| Edward Applebaum | 1937 | American | |||
| Misha Geller | 1937 | 2007 | Russian | Concerto for Violin, Piano and Orchestra | |
| Premasiri Khemadasa | 1937 | 2008 | Sri Lankan | ||
| John Ferritto | 1937 | 2010 | American | ||
| Lorant Hajdu | 1937 | Hungarian | |||
| Paul Méfano | 1937 | French | |||
| Keiko Abe | 1937 | Japanese | |||
| Rafig Babayev | 1937 | 1994 | Azerbaijani | ||
| Jan Bach | 1937 | American | |||
| Junsang Bahk | 1937 | South Korean | |||
| Osvaldas Balakauskas | 1937 | Lithuanian | |||
| David Bedford | 1937 | 2011 | British | ||
| Robert Moran | 1937 | American | |||
| David Behrman | 1937 | American | |||
| Azio Corghi | 1937 | Italian | Divara–Wasser und Blut | ||
| Guy Woolfenden | 1937 | English | |||
| Marta Lambertini | 1937 | Argentine | |||
| Loris Tjeknavorian | 1937 | Iranian-Armenian | |||
| Jon Hassell | 1937 | American | |||
| Jean-Louis Petit | 1937 | French | |||
| David Del Tredici | 1937 | American | Child Alice; Final Alice | ||
| Philip Glass | 1937 | American | Violin Concerto; operas; 8 symphonies | minimalism | |
| Shamshi Kaldayakov | 1937 | 1992 | Kazakhstani | ||
| Walter Hekster | 1937 | 2012 | Dutch | ||
| Katherine Hoover | 1937 | American | |||
| Janet Beat | 1937 | Scottish | |||
| Nikolai Kapustin | 1937 | Russian | |||
| Gordon Crosse | 1937 | British | |||
| Edwin Roxburgh | 1937 | English | |||
| David Cornwall | 1937 | 2006 | American | ||
| Bo Nilsson | 1937 | Swedish | |||
| Valentin Silvestrov | 1937 | Ukrainian | Symphony No. 5 | ||
| Wang Xilin | 1937 | Chinese | folk-influenced | ||
| Yehuda Yannay | 1937 | American-Israeli | At the End of the Parade; Radiant Inner Light; Piano Concerto | extended techniques, multimedia, postmodern | |
| Maryanne Amacher | 1938 | 2009 | American | ||
| Virko Baley | 1938 | Ukrainian-American | |||
| Michel Rateau | 1938 | French | |||
| Bart Berman | 1938 | Dutch-Israeli | |||
| Glen Carter-Varney | 1938 | Australian | |||
| Paavo Heininen | 1938 | Finnish | |||
| Zygmunt Krauze | 1938 | Polish | |||
| Elizabeth R. Austin | 1938 | American | |||
| E. Clement Bethel | 1938 | 1987 | Bahamian | ||
| Howard Blake | 1938 | English | |||
| William Bolcom | 1938 | American | Songs of Experience; Songs of Innocence | ||
| Hans-Joachim Hespos | 1938 | German | |||
| David Borden | 1938 | American | |||
| Paul Chihara | 1938 | American | Shogun: The Musical | ||
| Gloria Coates | 1938 | American | Music on Open Strings | ||
| John Corigliano | 1938 | American | Symphony No. 2; A Dylan Thomas Trilogy; The Red Violin (film music) | polystylism | |
| Alvin Curran | 1938 | American | For Cornelius; Songs and Views of the Magnetic Garden; Inner Cities | ||
| Jean-Claude Éloy | 1938 | French | |||
| Givi Gachechiladze | 1938 | Georgian | |||
| Calvin Hampton | 1938 | 1984 | American | ||
| John Harbison | 1938 | American | The Great Gatsby | ||
| Jacques Hétu | 1938 | 2010 | Canadian | ||
| Tyzen Hsiao | 1938 | Taiwanese | |||
| Ashenafi Kebede | 1938 | 1998 | Ethiopian | The Shepherd Flutist | |
| Raja Hossain Khan | 1938 | Bangladeshi | |||
| Barton McLean | 1938 | American | Rainforest Images (jointly composed with Priscilla McLean) | postmodernist, ambient, drone, minimalist, musique concrète, computer music | |
| Mesías Maiguashca | 1938 | Ecuadorian | F-Melodies; Ayayayayay | electronic music; spectralism | |
| Douglas Leedy | 1938 | American | |||
| Michael Parsons | 1938 | English | |||
| Dianne Goolkasian Rahbee | 1938 | American | |||
| Frederic Rzewski | 1938 | American | The People United Will Never Be Defeated! | ||
| Tona Scherchen | 1938 | Swiss | |||
| José Serebrier | 1938 | Uruguayan | |||
| Gregory Short | 1938 | 1999 | American | ||
| Yuji Takahashi | 1938 | Japanese | |||
| Dimitri Terzakis | 1938 | Greek | |||
| Joan Tower | 1938 | American | Petroushskates; Concerto for Orchestra; Sequoia; Fanfare for the Uncommon Woman | ||
| Jan Vriend | 1938 | Dutch | |||
| Charles Wuorinen | 1938 | American | Time's Encomium; 8 symphonies; chamber music | twelve-tone technique, serialism | |
| Charles Boone | 1939 | American | |||
| Leo Brouwer | 1939 | Cuban | |||
| James Willey | 1939 | American | |||
| Mikheil Kobakhidze | 1939 | Georgian | |||
| Louis Andriessen | 1939 | Dutch | minimalism | ||
| Bruce Mather | 1939 | Canadian | |||
| José Antonio Abreu | 1939 | Venezuelan | |||
| Zsigmond Szathmáry | 1939 | Hungarian | |||
| Wendy Carlos | 1939 | American | Switched-On Bach (Moog Synthesizer) | Electronic music (original and transcriptions) | |
| Jonathan Harvey | 1939 | 2012 | English | Mortuos Plango Vivos Voco; Advaya; Bhakti; Wheel of Emptiness | spectralism |
| Heinz Holliger | 1939 | Swiss | Schneewittchen | ||
| Barbara Kolb | 1939 | American | |||
| Elinor Armer | 1939 | American | |||
| Jon Appleton | 1939 | American | |||
| Gian Paolo Chiti | 1939 | Italian | |||
| Nicolaus A. Huber | 1939 | German | |||
| Tom Johnson | 1939 | American | |||
| John McCabe | 1939 | English | Chagall Windows; symphonies; ballets; string quartets | ||
| Tigran Mansurian | 1939 | Armenian | |||
| Arkady Luxemburg | 1939 | Moldovan | |||
