The Thiruvalluvar statue in Kanyakumari
Uncertain; dated variously from c. 4th century BCE to c. 7th century CE|
Uncertain: Madurai; Mylapore, Chennai; or Thirunainarkuruchi (Kanyakumari district)
|Other names||Valluvar, Mudharpaavalar, Deivappulavar, Gnanavettiyaan, Maadhaanupangi, Naanmuganaar, Naayanaar, Poyyirpulavar, Dhevar, Perunaavalar|
|Ethics, ahimsa, justice, virtue, politics, education, family, militarism, friendship, love|
|Common ethics and morality|
Thiruvalluvar, also known as Valluvar, was a celebrated Tamil poet and philosopher. He is best known for authoring Thirukkuṛaḷ, a collection of couplets on ethics, political and economical matters, and love. The text is considered as one of the finest works of the Tamil literature.
Much of the information about Valluvar comes from legendary accounts, and little is known with certainty about his family background, religious affiliation, or birthplace. He lived in present-day Tamil Nadu state of India, and his floruit is dated variously from 4th century BCE to 7th century CE based on the traditional accounts and the linguistic analyses of his writings.
There is negligible authentic information about the life of Valluvar. In fact, neither his actual name nor the original title of his book can be determined with certainty. Thirukkuṛaḷ itself does not name its author. The name Thiruvalluvar was first mentioned in the later text Tiruvalluva Maalai (10th century).
- One tradition claims that he was a Paraiyar weaver.
- Another theory is that he must have been from the agricultural caste of Vellalars, because he extols agriculture.
- Mu Raghava Iyengar speculated that "valluva" in his name is a variation of "vallabha", the designation of a royal officer.
- S. Vaiyapuri Pillai derived his name from "valluvan" (a Paraiyar caste of royal drummers), and theorized that he was "the chief of the proclaiming boys analogous to a trumpet-major of an army".
The poem Kapilar Akaval (or Ahaval), purportedly written by Kapilar, describes its author as a brother of Valluvar. It states that they were children of a Pulaya woman named Ati (Adi) and a Brahmin named Pakavan (Bhagwan). The poem claims that the couple had seven children, including three sons (Thiruvalluvar, Kapilar, and Atikaman) and four sisters (Awai, Uppai, Uruvai, and Velli). However, this legendary account is spurious. Kamil Zvelebil dates Kapilar Ahaval to 15th century CE, based on its language.
Various biographies mention the name of Valluvar's wife as "Vasuki", but such details are of doubtful historicity.
George Uglow Pope called Valluvar "the greatest poet of South India", but according to Kamil Zvelebil, he does not seem to have been a poet. According to Zvelebil, while the author handles the metre very skillfully, the Tirukkuṛaḷ rarely features "true and great poetry", which appears only in a few places, notably in the third book (pleasure). This suggests that Valluvar's main aim was not to produce a work of art, rather an instructive text focused on wisdom, justice, and ethics.
The Tirukkuṛaḷ has been dated variously from 300 BCE to 7th century CE. According to traditional accounts, it was the last work of the third Sangam, and was subjected to a divine test (which it passed). The scholars who believe this tradition, such as Somasundara Bharathiar and M Rajamanickam, date the text to as early as 300 BCE. Historian K. K. Pillay assigned it to the early 1st century CE.
Linguist Kamil Zvelebil is certain that Tirukkuṛaḷ does not belong to the Sangam period, and dates it to somewhere between 450 and 500 CE. His estimate is based on the language of the text, its allusions to the earlier works, and its borrowing from some Sanskrit treatises. Zvelebil notes that the text features several grammatical innovations, that are absent in the older Sangam literature. The text also features a higher number of Sanskrit loan words compared to these older texts. According to Zvelebil, besides being part of the ancient Tamil literary tradition, the author was also a part of the "one great Indian ethical, didactic tradition", as a few of his verses seem to be translations of the verses in Sanskrit texts such as Mānavadharmaśāstra and Kautilya's Arthaśāstra.
S. Vaiyapuri Pillai assigned the work to c. 650 CE, believing that it borrowed from some Sanskrit works of 6th century CE. Zvelebil disagrees with this assessment, pointing out that some of the words that Pillai believed to be Sanskrit loan words have now been proved to be of Dravidian origin by Thomas Burrow and Murray Barnson Emeneau.
