Name
|
Year of birth
|
Year of death
|
Nationality
|
Notable 20th-century works
|
Remarks
|
Charles Dancla |
1817 |
1907 |
French |
Solo de concours no. 7, Op. 224 |
Romanticism
|
Luigi Arditi |
1822 |
1903 |
Italian |
|
|
Theodor Kirchner |
1823 |
1903 |
German |
|
|
Carl Reinecke |
1824 |
1910 |
German |
Trio for piano, clarinet and horn in B♭, Op. 274; String Quartet No. 5, Op. 287 |
Romanticism
|
Richard Hol |
1825 |
1904 |
Dutch |
Organ music |
Romanticism
|
Ludwig Minkus |
1826 |
1917 |
Austrian |
|
|
Morten Eskesen |
1826 |
1913 |
Danish |
|
|
François-Auguste Gevaert |
1828 |
1908 |
Belgian |
|
Romanticism
|
Clémence de Grandval |
1828 |
1907 |
French |
|
|
James Cutler Dunn Parker |
1828 |
1916 |
American |
|
Romanticism
|
Jacques Blumenthal |
1829 |
1908 |
German |
|
Romanticism
|
Karl Goldmark |
1830 |
1915 |
Hungarian |
Ein Wintermärchen; Aus Jugendtagen |
|
Karl Klindworth |
1830 |
1916 |
German |
|
|
Hans Bronsart von Schellendorff |
1830 |
1913 |
German |
|
|
Jan Gerard Palm |
1831 |
1906 |
Dutch Antillean |
|
|
Benjamin Dwight Allen |
1831 |
1914 |
German |
|
|
Salomon Jadassohn |
1831 |
1902 |
German |
|
Romanticism
|
Joseph Joachim |
1831 |
1907 |
Hungarian |
|
|
Mathilde Hannah von Rothschild |
1832 |
1924 |
German |
|
|
Charles-Wilfrid de Bériot |
1833 |
1914 |
French |
|
|
Caspar Joseph Brambach |
1833 |
1902 |
German |
|
|
Josef Richard Rozkošný |
1833 |
1913 |
Czech |
|
|
George Becker |
1834 |
1928 |
German-Swiss |
|
|
Francesco Berger |
1834 |
1933 |
English |
|
|
Kārlis Baumanis |
1835 |
1905 |
Latvian |
|
|
Giuseppe Branzoli |
1835 |
1909 |
Italian |
|
|
César Cui |
1835 |
1918 |
Russian |
|
|
Felix Draeseke |
1835 |
1913 |
German |
|
|
Camille Saint-Saëns |
1835 |
1921 |
French |
|
|
Eduard Strauss |
1835 |
1916 |
Austrian |
|
|
Friedrich Baumfelder |
1836 |
1916 |
German |
|
|
Bertha Tammelin |
1836 |
1915 |
Swedish |
|
|
Susan McFarland Parkhurst |
1836 |
1918 |
American |
|
|
Mily Balakirev |
1837 |
1910 |
Russian |
Islamey |
|
Théodore Dubois |
1837 |
1924 |
French |
|
|
Carlotta Ferrari |
1837 |
1907 |
Italian |
|
|
Alfred R. Gaul |
1837 |
1913 |
English |
The Prince of Peace (cantata) |
|
Otto Winter-Hjelm |
1837 |
1931 |
Norwegian |
|
|
Paul Lacombe |
1837 |
1927 |
French |
|
|
Smith Newell Penfield |
1837 |
1920 |
American |
|
|
Émile Waldteufel |
1837 |
1915 |
French |
|
|
Max Bruch |
1838 |
1920 |
German |
Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 |
Romanticism
|
Joseph Callaerts |
1838 |
1901 |
Belgian |
|
|
Melesio Morales |
1838 |
1908 |
Mexican |
|
|
Friedrich Gernsheim |
1839 |
1916 |
German |
|
|
Eduard Nápravník |
1839 |
1916 |
Czech |
Francesca da Rimini (opera), Op. 71; Deux pièces russes, for orchestra, Op. 74 |
|
Laura Netzel |
1839 |
1927 |
Swedish |
|
|
John Knowles Paine |
1839 |
1906 |
American |
|
|
Josef Rheinberger |
1839 |
1901 |
German |
Organ Sonata No. 20 in F Major (“Zur Friedensfeier”), Op. 196; Mass in A Minor, Op. 197 |
historicist
|
Johan Svendsen |
1840 |
1911 |
Norwegian |
|
|
François Borne |
1840 |
1920 |
French |
|
|
Ingeborg Bronsart von Schellendorf |
1840 |
1913 |
Swedish-German |
|
|
Theodora Cormontan |
1840 |
1922 |
Norwegian American |
|
|
Oskar Rieding |
1840 |
1918 |
German |
|
|
Elfrida Andrée |
1841 |
1929 |
Swedish |
Swedish Masses Nos. 1 and 2 |
|
Antonín Dvořák |
1841 |
1904 |
Czech |
Armida (opera), "Zpěv z Lešetínského kováře" (song) |
Romanticism, folk-influenced
|
Henri Gobbi |
1841 |
1920 |
Hungarian |
|
|
Friedrich Hegar |
1841 |
1927 |
Swiss |
|
|
Louise Héritte-Viardot |
1841 |
1918 |
French |
|
|
Joseph Friedrich Hummel |
1841 |
1919 |
Austrian |
|
|
Felip Pedrell |
1841 |
1922 |
Spanish |
|
|
Giovanni Sgambati |
1841 |
1914 |
Italian |
|
|
Giuseppe Silvestri |
1841 |
1921 |
Italian |
|
|
Arrigo Boito |
1842 |
1918 |
Italian |
Nerone (opera) |
|
Alphonse Duvernoy |
1842 |
1907 |
French |
|
|
Josef Labor |
1842 |
1924 |
Czech |
|
|
Jules Massenet |
1842 |
1912 |
French |
Piano Concerto; Le jongleur de Notre-Dame; Thérèse; Don Quichotte; Cigale |
|
Felipe Pedrell |
1842 |
1922 |
Spanish |
|
|
Ján Levoslav Bella |
1843 |
1936 |
Slovak |
|
|
Émile Bernard |
1843 |
1902 |
French |
Nocturne, for piano and orchestra, Op. 51; String Quartet, Op. 52 |
|
Josefina Brdlíková |
1843 |
1910 |
Czech |
|
|
Louis Diémer |
1843 |
1919 |
French |
|
|
Edvard Grieg |
1843 |
1907 |
Norwegian |
Lyrische Stücke, Op. 71; Slåtter, Op. 73; Four Psalms, Op. 74 |
|
Asger Hamerik |
1843 |
1923 |
Danish |
Variations on "Jeg gik mig ud en sommerdag" |
|
Franz Xaver Neruda |
1843 |
1915 |
Danish |
|
|
Karl Michael Ziehrer |
1843 |
1922 |
Austrian |
|
|
David Popper |
1843 |
1913 |
Czech |
|
|
Oliveria Prescott |
1843 |
1919 |
English |
|
|
George Stephănescu |
1843 |
1925 |
Romanian |
|
|
Eugène Gigout |
1844 |
1925 |
French |
|
|
Hermann Graedener |
1844 |
1929 |
German |
|
|
Richard Hofmann |
1844 |
1918 |
German |
|
|
Nikolai Rimsky-Korsakov |
1844 |
1908 |
Russian |
|
|
Pablo de Sarasate |
1844 |
1908 |
Spanish |
|
|
Charles-Marie Widor |
1844 |
1937 |
French |
|
|
Anton Jörgen Andersen |
1845 |
1926 |
Norwegian |
|
|
August Bungert |
1845 |
1915 |
German |
|
|
Ion Ivanovici |
1845 |
1902 |
Romanian |
|
|
Gabriel Fauré |
1845 |
1924 |
French |
Prométhée; Pénélope; Masques et bergamasques |
|
Alphonse Hasselmans |
1845 |
1912 |
Belgian-born French |
|
|
Ernst Perabo |
1845 |
1920 |
German-born American |
|
|
Ella Adayevskaya |
1846 |
1926 |
Russian |
|
|
Leopold Auer |
1846 |
1930 |
Hungarian |
|
|
Ignaz Brüll |
1846 |
1907 |
Austrian |
|
|
Luigi Denza |
1846 |
1922 |
Italian |
|
|
Zygmunt Noskowski |
1846 |
1909 |
Polish |
|
|
Riccardo Drigo |
1846 |
1930 |
Italian |
|
|
Andreas Hallén |
1846 |
1925 |
Swedish |
Valborgsmässa (opera) |
Romanticism
|
Marie Jaëll |
1846 |
1925 |
French |
|
|
Albert Lavignac |
1846 |
1916 |
French |
|
|
Franz Ries |
1846 |
1932 |
German |
|
|
Paolo Tosti |
1846 |
1916 |
Italian |
|
|
Joachim Andersen |
1847 |
1909 |
Danish |
|
|
Agathe Backer Grøndahl |
1847 |
1907 |
Norwegian |
|
|
Ignacio Cervantes |
1847 |
1905 |
Cuban |
|
|
Francis Chassaigne |
1847 |
1922 |
Belgian-born French |
|
|
Constantin Dimitrescu |
1847 |
1928 |
Romanian |
|
|
Robert Fuchs |
1847 |
1927 |
Austrian |
Symphony No. 3 in E major, Op. 79; Clarinet Quintet in E♭ major, Op. 102 |
|
Ludwig Philipp Scharwenka |
1847 |
1917 |
German-Polish |
|
|
Chiquinha Gonzaga |
1847 |
1935 |
Brazilian |
|
|
Alexander Mackenzie |
1847 |
1935 |
Scottish |
The Cricket on the Hearth |
Romanticism
|
Sveinbjörn Sveinbjörnsson |
1847 |
1927 |
Icelandic |
|
|
Rudolf Tillmetz |
1847 |
1915 |
German |
|
|
Agnes Zimmermann |
1847 |
1925 |
German |
|
|
Frances Allitsen |
1848 |
1912 |
English |
|
|
Henri Duparc |
1848 |
1933 |
French |
|
|
Richard Eilenberg |
1848 |
1927 |
German |
|
|
František Kmoch |
1848 |
1912 |
Czech |
|
|
Otto Malling |
1848 |
1915 |
Danish |
|
|
William J. McCoy |
1848 |
1926 |
American |
|
|
Hubert Parry |
1848 |
1918 |
English |
Jerusalem |
|
Ludvig Schytte |
1848 |
1909 |
Danish |
|
|
Fritz Seitz |
1848 |
1918 |
German |
|
|
Johann Baptist Singenberger |
1848 |
1924 |
Swiss-American |
|
historicist
|
Catalina Berroa |
1849 |
1911 |
Cuban |
|
|
Roberta Geddes-Harvey |
1849 |
1930 |
Canadian |
|
|
Ernesto Köhler |
1849 |
1907 |
Italian |
|
|
Nanna Liebmann |
1849 |
1935 |
Danish |
|
|
Stephanie Wurmbrand-Stuppach |
1849 |
1919 |
Hungarian |
|
|
Richard Barth |
1850 |
1923 |
German |
|
|
Ludvig Birkedal-Barfod |
1850 |
1937 |
Danish |
|
|
Tomás Bretón |
1850 |
1923 |
Spanish |
|
|
Richard Heuberger |
1850 |
1914 |
Austrian |
|
|
Iver Holter |
1850 |
1941 |
Norwegian |
|
|
Alfredo Keil |
1850 |
1907 |
Portuguese |
|
|
Peter Lange-Müller |
1850 |
1926 |
Danish |
|
|
Alexandre Luigini |
1850 |
1906 |
French |
|
|
C. A. Bracco |
1850 |
1903 |
Italian |
|
|
Franz Xaver Scharwenka |
1850 |
1924 |
German |
|
|
Antonio Scontrino |
1850 |
1922 |
Italian |
|
|
Emilio Serrano y Ruiz |
1850 |
1939 |
Spanish |
|
|
Hans Sitt |
1850 |
1922 |
Czech |
|
|
Heinrich Reimann |
1850 |
1906 |
German |
|
|
Alexander Taneyev |
1850 |
1918 |
Russian |
|
|
Victor Bendix |
1851 |
1926 |
Danish |
Symphony No. 4 in D minor, Op. 30 |
|
Jan Blockx |
1851 |
1912 |
Belgian |
|
|
Mary Grant Carmichael |
1851 |
1935 |
English |
|
|
Emanuel Chvála |
1851 |
1924 |
Czech |
|
|
Gabrielle Ferrari |
1851 |
1921 |
French-Italian |
|
|
Ludvig Hegner |
1851 |
1923 |
Danish |
|
|
Vincent d'Indy |
1851 |
1931 |
French |
String Quartet No. 3; Symphony No. 2 in B♭; Jour d'été à la montagne |
|
W. H. Jude |
1851 |
1922 |
English |
|
|
André Wormser |
1851 |
1926 |
French |
|
|
Josef Bayer |
1852 |
1913 |
Austrian |
Das Damenduell |
Romanticism
|
Frederick Corder |
1852 |
1932 |
English |
|
Romanticism
|
Frederic Hymen Cowen |
1852 |
1935 |
British |
Miniature Variations for orchestra |
Romanticism
|
Alfred Grünfeld |
1852 |
1924 |
Austrian |
|
Romanticism
|
Francisco Tárrega |
1852 |
1909 |
Spanish |
|
|
Hans Huber |
1852 |
1921 |
Swiss |
|
Romanticism
|
Helena Munktell |
1852 |
1919 |
Swedish |
|
Romanticism
|
Henrique Oswald |
1852 |
1931 |
Brazilian |
|
|
Raoul Pugno |
1852 |
1914 |
French |
|
|
Émile Sauret |
1852 |
1920 |
French |
|
Romanticism
|
Charles Villiers Stanford |
1852 |
1924 |
Irish |
Six Irish Rhapsodies |
Romanticism
|
Teresa Carreño |
1853 |
1917 |
Venezuelan |
|
Romanticism
|
Arthur Foote |
1853 |
1937 |
American |
|
Romanticism
|
Hugo Richard Jüngst |
1853 |
1923 |
German |
|
Romanticism
|
Iwan Knorr |
1853 |
1916 |
German |
|
Romanticism
|
Hans von Koessler |
1853 |
1926 |
German |
|
Romanticism
|
Charles Malherbe |
1853 |
1911 |
French |
|
Romanticism
|
Jean Louis Nicodé |
1853 |
1919 |
Prussian |
|
Romanticism
|
Emil Sjögren |
1853 |
1918 |
Swedish |
|
Romanticism
|
Arturo Buzzi-Peccia |
1854 |
1943 |
Italian |
songs and piano works[vague] |
|
George Whitefield Chadwick |
1854 |
1931 |
American |
|
|
Oscar Fetrás |
1854 |
1931 |
German |
|
|
Gerónimo Giménez |
1854 |
1923 |
Spanish |
|
|
Pekka Hannikainen |
1854 |
1924 |
Finnish |
|
|
Engelbert Humperdinck |
1854 |
1921 |
German |
|
|
Leoš Janáček |
1854 |
1928 |
Czech |
Sinfonietta; Taras Bulba; Káťa Kabanová; The Cunning Little Vixen; The Makropoulos Affair; Glagolitic Mass, 2 string quartets |
folk-influenced
|
Alexander Kopylov |
1854 |
1911 |
Russian |
|
|
Heinrich Köselitz |
1854 |
1918 |
German |
|
|
Moritz Moszkowski |
1854 |
1925 |
German-Polish |
|
|
Julie Rivé-King |
1854 |
1937 |
American |
|
|
Antonio Smareglia |
1854 |
1929 |
Austro-Hungarian |
|
|
John Philip Sousa |
1854 |
1932 |
American |
|
|
Bernard Zweers |
1854 |
1924 |
Dutch |
|
|
Károly Aggházy |
1855 |
1918 |
Hungarian |
|
|
Jørgen Ditleff Bondesen |
1855 |
1939 |
Danish |
|
|
Heinrich Grünfeld |
1855 |
1931 |
Bohemian-Austrian |
|
|
Nicolaj Hansen |
1855 |
1932 |
Danish |
|
|
Josef Klička |
1855 |
1937 |
Czech |
|
|
Jean Pietrapertosa |
1855 |
1940 |
Italian-French |
|
|
Anatoly Lyadov |
1855 |
1914 |
Russian |
|
|
Arnold Mendelssohn |
1855 |
1933 |
German |
Deutsche Messe, Op. 89; Geistliche Chormusik, Op. 90 |
|
Julius Röntgen |
1855 |
1932 |
German |
|
|
Richard Sahla |
1855 |
1931 |
German |
|
|
Maude Valérie White |
1855 |
1937 |
French-born English |
|
|
Cecilia Arizti |
1856 |
1930 |
Cuban |
|
|
Eva Dell'Acqua |
1856 |
1930 |
Belgian |
|
|
Kateřina Emingerová |
1856 |
1934 |
Czech |
|
|
Robert Fischhof |
1856 |
1918 |
Austrian |
|
|
André Gedalge |
1856 |
1926 |
French |
|
|
Helen Hopekirk |
1856 |
1945 |
Scottish-American |
|
|
Natalia Janotha |
1856 |
1932 |
Polish |
|
|
Felix Mottl |
1856 |
1911 |
Austrian |
|
|
Gilda Ruta |
1856 |
1932 |
Italian |
|
|
Mary Elizabeth Turner Salter |
1856 |
1938 |
American |
|
|
Eduard Schütt |
1856 |
1933 |
Russian |
|
|
Christian Sinding |
1856 |
1941 |
Norwegian |
|
Romanticism
|
George Strong |
1856 |
1948 |
American |
|
|
Sergei Taneyev |
1856 |
1915 |
Russian |
String Quartet No. 6 in B♭ major; Piano Quartet in E major; Piano Quintet in G minor |
|
Timothee Adamowski |
1857 |
1943 |
Polish-born American |
|
|
Berta Bock |
1857 |
1945 |
Romanian |
|
|
Alfred Bruneau |
1857 |
1934 |
French |
|
|
Cécile Chaminade |
1857 |
1944 |
French |
Concertino for Flute |
|
Frederic Cliffe |
1857 |
1931 |
English |
Ode to the North-East Wind |
Romanticism
|
Rudolf Dellinger |
1857 |
1910 |
German |
|
|
Árpád Doppler |
1857 |
1927 |
Hungarian-German |
|
|
Edward Elgar |
1857 |
1934 |
English |
Symphony No. 1; No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius; Pomp and Circumstance Marches |
Romanticism
|
Ethel R. Harraden |
1857 |
1917 |
English |
|
|
Gustav Helsted |
1857 |
1924 |
Danish |
|
|
Wilhelm Kienzl |
1857 |
1941 |
Austrian |
|
|
Ruggero Leoncavallo |
1857 |
1919 |
Italian |
Zingari (opera) |
verismo
|
František Ondříček |
1857 |
1922 |
Czech |
|
|
Rosalind Ellicott |
1857 |
1924 |
English |
|
|
Henry Schoenfeld |
1857 |
1936 |
American |
|
|
Achille Simonetti |
1857 |
1928 |
Italian and English |
|
|
César Thomson |
1857 |
1931 |
Belgian |
|
|
Mary Knight Wood |
1857 |
1944 |
American |
|
|
Siegfried Alkan |
1858 |
1941 |
German |
|
|
Heinrich Berté |
1858 |
1924 |
Austrian-Hungarian |
Der Glücksnarr |
|
Thomas Bidgood |
1858 |
1925 |
English |
|
|
Mélanie Bonis |
1858 |
1937 |
French |
|
|
Isidore de Lara |
1858 |
1935 |
English |
|
|
Catharinus Elling |
1858 |
1942 |
Norwegian |
Violin Concerto in D minor |
Romanticism
|
Richard Franck |
1858 |
1938 |
German |
|
|
Guy d'Hardelot |
1858 |
1936 |
French |
|
|
Ludvig Holm |
1858 |
1928 |
Danish |
|
|
Jenő Hubay |
1858 |
1937 |
Hungarian |
|
|
Georges Hüe |
1858 |
1948 |
French |
|
|
Lucien-Léon Guillaume Lambert |
1858 |
1945 |
French |
|
|
Frank Lynes |
1858 |
1913 |
American |
|
|
Giacomo Puccini |
1858 |
1924 |
Italian |
La fanciulla del West; Turandot |
Romanticism; post-romanticism; verismo
|
Catharina van Rennes |
1858 |
1940 |
Dutch |
|
|
Risto Savin |