| Tomáš Svoboda | 1939 | Czech-American | Overture of the Season; Marimba Concerto; "Children's Treasure Box" piano series | ||
| Boris Tishchenko | 1939 | 2010 | Russian | ||
| Ellen Taaffe Zwilich | 1939 | American | |||
| Juraj Beneš | 1940 | 2004 | Slovak | ||
| Gary Lee Nelson | 1940 | American | |||
| Alexander Yossifov | 1940 | Bulgarian | |||
| Eleanor Hovda | 1940 | 2009 | American | ||
| Henry Flynt | 1940 | American | |||
| Margaret Brouwer | 1940 | American | |||
| Dieter Acker | 1940 | 2006 | German | ||
| Alden Jenks | 1940 | American | |||
| Ken-Ichiro Kobayashi | 1940 | Japanese | |||
| Peer Raben | 1940 | 2007 | German | ||
| Dan-Alexandru Voiculescu | 1940 | 2009 | Romanian | ||
| David C. Johnson | 1940 | American | |||
| Jorge Peixinho | 1940 | 1995 | Portuguese | electronic music | |
| Frank Zappa | 1940 | 1993 | American | The Perfect Stranger; The Yellow Shark | |
| Adrienne Albert | 1941 | American | |||
| Geoffrey Burgon | 1941 | 2010 | British | ||
| Stephen Albert | 1941 | 1992 | American | Symphony No. 1: Riverrun | |
| Anđelka Bego-Šimunić | 1941 | Bosnian | neoclassicism | ||
| John Mitchell | 1941 | American | |||
| Philip Krumm | 1941 | American | |||
| Angelo Gilardino | 1941 | Italian | |||
| John Melby | 1941 | American | |||
| Kay Gardner | 1941 | American | |||
| Valeri Kikta | 1941 | Ukrainian | |||
| Richard Edward Wilson | 1941 | American | |||
| Konrad Boehmer | 1941 | Dutch | |||
| David Cope | 1941 | American | |||
| Johannes Fritsch | 1941 | 2010 | German | ||
| James Di Pasquale | 1941 | American | |||
| Antony le Fleming | 1941 | English | |||
| Derek Bourgeois | 1941 | English | |||
| Sorrel Hays | 1941 | American | |||
| Moya Henderson | 1941 | Australian | Lindy | ||
| Adolphus Hailstork | 1941 | American | |||
| Judith Margaret Bailey | 1941 | English | |||
| Paul Alan Levi | 1941 | American | |||
| Emmanuel Nunes | 1941 | 2012 | Portuguese | Machina Mundi; Quodlibet | electronic music |
| Priscilla McLean | 1942 | American | Rainforest Images (jointly composed with Barton McLean) | postmodernist, ambient, drone, minimalist, musique concrète, computer music | |
| Shigeaki Saegusa | 1942 | Japanese | Piano Concerto | avant-garde | |
| Daniel Roth | 1942 | French | |||
| Meredith Monk | 1942 | American | |||
| Charles Dodge | 1942 | American | electronic music, computer music | ||
| Birgitte Alsted | 1942 | Danish | |||
| John Cale | 1942 | Welsh | |||
| Volker David Kirchner | 1942 | German | Gilgamesh; Missa Moguntina; Symphony No. 2 "Mythen" | ||
| John Barnes Chance | 1942 | 1972 | American | Elegie; Variations on a Korean Folk Song | |
| Jonathan Kramer | 1942 | 2004 | American | postmodernism | |
| Paul McCartney | 1942 | English | Ecce Cor Meum | member of Beatles | |
| John McGuire | 1942 | American | Pulse Music III; A Capella | electronic music, fusion of serialism and minimalism, postminimalism | |
| Tomás Marco | 1942 | Spanish | Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 Anatomía fractal de los ángeles; Ojos verdes de luna | avant-garde, neoclassical, folk-influenced, eclectic | |
| Viktor Suslin | 1942 | 2012 | Russian | ||
| David Padrós | 1942 | Catalan | |||
| Brian Cherney | 1942 | Canadian | |||
| Horațiu Rădulescu | 1942 | 2008 | Romanian/French | six string quartets | spectralism |
| Adel Kamel | 1942 | 2003 | Egyptian | ||
| Maki Asakawa | 1942 | 2010 | Japanese | ||
| Zoltán Jeney | 1943 | Hungarian | |||
| Solange Ancona | 1943 | French | |||
| Daniel Börtz | 1943 | Swedish | |||
| Joanna Bruzdowicz | 1943 | Polish | |||
| Gavin Bryars | 1943 | English | Jesus' Blood Never Failed Me Yet, Doctor Ox's Experiment | ||
| Shiro Miya | 1943 | 2012 | Japanese | ||
| David Matthews | 1943 | English | |||
| Eleanor Cory | 1943 | American | |||
| William Duckworth | 1943 | American | |||
| Alice Shields | 1943 | American | |||
| Hugues Dufourt | 1943 | French | |||
| Bruce MacCombie | 1943 | 2012 | American | ||
| Dennis Eberhard | 1943 | 2005 | American | ||
| Ross Edwards | 1943 | Australian | |||
| Udo Zimmermann | 1943 | German | opera | ||
| Costin Miereanu | 1943 | French | |||
| Margriet Ehlen | 1943 | Dutch | |||
| Morten Lauridsen | 1943 | American | vocal works | ||
| Julio Estrada | 1943 | Mexican | |||
| Brian Ferneyhough | 1943 | English | Etudes Transcendantales | New Complexity | |
| Rolf Gehlhaar | 1943 | American | Sub rosa; Five German Dances | electronic music, sound installations | |
| Heinz Karl Gruber | 1943 | Austrian | Frankenstein!!, Charivari, Aerial | ||
| Faraj Garayev | 1943 | Azerbaijani | |||
| Tania León | 1943 | Cuban | |||
| Robin Holloway | 1943 | English | |||
| Bill Hopkins | 1943 | 1981 | English | En Attendant; Sensation | |
| Alexander Vustin | 1943 | Russian | |||
| Marta Ptaszynska | 1943 | Polish | |||
| Jerry Hunt | 1943 | 1993 | American | ||
| Ilaiyaraaja | 1943 | Indian | How to Name it; Nothing but wind; Thiruvasagam -An Oratorio; The Music Messaih; India 24 hours; | Indian Classical (Carnatic), Western classical, Fusion, Jazz, Indian folk | |
| Bill McGlaughlin | 1943 | American | Remembering Icarus; Walt Whitman's Dream | ||