The poem Kapilar Akaval states that Valluvar was born on the top of an oil-nut tree in Mayilapuram (Mylapore in Chennai). On the other hand, the poem number 21 of Tiruvalluva Maalai claims that he was born in Madurai.
In 2005, a 3-member research team from the Kanyakumari Historical and Cultural Research Centre (KHCRC) claimed that Valluvar was born in Thirunayanarkurichi, a village in present-day Kanyakumari district. Their claim was based on an old Kani tribal leader who told them that Valluvar was a king who ruled the "Valluvanadu" territory in the hilly tracts of the Kanyakumari district.
Valluvar is generally thought to have belonged to either Jainism or Hinduism. Valluvar's treatment of the concept of ahimsa or non-violence, which is the principal concept of both these religions, bolsters this. In particular, his treatment of the chapters on strict vegetarianism (or veganism) (Chapters 26 and 32) and non-killing (Chapter 33) reflects the Jain precepts, where these are stringently enforced. The three parts that the Kural literature is divided into, namely, aram (virtue), porul (wealth) and inbam (love), aiming at attaining veedu (ultimate salvation), follow, respectively, the four foundations of Hinduism, namely, dharma, artha, kama and moksha. His mentioning of God Vishnu in couplets 610 and 1103 and Goddess Lakshmi in couplets 167, 408, 519, 565, 568, 616, and 617 hints the Vaishnavite beliefs of Valluvar. Other eastern beliefs of the poet found in the book include previous birth and rebirth, seven births, and some ancient Indian astrological concepts, among others.
However, owing to the Kural text's non-denominational nature, almost every religious group in India and across the world, including Christianity, has claimed the work and its author as one of their own.
Kamil Zvelebil believes that the ethics of the Tirukkuṛaḷ reflect the Jain moral code (e.g. Tirukkuṛaḷ 251-260 talks about vegetarianism, and Tirukkuṛaḷ 321-333 talks against killing). Zvelebil states that the text features "several purely Jaina technical terms", such as the following epithets of God:
- Malarmicaiyekinan (Tirukkuṛaḷ 3), "he who walked upon the [lotus] flower"
- Aravaliyantanan (Tirukkuṛaḷ 3), "the Brahmin [who had] the wheel of dharma"
- Enkunattan (Tirukkuṛaḷ 9), "one of the eight-fold qualities"
- Atipakavan (Tirukkuṛaḷ 1), "the Primeval Lord"
Zvelebil notes that even the 13th century Hindu scholar Parimēlaḻakar, who wrote a commentary on Tirukkuṛaḷ, accepted that such epithets are applicable only to the Jain Arhat. Some other epithets mentioned in the text also reflect a "strong ascetic flavour" characteristic of Jainism:
- Ventutal ventamai ilan (Tirukkuṛaḷ 4), "he who has neither desire nor aversion"
- Porivayil aintavittan (Tirukkuṛaḷ 6), "he who has destroyed the gates of the five senses"
Zvelebil further states that Valluvar seems to have been "cognizant of the latest developments" in Jainism. Zvelebil theorizes that he was probably "a learned Jain with eclectic leanings", who was well-acquainted with the earlier Tamil literature, and also had some knowledge of the Sanskrit texts.
Multiple Hindu sects have claimed Valluvar as one of their own and have tried to align his verses with their own teachings. Shaivites have characterised Valluvar as a devotee of Shiva and have installed his images in their temples.
Anti-caste activist Iyothee Thass, who converted to Buddhism, claimed that Valluvar was originally called "Tiruvalla Nayanar", and was a Buddhist. Thass described him as follows: Tiruvalla Nayanar was born in Madurai, as the son of King Kanchan and Queen Upakesi. When he grew up, the prince wandered across many countries, until he joined a Buddhist sangam at Thinnanur. There, he learned about the Buddhist doctrine from his guru Chakaya Munivar. Thass further contended that the name "Tirukkuṛaḷ" is a reference to the Buddhist Tripiṭaka. He claims that Valluvar's book was originally called Tirikural ("Three Kurals"), because it adhered to the three Buddhist scriptures Dhamma Pitaka, Sutta Pitaka, and Vinaya Pitaka. According to Thass, the legend that presents Valluvar as the son of a Brahmin father and a Paraiyar mother was invented by Brahmins, who wanted to Hinduise a Buddhist text.