1858 |
1948 |
Slovenian |
|
|
Ethel Smyth |
1858 |
1944 |
English |
|
|
Stella Stocker |
1858 |
1925 |
American |
|
|
Eugène Ysaÿe |
1858 |
1931 |
Belgian |
|
|
Gerard von Brucken Fock |
1859 |
1935 |
Dutch |
De wederkomst van Christus |
|
Hedwige Chrétien |
1859 |
1944 |
French |
|
|
Laura Sedgwick Collins |
1859 |
1927 |
American |
|
|
Teresa Tanco Cordovez de Herrera |
1859 |
1946 |
Colombian |
|
|
August Enna |
1859 |
1939 |
Danish |
|
|
Josef Bohuslav Foerster |
1859 |
1951 |
Czech |
|
|
Narcisa Freixas |
1859 |
1926 |
Catalan |
|
|
Arthur Friedheim |
1859 |
1932 |
Russian |
|
|
Susie Frances Harrison |
1859 |
1935 |
Canadian |
|
|
Basil Harwood |
1859 |
1949 |
English |
|
|
Victor Herbert |
1859 |
1924 |
Irish-American |
The Magic Knight (opera); The Red Mill (musical comedy); A Suite of Serenades |
|
Mikhail Ippolitov-Ivanov |
1859 |
1935 |
Russian |
|
|
Sergei Lyapunov |
1859 |
1924 |
Russian |
|
|
Ida Georgina Moberg |
1859 |
1947 |
Finnish |
Symphony |
|
Vincenza Garelli della Morea |
1859 |
1924 |
Italian |
|
|
William Reed |
1859 |
1945 |
Canadian |
|
|
Hope Temple |
1859 |
1938 |
Irish |
|
|
Ellen Riley Wright |
1859 |
1904 |
English |
|
|
Isaac Albéniz |
1860 |
1909 |
Spanish |
Iberia |
Romanticism
|
Valborg Aulin |
1860 |
1928 |
Swedish |
|
|
Gustave Charpentier |
1860 |
1956 |
French |
Julien |
|
Victor Ewald |
1860 |
1935 |
Russian |
|
|
Bohumil Fidler |
1860 |
1944 |
Czech |
|
|
Pietro Floridia |
1860 |
1932 |
Italian |
|
|
Alberto Franchetti |
1860 |
1942 |
Italian |
|
|
Axel Gade |
1860 |
1921 |
Danish |
|
|
Raoul Gunsbourg |
1860 |
1955 |
Romanian |
|
|
Celeste de Longpré Heckscher |
1860 |
1928 |
American |
|
|
Edward MacDowell |
1860 |
1908 |
American |
|
|
Hugo Wolf |
1860 |
1903 |
Austrian |
|
|
Gustav Mahler |
1860 |
1911 |
Austrian |
No. 5, No. 6, No. 9, No. 10 in F; Das Lied von der Erde; Kindertotenlieder |
Romanticism; modernism
|
Ignacy Jan Paderewski |
1860 |
1941 |
Polish |
Symphony in B minor, Op. 24 |
|
Edouard Potjes |
1860 |
1931 |
Dutch |
At Dawn Eastermorning for orchestra |
|
Emil von Reznicek |
1860 |
1945 |
Austrian |
two symphonies |
|
William Wallace |
1860 |
1940 |
Scottish |
|
|
Felix Woyrsch |
1860 |
1944 |
German |
|
|
Anton Arensky |
1861 |
1906 |
Russian |
Piano Trio no. 2 in F minor, Op. 73 |
|
Spyridon Samaras |
1861 |
1917 |
Greek |
|
|
Wilhelm Berger |
1861 |
1911 |
German |
Symphony No. 2 in B minor, Op. 80; Variations and Fugue on an Original Theme, Op. 97; Serenade for Twelve Winds, Op. 102 |
Romanticism
|
Marco Enrico Bossi |
1861 |
1925 |
Italian |
|
|
Pierre de Bréville |
1861 |
1949 |
French |
|
|
Georgy Catoire |
1861 |
1926 |
Russian |
|
|
Florence Everilda Goodeve |
1861 |
1915 |
English |
|
|
Charles Martin Loeffler |
1861 |
1935 |
French-born American |
|
|
Rudolf Raimann |
1861 |
1913 |
Hungarian |
Unser Stammhalter (opera) |
Romanticism
|
Marie Emmanuel Augustin Savard |
1861 |
1942 |
French |
|
|
Václav Suk |
1861 |
1933 |
Czech-born Russian |
|
|
Ludwig Thuille |
1861 |
1907 |
Austrian |
|
|
Conrad Ansorge |
1862 |
1930 |
German |
|
|
Florence Aylward |
1862 |
1950 |
English |
|
|
Meliton Balanchivadze |
1862 |
1937 |
Georgian |
|
|
Dora Bright |
1862 |
1951 |
English |
Ballets The Dryad (1907), A Dancer's Adventure (1915) |
|
Georgi Conus |
1862 |
1933 |
Russian |
|
|
Walter Damrosch |
1862 |
1950 |
German-born American |
Sonata for violin and piano |
|
Arthur De Greef |
1862 |
1940 |
Belgian |
Concerto for Piano and Orchestra No. 1 in C minor, Concerto for Piano and Orchestra No. 2 in B flat minor, Sonata in C minor for 2 Pianos
|
|
Claude Debussy |
1862 |
1918 |
French |
Clair de lune; Syrinx; La mer; Pelléas et Mélisande; Préludes |
impressionism
|
Frederick Delius |
1862 |
1934 |
English |
A Village Romeo and Juliet; On Hearing the First Cuckoo in Spring |
impressionism
|
Alphons Diepenbrock |
1862 |
1921 |
Dutch |
|
|
Stéphan Elmas |
1862 |
1937 |
Armenian |
|
|
Maurice Emmanuel |
1862 |
1938 |
French |
|
|
Edward German |
1862 |
1936 |
English |
Merrie England; A Princess of Kensington; Tom Jones |
|
Henry Holden Huss |
1862 |
1953 |
American |
|
|
Carrie Jacobs-Bond |
1862 |
1946 |
American |
"I Love You Truly" |
|
Mona McBurney |
1862 |
1932 |
British |
|
|
August Nölck |
1862 |
1928 |
German |
|
|
Ferdinand Pfohl |
1862 |
1949 |
German |
|
|
Emil von Sauer |
1862 |
1942 |
German |
|
|
Alberto Williams |
1862 |
1952 |
Argentine |
Poema del Iguazú, nine symphonies |
folk-influenced, modernism, impressionism, nationalism, post-Wagnerian
|
Hugo Becker |
1863 |
1941 |
German |
Cello Concerto |
|
Felix Blumenfeld |
1863 |
1931 |
Russian |
|
|
Charles Bordes |
1863 |
1909 |
French |
|
|
Maria Chefaliady-Taban |
1863 |
1932 |
Romanian |
|
|
Enrique Fernández Arbós |
1863 |
1939 |
Spanish |
|
|
Abbie Gerrish-Jones |
1863 |
1929 |
American |
|
|
Helen Francis Hood |
1863 |
1949 |
American |
|
|
Hugo Kaun |
1863 |
1932 |
German |
Symphony No. 3 in E minor, Op. 96 |
|
Izabella Kuliffay |
1863 |
1945 |
Hungarian |
Magyar suite |
|
Pietro Mascagni |
1863 |
1945 |
Italian |
Amica |
verismo
|
Emánuel Moór |
1863 |
1931 |
Hungarian |
|
|
Cornélie van Oosterzee |
1863 |
1943 |
Dutch |
|
|
Horatio Parker |
1863 |
1919 |
American |
|
|
Gabriel Pierné |
1863 |
1937 |
French |
Cydalise et le Chèvre-pied; Ramuntcho |
|
Alfred Reisenauer |
1863 |
1907 |
German |
|
|
Vladimir Sokalsky |
1863 |
1919 |
Russian |
|
|
Arthur Somervell |
1863 |
1937 |
English |
|
|
Jāzeps Vītols |
1863 |
1948 |
Latvian |
|
|
Eugen d'Albert |
1864 |
1932 |
German, Swiss; Scottish-born |
Tiefland |
Romanticism
|
Hugh Blair |
1864 |
1932 |
English |
Magnificat; Nunc Dimittis for double choir |
|
Hjalmar Borgstrøm |
1864 |
1925 |
Norwegian |
Piano Concerto in C, Op. 22, Violin Concerto in G major Op. 25, Piano Quintet in F Op. 31, |
|
Ricardo Castro |
1864 |
1907 |
Mexican |
|
|
Harry Falkenau |
1864 |
1907 |
American |
|
|
Eleanor Everest Freer |
1864 |
1942 |
American |
|
|
Louis Glass |
1864 |
1936 |
Danish |
|
|
Alexander Gretchaninov |
1864 |
1956 |
Russian |
|
|
Peter Griesbacher |
1864 |
1933 |
German |
|
historicist
|
Johan Halvorsen |
1864 |
1935 |
Norwegian |
Norwegian rhapsodies, three symphonies |
Romanticism, French influence
|
Sakunosuke Koyama |
1864 |
1927 |
Japanese |
|
|
Alessandro Longo |
1864 |
1945 |
Italian |
|
|
Alberto Nepomuceno |
1864 |
1920 |
Brazilian |
|
|
Guy Ropartz |
1864 |
1955 |
French |
Le Pays |
impressionism
|
Richard Strauss |
1864 |
1949 |
German |
An Alpine Symphony; Der Rosenkavalier; Oboe Concerto; Salome; Metamorphosen |
Romanticism
|
Giovanni Tebaldini |
1864 |
1952 |
Italian |
|
historicist
|
August de Boeck |
1865 |
1937 |
Belgian |
|
impressionism
|
Herbert Brewer |
1865 |
1928 |
English |
|
|
Eduardo di Capua |
1865 |
1917 |
Italian |
|
|
Paul Dukas |
1865 |
1935 |
French |
La Péri (ballet) |
|
Herbert J. Ellis |
1865 |
1903 |
English |
|
|
Paul Gilson |
1865 |
1942 |
Belgian |
|
impressionism
|
Alexander Glazunov |
1865 |
1936 |
Russian |
Symphony No. 4 and No. 5; The Seasons (ballet); Violin Concerto; Saxophone Concerto |
Romanticism
|
Alfred Hollins |
1865 |
1942 |
English |
|
|
Borghild Holmsen |
1865 |
1938 |
Norwegian |
|
|
Gustav Jenner |
1865 |
1920 |
German |
|
|
Robert Kahn |
1865 |
1951 |
German |
|
|
Emil Kauppi |
1865 |
1930 |
Finnish |
|
|
Albéric Magnard |
1865 |
1914 |
French |
Guercoeur |
|
Enric Morera i Viura |
1865 |
1942 |
Catalan |
|
|
Carl Nielsen |
1865 |
1931 |
Danish |
Symphony No. 4; No. 5; Maskarade; Clarinet Concerto |
|
Giacomo Orefice |
1865 |
1922 |
Italian |
|
|
Jean Sibelius |
1865 |
1957 |
Finnish |
Symphonies No. 2, No. 4, No. 5, No. 7; Violin Concerto; String Quartet in D minor, Voces intimae; Pelléas et Mélisande; Pohjola's Daughter; Luonnotar; The Oceanides; Tapiola; The Tempest |
|
Amanda Christina Elizabeth Aldridge |
1866 |
1956 |
British |
|
|
Tor Aulin |
1866 |
1914 |
Swedish |
|
|
John Clare Billing |
1866 |
1955 |
English |
|
|
Ferruccio Busoni |
1866 |
1924 |
Italian |
Fantasia contrappuntistica; Turandot Suite; Piano Concerto |
|
Francesco Cilea |
1866 |
1950 |
Italian |
L'arlesiana; Adriana Lecouvreur |
|
Gustave Doret |
1866 |
1943 |
Swiss |
|
|
Vasily Kalinnikov |
1866 |
1901 |
Russian |
|
|
Clara Anna Korn |
1866 |
1941 |
American |
Piano Concerto |
|
Laura Lemon |
1866 |
1924 |
Canadian |
|
|
Vladimir Rebikov |
1866 |
1920 |
Russian |
Yolka (opera), Basni v litzakh (9 dramatic fables for children) |
|
Caro Roma |
1866 |
1937 |
American |
|
|
Erik Satie |
1866 |
1925 |
French |
Gymnopédies; Relâche; Socrate |
minimalism, avant-garde, furniture music
|
Johann Strauss III |
1866 |
1939 |
Austrian |
|
|
Samuel Maykapar |
1867 |
1938 |
Russian |
|
|
Amy Beach |
1867 |
1944 |
American |
|
|
Margherita Galeotti |
1867 |
1912 |
Italian |
Piano Trio in D minor |
|
Umberto Giordano |
1867 |
1948 |
Italian |
Siberia; Madame Sans-Gêne; La cena delle beffe |
verismo
|
Enrique Granados |
1867 |
1916 |
Spanish |
Goyescas (piano suite); Goyescas |
|
Fini Henriques |
1867 |
1940 |
Danish |
|
|
Amy Elsie Horrocks |
1867 |
1920 |
English |
|
|
Wilhelm Peterson-Berger |
1867 |
1942 |
Swedish |
Frösöblomster |
Romantic nationalism
|
Charles Koechlin |
1867 |
1950 |
French |
Les Bandar-log; Les Heures persanes |
eclectic, atonality, twelve-tone technique, serialism, polytonality, quartal and quintal harmony
|
Ferdinand Küchler |
1867 |
1937 |
German |
|
|
Margaret Ruthven Lang |
1867 |
1972 |
American |
|
|
Jules Mouquet |
1867 |
1946 |
French |
|
|
Karel Navrátil |
1867 |
1936 |
Czech |
|
|
Česlovas Sasnauskas |
1867 |
1916 |
Lithuanian |
|
|
Martinus Sieveking |
1867 |
1950 |
Dutch |
|
|
Gustav Strube |
1867 |
1953 |
German |
|
|
Georges Martin Witkowski |
1867 |
1943 |
French |
|
|
Granville Bantock |
1868 |
1946 |
British |
Omar Khayyám, Hebridean Symphony |
Romanticism, often with an exotic flavour
|
Hermann Bischoff |
1868 |
1936 |
German |
|
|
František Drdla |
1868 |
1944 |
Czech |
|
|
Carl Frühling |
1868 |
1937 |
Austrian |
Suite in F major, Op. 36 |
|
Alberto Jonás |
1868 |
1943 |
Spanish |
|
|
Scott Joplin |
1868 |
1917 |
American |
Treemonisha |
ragtime
|
Frederic Lamond |
1868 |
1948 |
Scottish |
|
|
Signe Lund |
1868 |
1950 |
Norwegian |
Valse de Concert Op. 40 |
|
Hamish MacCunn |
1868 |
1916 |
Scottish |
|
|
John Blackwood McEwen |
1868 |
1948 |
Scottish |
|
|
Oskar Merikanto |
1868 |
1924 |
Finnish |
|
|
Vittorio Monti |
1868 |
1922 |
Italian |
Csárdás |
|
Jan Brandts Buys |
1868 |
1933 |
Dutch-Austrian |
|
|
Lodewijk Mortelmans |
1868 |
1952 |
Belgian |
|
|
José Vianna da Motta |
1868 |
1948 |
Portuguese |
|
|
Annie Patterson |
1868 |
1934 |
Irish |
|
|
Max von Schillings |
1868 |
1933 |
German |
|
|
Tokichi Setoguchi |
1868 |
1941 |
Japanese |
|
|
Leone Sinigaglia |
1868 |
1944 |
Italian |
|
|
Haldane Stewart |
1868 |
1942 |
English |
|
|
Joséphine Boulay |
1869 |
1925 |
French |
|
|
Vassily Brandt |
1869 |
1923 |
Russian |
|
|
Julius Conus |
1869 |
1942 |
Russian |
|
|
Walford Davies |
1869 |
1941 |
British |
|
|
Christian Geisler |
1869 |
1951 |
Danish |
|
|
Alfred Hill |
1869 |
1960 |
Australian |
|
|
Armas Järnefelt |
1869 |
1958 |
Finnish |
|
|
Vasily Kalafati |
1869 |
1942 |
Russian |
|
|
John N. Klohr |
1869 |
1956 |
American |
Billboard March |
|
Demetrios Lialios |
1869 |
1940 |
Greek |
chamber music[vague] |
|
Hans Pfitzner |
1869 |
1949 |
German |
Palestrina |
post-romanticism
|
Maria Antonietta Picconi |
1869 |
1926 |
Italian |
|
|
Albert Roussel |
1869 |
1937 |
French |
Symphony No. 3 and No. 4; Bacchus et Ariane (ballet) |
neoclassicism
|
Patty Stair |
1869 |
1926 |
American |
|
|
Ludvík Čelanský |
1870 |
1931 |
Czech |
|
|
Cornelis Dopper |
1870 |
1939 |
Dutch |
|
|
Henry Eichheim |
1870 |
1942 |
American |
|
|
Leopold Godowsky |
1870 |
1938 |
Polish |
Studies on Chopin's Études; Passacaglia; Triakontameron |
|
Viktor Kalinnikov |
1870 |
1927 |
Russian |
|
|
Nobu Kōda |
1870 |
1946 |
Japanese |
Violin Sonata in E-flat major; Violin Sonata in D minor |
|
Arseny Koreshchenko |
1870 |
1921 |
Russian |
|
|
Zygmunt Stojowski |
1870 |
1946 |
Polish |
|
|
Franz Lehár |
1870 |
1948 |
Hungarian |
Der Graf von Luxemburg, Der Zarewitsch |
operettas
|
Vítězslav Novák |
1870 |
1949 |
Czech |
|
|
Arthur Pryor |
1870 |
1942 |
American |
|
|
Joseph Ryelandt |
1870 |
1965 |
Belgian |
|
|
Rosario Scalero |
1870 |
1954 |
Italian |
|
|
Florent Schmitt |
1870 |
1958 |
French |
La Tragédie de Salomé |
|
Mon Schjelderup |
1870 |
1934 |
Norwegian |
Sonata in B minor, Op. 12 |
|
Oscar Straus |
1870 |
1954 |
Austrian |
Ein Walzertraum; The Chocolate Soldier |
|
Charles Tournemire |
1870 |
1939 |
French |
L'Orgue Mystique |
|
Louis Vierne |
1870 |
1937 |
French |
|
|
Ernest Walker |
1870 |
1949 |
Indian-born English |
|
|
Giacomo Balla |
1871 |
1958 |
Italian |
|
|
Henry Kimball Hadley |
1871 |
1937 |
American |
|
|
Adolphe Biarent |
1871 |
1916 |
Belgian |
|
|
Frederick Converse |
1871 |
1940 |
American |
The Mystic Trumpeter |
|
Hélène-Frédérique de Faye-Jozin |
1871 |
1942 |
French |
|
|
Leon Jessel |
1871 |
1942 |
German |
The Parade of the Tin Soldiers |
|
Ruben Liljefors |
1871 |
1936 |
Swedish |
|
|
Zakaria Paliashvili |
1871 |
1933 |
Georgian |
Operas Abesalom da Eteri, Daisi, Latavra |
|
Oreste Ravanello |
1871 |
1938 |
Italian |
|
|
Daniel Alomía Robles |
1871 |
1942 |
Peruvian |
|
|
Alexander Spendiaryan |
1871 |
1936 |
Armenian |
|
|
Wilhelm Stenhammar |
1871 |
1927 |
Swedish |
Symphony No. 2 |
Romanticism
|
Alexander von Zemlinsky |
1871 |
1942 |
Austrian |
Lyric Symphony; String Quartet No. 2; Der Zwerg |
post-Romanticism, New Objectivity, neoclassicism
|
Hugo Alfvén |
1872 |
1960 |
Swedish |
Symphony No. 4: From the Outermost Skerries; Midsummer Vigil |
Romanticism
|
Eyvind Alnæs |
1872 |
1932 |
Norwegian |
two symphonies, Piano Concerto |
|
Frederic Austin |
1872 |
1952 |
English |
Symphony in E minor |