| Krzysztof Meyer | 1943 | Polish | 12 string quartets | ||
| Joseph Schwantner | 1943 | American | Aftertones of Infinity; A Sudden Rainbow | ||
| Roger Smalley | 1943 | Australian (born English) | Pulses; 2 piano concertos | serialism, eclectic | |
| Ivan Tcherepnin | 1943 | 1998 | French-American | ||
| Michael Vetter | 1943 | German | Missa Universalis | New Age, Zen-influenced | |
| William Albright | 1944 | 1998 | American | polystylistic | |
| Gilbert Biberian | 1944 | British | |||
| Thomas Koppel | 1944 | 2006 | Danish | avant-garde | |
| Alison Bauld | 1944 | Australian | |||
| Barry Conyngham | 1944 | Australian | |||
| Christopher Gunning | 1944 | British | |||
| Willem Breuker | 1944 | 2010 | Dutch | ||
| Péter Eötvös | 1944 | Hungarian | Love and Other Demons | eclectic, extended technique, electronic music, folk-music influence | |
| York Höller | 1944 | German | Schwarze Halbinseln; Der Meister und Margarita | electronic music, serialism, Gestalt composition | |
| Karl Jenkins | 1944 | Welsh | The Armed Man; Adiemus; Requiem | ||
| Lyell Cresswell | 1944 | New Zealander | |||
| John Hawkins | 1944 | 2007 | Canadian | ||
| John Fodi | 1944 | 2009 | Canadian | ||
| Pehr Henrik Nordgren | 1944 | 2008 | Finnish | ||
| Michael Nyman | 1944 | English | The Man Who Mistook His Wife for a Hat | Minimalism | |
| Neely Bruce | 1944 | American | postminimalist | ||
| Leif Segerstam | 1944 | Finnish | |||
| John Tavener | 1944 | English | Holy minimalism | ||
| Charles Amirkhanian | 1945 | American | |||
| Clarence Barlow | 1945 | British-Portuguese | |||
| Thomas Wells | 1945 | American | |||
| Jacques Lenot | 1945 | French | |||
| Thomas Oboe Lee | 1945 | Chinese- American | |||
| Anthony Braxton | 1945 | American | |||
| Ole Buck | 1945 | Danish | |||
| Judith Clingan | 1945 | Australian | |||
| Štěpán Rak | 1945 | Czech | |||
| Graciela Agudela | 1945 | Mexican | |||
| Boudewijn Buckinx | 1945 | Belgian | |||
| Edward Gregson | 1945 | English | |||
| Ivan Karabyts | 1945 | 2002 | Ukrainian | ||
| Rauf Dhomi | 1945 | Kosovan | |||
| Fredric Kroll | 1945 | American | |||
| Judith Lang Zaimont | 1945 | American | |||
| Ahmed Achour | 1945 | Tunisian | Concerto pour clarinette et orchestre | ||
| Shirish Korde | 1945 | American | |||
| Keith Jarrett | 1945 | American | |||
| Georges Aperghis | 1945 | Greek | |||
| Thomas Pasatieri | 1945 | American | |||
| Luca Lombardi | 1945 | Italian | |||
| Johnterryl Plumeri | 1945 | American | |||
| Doug Riley | 1945 | 2007 | Canadian | ||
| John Rutter | 1945 | English | choral music | ||
| Barry Schrader | 1945 | American | electro-acoustic | ||
| Barbara Benary | 1946 | German | |||
| Gilius van Bergeijk | 1946 | Dutch | |||
| Robert Boury | 1946 | American | |||
| Anne Boyd | 1946 | Australian | |||
| Martin Bresnick | 1946 | American | |||
| Geneviève Calame | 1946 | 1993 | Swiss | ||
| Suzanne Ciani | 1946 | Italian American | electronic music | ||
| Peter Lieberson | 1946 | 2011 | American | ||
| Ulrich Leyendecker | 1946 | German | |||
| Pierre Even | 1946 | Luxembourgian | |||
| Michael Finnissy | 1946 | American | |||
| Zsolt Gárdonyi | 1946 | Hungarian German | Magnificat, Mozart Changes (organ) | ||
| Janice Giteck | 1946 | American | |||
| Gérard Grisey | 1946 | 1998 | French | Vortex temporum | |
| Ann-Elise Hannikainen | 1946 | Finnish | |||
| Nicola Piovani | 1946 | Italian | |||
| Robert Xavier Rodriguez | 1946 | American | |||
| Richard St. Clair | 1946 | American | The Lamentations of Shinran; Album of Ragtime Pieces for Piano; Love-Canzonettes for Chorus; Piano Sonatas | Neoromanticism | |
| Pēteris Vasks | 1946 | Latvian | |||
| Diderik Wagenaar | 1946 | Dutch | |||
| Ho Wai-On | 1946 | British | |||
| Tolib Shakhidi | 1946 | Tajik | |||
| Ladislav Kubík | 1946 | Czech-American | |||
| Renate Birnstein | 1946 | German | |||
| Dana Wilson | 1946 | American | |||
| Heinz Winbeck | 1946 | German | |||
| John Adams | 1947 | American | Nixon in China; Harmonielehre; Shaker Loops, Short Ride in a Fast Machine; Violin Concerto | Post-minimalism | |
| Franghiz Ali-Zadeh | 1947 | Azerbaijani | |||
| Laurie Anderson | 1947 | American | |||
| Zarrina Mirshakar | 1947 | Tajik | |||
| Ruth Bakke | 1947 | Norwegian | |||
| Michel Chion | 1947 | French | |||
| Nikolai Korndorf | 1947 | 2001 | Russian and Canadian | ||
| Gwyneth Van Anden Walker | 1947 | American | |||
| Jack Gallagher | 1947 | American | |||
| Donald Grantham | 1947 | American | |||
| John S. Hilliard | 1947 | American | Baron Cimetiere's Mambo | ||
| Tristan Murail | 1947 | French | Gondwana | spectral music | |
| Morris Pert | 1947 | 2010 | Scottish | ||
| Barry Guy | 1947 | British | |||
| Grigoriy Korchmar | 1947 | Russian | |||
| Paul Patterson | 1947 | English | |||
| Karl Aage Rasmussen | 1947 | Danish | |||
| Anders Eliasson | 1947 | Swedish | four symphonies | ||
| Jo Kondo | 1947 | Japanese | |||
| Salvatore Sciarrino | 1947 | Italian | |||
| Howard Skempton | 1947 | English | |||
| Jean-Yves Bosseur | 1947 | French | |||
| Liana Alexandra | 1947 | 2011 | Romanian | ||
| Emil Tabakov | 1947 | Bulgarian | |||