Christian missionary George Uglow Pope claimed that the Tirukkuṛaḷ shows Christian influence, particularly from the Alexandrian school. He theorized that Valluvar came into contact with Christian teachers such as Pantaenus in Mayilapur and incorporated the ideas from the Christian scriptures in his text. Pope praises the Kural as an "echo of the 'Sermon on the Mount.'" In the Introduction to his English translation of the Kural, Pope even claims, "I cannot feel any hesitation in saying that the Christian Scriptures were among the sources from which the poet derived his inspiration." Zvelebil states that Pope was "rather overenthusiastic in discovering strong traces of Christianity" in Tirukkuṛaḷ and dismisses Pope's hypothesis as based on "vague impressions". Since the 1960s, some South Indian Christians led by M. Deivanayagam at the Madras Christian College, have even characterized Valluvar as a disciple of Thomas the Apostle. According to this theory, Thomas visited present-day Chennai, where Valluvar listened to his lectures on the Sermon of the Mount. Several Tamil scholars, both Christian and Hindu, have criticized this claim as inaccurate. Nevertheless, the chapters on the ethics of vegetarianism (Chapter 26) and non-killing (Chapter 33), which the Kural emphasizes emphatically and unambiguously unlike the Bible or other Abrahamic religious texts, suggest that the ethics of the Kural is rather a reflection of the Jaina moral code than of Christian ethics.
Tirukkuṛaḷ is the chief work attributed to Valluvar. It is one of the most revered ancient works in the Tamil language. It contains 1330 couplets, which are divided into 133 sections of 10 couplets each. The first 38 sections are about ethics (aram), the next 70 about political and economic matters (porul), and the rest are about love (inbam). The text has been translated into several languages, including a translation into Latin by Constanzo Beschi in 1699, which helped make the work known to European intellectuals.
Valluvar is also believed to be the author of two Tamil texts on medicine, Gnana Vettiyan (1500 verses) and Pancharathnam (500 verses), although many scholars claim that they were by a later author with the same name, since they appear to have been written in the 16th and 17th centuries. These books, 'Pancharathnam' and 'Gnana Vettiyan', contribute to Tamil science, literature and other ayurvedic medicines. In addition to these, there are 15 other texts that are attributed to Valluvar, namely, Rathna Sigamani (800 verses), Karpam (300 verses), Nadhaantha Thiravukol (100 verses), Naadhaantha Saaram (100 verses), Vaithiya Suthram (100 verses), Karpaguru Nool (50 verses), Muppu Saathiram (30 verses), Vaadha Saathiram (16 verses), Muppu Guru (11 verses), Kavuna Mani (100 verses), Aeni Yettram (100 verses), Guru Nool (51 verses), Sirppa Chinthamani (a text on astrology), Tiruvalluvar Gyanam, and Tiruvalluvar Kanda Tirunadanam.
A temple-like memorial to Valluvar, Valluvar Kottam, was built in Chennai in 1976. This monument complex consists of structures usually found in Dravidian temples, including a temple car carved from three blocks of granite, and a shallow, rectangular pond. The auditorium adjoining the memorial is one of the largest in Asia and can seat up to 4,000 people.
There is a 133-foot tall statue of Valluvar erected at Kanyakumari at the southern tip of the Indian subcontinent, where the Arabian Sea, the Bay of Bengal, and the Indian Ocean converge. The 133 feet denote Tirukkuṛaḷ's 133 chapters or athikarams and the show of three fingers denote the three themes Aram, Porul, and Inbam, that is, the sections on morals, wealth and love. The statue was designed by V. Ganapati Sthapati, a temple architect from Tamil Nadu. On 9 August 2009, a statue was unveiled in Ulsoor, near Bengaluru, also making it the first of its kind in India for a poet of a local language to be installed in its near states other than his own home land. There is also a statue of Valluvar outside the School of Oriental and African Studies in Russell Square, London.
The Government of Tamil Nadu celebrates the 15th (16th on leap years) of January (the 2nd of the month of 'Thai' as per Tamil Calendar) as Thiruvalluvar Day in the poet's honour, as part of the Pongal celebrations.
- Sarvajna and Tiruvalluvar statue installation
- Valluvar Kottam, a monument dedicated to Thiruvalluvar
- List of Sangam poets
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