|
Stanislav Binički |
1872 |
1942 |
Serbian |
Marš na Drinu |
|
Henri Büsser |
1872 |
1973 |
French |
|
|
Julius Fučík |
1872 |
1916 |
Czech |
Entrance of the Gladiators |
|
Rubin Goldmark |
1872 |
1936 |
American |
|
|
Siegmund von Hausegger |
1872 |
1948 |
Austrian |
|
|
Ezra Jenkinson |
1872 |
1947 |
English |
|
|
Paul Juon |
1872 |
1940 |
Russian |
|
|
Joan Lamote de Grignon |
1872 |
1949 |
Catalan Spanish |
|
|
Lorenzo Perosi |
1872 |
1956 |
Italian |
Il Giudizio Universale (oratorio) |
historicist
|
William H. Potstock |
1872 |
1941 |
American |
|
|
Albert Seitz |
1872 |
1937 |
French |
|
|
Bernhard Sekles |
1872 |
1934 |
German |
|
|
Alexander Scriabin |
1872 |
1915 |
Russian |
The Poem of Ecstasy; Prometheus: The Poem of Fire; piano sonatas nos. 4–10 |
mysticism
|
Sergei Vasilenko |
1872 |
1956 |
Russian |
|
|
Ralph Vaughan Williams |
1872 |
1958 |
English |
A Sea Symphony; A London Symphony; Sinfonia antartica; Fantasia on a Theme by Thomas Tallis; Fantasia on Greensleeves; The Lark Ascending |
impressionism, folk-influenced
|
Salvator Léonardi |
1872 |
1938 |
Italian |
|
|
Emil Votoček |
1872 |
1950 |
Czech |
|
|
Modest Altschuler |
1873 |
1963 |
Russian |
|
|
Dimitri Arakishvili |
1873 |
1953 |
Georgian |
|
|
William Henry Bell |
1873 |
1946 |
English |
|
|
Blagoje Bersa |
1873 |
1934 |
Croatian |
|
|
André Bloch |
1873 |
1960 |
French |
|
|
Lucien Capet |
1873 |
1928 |
French |
Poème for violin and orchestra |
|
Anna Cramer |
1873 |
1968 |
Dutch |
|
|
Leo Fall |
1873 |
1925 |
Austrian |
Madame Pompadour (operetta) |
Romanticism
|
Joseph Jongen |
1873 |
1953 |
Belgian |
Symphonie Concertante for organ and orchestra |
|
Emma Lomax |
1873 |
1963 |
English |
|
|
Celeste Jaguaribe de Matos Faria |
1873 |
1938 |
Brazilian |
|
|
María de las Mercedes Adam de Aróstegui |
1873 |
1957 |
Cuban |
|
|
Mary Carr Moore |
1873 |
1957 |
American |
|
|
Henri Rabaud |
1873 |
1949 |
French |
|
|
Walter Rabl |
1873 |
1940 |
Austrian |
|
Romanticism
|
Pascual Marquina Narro |
1873 |
1948 |
Spanish |
|
|
Sergei Rachmaninoff |
1873 |
1943 |
Russian |
Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor |
Romanticism, post-romanticism
|
Max Reger |
1873 |
1916 |
German |
organ music, Variations and Fugue on a Theme by Mozart, Hebbel Requiem |
historicism, modernism
|
Jean Roger-Ducasse |
1873 |
1954 |
French |
|
|
Arnold Safroni-Middleton |
1873 |
1950 |
British |
|
|
Nikolai Tcherepnin |
1873 |
1945 |
Russian |
|
|
Pol Albrecht |
1874 |
1975 |
Luxembourgian |
|
|
Ernest Austin |
1874 |
1947 |
English |
Symphony |
atonality, Romanticism, folk-influenced, impressionism
|
Edward Bairstow |
1874 |
1946 |
English |
|
|
Ethel Barns |
1874 |
1948 |
English |
|
|
Giulio Bas |
1874 |
1929 |
Italian |
Organ Sonata in F, XVI Preludi-Corali for organ |
|
George Botsford |
1874 |
1949 |
American |
|
ragtime
|
Katharine Emily Eggar |
1874 |
1961 |
English |
|
|
Edmund Eysler |
1874 |
1949 |
Austrian |
|
|
Reynaldo Hahn |
1874 |
1947 |
Venezuelan/French |
Ciboulette (Opera) |
|
Carl Cohn Haste |
1874 |
1939 |
Danish |
|
|
Gustav Holst |
1874 |
1934 |
English |
The Planets; Beni Mora; Egdon Heath |
|
Charles Ives |
1874 |
1954 |
American |
The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata |
avant-garde, folk-influenced
|
Serge Koussevitzky |
1874 |
1951 |
Russian |
|
|
Henri Marteau |
1874 |
1934 |
French |
|
|
Oskar Nedbal |
1874 |
1930 |
Czech |
|
|
František Neumann |
1874 |
1929 |
Czech |
|
|
Arnold Schoenberg |
1874 |
1951 |
Austrian |
Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra; Violin Concerto |
Romanticism, later expressionism and serialism; founder of the Second Viennese School
|
Josef Suk |
1874 |
1935 |
Czech |
Asrael Symphony; A Winter's Tale |
|
Franz Schmidt |
1874 |
1939 |
Austrian |
The Book with Seven Seals |
|
Franco Alfano |
1875 |
1954 |
Italian |
|
|
Julián Carrillo |
1875 |
1965 |
Mexican |
Preludio a Colón; Misa de la Restauración dedicada a Juan XXIII |
microtonal music
|
Samuel Coleridge-Taylor |
1875 |
1912 |
English |
The Song of Hiawatha (cantata) |
|
Mikalojus Konstantinas Čiurlionis |
1875 |
1911 |
Lithuanian |
|
|
Ernesto De Curtis |
1875 |
1937 |
Italian |
|
|
Reinhold Glière |
1875 |
1956 |
Russian |
Horn Concerto; The Red Poppy |
Romanticism
|
Alexander Goldenweiser |
1875 |
1961 |
Russian |
|
|
Dobri Hristov |
1875 |
1941 |
Bulgarian |
|
|
Albert Ketelbey |
1875 |
1959 |
English |
|
|
Jenő Huszka |
1875 |
1960 |
Hungarian |
|
|
Fritz Kreisler |
1875 |
1962 |
Austrian |
Caprice Viennois; Liebesfreud; Liebesleid; Schön Rosmarin |
|
Marcel Labey |
1875 |
1968 |
French |
|
|
Edgar Manas |
1875 |
1964 |
Turkish |
|
|
Erkki Melartin |
1875 |
1937 |
Finnish |
|
|
Adolf Mišek |
1875 |
1955 |
Czech |
|
|
Maurice Ravel |
1875 |
1937 |
French |
Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music |
impressionism, neoclassicism
|
Henriette Renié |
1875 |
1956 |
French |
|
|
Cyril Rootham |
1875 |
1938 |
English |
|
|
Lucia Contini Anselmi |
1876 |
1913 |
Italian |
|
|
Hakon Børresen |
1876 |
1954 |
Danish |
The Royal Guest |
romanticism
|
Havergal Brian |
1876 |
1972 |
English |
Gothic Symphony |
|
Edgar Bara |
1876 |
1962 |
French |
|
|
John Alden Carpenter |
1876 |
1951 |
American |
|
|
Pablo Casals |
1876 |
1973 |
Spanish |
|
|
Jens Laursøn Emborg |
1876 |
1957 |
Danish |
|
|
Manuel de Falla |
1876 |
1946 |
Spanish |
The Three-Cornered Hat; Nights in the Gardens of Spain |
impressionism, neoclassicism
|
Josef Hofmann |
1876 |
1957 |
Polish-American |
|
|
Mieczysław Karłowicz |
1876 |
1909 |
Polish |
Lithuanian Rhapsody, Stanislaw i Anna Oświęcimovie, Smutna opowieść; Symphony in E Minor; Violin Concerto |
Romanticism
|
Filippo Tommaso Marinetti |
1876 |
1944 |
Italian |
|
|
Fermo Dante Marchetti |
1876 |
1940 |
Italian |
|
|
Ludolf Nielsen |
1876 |
1939 |
Danish |
|
|
Armande de Polignac |
1876 |
1962 |
French |
|
|
Teresa del Riego |
1876 |
1968 |
English |
|
|
Carl Ruggles |
1876 |
1971 |
American |
Sun-Treader |
|
Mikhail Savoyarov |
1876 |
1941 |
Russian |
The Drunken Moon, Trumpeters, Because of the Ladies |
chansonnier, light music, jazz-influenced
|
Ernest Schelling |
1876 |
1939 |
American |
|
|
Grikor Suni |
1876 |
1939 |
Armenian |
|
|
Ermanno Wolf-Ferrari |
1876 |
1948 |
Italian |
|
Comic operas
|
Antonio Russolo |
1877 |
1942 |
Italian |
|
|
Russell Alexander |
1877 |
1915 |
American |
|
|
Louis Aubert |
1877 |
1968 |
French |
|
|
Sergei Bortkiewicz |
1877 |
1952 |
Russian (Ukrainian-born) |
|
|
Pavel Chesnokov |
1877 |
1944 |
Russian |
|
|
Ernő Dohnányi |
1877 |
1960 |
Hungarian |
Variations on a Nursery Tune |
Romanticism
|
Albert Dupuis |
1877 |
1967 |
Belgian |
|
|
Alexander Goedicke |
1877 |
1957 |
Russian |
|
|
Yevgeny Gunst |
1877 |
1950 |
Russian |
|
|
Jean Huré |
1877 |
1930 |
French |
|
|
Hans Jelmoli |
1877 |
1936 |
Swiss |
|
|
Sigfrid Karg-Elert |
1877 |
1933 |
German |
66 Choral-Improvisationen for organ, Op. 65 |
|
Hnat Khotkevych |
1877 |
1938 |
Ukrainian |
|
|
Elisabeth Kuyper |
1877 |
1953 |
Dutch |
Violin Concerto in B minor, Violin Sonata in A major, Piano Trio in D major |
|
Mykola Leontovych |
1877 |
1921 |
Ukrainian |
Shchedryk, Church music, Arrangements of folk songs |
A capella choral music
|
Roger Quilter |
1877 |
1953 |
English |
Songs |
|
Petar Stojanović |
1877 |
1957 |
Serbian |
|
|
Vladimir Tsybin |
1877 |
1949 |
Russian |
|
|
Jeanne Beijerman-Walraven |
1878 |
1969 |
Dutch |
|
|
Rutland Boughton |
1878 |
1960 |
English |
|
|
Fritz Brun |
1878 |
1959 |
Swiss |
|
|
Eugenia Calosso |
1878 |
1914 |
Italian |
|
|
Conrado del Campo |
1878 |
1953 |
Spanish |
|
|
André Caplet |
1878 |
1925 |
French |
|
|
Adam Carse |
1878 |
1958 |
English |
Two symphonies |
|
Mabel Wheeler Daniels |
1878 |
1971 |
American |
|
|
Antun Dobronić |
1878 |
1955 |
Croatian |
|
|
Gabriel Dupont |
1878 |
1914 |
French |
|
|
Carl Ehrenberg |
1878 |
1962 |
German |
Anneliese (opera) |
post-romanticism
|
Harry Farjeon |
1878 |
1948 |
British |
|
|
Ossip Gabrilowitsch |
1878 |
1936 |
Russian-born American |
|
|
Joseph Holbrooke |
1878 |
1958 |
English |
|
|
Artur Kapp |
1878 |
1952 |
Estonian |
|
|
Albert Mallinson |
1878 |
1946 |
British |
|
|
Selim Palmgren |
1878 |
1951 |
Finnish |
|
|
Caradog Roberts |
1878 |
1935 |
Welsh |
|
|
Avery Robinson |
1878 |
1965 |
American |
|
|
Franz Schreker |
1878 |
1934 |
Austrian |
Der ferne Klang (opera), Kammersymphonie |
modernism, eclectic (Romanticism, naturalism, symbolism, impressionism, Expressionism and Neue Sachlichkeit)
|
Frank Bridge |
1879 |
1941 |
English |
Enter Spring; The Sea |
impressionism, later expressionism; mentor of Benjamin Britten
|
Viggo Brodersen |
1879 |
1965 |
Danish |
|
|
Joseph Canteloube |
1879 |
1957 |
French |
Chants d'Auvergne |
|
Paul Corder |
1879 |
1942 |
English |
|
|
Jean Cras |
1879 |
1932 |
French |
|
|
Maurice Delage |
1879 |
1961 |
French |
Quatre poèmes hindous; Sept haï-kaïs |
impressionism, oriental-influenced
|
Stefano Donaudy |
1879 |
1925 |
Italian |
|
|
Percy Fletcher |
1879 |
1932 |
English |
|
|
Philippe Gaubert |
1879 |
1941 |
French |
|
|
Gabriel Grovlez |
1879 |
1944 |
French |
|
|
Joseph Haas |
1879 |
1960 |
German |
|
Romanticism
|
Hamilton Harty |
1879 |
1941 |
Irish |
An Irish Symphony; With the Wild Geese |
|
Josip Hatze |
1879 |
1959 |
Croatian |
|
|
Edgar Henrichsen |
1879 |
1955 |
Danish |
|
|
John Ireland |
1879 |
1962 |
English |
Piano Concerto in E flat |
|
Frank La Forge |
1879 |
1953 |
American |
|
|
Nikolaos Lavdas |
1879 |
1940 |
Greek |
|
composer for mandolin orchestra
|
Pablo Luna |
1879 |
1942 |
Spanish |
El niño judío |
|
Stanyslav Lyudkevych |
1879 |
1979 |
Ukrainian |
|
|
Carmela Mackenna |
1879 |
1962 |
Chilean |
|
|
Jules Mazellier |
1879 |
1959 |
French |
|
|
Joaquín Nin |
1879 |
1949 |
Cuban |
|
|
Alma Mahler |
1879 |
1964 |
Austrian |
|
|
Otto Olsson |
1879 |
1964 |
Swedish |
Te Deum |
|
Otakar Ostrčil |
1879 |
1935 |
Czech |
|
|
Ottorino Respighi |
1879 |
1936 |
Italian |
The Fountains of Rome; The Pines of Rome |
impressionism
|
Rudolf Sieczyński |
1879 |
1952 |
Austrian |
|
|
Hugo Riesenfeld |
1879 |
1939 |
Austrian-American |
|
|
Paul Rung-Keller |
1879 |
1966 |
Danish |
|
|
Cyril Scott |
1879 |
1970 |
English |
|
|
Johanna Senfter |
1879 |
1961 |
German |
|
|
Marcel Tournier |
1879 |
1951 |
French |
|
|
Richard Trunk |
1879 |
1968 |
German |
|
|
Otakar Zich |
1879 |
1934 |
Czech |
|
|
Rentarō Taki |
1879 |
1903 |
Japanese |
|
|
Leo Ascher |
1880 |
1942 |
Austrian |
|
|
Ernest Bloch |
1880 |
1959 |
American (Swiss-born) |
Schelomo; Suite hébraïque |
|
Edgar Thomas Cook |
1880 |
1953 |
English |
|
|
Clara Edwards |
1880 |
1974 |
American |
|
|
John Foulds |
1880 |
1939 |
English |
A World Requiem |
Post-romanticism, Indian influence
|
Rudolf Karel |
1880 |
1945 |
Czech |
|
|
Jan Kubelík |
1880 |
1940 |
Czech |
|
|
Nikolai Medtner |
1880 |
1951 |
Russian |
38 Skazki for piano, Piano Concerto No. 3 |
Romanticism
|
Ildebrando Pizzetti |
1880 |
1968 |
Italian |
Assassinio nella cattedrale |
|
Ferdinand Rebay |
1880 |
1953 |
Austrian |
|
|
Ivan Matetić Ronjgov |
1880 |
1960 |
Croatian |
|
|
James Simon |
1880 |
1944 |
German |
|
|
Robert Stolz |
1880 |
1975 |
Austrian |
|
|
Guillermo Uribe Holguín |
1880 |
1971 |
Colombian |
|
|
Clarence Cameron White |
1880 |
1960 |
American |
|
neoromantic
|
Healey Willan |
1880 |
1968 |
English |
|
|
Francesco Balilla Pratella |
1880 |
1955 |
Italian |
|
|
Domenico Alaleona |
1881 |
1928 |
Italian |
|
|
Béla Bartók |
1881 |
1945 |
Hungarian |
Concerto for Orchestra; six string quartets; The Miraculous Mandarin; Piano Concerto No. 1; Piano Concerto No. 2; Piano Concerto No. 3; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion |
neoclassicism, folk-influenced
|
Theodor Blumer |
1881 |
1964 |
German |
|
|
Gena Branscombe |
1881 |
1977 |
Canadian |
|
|
Nancy Dalberg |
1881 |
1949 |
Danish |
String Quartet No. 2 |
|
Fannie Charles Dillon |
1881 |
1947 |
American |
|
|
Sem Dresden |
1881 |
1957 |
Dutch |
|
|
George Enescu |
1881 |
1955 |
Romanian |
Romanian Rhapsody No. 1, Sonata No. 3 for Violin and Piano ("In the Romanian Popular Style"), Octet for Strings, String Quartet No. 2, Œdip (opera), Cantabile et Presto for flute and piano |
folk-influenced; father of Romanian classical music
|
Henry Fillmore |
1881 |
1956 |
American |
|
marches
|
Jan van Gilse |
1881 |
1944 |
Dutch |
Thijl |
|
Peder Gram |
1881 |
1956 |
Danish |
|
|
Richard Hageman |
1881 |
1966 |
Dutch-born American |
|
|
Sigurd Islandsmoen |
1881 |
1964 |
Norwegian |
|
|
Axel Jørgensen |
1881 |
1947 |
Danish |
Romance for Trombone and Piano |
|
Edvin Kallstenius |
1881 |
1967 |
Swedish |
|
|
Paul Le Flem |
1881 |
1984 |
French |
|
|
Arthur Marshall |
1881 |
1968 |
American |
|
|
Nikolai Myaskovsky |
1881 |
1950 |
Russian |
Symphony No. 6, No. 10 and No. 13; Cello Concerto in C minor |
Romanticism
|
Kenneth J. Alford |
1881 |
1945 |
British |
Colonel Bogey |
"British March King"
|
Reine Colaço Osorio-Swaab |
1881 |
1971 |
Dutch |
|
|
Nikolai Roslavets |
1881 |
1944 |
Russian |
|
|
Ignatz Waghalter |
1881 |
1949 |
Polish-German |
Concerto for Violin in A Major; Mandragola; Jugend |
Romanticism
|
Arthur Willner |
1881 |
1959 |
Czech |
|
|
Hermann Zilcher |
1881 |
1948 |
German |
|
|
Emil Ábrányi |
1882 |
1970 |
Hungarian |
|
|
Marion Bauer |
1882 |
1955 |
American |
|
|
Alberto Bimboni |
1882 |
1960 |
Italian-born American |
|
|
Walter Braunfels |
1882 |
1954 |
German |
Organ Concerto |
neotonality
|
Percy Grainger |
1882 |
1961 |
Australian |
Country Gardens, Londonderry Air, Lincolnshire Posy |
folk-influenced
|
Mary Howe |
1882 |
1964 |
American |
|
|
Herbert Hughes |
1882 |
1937 |
Irish |
|
|
Emmerich Kálmán |
1882 |
1953 |
Hungarian |
Operettas |
|
Zoltán Kodály |
1882 |
1967 |
Hungarian |
Háry János; Székelyfonó; Psalmus Hungaricus |
folk-influenced
|
Nicholas Laucella |
1882 |