| Claude Baker | 1948 | American | |||
| Josef Bardanashvili | 1948 | Georgian | |||
| Gisèle Barreau | 1948 | French | |||
| Michael Berkeley | 1948 | English | |||
| Chester Biscardi | 1948 | Italian-American | |||
| Glenn Branca | 1948 | American | avant-garde | ||
| Stephen Brown | 1948 | Canadian | |||
| Diana Burrell | 1948 | English | |||
| Brian Elias | 1948 | British | |||
| Brian Eno | 1948 | English | ambient music, minimalism | ||
| Richard Festinger | 1948 | American | |||
| Mikko Heiniö | 1948 | Finnish | |||
| Bo Holten | 1948 | Danish | |||
| Jean Michel Jarre | 1948 | French | |||
| Kerstin Jeppsson | 1948 | Swedish | |||
| Theo Jörgensmann | 1948 | German | |||
| Marjan Mozetich | 1948 | Canadian |
I- I {hs|{Osmon, Leroy}}Leroy Osmon || 1948 || American || || |
||
| Allen Shawn | 1948 | American | |||
| Julia Tsenova | 1948 | 2010 | Bulgarian | Sinfonia con piano concertante; Endless Circle for string quintet; Musica Solitudinis; Four songs, to poems by Emily Dickinson | |
| Claude Vivier | 1948 | 1983 | Canadian | Kopernikus: Rituel de la Mort | spectral music, Asian-music influence |
| Eleanor Alberga | 1949 | Jamaican | |||
| Kalevi Aho | 1949 | Finnish | |||
| Leonid Bobylev | 1949 | Russian | Symphony (1985), Concerto for viola and string orchestra (1970) | ||
| John Casken | 1949 | English | |||
| Tim Hodgkinson | 1949 | English | |||
| Geoffrey Poole | 1949 | American | |||
| Chan Ka Nin | 1949 | Canadian | |||
| Rocco Di Pietro | 1949 | Italian | |||
| Michel Herr | 1949 | Belgian | |||
| Dan Locklair | 1949 | American | |||
| Stephen Paulus | 1949 | American | Pilgrim's Hymn; The Road Home; | ||
| Michaël Levinas | 1949 | French | |||
| Christopher Rouse | 1949 | American | Requiem; Karolju; Phantasmata; Gorgon; Oboe Concerto; 2 symphonies | ||
| Daniel Catán | 1949 | 2011 | Mexican | Florencia en el Amazonas; Rappaccini's Daughter | Neo-impressionism |
| Carlos Azevedo | 1949 | 2012 | Portuguese | ||
| Volodymyr Ivasyuk | 1949 | 1979 | Ukrainian | ||
| Masahiro Kawasaki | 1949 | 2006 | Japanese | ||
| Jaroslav Filip | 1949 | 2000 | Slovak | ||
| Theodore Papakonstantinou | 1949 | 1970 | Cypriot | ||
| Dean Drummond | 1949 | 2013 | American | ||
| Carol E Barnett | 1949 | American | |||
| Daniel Steven Crafts | 1949 | American | |||
| Poul Ruders | 1949 | Danish | |||
| Dave Smith | 1949 | English | |||
| Steven Stucky | 1949 | American | Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 | ||
| Kevin Volans | 1949 | South African | Hunting Gathering | ||
| Philip Wilby | 1949 | British | brass-band music | ||
| Beth Anderson | 1950 | American | |||
| Elena Firsova | 1950 | Russian | The Nightingale and the Rose | ||
| Emmanuel Gyimah Labi | 1950 | Ghanaian | |||
| Robert Black | 1950 | 1993 | American | ||
| David B. Doty | 1950 | American | |||
| Gene Bowen | 1950 | American | |||
| Elodie Lauten | 1950 | American | |||
| Stephen Chatman | 1950 | Canadian | |||
| Joseph Pehrson | 1950 | American | |||
| Ernani Aguiar | 1950 | Brazilian | |||
| Libby Larsen | 1950 | American | Marimba Concerto | ||
| Lepo Sumera | 1950 | 2000 | Estonian | electro-acoustic music | |
| Jay Reise | 1950 | American | |||
| Åse Hedstrøm | 1950 | Norwegian | |||
| Christopher Hobbs | 1950 | English | |||
| Arturo Márquez | 1950 | Mexican | Danzón no. 2 | ||
| William Sweeney | 1950 | Scottish | folk-influenced | ||
| Howard J. Buss | 1951 | American | Modern Times | ||
| Craig Russell | 1951 | American | |||
| Michael Blake | 1951 | South African | French Suite | ||
| Richard Emsley | 1951 | British | |||
| Earl Howard | 1951 | American | avant-garde | ||
| John Burke | 1951 | Canadian | |||
| Patrick Larley | 1951 | British | |||
| Nancy Galbraith | 1951 | American | postmodern/postminimalist | ||
| Anthony Davis | 1951 | American | |||
| Lorenzo Ferrero | 1951 | Italian | |||
| Francisco Guerrero Marín | 1951 | 1997 | Spanish | ||
| Mona Lyn Reese | 1951 | American | |||
| Halina Harelava | 1951 | Belarusian | |||
| Paul Dresher | 1951 | American | |||
| Viera Janárceková | 1951 | Slovakian | |||
| Patricia Jünger | 1951 | Swiss-Austrian | |||
| Aivars Kalējs | 1951 | Latvian | Neoromanticism | ||
| Michael Rosenzweig | 1951 | South African | Symphony in One Movement; String Quartet No. 2 | ||
| Doina Rotaru | 1951 | Romanian | Concerto for clarinet and orchestra; Florilegium, concerto for flute and flutes orchestra; Wings of Light for 24 flutists | ||
| James Erber | 1951 | British | |||
| Huib Emmer | 1951 | Dutch | |||
| Takanori Arisawa | 1951 | 2005 | Japanese | ||
| Rafał Augustyn | 1951 | Polish | |||
| George Tsontakis | 1951 | American | |||
| Hans Abrahamsen | 1952 | Danish | |||
| Judith Bingham | 1952 | British | |||
| Max Beckschäfer | 1952 | German | Michelangelo-Fragmente, vocal music | also academic for music theory | |
| Rhys Chatham | 1952 | American | avant-garde, minimalism | ||
| Uzi Hitman | 1952 | 2004 | Israeli | ||
| Christian Lauba | 1952 | Tunisian born French | The Lose Forest for ensemble of 12 saxophones, Neuf études pour saxophone | ||
| Qu Xiao-Song | 1952 | Chinese | |||