1952 |
Italian-American |
Mokanna – opera; Fantastic Overture; Nocturne for Orchestra; Consolva & The White House – Impressions of Norfolk – Symphonic poems; Divertimento for Flute, Oboe & English Horn; String Quartet |
classical
|
Maurice Le Boucher |
1882 |
1964 |
French |
|
|
Ernestina Lecuona y Casado |
1882 |
1951 |
Cuban |
Bolero |
|
Mary Lucas |
1882 |
1952 |
English |
|
|
Gian Francesco Malipiero |
1882 |
1973 |
Italian |
|
|
Joseph Marx |
1882 |
1964 |
Austrian |
|
vocal music
|
Geoffrey O'Hara |
1882 |
1967 |
Canadian |
|
|
Manuel Ponce |
1882 |
1948 |
Mexican |
Concierto del sur for guitar and orchestra, guitar and piano pieces, songs (especially "Estrellita"), and folk-song arrangements |
|
John Powell |
1882 |
1963 |
American |
|
|
Mart Saar |
1882 |
1963 |
Estonian |
|
|
Artur Schnabel |
1882 |
1951 |
Austrian |
|
|
Lazare Saminsky |
1882 |
1959 |
Russian |
|
|
Igor Stravinsky |
1882 |
1971 |
Russian |
The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments; Canticum Sacrum; Threni |
neoclassicism, neotonality, later serialism, polystylism
|
Karol Szymanowski |
1882 |
1937 |
Polish |
Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 |
impressionism, later folk-influenced
|
Joaquín Turina |
1882 |
1949 |
Spanish |
|
|
Ladislav Vycpálek |
1882 |
1969 |
Czech |
|
|
Haydn Wood |
1882 |
1959 |
English |
|
|
Maurice Abrahams |
1883 |
1931 |
American |
|
|
Alexander Vasilyevich Alexandrov |
1883 |
1946 |
Russian |
|
|
Emilius Bangert |
1883 |
1962 |
Danish |
|
|
Augustin Barié |
1883 |
1915 |
French |
|
|
Arnold Bax |
1883 |
1953 |
English |
Symphony No. 2, No. 3, and No. 6; Tintagel |
Romanticism, impressionism
|
Alfredo Casella |
1883 |
1947 |
Italian |
|
|
Alexandre Eugène Cellier |
1883 |
1968 |
French |
|
|
Édouard Commette |
1883 |
1967 |
French |
|
|
George Dyson |
1883 |
1964 |
English |
Symphony in G major |
|
Mikhail Gnessin |
1883 |
1957 |
Russian |
|
|
Josef Matthias Hauer |
1883 |
1959 |
Austrian |
|
|
Manuel Infante |
1883 |
1958 |
Spanish |
|
|
Manolis Kalomiris |
1883 |
1962 |
Greek |
|
|
Paul von Klenau |
1883 |
1946 |
Danish |
|
|
Alexander Krein |
1883 |
1951 |
Russian |
|
|
Luigi Russolo |
1883 |
1947 |
Italian |
|
futurism, noise music
|
Jan Kunc |
1883 |
1976 |
Czech |
|
|
Toivo Kuula |
1883 |
1918 |
Finnish |
|
|
Fran Lhotka |
1883 |
1962 |
Czech-born Croatian |
|
|
Robert Graham Manson |
1883 |
1950 |
British |
|
|
Romanos Melikian |
1883 |
1935 |
Armenian |
|
|
Jules Van Nuffel |
1883 |
1953 |
Belgian |
In convertendo Dominus; Te Deum |
|
Ludomir Różycki |
1883 |
1953 |
Polish |
|
|
Theophrastos Sakellaridis |
1883 |
1950 |
Greek |
|
|
Maximilian Steinberg |
1883 |
1946 |
Russian |
|
|
Fritz Stiedry |
1883 |
1968 |
Austrian |
|
|
Peeter Süda |
1883 |
1920 |
Estonian |
|
|
Enrico Toselli |
1883 |
1926 |
Italian |
Serenata 'Rimpianto' Op. 6 No. 1 |
|
Edgard Varèse |
1883 |
1965 |
French |
Amériques; Ionisation; Arcana; Density 21.5 |
Musique concrète, Electronic music
|
Anton Webern |
1883 |
1945 |
Austrian |
Symphony; Six Pieces for Orchestra |
twelve-tone technique, serialism, polystylism; pupil of Arnold Schoenberg
|
Bedřich Antonín Wiedermann |
1883 |
1951 |
Czech |
|
|
Riccardo Zandonai |
1883 |
1944 |
Italian |
|
|
Juhan Aavik |
1884 |
1982 |
Estonian |
|
|
Dina Appeldoorn |
1884 |
1938 |
Dutch |
|
|
Boris Asafyev |
1884 |
1949 |
Russian |
|
|
Ralph Benatzky |
1884 |
1957 |
Czech |
|
|
York Bowen |
1884 |
1961 |
English |
|
|
May Brahe |
1884 |
1956 |
Australian |
Bless This House and other songs |
|
Max Brod |
1884 |
1968 |
Czech |
|
|
Charles Griffes |
1884 |
1920 |
American |
|
|
Louis Gruenberg |
1884 |
1964 |
Russian |
The Emperor Jones (opera) |
|
Juozas Gruodis |
1884 |
1948 |
Lithuanian |
|
|
Marguerite Béclard d'Harcourt |
1884 |
1964 |
French |
|
|
Jonny Heykens |
1884 |
1945 |
Dutch |
|
|
Jurgis Karnavičius |
1884 |
1941 |
Lithuanian |
|
|
Raoul Koczalski |
1884 |
1948 |
Polish |
Piano Concerto, Op. 83 |
|
Boris Levenson |
1884 |
1947 |
Russian-born American |
|
|
Ture Rangström |
1884 |
1947 |
Swedish |
four symphonies |
|
Jaime Teixidor |
1884 |
1957 |
Spanish |
|
|
Wintter Watts |
1884 |
1962 |
American |
|
|
Xiao Youmei |
1884 |
1940 |
Chinese |
|
|
Alexander Albrecht |
1885 |
1958 |
Slovak |
|
|
Pedro Humberto Allende |
1885 |
1959 |
Chilean |
|
|
Agustín Barrios |
1885 |
1944 |
Paraguayan |
|
|
Alban Berg |
1885 |
1935 |
Austrian |
Violin Concerto; Wozzeck; Lyric Suite |
serialism, Romanticism, expressionism, polystylism; pupil of Arnold Schoenberg
|
George Butterworth |
1885 |
1916 |
English |
|
|
Henri Collet |
1885 |
1951 |
French |
|
|
Dimitrie Cuclin |
1885 |
1978 |
Romanian |
|
several exceptionally long symphonies
|
Benjamin Dale |
1885 |
1943 |
English |
|
|
Ernest Farrar |
1885 |
1918 |
English |
|
|
Julius Harrison |
1885 |
1963 |
English |
|
|
Stevan Hristić |
1885 |
1958 |
Serbian |
|
|
Werner Josten |
1885 |
1963 |
German |
|
|
Heino Kaski |
1885 |
1957 |
Finnish |
|
|
Eduard Künneke |
1885 |
1953 |
German |
Der Vetter aus Dingsda |
|
Artur Lemba |
1885 |
1963 |
Estonian |
|
|
Adriano Lualdi |
1885 |
1971 |
Italian |
|
|
Hildor Lundvik |
1885 |
1951 |
Swedish |
|
|
Dora Pejačević |
1885 |
1923 |
Croatian |
Symphony in F-sharp Minor, Phantasie Concertante |
|
Wallingford Riegger |
1885 |
1961 |
American |
Symphony No. 3 |
|
Siegfried Salomon |
1885 |
1962 |
Danish |
|
|
Carlos Salzedo |
1885 |
1961 |
French |
|
|
Juhan Simm |
1885 |
1959 |
Estonian |
|
|
Edith Swepstone |
1885 |
1930 |
English |
|
|
Paul van Katwijk |
1885 |
1974 |
Dutch-American |
|
|
Leó Weiner |
1885 |
1960 |
Hungarian |
|
|
Egon Wellesz |
1885 |
1974 |
Austrian |
Nine symphonies |
|
Mana-Zucca |
1885 |
1981 |
American |
|
|
Joseph Achron |
1886 |
1943 |
Russian |
Hebrew Melody |
|
Arseny Avraamov |
1886 |
1944 |
Russian |
|
avant-garde
|
Edward Ballantine |
1886 |
1971 |
American |
Variations on "Mary Had a Little Lamb" for piano |
|
John J. Becker |
1886 |
1961 |
American |
|
|
Rebecca Clarke |
1886 |
1979 |
English |
|
|
Eric Coates |
1886 |
1957 |
English |
|
|
Ellen Coleman |
1886 |
1973 |
English |
|
|
Edward Joseph Collins |
1886 |
1951 |
American |
|
|
Marcel Dupré |
1886 |
1971 |
French |
Organ music |
|
Wilhelm Furtwängler |
1886 |
1954 |
German |
Symphony No. 1 in B minor, Symphony No. 2 in E minor, Symphony No. 3 in C♯ minor, Piano Quintet, Religöser Hymnus, Te Deum for Choir and Orchestra |
neoclassicism, folk-influenced, twelve-tone technique
|
Henri Gagnebin |
1886 |
1977 |
Belgian-born Swiss |
|
|
Carlo Giorgio Garofalo |
1886 |
1962 |
Italian |
|
|
Jesús Guridi |
1886 |
1961 |
Spanish |
Sinfonia pirenaica |
|
Elizabeth Gyring |
1886 |
1970 |
American |
|
|
Algot Haquinius |
1886 |
1966 |
Swedish |
|
|
Jef van Hoof |
1886 |
1959 |
Belgian |
|
|
Ethel Leginska |
1886 |
1970 |
British |
|
|
Paul Paray |
1886 |
1979 |
French |
Mass for the 500th Anniversary of the Death of Joan of Arc |
|
Emilio Pujol |
1886 |
1980 |
Spanish |
|
|
Othmar Schoeck |
1886 |
1957 |
Swiss |
Penthesilea |
|
Ole Windingstad |
1886 |
1959 |
Norwegian-American |
|
|
Kosaku Yamada |
1886 |
1965 |
Japanese |
Overture in D major |
|
Pietro Yon |
1886 |
1943 |
Italian |
Gesù bambino |
|
Willem Andriessen |
1887 |
1964 |
Dutch |
Piano Concerto in D♭ major |
|
Kurt Atterberg |
1887 |
1974 |
Swedish |
Symphony No. 6 "Dollar Symphony" |
|
Nadia Boulanger |
1887 |
1979 |
French |
|
|
Nicolae Bretan |
1887 |
1968 |
Romanian |
|
|
Lawrance Collingwood |
1887 |
1982 |
English |
|
|
Mildred Couper |
1887 |
1974 |
American |
|
quarter tone
|
Heino Eller |
1887 |
1970 |
Estonian |
|
|
Emilia Gubitosi |
1887 |
1972 |
Italian |
|
|
Henry Ley |
1887 |
1962 |
English |
|
|
Oskar Lindberg |
1887 |
1955 |
Swedish |
|
|
Leevi Madetoja |
1887 |
1947 |
Finnish |
Symphony No. 1 (1916), Symphony No. 2 (1918), Symphony No. 3 (1926), the opera The Ostrobothnians (1923), the ballet-pantomime Okon Fuoko (1927), and Elegia (1909). |
Student of Jean Sibelius, 1908–10.
|
Zorko Prelovec |
1887 |
1939 |
Slovenian |
|
|
Florence Price |
1887 |
1953 |
American |
|
|
Ernest Pingoud |
1887 |
1942 |
Finnish |
|
|
Anatol Provazník |
1887 |
1950 |
Czech |
|
|
Emil Reesen |
1887 |
1964 |
Danish |
|
Operas
|
Stasys Šimkus |
1887 |
1943 |
Lithuanian |
|
|
Rudi Stephan |
1887 |
1915 |
German |
|
Romanticism
|
Heinz Tiessen |
1887 |
1971 |
German |
|
|
Ernst Toch |
1887 |
1964 |
German |
7 symphonies |
|
Max Trapp |
1887 |
1971 |
German |
|
|
Heitor Villa-Lobos |
1887 |
1959 |
Brazilian |
Chôros; Bachianas brasileiras; Magdalena: a Musical Adventure; Rudepoêma; |
neoclassicism, folk-influenced
|
Anatoly Nikolayevich Alexandrov |
1888 |
1982 |
Russian |
|
|
May Aufderheide |
1888 |
1972 |
American |
|
|
Carmen Barradas |
1888 |
1963 |
Uruguayan |
|
|
Vasyl Barvinsky |
1888 |
1963 |
Ukrainian |
|
|
Johanna Beyer |
1888 |
1944 |
German-American |
|
|
Emil Bohnke |
1888 |
1928 |
German |
|
|
Ina Boyle |
1888 |
1967 |
Irish |
|
|
Philip Greeley Clapp |
1888 |
1954 |
American |
12 symphonies |
|
Cecil Coles |
1888 |
1918 |
Scottish |
|
|
Claude Delvincourt |
1888 |
1954 |
French |
|
|
Ilse Fromm-Michaels |
1888 |
1986 |
German |
|
|
Anna Maria Klechniowska |
1888 |
1973 |
Polish |
|
|
Ion Nonna Otescu |
1888 |
1940 |
Romanian |
|
|
Julie Reisserová |
1888 |
1938 |
Czech |
|
|
Maria Rodrigo |
1888 |
1967 |
Spanish |
|
|
Poul Schierbeck |
1888 |
1949 |
Danish |
|
|
Alexei Stanchinsky |
1888 |
1914 |
Russian |
|
|
Cristòfor Taltabull |
1888 |
1964 |
Catalan |
|
|
Matthijs Vermeulen |
1888 |
1967 |
Dutch |
Seven symphonies |
|
Gabriel von Wayditch |
1888 |
1969 |
Hungarian-American |
|
|
Emiliana de Zubeldia |
1888 |
1987 |
Spanish |
|
|
Alton Adams |
1889 |
1987 |
American |
|
|
Aksel Agerby |
1889 |
1942 |
Danish |
|
|
Harald Agersnap |
1889 |
1982 |
Danish |
|
|
Felix Arndt |
1889 |
1918 |
American |
|
|
Grigoraș Dinicu |
1889 |
1949 |
Romanian |
|
|
Armstrong Gibbs |
1889 |
1960 |
English |
|
|
Ethel Glenn Hier |
1889 |
1971 |
American |
|
|
Václav Kaprál |
1889 |
1947 |
Czech |
|
|
Cyrillus Kreek |
1889 |
1962 |
Estonian |
|
|
Egon Ledeč |
1889 |
1944 |
Czech |
|
|
Rudolf Mauersberger |
1889 |
1971 |
German |
|
|
Vilém Petrželka |
1889 |
1969 |
Czech |
|
|
Karl Rautio |
1889 |
1963 |
Finnish |
|
|
Levko Revutsky |
1889 |
1977 |
Ukrainian |
Piano Concerto in F major |
|
Vladimir Shcherbachov |
1889 |
1952 |
Russian |
|
|
Johannes Andersen |
1890 |
1980 |
Danish |
|
|
Ernest Bullock |
1890 |
1979 |
English |
|
|
Victor Dolidze |
1890 |
1933 |
Soviet Georgian |
|
|
Samuil Feinberg |
1890 |
1962 |
Russian and Soviet |
|
|
Luís de Freitas Branco |
1890 |
1955 |
Portuguese |
|
|
Hans Gál |
1890 |
1987 |
Austrian |
|
|
Carlos Gardel |
1890 |
1935 |
French |
|
|
Ivor Gurney |
1890 |
1937 |
English |
|
|
Pauline Hall |
1890 |
1969 |
Norwegian |
|
|
Jacques Ibert |
1890 |
1962 |
French |
Concertino da camera; Escales |
neoclassicism impressionism
|
Philip James |
1890 |
1975 |
American |
|
|
Sándor Jemnitz |
1890 |
1963 |
Hungarian |
|
|
Kathleen Lockhart Manning |
1890 |
1951 |
American |
|
|
Frank Martin |
1890 |
1974 |
Swiss |
Ballade for flute and piano; Petite symphonie concertante |
|
Bohuslav Martinů |
1890 |
1959 |
Czech |
Double Concerto for Two String Orchestras, Piano, and Timpani, Symphony No. 3, No. 4, and No. 6; operas Julietta and The Greek Passion; Gilgamesh (oratorio) |
neoclassicism, folk-influenced
|
Yves Nat |
1890 |
1956 |
French |
|
|
Gösta Nystroem |
1890 |
1966 |
Swedish |
|
|
Eda Rapoport |
1890 |
1968 |
American |
|
|
Morishige Takei |
1890 |
1947 |
Japanese |
|
|
Otto Albert Tichý |
1890 |
1973 |
Czech |
|
|
Roy Agnew |
1891 |
1944 |
Australian |
|
|
Schahan Berberian |
1891 |
1956 |
Armenian |
|
|
Arthur Bliss |
1891 |
1975 |
English |
A Colour Symphony |
|
Benjamin Burrows |
1891 |
1966 |
English |
|
|
Claude Champagne |
1891 |
1965 |
Canadian |
|
|
Noël Gallon |
1891 |
1966 |
French |
|
|
Marcel Grandjany |
1891 |
1975 |
French |
Pieces for harp; Headed Harp Dept at Fontainebleau & Juilliard |
Noted harpist and teacher
|
Thomas Griselle |
1891 |
1955 |
American |
|
|
Karel Boleslav Jirák |
1891 |
1972 |
Czechoslovak |
|
|
Mihail Jora |
1891 |
1971 |
Romanian |
|
|
Alexander Kasyanov |
1891 |
1982 |
Soviet Russian |
|
|
Frida Kern |
1891 |
1988 |
Austrian |
|
|
Karl King |
1891 |
1971 |
American |
"Barnum and Bailey's Favorite" |
Marches
|
Florentina Mallá |
1891 |
1973 |
Czech |
|
|
Federico Moreno Tórroba |
1891 |
1982 |
Spanish |
|
classical guitar
|
Edmund Nick |
1891 |
1974 |
German |
|
|
Sergei Prokofiev |
1891 |
1953 |
Russian |
Romeo and Juliet; The Love for Three Oranges; Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; Peter and the Wolf |
neoclassicism, Romanticism
|
Alexis Roland-Manuel |
1891 |
1966 |
French |
|
|
Philip Sainton |
1891 |
1967 |
British-French |
|
|
W. K. Stanton |
1891 |
1978 |
English |
|
|
Catherine Murphy Urner |
1891 |
1942 |
American |
|
|
Paul Abraham |
1892 |
1960 |
Hungarian |
|
operettas
|
Isidor Achron |
1892 |
1948 |
Polish |
|
|
Hendrik Andriessen |
1892 |
1981 |
Dutch |
|
father of Louis Andriessen
|
Samuel L. M. Barlow |
1892 |
1982 |
American |
|
|
Johanna Bordewijk-Roepman |
1892 |
1971 |
Dutch |
|
|
Hans Bottermund |
1892 |
1949 |
German |
|
|
Augusto Brandt |
1892 |
1942 |
Venezuelan |
|
|
Katherine Kennicott Davis |
1892 |
1980 |
American |
|
|
Giorgio Federico Ghedini |
1892 |
1965 |
Italian |
|
|
Ferde Grofé |
1892 |
1972 |
American |
Grand Canyon Suite; Mississippi Suite |
|
Ilmari Hannikainen |
1892 |
1955 |
Finnish |
|
Romanticism
|
Sandor Harmati |
1892 |
1936 |
Hungarian-American |
|
|
Mirrie Hill |
1892 |
1986 |
Australian |
|
|
Arthur Honegger |
1892 |
1955 |
Swiss |
Symphony No. 3 "Liturgique"; Pacific 231 |
neoclassicism; also a composer of film music: Les Misérables
|
Herbert Howells |
1892 |
1983 |
English |
Hymnus paradisi |
|
Frank Hutchens |
1892 |
1965 |
Australian |
|
|
William G. James |
1892 |
1977 |
Australian |
|
|
Knud Jeppesen |
1892 |
1974 |
Danish |
|
|
Otakar Jeremiáš |
1892 |
1962 |
Czech |
|
|
Yrjö Kilpinen |
1892 |
1959 |
Finnish |
|
neoclassical
|
Fritz Heinrich Klein |
1892 |
1977 |
Austrian |
|
|
Jaroslav Kvapil |
1892 |
1958 |
Czech |
|
|
László Lajtha |
1892 |
1963 |
Hungarian |
|
|
Arthur Lourié |
1892 |
1966 |
Russian |
|
|
Darius Milhaud |
1892 |
1974 |
French |
La Création du Monde; Le Bœuf sur le toit |
jazz-influenced, neoclassical, polytonal
|
John Jacob Niles |
1892 |
1980 |
American |
|
|
Nikolai Obukhov |
1892 |
1954 |
Russian |
|
|
Felix Petyrek |
1892 |
1951 |
Austrian |
|
|
Hilding Rosenberg |
1892 |
1985 |
Swedish |
Violin Concerto |
|
Kaikhosru Shapurji Sorabji |
1892 |
1988 |
English |
Opus clavicembalisticum; Études transcendantes (100); Sequentia cyclica super "Dies irae" ex Missa pro defunctis; Piano Symphony No. 2; "Gulistān" – Nocturne for Piano |
neoclassical, neoromantic, postimpressionistic
|
Germaine Tailleferre |
1892 |
1983 |
French |
|
|
Jean Absil |
1893 |
1974 |
Belgian |
|
|
Arthur Benjamin |
1893 |
1960 |
Australian |
Jamaican Rhumba |
|
Georges Boulanger |
1893 |
1958 |
Romanian |
|
|
Lili Boulanger |
1893 |
1918 |
French |
|
|
Marta Canales |
1893 |
1986 |
Chilean |
|
|
Osvald Chlubna |
1893 |
1971 |
Czech |
|
|
Zinovy Feldman |
1893 |
1942 |
Russian |
|
|
Aleksandr Gauk |
1893 |
1963 |
Russian/Soviet |
|
|
Eugene Aynsley Goossens |
1893 |
1962 |
English |
|
|
Dorothy Gow |
1893 |
1982 |
English |
|
|
Hambarsoom Grigorian |
1893 |
1975 |
Armenian |
|
|
Alois Hába |
1893 |
1973 |
Czech |
Matka |
microtonal
|
Helen Eugenia Hagan |
1893 |
1964 |
American |
|
|
Rued Langgaard |
1893 |
1952 |
Danish |
16 symphonies, The Music of the Spheres, Antikrist |
|
Franz Mittler |
1893 |
1970 |
Austrian |
|
|
Federico Mompou |
1893 |
1987 |
Spanish |
piano music |
|
Douglas Moore |
1893 |
1969 |
American |
The Ballad of Baby Doe, The Devil and Daniel Webster (Folk opera) |
|
Ivor Novello |
1893 |
1951 |
Welsh |
|
|
Leo Ornstein |
1893 |
2002 |
American (Russian-born) |
Wild Men's Dance, Suicide in an Airplane, 8 piano sonatas, Piano Quintet, 3 String Quartets |
avant-garde, later neoromanticism
|
Charles Wilfred Orr |
1893 |
1976 |
English |
Songs |
|
Sergei Protopopov |
1893 |
1954 |
Russian |
3 piano sonatas |
Avant-garde
|
Bernard Rogers |
1893 |
1968 |
American |
|
|
John Laurence Seymour |
1893 |
1986 |
American |
|
|
Marcel Tyberg |
1893 |
1944 |
Austrian |
|
|
Stanisław Wiechowicz |
1893 |
1963 |
Polish |
|
|
Pylyp Kozytskiy |
1893 |
1960 |
Ukrainian |
In memory of the Bolsheviks (1951) |
avant-garde
|
Hugo Chaim Adler |
1894 |
1955 |
Belgian |
|
|
Aaron Avshalomov |
1894 |
1965 |
Russian |
|
|
Krešimir Baranović |
1894 |
1975 |
Yugoslav |
|
|
Robert Russell Bennett |
1894 |
1981 |
American |
Broadway arrangements; pieces for band |
|
Pavel Bořkovec |
1894 |
1972 |
Czech |
|
|
Paul Dessau |
1894 |
1979 |
German |
|
|
Sabin Drăgoi |
1894 |
1968 |
Romanian |
Piano Concerto |
|
Kalitha Dorothy Fox |
1894 |
1934 |
English |
|
|
Wilhelm Grosz |
1894 |
1939 |
Austrian |
|
|
Žiga Hirschler |
1894 |
1941 |
Croatian |
|
|
Edmund Jenkins |
1894 |
1926 |
American |
|
|
Jane Joseph |
1894 |
1929 |
English |
|
|
Filip Lazăr |
1894 |
1936 |
Romanian |
|
avant-garde
|
Ernest John Moeran |
1894 |
1950 |
English |
Symphony in G minor |
folk-influenced
|
Willem Pijper |
1894 |
1947 |
Dutch |
Six Adagios; Piano Concerto |
atonality
|
Walter Piston |
1894 |
1976 |
American |
The Incredible Flutist (ballet); Symphony No. 2, No. 3, No. 6, and No. 7 |
Neoclassicism
|
Władysław Raczkowski |
1894 |
1959 |
Polish |
|
|
Erwin Schulhoff |
1894 |
1942 |
Czech |
|
|
Nicolas Slonimsky |
1894 |
1995 |
Russian-born American |
|
|
Albert Stoessel |
1894 |
1943 |
American |
|
|
Bernard Wagenaar |
1894 |
1971 |
Dutch/American |
|
|
Peter Warlock |
1894 |
1930 |
Anglo-Welsh |
Capriol Suite, The Curlew |
|
Vally Weigl |
1894 |
1982 |
Austrian-American |
|
|
Mark Wessel |
1894 |
1973 |
American |
The King of Babylon; Concertino for Flute or Violin and Orchestra |
|
August Baeyens |
1895 |
1966 |
Belgian |
|
|
Henriëtte Bosmans |
1895 |
1952 |
Dutch |
|
|
Jorge Bravo de Rueda |
1895 |
1940 |
Peruvian |
|
|
Bjarne Brustad |
1895 |
1978 |
Norwegian |
|
|
Mario Castelnuovo-Tedesco |
1895 |
1968 |
Italian |
Naomi and Ruth; guitar music |
|
Juan José Castro |
1895 |
1968 |
Argentine |
|
|
Ernest Charles |
1895 |
1984 |
American |
|
|
Georges Dandelot |
1895 |
1975 |
French |
|
|
Johann Nepomuk David |
1895 |
1977 |
Austrian |
|
neoclassical
|
Nico Dostal |
1895 |
1981 |
Austrian |
|
|
Lindley Evans |
1895 |
1982 |
South African-born Australian |
|
|
Jakov Gotovac |
1895 |
1982 |
Croatian |
|
|
Ivo Tijardović |
1895 |
1976 |
Croatian |
|
|
Paul Hindemith |
1895 |
1963 |
German |
Symphonic Metamorphosis of Themes by Carl Maria von Weber; Mathis der Maler; Ludus Tonalis' |
neoclassicism, Expressionism
|
Gordon Jacob |
1895 |
1984 |
English |
|
|
Eva Jessye |
1895 |
1992 |
American |
|
|
Rudolf Kattnigg |
1895 |
1955 |
Austrian |
|
|
Ernesto Lecuona |
1895 |
1963 |
Cuban |
|
|
Ernst Levy |
1895 |
1981 |
Swiss |
|
|
Borys Lyatoshynsky |
1895 |
1968 |
Ukrainian |
|
|
Carl Orff |
1895 |
1982 |
German |
Carmina Burana |
polystylism
|
Slavko Osterc |
1895 |
1941 |
Slovenian |
Symphony |
|
Kathleen Richards |
1895 |
1984 |
English |
|
|
Dane Rudhyar |
1895 |
1985 |
French |
|
|
Boris Sobinov |
1895 |
1956 |
Russian |
|
|
Leo Sowerby |
1895 |
1968 |
American |
|
|
William Grant Still |
1895 |
1978 |
American |
5 symphonies, including Symphony No. 1 "Afro-American"; Troubled Island (opera), A Bayou Legend (opera) |
folk-influenced; known as "the Dean" of African-American composers
|
Eduard Toldrà |
1895 |
1962 |
Spanish |
|
|
Maria Bach |
1896 |
1978 |
Austrian |
Piano Quartet |
|
Erling Brene |
1896 |
1980 |
Danish |
|
|
František Brož |
1896 |
1962 |
Czech |
|
|
Shirley Graham Du Bois |
1896 |
1977 |
American |
|
|
Eduard Erdmann |
1896 |
1958 |
German |
|
|
Jacobo Ficher |
1896 |
1978 |
Argentine |
10 symphonies; 3 piano concertos; chamber music; El Oso (opera, after Chekhov) |
eclectic
|
Roberto Gerhard |
1896 |
1970 |
Spanish |
|
|
Howard Hanson |
1896 |
1981 |
American |
7 symphonies |
Romanticism
|
Józef Koffler |
1896 |
1944 |
Polish |
|
|
Viktor Kosenko |
1896 |
1938 |
Ukrainian |
Piano concerto |
|
Dimitri Mitropoulos |
1896 |
1960 |
Greek |
|
|
María Teresa Prieto |
1896 |
1982 |
Spanish |
|
|
Jean Rivier |
1896 |
1987 |
French |
|
|
Leroy Robertson |
1896 |
1971 |
American |
|
|
Roger Sessions |
1896 |
1985 |
American |
9 symphonies, Violin Concerto, Montezuma |
neoclassicism, twelve-tone technique
|
Petko Staynov |
1896 |
1977 |
Bulgarian |
|
|
Bolesław Szabelski |
1896 |
1979 |
Polish |
|
|
George Thalben-Ball |
1896 |
1986 |
British |
|
|
Virgil Thomson |
1896 |
1989 |
American |
Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic |
folk-influenced, eclectic
|
Wladimir Vogel |
1896 |
1984 |
Swiss |
|
|
Jaromír Weinberger |
1896 |
1967 |
Czech |
Schwanda the Bagpiper |
|
Sergei Aslamazyan |
1897 |
1978 |
Soviet Armenian |
|
|
Břetislav Bakala |
1897 |
1958 |
Czech |
|
|
Paul Ben-Haim |
1897 |
1984 |
Israeli |
|
|
Jørgen Bentzon |
1897 |
1951 |
Danish |
|
|
Gaspar Cassadó |
1897 |
1966 |
Spanish |
Toccata, Requiebros |
|
Henry Cowell |
1897 |
1965 |
American |
The Tides of Manaunaun, Dynamic Motion |
eclectic, experimental
|
Oscar Lorenzo Fernández |
1897 |
1948 |
Brazilian |
"Batuque" from Malazarte |
nationalism
|
António Fragoso |
1897 |
1918 |
Portuguese |
|
|
Luis Gianneo |
1897 |
1968 |
Argentine |
|
|
Sim Gokkes |
1897 |
1943 |
Dutch |
|
Modernist
|
Yefim Golyshev |
1897 |
1970 |
Ukrainian |
String Trio |
|
Hermann Heiss |
1897 |
1966 |
German |
|
|
Harrison Kerr |
1897 |
1978 |
American |
|
|
Erich Wolfgang Korngold |
1897 |
1957 |
Austrian |
Violin Concerto |
also composed film music: Die Tote Stadt
|
György Kósa |
1897 |
1984 |
Hungarian |
|
|
Agustín Lara |
1897 |
1970 |
Mexican |
Granada |
|
Theo Mackeben |
1897 |
1953 |
German |
|
|
Enrico Mainardi |
1897 |
1976 |
Italian |
|
|
Karl Marx |
1897 |
1985 |
German |
|
|
Benna Moe |
1897 |
1983 |
Danish |
|
|
Hermann Neuling |
1897 |
1967 |
German |
|
|
Fernando Obradors |
1897 |
1945 |
Spanish |
Canciones clásicas españolas |
|
Quincy Porter |
1897 |
1966 |
American |
2 symphonies, 9 string quartets, Piano Quintet, Concerto concertante for two pianos and orchestra |
|
Jaroslav Řídký |
1897 |
1956 |
Czech |
|
|
Knudåge Riisager |
1897 |
1974 |
Denmark |
|
|
Harald Sæverud |
1897 |
1992 |
Norwegian |
Peer Gynt, 9 symphonies |
|
Pablo Sorozábal |
1897 |
1988 |
Spanish |
|
|
Margaret Sutherland |
1897 |
1984 |
Australian |
Violin Concerto Haunted Hills |
|
Kay Swift |
1897 |
1993 |
American |
|
|
Alexandre Tansman |
1897 |
1986 |
French (Polish-born) |
|
|
Terig Tucci |
1897 |
1973 |
Argentine |
|
|
Alexander Abramsky |
1898 |
1985 |
Russian |
|
folk-influenced
|
Thomas Armstrong |
1898 |
1994 |
English |
|
|
Ernst Bacon |
1898 |
1990 |
American |
|
|
Edward Boatner |
1898 |
1981 |
American |
|
|
Carlton Cooley |
1898 |
1981 |
American |
|
|
Norman Demuth |
1898 |
1968 |
English |
|
|
Hanns Eisler |
1898 |
1962 |
German/Austrian |
Auferstanden aus Ruinen (Eastern Germany national anthem) |
|
George Gershwin |
1898 |
1937 |
American |
Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess |
jazz-influenced; also a composer of popular songs
|
Barbara Giuranna |
1898 |
1998 |
Italian |
|
|
Ebbe Hamerik |
1898 |
1951 |
Danish |
|
|
Roy Harris |
1898 |
1979 |
American |
Symphony No. 3 |
neotonality
|
Tibor Harsányi |
1898 |
1954 |
Hungarian |
|
|
Alberto Hemsi |
1898 |
1976 |
Turkish |
|
|
Dorothy Howell |
1898 |
1982 |
English |
|
|
Maurice Journeau |
1898 |
1999 |
French |
|
|
Lev Knipper |
1898 |
1974 |
Russian |
|
|
Jeanne Leleu |
1898 |
1979 |
French |
|
|
Marcel Mihalovici |
1898 |
1985 |
French (Romanian-born) |
Krapp, ou, La dernière bande |
neoclassicism, serialism, etc.; folk-influenced
|
Günther Ramin |
1898 |
1956 |
German |
|
|
Vittorio Rieti |
1898 |
1994 |
Italian |
|
|
Rito Selvaggi |
1898 |
1972 |
Italian |
|
|
María Luisa Sepúlveda |
1898 |
1958 |
Chilean |
|
|
Viktor Ullmann |
1898 |
1944 |
Austrian |
|
|
Ephraim Amu |
1899 |
1995 |
Ghanaian |
|
|
Georges Auric |
1899 |
1983 |
French |
|
|
William Baines |
1899 |
1922 |
English |
|
|
Mansi Barberis |
1899 |
1986 |
Romanian |
|
|
Radie Britain |
1899 |
1994 |
American |
|
|
Carlos Chávez |
1899 |
1978 |
Mexican |
Sinfonía de Antígona, Sinfonía india, Symphony No. 6, Toccata for percussion instruments, The Visitors (opera) |
modernist, primitivist, folk-influenced, neoclassicism, serialist
|
Frederic Curzon |
1899 |
1973 |
English |
|
|
Arthur Duff |
1899 |
1956 |
Irish |
|
|
Sophie Carmen Eckhardt-Gramatté |
1899 |
1974 |
Russian-born Canadian |
|
|
Yusef Greiss |
1899 |
1961 |
Egyptian |
|
|
Patrick Hadley |
1899 |
1973 |
British |
|
|
Pavel Haas |
1899 |
1944 |
Czech |
|
|
Eduardo Hernández Moncada |
1899 |
1995 |
Mexican |
|
|
Finn Høffding |
1899 |
1997 |
Danish |
|
|
Albert Huybrechts |
1899 |
1938 |
Belgian |
|
|
Hans Krása |
1899 |
1944 |
Czech |
|
|
Ricard Lamote de Grignon |
1899 |
1962 |
Catalan Spanish |
|
|
Jón Leifs |
1899 |
1968 |
Icelandic |
Oratorios based on Edda |
idiosyncratic orchestration and percussion used to evoke Icelandic natural phenomena
|
Marcelle de Manziarly |
1899 |
1989 |
French |
|
|
Harl McDonald |
1899 |
1955 |
American |
|
|
George Frederick McKay |
1899 |
1970 |
American |
|
|
Duke Ellington |
1899 |
1974 |
American |
|
|
Francis Poulenc |
1899 |
1963 |
French |
Babar the Elephant; Flute Sonata Stabat Mater |
neoclassicism
|
Silvestre Revueltas |
1899 |
1940 |
Mexican |
Janitzio, Homenaje a Federico García Lorca, Sensemayá |
nationalist, political music, primitivist, popular-music influence. modernism
|
Herbert Sumsion |
1899 |
1995 |
English |
|
|
Alexander Tcherepnin |
1899 |
1977 |
Russian |
|
|
Randall Thompson |
1899 |
1984 |
American |
Alleluia; The Testament of Freedom |
|
Pancho Vladigerov |
1899 |
1978 |
Bulgarian |
4 piano concertos |
folk-influenced
|
Franz Salmhofer |
1900 |
1975 |
Austrian |
Lieder: Heiteres Herbarium |
Late romantic / progressive
|
Evald Aav |
1900 |
1939 |
Estonian |
|
|
Kai Normann Andersen |
1900 |
1967 |
Danish |
|
|
George Antheil |
1900 |
1959 |
American |
Ballet mécanique; Symphony No. 4 |
avant-garde, modernism, later neoclassical
|
Henry Barraud |
1900 |
1997 |
French |
Concertino for piano, flute, clarinet, horn, bassoon and chamber orchestra |
|
Nicolai Berezowsky |
1900 |
1953 |
Russian-American |
Christmas Festival Overture (Ukrainian Noel), Duo for Clarinet and Viola |
|
Willy Burkhard |
1900 |
1955 |
Swiss |
|
|
Alan Bush |
1900 |
1995 |
English |
|
|
Lola Castegnaro |
1900 |
1979 |
Costa Rican |
|
|
Niels Clemmensen |
1900 |
1950 |
Danish |
|
|
Aaron Copland |
1900 |
1990 |
American |
Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto |
neoclassical, folk-influenced, jazz-influenced, early twelve-tone, later serialism
|
Isaak Dunayevsky |
1900 |
1955 |
Russian |
|
|
Pierre-Octave Ferroud |
1900 |
1936 |
French |
|
|
Isadore Freed |
1900 |
1960 |
Belarusian-born American |
|
|
Grigori Gamburg |
1900 |
1967 |
Russian |
|
|
Hector Gratton |
1900 |
1970 |
Canadian |
|
|
Gotfrid Hasanov |
1900 |
1965 |
Russian |
|
|
Hans Haug |
1900 |
1967 |
Swiss |
|
|
Michael Head |
1900 |
1976 |
British |
|
|
Maurice Jaubert |
1900 |
1940 |
French |
|
|
Yasuji Kiyose |
1900 |
1981 |
Japanese |
|
|
Uuno Klami |
1900 |
1961 |
Finnish |
Sea Pictures; Kalevala Suite |
|
Paul Kletzki |
1900 |
1973 |
Polish |
|
|
Ernst Krenek |
1900 |
1991 |
Austrian |
Jonny spielt auf, Karl V |
neoclassical, twelve-tone, later serial, neoromantic, eclectic
|
Otto Luening |
1900 |
1996 |
American |
|
|
Colin McPhee |
1900 |