| Tatyana Sergeyeva | 1952 | Russian | |||
| Mark Carlson | 1952 | American | |||
| Tina Davidson | 1952 | American | |||
| Richard Einhorn | 1952 | American | Voices of Light (oratorio); The Origin (opera/oratorio) | ||
| Reinhard Febel | 1952 | German | opera Sekunden und Jahre des Caspar Hauser, Wolkenstein, Sinfonie | ||
| Heiner Goebbels | 1952 | German | |||
| David Carlson | 1952 | American | |||
| Roger Bourland | 1952 | American | |||
| Motoyuki Shitanda | 1952 | Japanese | |||
| Stephen Hartke | 1952 | American | |||
| Margriet Hoenderdos | 1952 | 2010 | Dutch | ||
| Scott Johnson | 1952 | American | |||
| Oliver Knussen | 1952 | British | Where the Wild Things Are | ||
| Gerd Kühr | 1952 | German | operas Stallerhof, Tod und Teufel | ||
| Philippe Manoury | 1952 | French | 60th Parallel (opera), Pluton for piano and live electronics | punctualism, computer-assisted composition | |
| Simon Bainbridge | 1952 | British | |||
| Moshe Zorman | 1952 | Israeli | |||
| Dominic Muldowney | 1952 | English | |||
| Vladimir Dikanski | 1952 | Swedish | |||
| Alla Pavlova | 1952 | Russian | |||
| Wolfgang Rihm | 1952 | German | 12 string quartets; Die Eroberung von Mexico (opera) | New Simplicity, expressionism | |
| Kaija Saariaho | 1952 | Finnish | L’amour de loin; Adriana Mater; La Passion de Simone | ||
| Lev Konov | 1952 | Russian | |||
| Peter-Jan Wagemans | 1952 | Dutch | |||
| John Luther Adams | 1953 | American | Various pieces inspired by Alaskan landscapes | ||
| Hans-Jürgen von Bose | 1953 | German | Piano music | ||
| Tod Machover | 1953 | American | |||
| Stéphane Delplace | 1953 | French | |||
| Cornelis de Bondt | 1953 | Dutch | |||
| Jackson Kaujeua | 1953 | 2010 | Namibian | ||
| Wendy Mae Chambers | 1953 | American | |||
| Talabkhoja Sattorov | 1953 | 2007 | Tajik | ||
| Chen Yi | 1953 | Chinese | |||
| David Felder | 1953 | American | |||
| Andrew Culver | 1953 | American | |||
| Georg Friedrich Haas | 1953 | Austrian | Double Concerto for accordion, viola and chamber ensemble, Concerto for violin and orchestra | spectral music | |
| Anthony Powers | 1953 | British | |||
| Jody Diamond | 1953 | American | |||
| Violeta Dinescu | 1953 | Romanian | Der 35. Mai (children's opera) | ||
| He Xuntian | 1953 | Chinese | |||
| Maung Thit Min | 1953 | 2011 | Burmese | ||
| Alexander Raskatov | 1953 | Russian | |||
| René Eespere | 1953 | Estonian | |||
| Avril Anderson | 1953 | English | |||
| Lidia Zielińska | 1953 | Polish | |||
| Josefina Benedetti | 1953 | Venezuelan-American | |||
| Susan Morton Blaustein | 1953 | American | |||
| Daniel Asia | 1953 | American | |||
| Arnold Dreyblatt | 1953 | American | |||
| Denis Dufour | 1953 | French | Notre besoin de consolation est impossible à rassasier, Bocalises, Messe à l'usage des vieillards | ||
| Patrick Ascione | 1953 | French | Divertissement | electroacoustic and acousmatic music | |
| Vladimir Soltan | 1953 | 1997 | Belarusian | ||
| Roger Bellon | 1953 | French | |||
| Zhou Long | 1953 | Chinese | |||
| Nicolas Economou | 1953 | 1993 | Cypriot | ||
| Juhani Komulainen | 1953 | Finnish | |||
| David First | 1953 | American | |||
| Adriana Hölszky | 1953 | Romanian-German | |||
| Eibhlis Farrell | 1953 | Irish | |||
| Akira Nishimura | 1953 | Japanese | |||
| Peter Scott Lewis | 1953 | American | |||
| Wim Mertens | 1953 | Belgian | The Belly of an Architect (incl. Struggle for Pleasure), Maximizing the Audience | Minimalism | |
| Roberto Sierra | 1953 | Puerto Rican | Missa Latina | ||
| James Wood | 1953 | English | Stoicheia, Ho shang Yao | Microtonality, percussion, voice | |
| Takashi Yoshimatsu | 1953 | Japanese | Symphony No. 2 | ||
| John Zorn | 1953 | American | avant-garde | ||
| Richard Blackford | 1954 | English | |||
| Sylvie Bodorová | 1954 | Czech | |||
| Elisabetta Brusa | 1954 | Italian | |||
| Tobias Picker | 1954 | American | |||
| Stephen Jaffe | 1954 | American | |||
| Robert Carl | 1954 | American | |||
| Şerban Nichifor | 1954 | Romanian | |||
| Eric Ewazen | 1954 | American | |||
| Chan Wing-wah | 1954 | Chinese | |||
| Nicolas Collins | 1954 | American | electronic music | ||
| Michael Daugherty | 1954 | American | UFO | ||
| Paul Dirmeikis | 1954 | American | Message laisse á Pondichéry le 18 novembre 1973 | eclectic | |
| Joël-François Durand | 1954 | French | |||
| Carl Vine | 1954 | Australian | |||
| René Wohlhauser | 1954 | Swiss | |||
| Elliot Goldenthal | 1954 | American | |||
| Irina Hasnaş | 1954 | Romanian | |||
| Birgit Havenstein | 1954 | German | |||
| Susan Frykberg | 1954 | New Zealander | electroacoustic | ||
| Vladimír Hirsch | 1954 | Czech | avantgarde | ||
| Denise Kelly | 1954 | Irish | |||
| Anders Hillborg | 1954 | Swedish | |||
| Brenda Hutchinson | 1954 | American | |||
| Arturo Rodas | 1954 | Franco-Ecuadorian | Arcaica, a concerto for percussion & orchestra; 24.5 Preludes for piano; El Árbol de los Pájaros (The birds tree): opera "for the voice of the instruments" | avant-garde, polystylism | |
| Jan Sandström | 1954 | Swedish | Motorbike Concerto, Es ist ein Ros entsprungen, Rekviem | ||
| Paweł Szymański | 1954 | Polish | |||