1964 |
Canadian |
Tabuh-Tabuhan: Toccata for Orchestra |
folk-influenced
|
Alexander Mosolov |
1900 |
1973 |
Russian |
Iron Foundry |
avant-garde
|
Henri Pensis |
1900 |
1958 |
Luxembourger |
|
|
Fred Raymond |
1900 |
1954 |
Austrian |
|
operettas; also composed film music
|
Hermann Reutter |
1900 |
1985 |
German |
|
|
Amadeo Roldán |
1900 |
1939 |
Cuban |
Rítmicas Nos. 5 and 6 |
|
Hans Schimmerling |
1900 |
1967 |
Czech |
|
|
Bernd Scholz |
1900 |
1969 |
German |
|
|
Leo Smit |
1900 |
1943 |
Dutch |
|
|
Marko Tajčević |
1900 |
1984 |
Serbian |
|
|
Zdenka Ticharich |
1900 |
1979 |
Hungarian |
|
|
Elinor Remick Warren |
1900 |
1991 |
American |
|
|
Kurt Weill |
1900 |
1950 |
German/American |
2 symphonies; String Quartets; "Die Dreigroschenoper"; Aufstieg und Fall der Stadt Mahagonny; "Mahagonny-Songspiel"; several Broadway musicals |
neoclassical
|
David Wynne |
1900 |
1983 |
Welsh |
|
|
Walther Aeschbacher |
1901 |
1969 |
Swiss |
|
|
Karel Albert |
1901 |
1987 |
Belgian |
Marieken van Niemeghen (incidental music); four symphonies |
constructionist, neoclassical, twelve-tone technique
|
Blaž Arnič |
1901 |
1970 |
Slovenian |
|
neoromanticism
|
Conrad Beck |
1901 |
1989 |
Swiss |
|
|
Ruth Crawford Seeger |
1901 |
1953 |
American |
String Quartet |
modernism
|
Gerald Finzi |
1901 |
1956 |
English |
Cello Concerto; songs |
neoromantic
|
Lillian Fuchs |
1901 |
1995 |
American |
|
|
Eivind Groven |
1901 |
1977 |
Norwegian |
|
|
Povl Hamburger |
1901 |
1972 |
Danish |
|
|
Victor Hely-Hutchinson |
1901 |
1947 |
British |
|
|
Emil Hlobil |
1901 |
1987 |
Czechoslovakian |
|
|
Dorothy James |
1901 |
1982 |
American |
|
|
Olav Kielland |
1901 |
1985 |
Norwegian |
|
|
Boris Koutzen |
1901 |
1966 |
Russian-American |
|
|
Rudolf Matz |
1901 |
1988 |
Croatian |
|
|
William McKie |
1901 |
1984 |
Australian |
|
|
Dimitar Nenov |
1901 |
1953 |
Bulgarian |
Toccata |
|
Harry Partch |
1901 |
1974 |
American |
Daphne of the Dunes, Revelation in the Courthouse Park |
microtonal, just intonation, self-built instruments
|
Juan Carlos Paz |
1901 |
1972 |
Argentine |
|
twelve-tone technique and serialism
|
Marcel Poot |
1901 |
1988 |
Belgian |
|
|
Bernard Reichel |
1901 |
1992 |
Swiss |
|
|
Joaquín Rodrigo |
1901 |
1999 |
Spanish |
Concierto de Aranjuez; guitar music |
neoclassical, folk music influence
|
Heinz Eric Roemheld |
1901 |
1985 |
American |
|
|
Kjell Roikjer |
1901 |
1999 |
Danish |
|
|
Edmund Rubbra |
1901 |
1986 |
English |
|
|
Henri Sauguet |
1901 |
1989 |
French |
|
|
Henri Tomasi |
1901 |
1971 |
French |
|
|
Emmy Wegener |
1901 |
1973 |
Dutch |
|
|
Werner Egk |
1901 |
1983 |
German |
|
|
Jesús Arámbarri |
1902 |
1960 |
Spanish |
|
|
Theodore Chanler |
1902 |
1961 |
American |
|
|
Maurice Duruflé |
1902 |
1986 |
French |
Requiem; organ music |
|
Vladimir Fere |
1902 |
1971 |
Russian |
|
|
Evaristo Fernández Blanco |
1902 |
1993 |
Spanish |
|
|
Lūcija Garūta |
1902 |
1977 |
Latvian |
Piano Concerto |
|
Antonio José |
1902 |
1936 |
Spanish |
|
|
Helvi Leiviskä |
1902 |
1982 |
Finnish |
|
|
Lino Liviabella |
1902 |
1964 |
Italian |
|
|
Jiro Nakano |
1902 |
2000 |
Japanese |
|
|
Vissarion Shebalin |
1902 |
1963 |
Russian |
The Taming of the Shrew (opera) |
|
Andriy Shtoharenko |
1902 |
1992 |
Ukrainian |
|
|
Veselin Stoyanov |
1902 |
1969 |
Bulgarian |
Three concertos for piano and orchestra; Concerto for Violin and Orchestra, Concerto for Cello and Orchestra, Concertino for violin |
folk-influenced
|
Jenő Takács |
1902 |
2005 |
Austrian |
|
|
Rose Thisse-Derouette |
1902 |
1989 |
Belgian |
|
|
Antonio María Valencia |
1902 |
1952 |
Colombian |
|
|
John Vincent |
1902 |
1977 |
American |
Consort for Piano and Strings |
neoclassical
|
William Walton |
1902 |
1983 |
English |
Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) |
avant-garde (early), neoromantic, neoclassical; also a composer of film music
|
Meredith Willson |
1902 |
1984 |
American |
|
|
Stefan Wolpe |
1902 |
1972 |
German |
Battle Piece for piano |
serial, modernism
|
Claude Arrieu |
1903 |
1990 |
French |
|
|
Lennox Berkeley |
1903 |
1989 |
English |
Horn Trio |
neoclassical, later serial
|
Boris Blacher |
1903 |
1975 |
German |
|
|
Abram Chasins |
1903 |
1987 |
American |
Two piano concertos; Parade for orchestra |
|
Tudor Ciortea |
1903 |
1983 |
Romanian |
|
|
Rhoda Coghill |
1903 |
2000 |
Irish |
|
|
Avril Coleridge-Taylor |
1903 |
1998 |
English |
|
|
Hugo Distler |
1908 |
1942 |
German |
|
|
Vernon Duke |
1903 |
1969 |
Russian |
|
both post-tonal style as Dukelsky and in the style of Tin Pan Alley as Duke
|
André Fleury |
1903 |
1995 |
French |
|
|
Vittorio Giannini |
1903 |
1966 |
Italian |
Blennerhassett |
neoclassical
|
Walter Goehr |
1903 |
1960 |
German |
|
|
Berthold Goldschmidt |
1903 |
1996 |
German |
|
|
Hilding Hallnäs |
1903 |
1984 |
Swedish |
|
|
He Luting |
1903 |
1999 |
Chinese |
|
|
Vladimir Horowitz |
1903 |
1989 |
American |
|
|
Jens Bjerre Jacobsen |
1903 |
1986 |
Danish |
|
|
Aram Khachaturian |
1903 |
1978 |
Armenian |
Gayane (ballet, includes Sabre Dance); Spartacus (ballet); concertos; Masquerade Suite |
|
Mykola Kolessa |
1903 |
2006 |
Ukrainian |
|
|
Marc Lavry |
1903 |
1967 |
Israeli |
Symphonic Poem Emek, Opera Dan Hashomer |
|
Leighton Lucas |
1903 |
1982 |
English |
|
|
Robin Milford |
1903 |
1959 |
English |
|
|
Saburō Moroi |
1903 |
1977 |
Japanese |
|
|
Ervin Nyiregyházi |
1903 |
1987 |
Hungarian |
|
Romanticism
|
Carl Gustav Sparre Olsen |
1903 |
1984 |
Norwegian |
|
|
Flor Peeters |
1903 |
1986 |
Belgian |
|
|
Mario Pilati |
1903 |
1938 |
Italian |
Piedigrotta (opera) |
|
Thomas Pitfield |
1903 |
1999 |
British |
|
|
Priaulx Rainier |
1903 |
1986 |
South African / English |
Ploërmel, Quanta, String Trio |
|
Günter Raphael |
1903 |
1960 |
German |
|
|
Luis H. Salgado |
1903 |
1977 |
Ecuadorian |
Sanjuanito futurista; Eunice; Cumandá |
folk-influenced, modernist
|
Åke Uddén |
1903 |
1987 |
Swedish |
|
|
Vladimir Vlasov |
1903 |
1986 |
Russian |
|
|
Rudolf Wagner-Régeny |
1903 |
1969 |
German |
Prometheus (opera) |
|
Percy Whitlock |
1903 |
1946 |
English |
|
|
Richard Addinsell |
1904 |
1977 |
British |
Warsaw Concerto |
|
Joseph Ahrens |
1904 |
1997 |
German |
|
|
Herbert Kennedy Andrews |
1904 |
1965 |
English |
|
|
John Antill |
1904 |
1986 |
Australian |
Corroboree (ballet suite) |
|
Jean Berveiller |
1904 |
1976 |
French |
|
|
Walter Bricht |
1904 |
1970 |
Austrian |
|
|
Erik Chisholm |
1904 |
1965 |
Scottish |
Piano Concerto No. 2 ("Hindustani") |
"Scotland's forgotten composer", nicknamed "MacBartok"
|
Karl Clausen |
1904 |
1972 |
Danish |
|
|
Luigi Dallapiccola |
1904 |
1975 |
Italian |
Il prigioniero (opera); Il canto sospeso |
serialism, electronic music
|
Balys Dvarionas |
1904 |
1974 |
Lithuanian |
|
|
Kunihiko Hashimoto |
1904 |
1949 |
Japanese |
|
|
Huang Tzu |
1904 |
1938 |
Chinese |
In Memoriam |
|
Dmitry Kabalevsky |
1904 |
1987 |
Russian |
The Comedians |
|
Tadeusz Kassern |
1904 |
1957 |
Polish |
|
|
Iša Krejčí |
1904 |
1968 |
Czech |
20 Variations on the Composer s Own Theme in the Style of a Folk Song |
neoclassical
|
Goffredo Petrassi |
1904 |
2003 |
Italian |
|
|
Gavriil Popov |
1904 |
1972 |
Russian |
Chamber Symphony; Symphony No. 1 |
|
Cemal Reşit Rey |
1904 |
1985 |
Turkish |
|
|
Manuel Rosenthal |
1904 |
2003 |
French |
|
|
Theodor Schaefer |
1904 |
1969 |
Czech |
|
|
Hermann Schroeder |
1904 |
1984 |
German |
|
|
Nikos Skalkottas |
1904 |
1949 |
Greek |
36 Greek Dances for orchestra; Violin Concerto |
twelve-tone, folk music influence, modernism
|
Franz Syberg |
1904 |
1955 |
Danish |
|
|
Jack Westrup |
1904 |
1975 |
English |
|
|
Konrad Wölki |
1904 |
1983 |
German |
|
|
Aleksey Zhivotov |
1904 |
1964 |
Russian |
|
|
Heikki Aaltoila |
1905 |
1975 |
Finnish |
|
|
William Alwyn |
1905 |
1985 |
English |
Lyra Angelica; Elizabethan Dances |
neoromantic
|
Boris Arapov |
1905 |
1992 |
Russian |
Violin Concerto |
neoromantic, atonality
|
Albert Arlen |
1905 |
1993 |
Turkish Australian |
|
|
Paul Arma |
1905 |
1987 |
Hungarian-French |
|
|
Vytautas Bacevičius |
1905 |
1970 |
Lithuanian |
|
atonality
|
Marc Blitzstein |
1905 |
1964 |
American |
The Cradle Will Rock (musical) |
political music
|
Eugène Bozza |
1905 |
1991 |
French |
|
|
Mario Braggiotti |
1905 |
1996 |
American (Italian-born) |
|
|
Yevgeny Brusilovsky |
1905 |
1981 |
Kazakhstani |
|
|
Francis Chagrin |
1905 |
1972 |
Romanian |
|
|
Ulric Cole |
1905 |
1992 |
American |
|
|
Christian Darnton |
1905 |
1981 |
British |
|
|
Ferenc Farkas |
1905 |
2000 |
Hungarian |
|
|
Karl Amadeus Hartmann |
1905 |
1963 |
German |
Concerto funebre; Gesangsszene; Symphony No. 1; Symphony No. 4 |
|
André Hossein |
1905 |
1983 |
Iranian |
|
|
André Jolivet |
1905 |
1974 |
French |
Flute Concerto No. 1 |
|
Erich Itor Kahn |
1905 |
1956 |
German |
|
|
Taneli Kuusisto |
1905 |
1988 |
Finnish |
|
|
Constant Lambert |
1905 |
1951 |
English |
The Rio Grande |
popular music influence, jazz influence
|
Guillaume Landré |
1905 |
1968 |
Dutch |
|
|
Walter Leigh |
1905 |
1942 |
English |
Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings |
neoclassical
|
Ernst Hermann Meyer |
1905 |
1988 |
German |
|
|
Léon Orthel |
1905 |
1987 |
Dutch |
|
|
Alan Rawsthorne |
1905 |
1971 |
English |
3 symphonies; Symphonic Studies |
neoclassical
|
Luis Sandi |
1905 |
1996 |
Mexican |
|
|
Giacinto Scelsi |
1905 |
1988 |
Italian |
Quattro pezzi chiascuno su una nota sola |
|
Verdina Shlonsky |
1905 |
1990 |
Israeli |
Piano Concerto; String Quartet; numerous piano music, including Pages from the Diary; Five Sketches; Youth Suite; Reflection; Still Life |
Polystylism
|
Fela Sowande |
1905 |
1987 |
Nigerian |
|
|
Daniel Sternefeld |
1905 |
1986 |
Belgian |
|
|
Michael Tippett |
1905 |
1998 |
English |
The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) |
|
Eduard Tubin |
1905 |
1982 |
Estonian |
11 symphonies |
|
Xian Xinghai |
1905 |
1945 |
Chinese |
Yellow River Cantata |
|
Xiao Shuxian |
1905 |
1991 |
Chinese |
|
|
Winfried Zillig |
1905 |
1963 |
German |
|
|
Murray Adaskin |
1906 |
2002 |
Canadian |
|
|
Ahn Eak-tai |
1906 |
1965 |
Korean |
Aegukga |
|
Hasan Ferit Alnar |
1906 |
1978 |
Turkish |
|
|
Daniel Ayala Pérez |
1906 |
1975 |
Mexican |
Tribu (symphonic poem) |
|
Andria Balanchivadze |
1906 |
1992 |
Georgian |
|
|
Franz Biebl |
1906 |
2001 |
German |
Ave Maria |
|
Walter Braithwaite |
1906 |
1991 |
English |
|
|
Pierre Capdevielle |
1906 |
1969 |
French |
|
|
Bernhard Christensen |
1906 |
2004 |
Danish |
|
|
Alessandro Cicognini |
1906 |
1995 |
Italian |
|
|
Milo Cipra |
1906 |
1985 |
Croatian |
|
|
Arnold Cooke |
1906 |
2005 |
British |
|
|
Paul Creston |
1906 |
1985 |
American |
|
neoclassical
|
Volfgangs Dārziņš |
1906 |
1962 |
Latvian |
|
|
Claire Delbos |
1906 |
1959 |
French |
|
|
Antal Doráti |
1906 |
1988 |
American |
|
|
Klaus Egge |
1906 |
1979 |
Norwegian |
|
|
Will Eisenmann |
1906 |
1992 |
German-Swiss |
|
|
Ulvi Cemal Erkin |
1906 |
1972 |
Turkish |
|
|
Eric Fenby |
1906 |
1997 |
English |
|
|
Armando José Fernandes |
1906 |
1983 |
Portuguese |
|
neoclassical
|
Benjamin Frankel |
1906 |
1973 |
English |
|
|
Giovanni Fusco |
1906 |
1968 |
Italian |
|
|
Alejandro García Caturla |
1906 |
1940 |
Cuban |
|
|
Zoltán Gárdonyi |
1906 |
1986 |
Hungarian |
Psalm 46, organ sonatas, motets |
sacred music
|
Miriam Gideon |
1906 |
1996 |
American |
|
modernism
|
Radamés Gnattali |
1906 |
1988 |
Brazilian |
|
|
Philip Herschkowitz |
1906 |
1989 |
Romanian |
|
atonality, twelve-tone technique pupil of Alban Berg & Anton Webern
|
Willy Hess |
1906 |
1997 |
Swiss |
|
|
Joaquim Homs |
1906 |
2003 |
Spanish |
|
|
Tomojirō Ikenouchi |
1906 |
1991 |
Japanese |
|
|
Jānis Ivanovs |
1906 |
1983 |
Latvian |
|
neoromantic
|
Maxime Jacob |
1906 |
1977 |
French |
|
|
Jaroslav Ježek |
1906 |
1942 |
Czech |
|
|
Eugen Kapp |
1906 |
1996 |
Estonian |
|
|
Jacques Leguerney |
1906 |
1997 |
French |
|
|
Oscar Levant |
1906 |
1972 |
American |
|
|
Zara Levina |
1906 |
1976 |
Ukrainian |
|
|
Normand Lockwood |
1906 |
2002 |
American |
|
|
Fernando Lopes-Graça |
1906 |
1994 |
Portuguese |
|
|
Elisabeth Lutyens |
1906 |
1983 |
English |
|
|
Abdylas Maldybaev |
1906 |
1978 |
Kyrgyzstani |
|
|
Peter Mieg |
1906 |
1990 |
Swiss |
|
neoclassical
|
Alexander Moyzes |
1906 |
1984 |
Slovak |
|
neoromantic
|
Willson Osborne |
1906 |
1979 |
American |
|
neoclassical
|
Carmelo Pace |
1906 |
1993 |
Maltese |
|
|
Boris Papandopulo |
1906 |
1991 |
Croatian |
|
|
Ludovit Rajter |
1906 |
2000 |
Slovak |
|
|
Dmitri Shostakovich |
1906 |
1975 |
Russian |
15 symphonies, including No. 5, No. 7, No. 9, No. 10, and No. 11; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; 15 string quartets, including String Quartet No. 8; Piano Quintet; The Gadfly Suite |
modernism, neoclassical, neoromantic, polystylism
|
Berta Alves de Sousa |
1906 |
1997 |
Portuguese |
|
|
Leopold Spinner |
1906 |
1980 |
Ukrainian |
|
|
Louise Talma |
1906 |
1996 |
American |
|
|
Teng Yu-hsien |
1906 |
1944 |
Taiwanese |
|
|
Johannes Paul Thilman |
1906 |
1973 |
German |
|
|
David Van Vactor |
1906 |
1994 |
American |
|
|
Grace Williams |
1906 |
1977 |
Welsh |
|
|
Lora Aborn |
1907 |
2005 |
American |
Toccata for Piano |
folk-influenced
|
Kurken Alemshah |
1907 |
1947 |
Armenian |
|
|
Henk Badings |
1907 |
1987 |
Dutch |
|
|
Günter Bialas |
1907 |
1995 |
German |
|
|
Yvonne Desportes |
1907 |
1993 |
French |
|
|
Roy Douglas |
1907 |
2015 |
British |
|
|
Federico Elizalde |
1907 |
1979 |
Filipino-Spanish |
Concertos, symphonic poems |
|
Wolfgang Fortner |
1907 |
1987 |
German |
Bluthochzeit (opera) |
|
Koharik Gazarossian |
1907 |
1967 |
Armenian |
|
|
Camargo Guarnieri |
1907 |
1993 |
Brazilian |
Dansa brasileira, Pedro Malazarte (opera), Suite IV Centenário |
nationalism, neoclassicism, twelve-tone technique
|
Gene Gutchë |
1907 |
2000 |
German |
|
|
Heinz Friedrich Hartig |
1907 |
1969 |
German |
|
|
Karl Höller |
1907 |
1987 |
German |
|
|
Imogen Holst |
1907 |
1984 |
British |
|
|
Jeronimas Kačinskas |
1907 |
2005 |
Lithuanian-born American |
|
|
Walter Kaufmann |
1907 |
1984 |
Czech |
|
|
Jean Langlais |
1907 |
1991 |
French |
|
|
Elizabeth Maconchy |
1907 |
1994 |
English |
Quintet for oboe and strings; 13 string quartets |
|
Yoritsune Matsudaira |
1907 |
2001 |
Japanese |
|
|
Otto Mortensen |
1907 |
1986 |
Danish |
|
|
Zygmunt Mycielski |
1907 |
1987 |
Polish |
|
|
Roman Palester |
1907 |
1989 |
Polish |
|
|
Ödön Pártos |
1907 |
1977 |
Hungarian-Israeli |
|
|
Maria Teresa Pelegrí i Marimón |
1907 |
1995 |
Spanish |
|
|
Burrill Phillips |
1907 |
1988 |
American |
Selections from McGuffey's Reader |
|
Hisato Ohzawa |
1907 |
1953 |
Japanese |
|
|
Willem van Otterloo |
1907 |
1978 |
Dutch |
|
|
Miklós Rózsa |
1907 |
1995 |
Hungarian |
|
folk-influenced
|
Tolibjon Sadikov |
1907 |
1957 |
Uzbekistani |
|
|
Ahmed Adnan Saygun |
1907 |
1991 |
Turkish |
|
|
Martin Scherber |
1907 |
1974 |
German |
|
|
Howard Swanson |
1907 |
1978 |
American |
Short Symphony; The Negro Speaks of Rivers |
neoclassical
|
Václav Trojan |
1907 |
1983 |
Czech |
|
|
Georges Tzipine |
1907 |
1987 |
French |
|
|
Alec Wilder |
1907 |
1980 |
American |
|
|
Necil Kazım Akses |
1908 |
1999 |
Turkish |
|
|
Leroy Anderson |
1908 |
1975 |
American |
Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols |
|
Menachem Avidom |
1908 |
1995 |
Israeli |
|
|
Jan Zdeněk Bartoš |
1908 |
1981 |
Czech |
|
|
Joseph Beer |
1908 |
1987 |
German |
|
|
Roberta Bitgood |
1908 |
2007 |
American |
|
|
Elliott Carter |
1908 |
2012 |
American |
Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets |
neoclassical (early), modernist
|
Jean Coulthard |
1908 |
2000 |
Canadian |
|
|
Jean-Yves Daniel-Lesur |
1908 |
2002 |
French |
|
|
Gustav Ernesaks |
1908 |
1993 |
Estonian |
|
|
Howard Ferguson |
1908 |
1999 |
British |
|
|
Gunnar de Frumerie |
1908 |
1987 |
Swedish |
|
|
Helen Glatz |
1908 |
1996 |
English |
|
|
Irwin Heilner |
1908 |
1991 |
American |
|
|
Kurt Hessenberg |
1908 |
1994 |
German |
|
|
Miloslav Kabeláč |
1908 |
1979 |
Czech |
|
|
Herman David Koppel |
1908 |
1998 |
Danish |
|
neoclassical
|
Lars-Erik Larsson |
1908 |
1986 |
Swedish |
|
|
Joan Mary Last |
1908 |
2002 |
English |
|
|
Nina Makarova |
1908 |
1976 |
Russian |
|
|
Lucien Martin |
1908 |
1950 |
Canadian |
|
|
Olivier Messiaen |
1908 |
1992 |
French |
Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise |
mysticism, postimpressionist
|
Vano Muradeli |
1908 |
1970 |
Soviet Georgian |
|
|
Trude Rittmann |
1908 |
2005 |
German |
|
|
Alice Samter |
1908 |
2004 |
German |
|
|
Julian Scriabin |
1908 |
1919 |
Russian |
|
|
Halsey Stevens |
1908 |
1989 |
American |
|
|
Eugen Suchoň |
1908 |
1993 |
Slovak |
|
folk-influenced
|
Jonas Švedas |
1908 |
1971 |
Lithuanian |
|
|
Sidney Torch |
1908 |
1990 |
British |
|
|
Geirr Tveitt |
1908 |
1981 |
Norwegian |
|
folk-influenced
|
William Wordsworth |
1908 |
1988 |
Scottish |
|
|
Lorenc Antoni |
1909 |
1991 |
Kosovo Albanian |
|
|
Isabel Aretz |
1909 |
2005 |
Argentine-Venezuelan |
|
|
Grażyna Bacewicz |
1909 |
1969 |
Polish |
String Quartet No. 3 |
|
Gunnar Berg |
1909 |
1989 |
Danish (Swiss-born) |
Suite for cello |
serialism
|
Jean Berger |
1909 |
2002 |
American (German-born) |
|
|
Paul Constantinescu |
1909 |
1963 |
Romanian |
|
|
Václav Dobiáš |
1909 |
1978 |
Czech |
|
|
Jaroslav Doubrava |
1909 |
1960 |
Czech |
|
|
Maria Dziewulska |
1909 |
2006 |
Polish |
|
|
Harald Genzmer |
1909 |
2007 |
German |
|
neoclassicism
|
Isador Goodman |
1909 |
1982 |
South African-Australian |
|
|
Richard de Guide |
1909 |
1962 |
Belgian |
3 symphonies, choral works, songs for voice and piano, a concerto for the piano and chamber works |
|
Vagn Holmboe |
1909 |
1996 |
Danish |
13 symphonies |
neoclassicism
|
Angelo Francesco Lavagnino |
1909 |
1987 |
Italian |
|
|
Primitivo Lázaro |
1909 |
1997 |
Spanish |
|
|
Ljubica Marić |
1909 |
2003 |
Serb |
Sounds of Space; Ostinato Super Thema Octoicha; Threshold of Dream |
post-modernism
|
Charles Naginski |
1909 |
1940 |
American |
|
|
Paul Nordoff |
1909 |
1977 |
American |
|
|
Robin Orr |
1909 |
2006 |
Scottish |
|
|
Kurt Schwaen |
1909 |
2007 |
German |
|
neoclassicism
|
Elie Siegmeister |
1909 |
1991 |
American |
9 operas[vague]; 8 symphonies[vague]; Western Suite |
|
Todor Skalovski |
1909 |
2004 |
Macedonian |
|
|
Ādolfs Skulte |
1909 |
2000 |
Latvian |
|
|
Ignace Strasfogel |
1909 |
1994 |
Polish |
|
|
Dana Suesse |
1909 |
1987 |
American |
|
|
Asaf Zeynally |
1909 |
1932 |
Azerbaijani |
|
|
Erkki Aaltonen |
1910 |
1990 |
Finnish |
|
|
Samuel Barber |
1910 |
1981 |
American |
Adagio for Strings; Violin Concerto; Symphony in One Movement; Vanessa |
Romanticism
|
Willy Berking |
1910 |
1979 |
German |
|
|
Herman Berlinski |
1910 |
2001 |
German-born American |
|
|
Miguel Bernal Jiménez |
1910 |
1956 |
Mexican |
|
|
Ronald Binge |
1910 |
1979 |
British |
|
light music
|
Patricia Blomfield Holt |
1910 |
2003 |
Canadian |
|
Paul Bowles |
1910 |
1999 |
American |
|
|
Henri Challan |
1910 |
1977 |
French |
|
|
Salvador Contreras |
1910 |
1982 |
Mexican |
String Quartet No. 2; Tres movimientos para guitarra; Dos piezas dodecafónicas |
neoclassical, serial
|
Francis Judd Cooke |
1910 |
1995 |
American |
|
|
Farid El-Atrache |
1910 |
1974 |
Syrian-Egyptian |
|
|
Blas Galindo |
1910 |
1993 |
Mexican |
Sones de Mariachi |
|
Remo Giazotto |
1910 |
1998 |
Italian |
Adagio attributed to Albinoni |
|
Evgeny Golubev |
1910 |
1988 |
Russian |
|
|
Bernhard Heiden |
1910 |
2000 |
German-American |
|
|
Gerard Hengeveld |
1910 |
2001 |
Dutch |
|
|
Mohamed Jamoussi |
1910 |
1982 |
Tunisian |
|
|
Jiang Wen-Ye |
1910 |
1983 |
Chinese |
|
|
Otto Joachim |
1910 |
2010 |
German-born Canadian |
|
electronic music
|
Charles Jones |
1910 |
1997 |
Canadian |
|
|
Abu Bakr Khairat |
1910 |
1963 |
Egyptian |
|
|
Erland von Koch |
1910 |
2009 |
Swedish |
|
|
Pierre Lantier |
1910 |
1998 |
French |
|
|
Rolf Liebermann |
1910 |
1999 |
Swiss |
Leonore 40/45 (opera); Concerto for Jazzband and Symphony Orchestra |
|
Jean Martinon |
1910 |
1976 |
French |
|
|
Paule Maurice |
1910 |
1967 |
French |
|
|
Alfred Mendelssohn |
1910 |
1966 |
Romanian |
|
|
Herbert Owen Reed |
1910 |
2014 |
American |
La Fiesta Mexicana |
folk-influenced
|
William Reed |
1910 |
2002 |
English |
|
|
Karel Reiner |
1910 |
1979 |
Czech |
|
|
Pierre Schaeffer |
1910 |
1995 |
French |
|
Musique concrète
|
Friedrich Schröder |
1910 |
1972 |
German |
|
light music
|
William Schuman |
1910 |
1992 |
American |
New England Triptych; Symphony No. 6 |
|
Meinrad Schütter |
1910 |
2006 |
Swiss |
|
|
Leon Stein |
1910 |
2002 |
American |
|
|
Robert Still |
1910 |
1971 |
English |
|
|
Soulima Stravinsky |
1910 |
1994 |
Swiss-American |
|
|
Heinrich Sutermeister |
1910 |
1995 |
Swiss |
|
|
Josef Tal |
1910 |
2008 |
Israeli |
7 operas; 6 symphonies; 13 concerti |
|
Stanley Vann |
1910 |
2010 |
English |
|
|
Jehan Alain |
1911 |
1940 |
French |
Litanies (organ) |
|
René Amengual |
1911 |
1954 |
Chilean |
|
|
José Ardévol |
1911 |
1981 |
Cuban |
3 symphonies |
atonality
|
Stanley Bate |
1911 |
1959 |
English |
|
|
Jeanne Behrend |
1911 |
1988 |
American |
|
|
Paul Burkhard |
1911 |
1977 |
Swiss |
|
|
Ján Cikker |
1911 |
1989 |
Slovak |
|
folk-influenced
|
Gábor Darvas |
1911 |
1985 |
Hungarian |
|
electronic music
|
Ding Shande |
1911 |
1995 |
Chinese |
Long March Symphony |
|
Mark Fax |
1911 |
1974 |
American |
|
|
Roberto García Morillo |
1911 |
2003 |
Argentine |
|
|
Jean-Jacques Grunenwald |
1911 |
1982 |
French |
|
|
Bernard Herrmann |
1911 |
1975 |
American |
Wuthering Heights |
|
Alan Hovhaness |
1911 |
2000 |
American |
67 numbered symphonies including Mysterious Mountain; And God Created Great Whales (taped whale sounds and orchestra); Fantasy on Japanese Woodprints |
|
Kikuko Kanai |
1911 |
1986 |
Japanese |
|
|
Jan Koetsier |
1911 |
2006 |
Dutch |
|
|
Vilho Luolajan-Mikkola |
1911 |
2005 |
Finnish |
|
|
Frederick May |
1911 |
1985 |
Irish |
|
|
Robert McBride |
1911 |
2007 |
American |
|
|
Gian Carlo Menotti |
1911 |
2007 |
Italian |
The Medium; The Consul; Amahl and the Night Visitors |
|
Anne-Marie Ørbeck |
1911 |
1996 |
Norwegian |
|
|
Allan Pettersson |
1911 |
1980 |
Swedish |
Barefoot Songs; Symphony No. 9 |
|
Eduard Pütz |
1911 |
2000 |
German |
|
|
Franz Reizenstein |
1911 |
1968 |
German-born British |
|
|
Nino Rota |
1911 |
1979 |
Italian |
|
|
Ananda Samarakoon |
1911 |
1962 |
Sri Lankan |
|
|
Endre Szervánszky |
1911 |
1977 |
Hungarian |
|
|
Władysław Szpilman |
1911 |
2000 |
Polish |
|
|
Tan Xiaolin |
1911 |
1948 |
Chinese |
|
|
Vladimir Ussachevsky |
1911 |
1990 |
American |
|
|
Hans Vogt |
1911 |
1992 |
German |
Die Stadt hinter dem Strom (opera), Requiem |
|
Eberhard Werdin |
1911 |
1991 |
German |
|
|
Bojan Adamič |
1912 |
1995 |
Slovenian |
|
|
Mukhtar Ashrafi |
1912 |
1975 |
Uzbekistani |
|
|
Wayne Barlow |
1912 |
1996 |
American |
The Winter's Passed, for oboe and string orchestra; Hampton Beach Overture; Sinfonia da camera |
|
Arthur Berger |
1912 |
2003 |
American |
|
|
John Cage |
1912 |
1992 |
American |
4'33"; Sonatas and Interludes |
Aleatoric music, extended technique, prepared piano
|
Ingolf Dahl |
1912 |
1970 |
German-born American |
|
|
Alfred Desenclos |
1912 |
1971 |
French |
|
|
Rudolf George Escher |
1912 |
1980 |
Dutch |
|
|
Arkady Filippenko |
1912 |
1983 |
Ukrainian |
|
|
Jean Françaix |
1912 |
1997 |
French |
Clarinet Concerto; Two-Piano Concerto |
neoclassicism
|
Don Gillis |
1912 |
1978 |
American |
Symphony No. 5½ |
|
Peggy Glanville-Hicks |
1912 |
1990 |
Australian |
|
|
Carlos Guastavino |
1912 |
2000 |
Argentine |
|
|
Johana Harris |
1912 |
1995 |
Canadian |
|
|
Gisela Hernández |
1912 |
1971 |
Cuban |
|
|
Robert Hughes |
1912 |
2007 |
Scottish-born Australian |
|
|
Daniel Jones |
1912 |
1993 |
Welsh |
|
|
Sirvart Kalpakyan Karamanuk |
1912 |
2008 |
Armenian |
|
|
Ma Sicong |
1912 |
1987 |
Chinese |
|
|
Igor Markevitch |
1912 |
1983 |
Ukrainian |
|
|
Tauno Marttinen |
1912 |
2008 |
Finnish |
|
|
José Pablo Moncayo |
1912 |
1958 |
Mexican |
Huapango |
|
Xavier Montsalvatge |
1912 |
2002 |
Spanish |
|
|
Conlon Nancarrow |
1912 |
1997 |
American-Mexican |
Studies for player-piano |
|
Nie Er |
1912 |
1935 |
Chinese |
|
folk-influenced
|
Barbara Pentland |
1912 |
2000 |
Canadian |
|
|
Zoltán Pongrácz |
1912 |
2007 |
Hungarian |
|
|
Vadim Salmanov |
1912 |
1978 |
Russian |
Symphony No. 2 |
|
Jadwiga Szajna-Lewandowska |
1912 |
1994 |
Polish |
|
|
Jiří Traxler |
1912 |
2011 |
Czech |
|
|
Günter Wand |
1912 |
2002 |
German |
|
|
Milton Adolphus |
1913 |
1988 |
American |
|
|
Violet Archer |
1913 |
2000 |
Canadian |
|
|
Anatoly Bogatyrev |
1913 |
2003 |
Belarusian |
In the Forests of Polesie, Nadezhda Durova |
Nationalism
|
Margaret Bonds |
1913 |
1972 |
American |
|
|
Henry Brant |
1913 |
2008 |
Canadian-American |
Orbits, Verticals Ascending, Angels and Devils |
spatial music
|
Benjamin Britten |
1913 |
1976 |
English |
War Requiem; Sinfonia da Requiem; Peter Grimes; The Young Person's Guide to the Orchestra; Cello Symphony |
Neoclassicism, neotonality
|
Merton Brown |
1913 |
2000 |
American |
|
|
Storm Bull |
1913 |
2007 |
American |
|
|
Matilde Capuis |
1913 |
2017 |
Italian |
|
|
Ronald Center |
1913 |
1973 |
Scottish |
|
|
Peggy Stuart Coolidge |
1913 |
1981 |
American |
Spirituals in Sunshine and Shadow, New England Autumn |
folk- and blues-influenced
|
Gyula Dávid |
1913 |
1977 |
Hungarian |
|
|
Norman Dello Joio |
1913 |
2008 |
American |
|
|
František Domažlický |
1913 |
1997 |
Czech |
|
|
Alvin Etler |
1913 |
1973 |
American |
|
|
Ernest van der Eyken |
1913 |
2010 |
Belgian |
Elegie voor Bieke |
|
Vivian Fine |
1913 |
2000 |
American |
|
|
Morton Gould |
1913 |
1996 |
American |
|
|
Raymond Hanson |
1913 |
1976 |
Australian |
|
|
Hans Henkemans |
1913 |
1995 |
Dutch |
|
|
Dulcie Holland |
1913 |
2000 |
Australian |
|
|
Miriam Hyde |
1913 |
2005 |
Australian |
|
|
Jørgen Jersild |
1913 |
2004 |
Danish |
|
|
Kent Kennan |
1913 |
2003 |
American |
|
|
Tikhon Khrennikov |
1913 |
2007 |
Russian |
|
|
René Leibowitz |
1913 |
1972 |
French |
Chamber Concerto for 12 instruments |
|
George Lloyd |
1913 |
1998 |
English |
|
|
Witold Lutosławski |
1913 |
1994 |
Polish |
Concerto for Orchestra; Jeux vénitiens; Musique funebre; Symphony No. 2; Symphony No. 3 |
Neoclassicism, folk-influenced, later Aleatoric music
|
Aleksandr Machavariani |
1913 |
1995 |
Georgian |
|
|
Jerome Moross |
1913 |
1983 |
American |
|
|
Maurice Ohana |
1913 |
1992 |
French |
|
|
Willy Ostijn |
1913 |
1993 |
Belgian |
|
neoclassicism
|
Gardner Read |
1913 |
2005 |
American |
|
|
Svend S. Schultz |
1913 |
1998 |
Danish |
|
|
Constantin Silvestri |
1913 |
1969 |
Romanian |
|
|
Raimond Valgre |
1913 |
1949 |
Estonian |
|
|
Valery Zhelobinsky |
1913 |
1946 |
Russian |
|
|
Carl-Olof Anderberg |
1914 |
1972 |
Swedish |
Concerto for viola and orchestra |
|
Cacilda Borges Barbosa |
1914 |
2010 |
Brazilian |
|
|
Dimitris Dragatakis |
1914 |
2001 |
Greek |
|
|
Cecil Effinger |
1914 |
1990 |
American |
Little Symphony No. 1; Four Pastorales for oboe and chorus |
neoclassicism
|
Irving Fine |
1914 |
1963 |
American |
Partita for wind quintet; Symphony |
serial
|
Roger Goeb |
1914 |
1997 |
American |
|
|
Cor de Groot |
1914 |
1993 |
Dutch |
|
|
Alexei Haieff |
1914 |
1994 |
American |
Piano Concerto; Symphony No. 2 |
neoclassical, jazz-influenced
|
Hermann Haller |
1914 |
2002 |
Swiss |
|
neoclassical
|
Fumio Hayasaka |
1914 |
1955 |
Japanese |
|
|
Akira Ifukube |
1914 |
2006 |
Japanese |
|
|
Dezider Kardoš |
1914 |
1991 |
Slovak |
|
folk-influenced
|
Rafael Kubelík |
1914 |
1996 |
Czech |
|
|
Gail Kubik |
1914 |
1984 |
American |
|
|
Ludwig Lenel |
1914 |
2002 |
American |
|