| Bob Chilcott | 1955 | British | choral music | ||
| Pascal Dusapin | 1955 | French | Perelà, uomo di fumo | ||
| Mark Edgley Smith | 1955 | 2008 | British | ||
| Roland Dyens | 1955 | Tunisian-French | |||
| Ludovico Einaudi | 1955 | Italian | minimalism | ||
| Diamanda Galás | 1955 | Greek-American | |||
| Kyle Gann | 1955 | American | Just intonation | ||
| Toshio Hosokawa | 1955 | Japanese | Vision of Lear, Circulating Ocean, Voiceless Voice in Hiroshima | Neo-impressionism | |
| David A. Jaffe | 1955 | American | "Silicon Valley Breakdown"; "The Seven Wonders of the Ancient World" | computer music, folk-music-influenced | |
| Olli Kortekangas | 1955 | Finnish | |||
| Ye Xiaogang | 1955 | Chinese | |||
| David Conte | 1955 | American | |||
| Juraj Filas | 1955 | Slovak | |||
| Pedro Luís Neves | 1955 | Portuguese | |||
| Tibor Szemző | 1955 | Hungarian | |||
| Naji Hakim | 1955 | Lebanese-French | |||
| Naji Hakim | 1955 | Lebanese-French | |||
| Gérard Pape | 1955 | American | electronic music | ||
| Jukka Linkola | 1955 | Finnish | |||
| Michael Obst | 1955 | German | Solaris | electronic music | |
| Bright Sheng | 1955 | Chinese | The Silver River | folk-influenced | |
| Ian Venables | 1955 | English | Songs of Eternity and Sorrow, Remember This | ||
| Eduardo Alonso-Crespo | 1956 | Argentine | |||
| Javier Álvarez | 1956 | Mexican | Metro Chabacano, Temazcal | ||
| Makiko Kinoshita | 1956 | Japanese | |||
| Regina Harris Baiocchi | 1956 | American | |||
| Sally Beamish | 1956 | British | |||
| Richard Danielpour | 1956 | American | Margaret Garner | ||
| Daniel Dorff | 1956 | American | |||
| Chiara Benati | 1956 | Italian | |||
| Anne Dudley | 1956 | English | |||
| Dror Elimelech | 1956 | Israeli | |||
| Kenneth Fuchs | 1956 | American | |||
| Oliver Schroer | 1956 | 2008 | Canadian | ||
| Guo Wenjing | 1956 | Chinese | opera | ||
| Vladimír Godár | 1956 | Slovak | |||
| Michael Gordon | 1956 | American | |||
| Paul Phillips | 1956 | American | |||
| Iris ter Schiphorst | 1956 | German | |||
| Miguel Frasconi | 1956 | American | |||
| Philip Grange | 1956 | English | |||
| Madeleine Isaksson | 1956 | Swedish | |||
| Tim Brady | 1956 | Canadian | |||
| Jouni Kaipainen | 1956 | Finnish | |||
| Graeme Koehne | 1956 | Australian | Inflight Entertainment (oboe concerto); Tivoli Dances | ||
| Leon Milo | 1956 | American | TimeTexture - for piano and electronics | electroacoustic music | |
| Laurence Traiger | 1956 | American | |||
| Gheorghi Arnaoudov | 1957 | Bulgarian | minimalism | ||
| Charles Roland Berry | 1957 | American | |||
| Camille Kerger | 1957 | Luxembourg | |||
| Linda Bouchard | 1957 | Canadian | |||
| Mary Ellen Childs | 1957 | American | |||
| Chaya Czernowin | 1957 | Israeli | |||
| Andrew Ford | 1957 | English-born Australian | |||
| Ellen Fullman | 1957 | American | |||
| Miguel del Águila | 1957 | Uruguayan-born American | Piano Concerto, Violin Concerto, Concerto for Clarinet and Orchestra, Concerto for Clarinet and 15 Instruments, Conga for Orchestra, Wind Quintet No. 2 | ||
| Masamichi Amano | 1957 | Japanese | |||
| Pan Shiji | 1957 | Taiwanese | String Quartet no.4 | ||
| Cong Su | 1957 | Chinese | |||
| Regina Irman | 1957 | Swiss | |||
| Elena Kats-Chernin | 1957 | Australian | |||
| David Lang | 1957 | American | The Little Match Girl Passion | ||
| Paul Moravec | 1957 | American | Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery | ||
| Gerhard Präsent | 1957 | Austrian | Himmelslicht; Missa minima; Trio intricato | ||
| Michael Glenn Williams | 1957 | American | |||
| Alexandre Danilevsky | 1957 | Russian-born French | |||
| James Clarke | 1957 | English | |||
| Zurab Nadarejshvili | 1957 | Georgian | |||
| Jorge Liderman | 1957 | 2008 | American | ||
| Gerhard Schedl | 1957 | 2000 | Austrian | Slow, Cello Concerto | |
| Tan Dun | 1957 | Chinese | Water Passion after St. Matthew; Crouching Tiger, Hidden Dragon (film music) | Extended technique, folk-influenced | |
| Eve Beglarian | 1958 | American | |||
| Karl Gottfried Brunotte | 1958 | German | |||
| Andrew York | 1958 | American | |||
| Jay Alan Yim | 1958 | American | |||
| Jun Miyake | 1958 | Japanese | |||
| Oscar van Dillen | 1958 | Dutch | |||
| Akio Yasuraoka | 1958 | Japanese | |||
| Paul Elwood | 1958 | American | |||
| Suzanne Giraud | 1958 | French | |||
| Richard Kastle | 1958 | American | Neoclassical | ||
| Hanna Havrylets' | 1958 | Ukrainian | |||
| Magnus Lindberg | 1958 | Finnish | Kraft; Clarinet Concerto | ||
| Esa-Pekka Salonen | 1958 | Finnish | LA Variations; Insomnia | ||
| Giulio Castagnoli | 1958 | Italian | Concerto for Cello and Double Orchestra; Concerto for Piano and Orchestra; Missa Sancti Evasii | ||
| Hiroaki Zakōji | 1958 | 1987 | Japanese | ||
| Julia Wolfe | 1958 | American | |||
| Mark Kilstofte | 1958 | Albanian | |||
| Rafał Stradomski | 1958 | Polish | |||
| Thomas Simaku | 1958 | Albanian | |||
| Davide Zannoni | 1958 | Italian | |||
| Nigel Westlake | 1958 | Australian | |||
| Richard Barrett | 1959 | British | |||
| Vakhtang Kakhidze | 1959 | Georgian | |||
| Sebastian Currier | 1959 | American | |||
| Paul Doornbusch | 1959 | Australian | computer music, electroacoustic music | ||
| Victor Rasgado | 1959 | Mexican | |||
| Steve Martland | 1959 | 2013 | English | ||
| Caroline Ansink | 1959 | Dutch | |||
| John Palmer | 1959 | British | |||
| James Harley | 1959 | Canadian | |||
| James MacMillan | 1959 | Scottish | |||
| Lucio Garau | 1959 | Italian | |||
| Ana Lara | 1959 | Mexican | |||
| Adina Izarra | 1959 | Venezuelan | |||
| James MacMillan | 1959 | Scottish | The Sacrifice; Veni veni Emmanuel (percussion concerto); The Confession of Isobel Gowdie; St. John Passion; 3 symphonies | ||
| Vladimír Franz | 1959 | Czech | |||
| Alfio Fazio | 1959 | Italian | |||
| Shigeru Kan-no | 1959 | Japanese | Play Station Cycles; Simulation Cycles | ||
| Erkki-Sven Tüür | 1959 | Estonian | 6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots | ||
| Karlheinz Essl junior | 1960 | Austrian | |||
| Maria de Alvear | 1960 | Spanish-German | |||
| George Benjamin | 1960 | English | Sudden Time; Antara | ||
| Nigel Clarke | 1960 | English | Samurai; The Miraculous Violin; Earthrise; Gagarin | ||
| Nathan Currier | 1960 | American | Gaian Variations | ||
| Detlev Glanert | 1960 | German | operas Leyla und Medjnun, Caligula, Solaris | ||
| Aaron Jay Kernis | 1960 | American | Musica Instrumentalis, Colored Field | ||
| Julian Grant | 1960 | English | |||
| Georg Hajdu | 1960 | German | |||
| Osvaldo Golijov | 1960 | Argentine | |||
| Dirk Brossé | 1960 | Belgian | |||
| Annie Gosfield | 1960 | American | |||
| Sidney Corbett | 1960 | American | |||
| Alexander Shchetynsky | 1960 | Ukrainian | |||
| William Susman | 1960 | American | Native New Yorker (film score); Marimba Montuño (solo); Camille (chamber ensmeble); Trailing Vortices (chamber orchestra); Fate of the Lhapa (film score) | postminimalism | |
| Mark-Anthony Turnage | 1960 | English | Greek; From All Sides; Mambo, Blue and Tarantella (violin concerto); From the Wreckage (trumpet concerto); Fractured Lines (percussion concerto); Five Views of a Mouth (flute concerto); A Fast Stomp | ||
| Irakli Charkviani | 1961 | 2006 | Georgian | ||
| Lowell Liebermann | 1961 | American | |||
| Ana-Maria Avram | 1961 | Romanian | spectral music | ||
| Unsuk Chin | 1961 | South Korean | Alice in Wonderland; Violin Concerto; Fantasie mécanique; Cantatrix Sopranica | ||
| Marc-André Dalbavie | 1961 | French | |||
| Nailia Galiamova | 1961 | Uzbekistani | |||
| Lucio Gregoretti | 1961 | Italian | |||
| John Burge | 1961 | Canadian | |||
| Jorge Grundman | 1961 | Spanish | |||
| Daron Hagen | 1961 | American | |||
| Jake Heggie | 1961 | American | Dead Man Walking | ||
| Hanna Kulenty | 1961 | Polish | Ad Unum, Breathe, The Mother of Black Winged-Dreams, Trumpet Concerto, String Quartet No. 4 | ||
| Peter Machajdík | 1961 | Slovak / German | Namah; Double Bayan Concerto; Farewell Fanfares; Lasea; Nell'autunno del suo abbraccio insonne | postminimalism, electronic music | |
| Alo Mattiisen | 1961 | 1996 | Estonian | ||
| Erica Muhl | 1961 | American | Consolation | ||
| Michael Torke | 1961 | American | "Vanada"; Javelin; Rapture (percussion concerto); Ecstatic Orange | ||
| Roman Turovsky-Savchuk | 1961 | Ukrainian/American | Tombeau for Omelyan Kovch | historicist–Neo-Baroque | |
| Mohamed Abdelwahab Abdelfattah | 1962 | Egypt | Die Wunderzahl, String Quartet No. 2 "Monamnamat" | electroacoustic, postmodernism | |
| Michael Abels | 1962 | American | Global Warming | ||
| Claus-Steffen Mahnkopf | 1962 | German | |||
| Surendran Reddy | 1962 | 2010 | South African | ||
| Carl Faia | 1962 | American | |||
| Kaoru Wada | 1962 | Japanese | |||
| Stefano Gervasoni | 1962 | Italian | |||
| Arne Eigenfeldt | 1962 | Canadian | |||
| Sylvia Constantinidis | 1962 | Venezuelan-American | |||
| Jennifer Higdon | 1962 | American | |||
| Rudi Spring | 1962 | German | Heimkunft, Chamber Symphonies, song cycles | ||
| Graham Waterhouse | 1962 | English | Piccolo Quintet, Three Pieces for Solo Cello, Gestural Variations | ||
| Sandeep Bhagwati | 1963 | Indian | opera Ramanujan | ||
| Michael Zev Gordon | 1963 | British | |||
| Sophie Lacaze | 1963 | French | |||
| Svante Henryson | 1963 | Swedish | |||
| Shinkichi Mitsumune | 1963 | Japanese | |||
| Fausto Romitelli | 1963 | 2004 | Italian | ||
| Hana Vejvodová | 1963 | 1994 | Czech | Brass Quintet | |
| Michel Bosc | 1963 | French | |||
| Graham Fitkin | 1963 | British | |||
| Edson Zampronha | 1963 | Brazilian | Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a | ||
| Calliope Tsoupaki | 1963 | Greek | |||
| Philip Cashian | 1963 | British | |||
| John Pickard | 1963 | British | |||
| Judy Dunaway | 1964 | American | avant-garde | ||
| Scott Boerma | 1964 | American | |||
| Javier Parrado | 1964 | Bolivian | |||
| Luca Belcastro | 1964 | Italian | |||
| Jun Nagao | 1964 | Japanese | |||
| Cristian Pațurcă | 1964 | 2011 | Romanian | ||
| Gregers Brinch | 1964 | Danish | |||
| Marco Betta | 1964 | Italian | |||
| Boris Böhmann | 1964 | German | |||
| Julia Gomelskaya | 1964 | Ukrainian | |||
| Fiona Joy Hawkins | 1964 | Australian | |||
| Richard Rijnvos | 1964 | Dutch | Block Beuys | ||
| Irina Bogushevskaya | 1965 | Russian | |||
| Zana Clarke | 1965 | Australian | |||
| Moritz Eggert | 1965 | German | |||
| Yuki Kajiura | 1965 | Japanese | |||
| Yuri Khanon | 1965 | Russian | The Shagreen Bone, The Symphony of Dogs, The Middle Symphony Agonia Dei, What Zarathustra Said Indeed |
polystylism, neoclassicism | |
| Thierry Escaich | 1965 | French | |||
| Gordon McPherson | 1965 | Scottish | |||
| Bernd Redmann | 1965 | German | opera Die Gehetzten, orchestra Fiasko, chamber Migrant | ||
| Georgia Spiropoulos | 1965 | Greek | Klama, for mixed choir & live electronics | Avant-garde | |
| Mats Wendt | 1965 | Swedish | Eddan–The Invincible Sword of the Elf-Smith | ||
| Nicholas Frances Chase | 1966 | Arab-American | |||
| Juan María Solare | 1966 | Argentine | |||
| Roberto Carnevale | 1966 | Italian | Linae (1992–1995) | ||
| Juan J. Colomer | 1966 | Spanish | La complicidad del espectro | ||
| Jan Müller-Wieland | 1966 | German | operas Gastspiel, Komödie ohne Titel, Das Märchen der 672. Nacht | ||
| John Psathas | 1966 | New Zealand | music for the Olympic–Athens 2004 for full orchestra and choir | ||
| Jens Josef | 1967 | German | Musik für Flöte(n), Viola und Kontrabass, chamber music | ||
| Alberto Posadas | 1967 | Spanish | |||
| Andreas Kunstein | 1967 | Dutch | |||
| Eric Qin | 1967 | 1993 | American | experimental music | |
| Salvatore Di Vittorio | 1967 | Italian | |||
| Mark Applebaum | 1967 | American | |||
| Julian Anderson | 1967 | British | |||
| Jun Yamaguchi | 1967 | Japanese | |||
| Amos Elkana | 1967 | Israeli | |||
| Derek Bermel | 1967 | American | |||
| Olli Mustonen | 1967 | Finnish | |||
| Francisco Lara | 1968 | Spanish | |||
| Joe Cutler | 1968 | British | |||
| Jens Joneleit | 1968 | German | operas Der Brand, Piero &‐ Ende der Nacht, Metanoia. Über das Denken hinaus | ||
| Olga Neuwirth | 1968 | Austrian | avant-garde | ||
| Laura Andel | 1968 | Argentine | |||
| Alwynne Pritchard | 1968 | British | |||
| Johannes Kretz | 1968 | Austrian | |||
| Roxanna Panufnik | 1968 | English | |||
| Nicola Campogrande | 1969 | Italian | |||
| Johanna Doderer | 1969 | Austrian | opera | ||
| Andrea Cera | 1969 | Italian | electroacoustic | ||
| Yannis Kyriakides | 1969 | Cypriot | |||
| Roy Zu-Arets | 1969 | American-Israeli | |||
| Jocelyn Morlock | 1969 | Canadian | |||
| Patrick Nunn | 1969 | British | |||
| Ciarán Farrell | 1969 | Irish | |||
| Pierre Kolp | 1969 | Belgian | avant-garde | ||
| David Bruce | 1970 | British-American | |||
| Sara Carvalho | 1970 | Portuguese | |||
| Graziella Concas | 1970 | Italian | |||
| Rodolfo Acosta | 1970 | Colombian | |||
| Donnacha Dennehy | 1970 | Irish | |||
| Daniel Felsenfeld | 1970 | American | Insomnia Redux | ||
| Fazıl Say | 1970 | Turkish | |||
| Michel van der Aa | 1970 | Dutch | After Life | ||
| Eric Whitacre | 1970 | American | Cloudburst, Lux Aurumque, Water Night | choral music | |
| Thomas Adès | 1971 | English | Powder Her Face; Asyla; Traced Overhead | ||
| Carlo Forlivesi | 1971 | Italian | Requiem | ||
| Michael Hersch | 1971 | American | Symphony No. 1; Fracta; Arraché | ||
| Richard Causton | 1971 | English | |||
| Klaus Lang | 1971 | Austrian | |||
| Yoshino Aoki | 1971 | Japanese | |||
| Takatomi Nobunaga | 1971 | Japanese | String Quartet | ||
| Guto Puw | 1971 | Welsh | |||
| Paweł Mykietyn | 1971 | Polish | |||
| Natasha Barrett | 1972 | British | electroacoustic | ||
| Bappa Mazumder | 1972 | Bangladeshi | |||
| Tomomi Adachi | 1972 | Japanese | |||
| Hiba Kawas | 1972 | Lebanese | |||
| André Ristic | 1972 | Canadian | |||
| Kristoffer Zegers | 1973 | Dutch | |||
| Lera Auerbach | 1973 | Russian | |||
| Mindia Khitarishvili | 1973 | Georgian | |||
| Attila Szervác | 1973 | Hungarian | |||
| Fred Jonny Berg | 1973 | Norwegian | |||
| J. Ryan Garber | 1973 | American | Parabolisms; Resonances | ||
| Nihad Hrustanbegovic | 1973 | Bosnian - Dutch | Stork suite; Sevdah Medieval Rhapsody | Minimalism, film music, improvisation | |
| Jörg Widmann | 1973 | Germany | The Face in the Mirror (opera); string quartets | ||
| Derek Charke | 1974 | Canadian | Falling from Cloudless Skies; Tundra Songs | ||
| Marek Brezovský | 1974 | 1994 | Slovak | ||
| Julian Cochran | 1974 | English-born Australian | |||
| Tim Benjamin | 1975 | Anglo-French | |||
| Đuro Živković | 1975 | Serbian-Swedish | |||
| Olesya Rostovskaya | 1975 | Russian | Concert for oboe | ||
| Bongani Ndodana-Breen | 1975 | South African | |||
| Avner Dorman | 1975 | Israeli | |||
| Svitlana Azarova | 1976 | Ukrainian Dutch | Beyond Context (chamber orchestra) | ||
| Pritom Ahmed | 1976 | Bangladeshi | |||
| Tomi Räisänen | 1976 | Finnish | Piano Concerto; Stheno | ||
| Tarateño Rojas | 1977 | Bolivian | |||
| Frederik Magle | 1977 | Danish | Concerto for organ and orchestra | ||
| Wu Fei | 1977 | Chinese | She Huo | ||
| Daniel Hensel | 1978 | German | Chant of consecrated life | ||
| Jimmy Lopez | 1978 | Peruvian | Arco de luz | ||
| Tarik O'Regan | 1978 | British-American | |||
| Mehdi Hosseini | 1979 | Iranian | |||
| Christophe Bertrand | 1981 | 2010 | French |