|
William Lloyd Webber |
1914 |
1982 |
English |
|
|
Riccardo Malipiero |
1914 |
2003 |
Italian |
|
atonality, twelve-tone technique
|
Ismail Marzuki |
1914 |
1958 |
Indonesian |
|
|
Wilfrid Mellers |
1914 |
2008 |
English |
|
|
Josef Páleníček |
1914 |
1991 |
Czech |
|
|
Andrzej Panufnik |
1914 |
1991 |
Polish |
10 symphonies |
|
Teresa Rampazzi |
1914 |
2001 |
Italian |
|
|
Stjepan Sulek |
1914 |
1986 |
Croatian |
|
|
Harold Truscott |
1914 |
1992 |
English |
|
|
Josée Vigneron-Ramackers |
1914 |
2002 |
Belgian |
|
|
Haim Alexander |
1915 |
2012 |
Israeli |
|
|
David Ashkenazi |
1915 |
1997 |
Russian |
|
|
Esther Ballou |
1915 |
1973 |
American |
|
|
Alexander Brott |
1915 |
2005 |
Canadian |
|
|
David Diamond |
1915 |
2005 |
American |
Rounds for string orchestra |
neoclassicism
|
Grigory Frid |
1915 |
2012 |
Russian |
The Diary of Anne Frank |
|
Alojz Geržinič |
1915 |
2008 |
Slovenian |
|
|
Sembiin Gonchigsumlaa |
1915 |
1991 |
Mongolian |
|
|
Ebbe Grims-land |
1915 |
2015 |
Swedish |
|
|
Júlia Hajdú |
1915 |
1987 |
Hungarian |
|
|
Pamela Harrison |
1915 |
1990 |
English |
|
|
Najla Jabor |
1915 |
2001 |
Brazilian |
|
|
Vítězslava Kaprálová |
1915 |
1940 |
Czech |
Military Sinfonietta, Op. 11; Partita for Piano and Strings, Op. 20 |
|
Eunice Katunda |
1915 |
1991 |
Brazilian |
|
|
Homer Keller |
1915 |
1996 |
American |
|
|
Dorian Le Gallienne |
1915 |
1963 |
Australian |
|
|
Dai-Keong Lee |
1915 |
2005 |
Chinese-American |
|
|
Vic Legley |
1915 |
1994 |
Belgian |
|
|
Douglas Lilburn |
1915 |
2001 |
New Zealander |
|
|
Knut Nystedt |
1915 |
2014 |
Norwegian |
|
|
Robert Moffat Palmer |
1915 |
2010 |
American |
|
|
George Perle |
1915 |
2009 |
American |
|
|
Vincent Persichetti |
1915 |
1987 |
American |
|
neoclassicism
|
Dimitar Sagaev |
1915 |
2003 |
Bulgarian |
|
|
Gösta Schwarck |
1915 |
2012 |
Danish |
|
|
John Serry Sr. |
1915 |
2003 |
American |
American Rhapsody; Concerto for Free Bass Accordion |
symphonic jazz influenced
|
Robert Strassburg |
1915 |
2003 |
American |
|
|
Carlos Surinach |
1915 |
1997 |
Spanish |
|
|
Georgy Sviridov |
1915 |
1998 |
Russian |
Piano Sonata |
neoromantic
|
Earl Wild |
1915 |
2010 |
American |
|
|
Joseph R. Wood |
1915 |
2000 |
American |
|
|
Jan Håkan Åberg |
1916 |
2012 |
Swedish |
|
|
Rostom Aramovic Alagian |
1916 |
2009 |
Georgian |
|
|
Gaston Allaire |
1916 |
2011 |
Canadian |
|
|
Denis ApIvor |
1916 |
2004 |
British |
|
|
Milton Babbitt |
1916 |
2011 |
American |
Composition for Four Instruments; String Quartet No. 2; All Set; Philomel |
serialism, electronic music
|
Philip Bezanson |
1916 |
1975 |
American |
|
|
Karl-Birger Blomdahl |
1916 |
1968 |
Swedish |
Aniara (opera) |
Swedish modernism
|
Valentino Bucchi |
1916 |
1976 |
Italian |
|
|
Mutal Burhonov |
1916 |
2002 |
Uzbekistani |
|
|
Henri Dutilleux |
1916 |
2013 |
French |
Timbres, espace, mouvement; Tout un Monde Lointain; The Shadows of Time |
neo-impressionism
|
Helmut Eder |
1916 |
2005 |
Austrian |
|
|
Merrill Leroy Ellis |
1916 |
1981 |
American |
|
|
Einar Englund |
1916 |
1999 |
Finnish |
|
|
Alberto Ginastera |
1916 |
1983 |
Argentine |
Bomarzo; Cinco canciones populares argentinas; Danzas Argentinas |
|
Douglas Guest |
1916 |
1996 |
English |
|
|
Luis Herrera de la Fuente |
1916 |
2014 |
Mexican |
|
|
Malcolm MacDonald |
1916 |
1992 |
British |
|
|
Carin Malmlöf-Forssling |
1916 |
2005 |
Swedish |
|
|
Warren Martin |
1916 |
1982 |
American |
|
|
Veli Mukhatov |
1916 |
2005 |
Turkmenistani |
|
|
Nydia Pereyra-Lizaso |
1916 |
1998 |
Uruguayan |
|
|
Nikolay Peyko |
1916 |
1995 |
Russian |
|
|
Jan Rychlík |
1916 |
1964 |
Czech |
|
|
Zikmund Schul |
1916 |
1944 |
German |
|
|
Mordecai Seter |
1916 |
1994 |
Russian-born Israeli |
|
|
Bernard Stevens |
1916 |
1983 |
British |
|
|
Irwin Swack |
1916 |
2006 |
American |
|
|
Erna Tauro |
1916 |
1993 |
Finnish-Swedish |
|
|
Guido Turchi |
1916 |
2010 |
Italian |
|
|
Arnold van Wyk |
1916 |
1983 |
South African |
|
|
Els Aarne |
1917 |
1995 |
Estonian |
|
|
Richard Arnell |
1917 |
2009 |
English |
|
|
Brian Boydell |
1917 |
2000 |
Irish |
|
|
Rudolf Brucci |
1917 |
2002 |
Italian-Croatian |
|
|
Anthony Burgess |
1917 |
1993 |
English |
|
|
Edward T. Cone |
1917 |
2004 |
American |
|
|
Roque Cordero |
1917 |
2008 |
Panamanian |
|
|
Ivor Darreg |
1917 |
1994 |
American |
|
microtone, xenharmonic
|
Robert Erickson |
1917 |
1997 |
American |
|
twelve tone, extended technique
|
Robert Farnon |
1917 |
2005 |
Canadian |
|
light music
|
John Gardner |
1917 |
2011 |
English |
Tomorrow Shall Be My Dancing Day |
|
Pietro Grossi |
1917 |
2002 |
Italian |
|
computer music
|
Egil Harder |
1917 |
1997 |
Danish |
|
|
Lou Harrison |
1917 |
2003 |
American |
Concerto for Violin and Percussion Orchestra; Piano Concerto |
|
Prenkë Jakova |
1917 |
1969 |
Albanian |
|
|
Hilda Jerea |
1917 |
1980 |
Romanian |
|
|
Václav Kašlík |
1917 |
1989 |
Czech |
|
|
Rena Kyriakou |
1917 |
1994 |
Greek |
|
|
Antonio Lauro |
1917 |
1986 |
Venezuelan |
|
guitar music
|
Clarisse Leite |
1917 |
2003 |
Brazilian |
|
|
Emanuel Leplin |
1917 |
1972 |
American |
Symphonies 1, 2 & 3; Violin Concerto; Comedy, Galaxy, Cosmos |
|
Dinu Lipatti |
1917 |
1950 |
Romanian |
|
|
José Maceda |
1917 |
2004 |
Filipino |
|
|
Jean-Étienne Marie |
1917 |
1989 |
French |
|
|
Oskar Morawetz |
1917 |
2007 |
Canadian |
|
|
Geraldine Mucha |
1917 |
2012 |
Scottish |
|
|
James Penberthy |
1917 |
1999 |
Australian |
|
|
Tarateño Rojas |
1917 |
2001 |
Bolivian |
|
|
Reginald Smith Brindle |
1917 |
2003 |
British |
El Polifemo de Oro for guitar |
|
Maj Sønstevold |
1917 |
1996 |
Swedish |
|
|
Eta Tyrmand |
1917 |
2008 |
Belarusian |
|
|
Robert Ward |
1917 |
2013 |
American |
Concerto for piano and orchestra |
|
Richard Yardumian |
1917 |
1985 |
American |
|
|
Isang Yun |
1917 |
1995 |
Korean-German |
|
|
Olivier Alain |
1918 |
1994 |
French |
|
|
Louis Applebaum |
1918 |
2000 |
Canadian |
|
|
Jürg Baur |
1918 |
2010 |
German |
Concerto romano for oboe and orchestra; Der Roman mit dem Kontrabass (opera) |
serialism, quotation, neoclassicism
|
Leonard Bernstein |
1918 |
1990 |
American |
West Side Story; Chichester Psalms; Candide; Serenade; Mass |
jazz-influenced and pop-influence; also a composer of popular songs, under pseudonym "Lenny Amber"
|
Lorne Betts |
1918 |
1985 |
Canadian |
|
|
Lina Pires de Campos |
1918 |
2003 |
Brazilian |
|
|
Gayane C'ebotaryan |
1918 |
1998 |
Armenian |
|
|
Liviu Comes |
1918 |
2004 |
Romanian |
choral |
|
Philip Cranmer |
1918 |
2006 |
English |
|
|
Robert Docker |
1918 |
1992 |
English |
|
|
Gottfried von Einem |
1918 |
1996 |
Austrian |
Dantons Tod, Der Besuch der alten Dame, cantata An die Nachgeborenen |
eclectic
|
Raymond Gallois-Montbrun |
1918 |
1994 |
French |
|
|
Gara Garayev |
1918 |
1982 |
Azerbaijani |
|
|
Harold Gramatges |
1918 |
2008 |
Cuban |
|
|
Lucrecia Roces Kasilag |
1918 |
2008 |
Filipino |
|
|
Marcelo Koc |
1918 |
2006 |
Argentine |
Música para 5 instrumentos; Concerto for Viola and Orchestra |
|
Lila Lalauni |
1918 |
1996 |
Greek |
|
|
Leonard B. Meyer |
1918 |
2007 |
American |
|
|
Anthony A. Mitchell |
1918 |
2009 |
American |
|
|
Arie Van de Moortel |
1918 |
1976 |
Belgian |
|
|
A. J. Potter |
1918 |
1970 |
Irish |
|
|
Godfrey Ridout |
1918 |
1984 |
Canadian |
|
|
George Rochberg |
1918 |
2005 |
American |
|
serialism, later Neoromanticism
|
Denise Tolkowsky |
1918 |
1991 |
English |
|
|
Jórunn Viðar |
1918 |
2017 |
Icelandic |
|
|
Bernd Alois Zimmermann |
1918 |
1970 |
German |
Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi |
serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic, polystylism
|
István Anhalt |
1919 |
2012 |
Hungarian-Canadian |
|
|
Bülent Arel |
1919 |
1990 |
Turkish |
|
electronic music
|
Jacob Avshalomov |
1919 |
2013 |
American |
|
|
Sven-Erik Bäck |
1919 |
1994 |
Swedish |
|
|
Bernard Barrell |
1919 |
2005 |
English |
|
|
Niels Viggo Bentzon |
1919 |
2000 |
Danish |
|
|
Karel Berman |
1919 |
1995 |
Czech |
|
|
Roslyn Brogue |
1919 |
1981 |
American |
|
|
Ota Čermák |
1919 |
1963 |
Czech |
|
|
John W. Duarte |
1919 |
2004 |
British |
|
|
Eleonora Eksanishvili |
1919 |
|
Georgian |
|
|
Ludmila Frajt |
1919 |
1999 |
Serbian |
|
|
Udo Kasemets |
1919 |
2014 |
Estonian-born Canadian |
|
|
Leif Kayser |
1919 |
2001 |
Danish |
|
|
Talivaldis Kenins |
1919 |
2008 |
Latvian-Canadian |
|
|
Leon Kirchner |
1919 |
2009 |
American |
|
|
Gideon Klein |
1919 |
1945 |
Czech |
|
|
Li Huanzhi |
1919 |
2000 |
Chinese |
|
|
Václav Nelhýbel |
1919 |
1996 |
Czech-American |
|
|
Juan Orrego-Salas |
1919 |
2019 |
Chilean |
|
|
Jiří Pauer |
1919 |
2007 |
Czech |
|
|
Qu Xixian |
1919 |
2008 |
Chinese |
|
|
Rezső Sugár |
1919 |
1988 |
Hungarian |
|
|
Helen Tobias-Duesberg |
1919 |
2010 |
Estonian-American |
|
|
Akihiro Tsukiyama |
1919 |
1995 |
Japanese |
|
|
Galina Ustvolskaya |
1919 |
2006 |
Russian |
|
|
Harold Van Heuvelen |
1919 |
2017 |
American |
|
|
Roman Vlad |
1919 |
2013 |
Italian |
|
eclectic
|
Mieczysław Weinberg |
1919 |
1996 |
Polish |
|
|
John Worley |
1919 |
1999 |
American |
|
|
Alexander Arutiunian |
1920 |
2012 |
Armenian |
Trumpet Concerto in A-flat major |
avant-garde
|
Bebe Barron |
1920 |
1989 |
American |
|
electronic music
|
José Antonio Bottiroli |
1920 |
1990 |
Argentine |
|
|
Dave Brubeck |
1920 |
2012 |
American |
|
|
Geoffrey Bush |
1920 |
1998 |
English |
|
|
Henri Crolla |
1920 |
1960 |
Italian |
|
|
Rolande Falcinelli |
1920 |
1996 |
French |
|
|
Dorothea Anne Franchi |
1920 |
2003 |
New Zealander |
|
|
Peter Racine Fricker |
1920 |
1990 |
English |
|
|
Jacob Gilboa |
1920 |
2007 |
Israeli |
|
|
Karen Khachaturian |
1920 |
2011 |
Soviet and Russian |
|
|
Earl Kim |
1920 |
1998 |
American |
|
|
John La Montaine |
1920 |
2013 |
American |
|
|
Kurt Leimer |
1920 |
1974 |
German |
|
|
John Lessard |
1920 |
2003 |
American |
|
|
Aleksandr Lokshin |
1920 |
1987 |
Russian |
|
|
Bruno Maderna |
1920 |
1973 |
Italian |
Satyricon |
avant-garde, electronic music
|
Robert Moevs |
1920 |
2007 |
American |
|
|
Jean Perrin |
1920 |
1989 |
Swiss |
|
|
Marco Rizo |
1920 |
1998 |
Cuban |
|
|
Armin Schibler |
1920 |
1986 |
Swiss |
|
|
Harold Shapero |
1920 |
2013 |
American |
Symphony for Classical Orchestra |
|
Heikki Suolahti |
1920 |
1936 |
Finnish |
Sinfonia piccola |
Romanticism
|
Robert Turner |
1920 |
2012 |
Canadian |
|
|
John Vallier |
1920 |
1991 |
English |
|
|
Zbyněk Vostřák |
1920 |
1985 |
Czech |
|
|
Douglas Allanbrook |
1921 |
2003 |
American |
|
|
Chaya Arbel |
1921 |
2007 |
Israeli |
|
|
Malcolm Arnold |
1921 |
2006 |
English |
Symphony No. 5 and No. 7; English Dances |
|
Arno Babajanian |
1921 |
1983 |
Armenian |
|
|
Seymour Barab |
1921 |
2014 |
American |
|
|
Jack Beeson |
1921 |
2010 |
American |
Lizzie Borden |
|
William Bergsma |
1921 |
1994 |
American |
Violin Concerto, March with Trumpets |
|
Dennis Berry |
1921 |
1994 |
English |
|
|
Marcel Bitsch |
1921 |
2011 |
French |
|
|
Laci Boldemann |
1921 |
1969 |
Swedish |
|
|
Jarmil Burghauser |
1921 |
1997 |
Czech |
|
|
Adrienne Clostre |
1921 |
2006 |
French |
|
|
Jeanne Demessieux |
1921 |
1968 |
French |
|
|
Andrzej Dobrowolski |
1921 |
1990 |
Polish |
|
|
Johannes Driessler |
1921 |
1998 |
German |
|
|
Halim El-Dabh |
1921 |
2017 |
Egyptian-born American |
|
electronic music
|
Hans Ulrich Engelmann |
1921 |
2011 |
German |
|
|
Oscar Feltsman |
1921 |
2013 |
Russian |
|
|
Fritz Geißler |
1921 |
1984 |
German |
|
|
Ruth Gipps |
1921 |
1999 |
British |
|
|
Nazife Güran |
1921 |
1993 |
Turkish |
|
|
Antony Hopkins |
1921 |
2014 |
British |
|
|
Karel Husa |
1921 |
2016 |
Czech-American |
Music for Prague 1968; Music for Band, Orchestra, Chamber Ensembles |
|
Andrew Imbrie |
1921 |
2007 |
American |
|
neoclassicism
|
Yoshirō Irino |
1921 |
1980 |
Japanese |
|
|
Kan Ishii |
1921 |
2009 |
Japanese |
|
|
Božidar Kantušer |
1921 |
1999 |
American/Slovenian |
|
|
Joonas Kokkonen |
1921 |
1996 |
Finnish |
|
|
Mustafa Krantja |
1921 |
2002 |
Albanian |
|
|
Robert Kurka |
1921 |
1957 |
American |
|
|
Ingvar Lidholm |
1921 |
2017 |
Swedish |
|
|
Edward Salim Michael |
1921 |
2006 |
French |
|
|
Joseph Hanson Kwabena Nketia |
1921 |
2019 |
Ghanaian |
|
|
Will Ogdon |
1921 |
2013 |
American |
|
|
Astor Piazzolla |
1921 |
1992 |
Argentine |
tangos |
|
Ariel Ramírez |
1921 |
2010 |
Argentine |
Misa Criolla (1964) |
|
Primož Ramovš |
1921 |
1999 |
Slovenian |
|
|
Alfred Reed |
1921 |
2005 |
American |
|
|
Ralph Shapey |
1921 |
2002 |
American |
|
|
Robert Simpson |
1921 |
1997 |
English |
|
|
Leo Smit |
1921 |
1999 |
American |
|
|
Vladimír Sommer |
1921 |
1997 |
Czech |
|
|
Jan Tausinger |
1921 |
1980 |
Czech |
|
|
İlhan Usmanbaş |
1921 |
|
Turkish |
|
|
Peter Wishart |
1921 |
1984 |
English |
|
|
Rosalina Abejo |
1922 |
1991 |
Philippine |
|
|
Fikret Amirov |
1922 |
1984 |
Azerbaijani |
|
|
Peter Tranchell |
1922 |
1993 |
English |
|
|
Raffaello de Banfield |
1922 |
2008 |
English |
|
|
Sadao Bekku |
1922 |
2012 |
Japanese |
|
|
Antonio Bibalo |
1922 |
2008 |
Italian-Norwegian |
|
opera
|
John Boda |
1922 |
2002 |
American |
|
|
Gérard Calvi |
1922 |
2015 |
French |
|
|
Doreen Carwithen |
1922 |
2003 |
British |
|
|
Alessandro Casagrande |
1922 |
1964 |
Italian |
|
|
Chen Peixun |
1922 |
2007 |
Chinese |
|
|
Đỗ Nhuận |
1922 |
1991 |
Vietnamese |
|
|
Tom Eastwood |
1922 |
1999 |
English |
|
|
Lukas Foss |
1922 |
2009 |
German-born American |
Baroque Variations, Griffelkin |
|
Wim Franken |
1922 |
2012 |
Dutch |
|
|
German Galynin |
1922 |
1966 |
Russian |
Sonata Triad for piano, First Concerto for Piano and Orchestra, Second Concerto for Piano and Orchestra, Spanish Fantasy for piano |
|
Odette Gartenlaub |
1922 |
2014 |
French |
|
|
Stefans Grové |
1922 |
2014 |
South African |
|
|
Iain Hamilton |
1922 |
2000 |
Scottish |
chamber & orchestral works; operas & vocal works[vague] |
|
Michael Howard |
1922 |
2002 |
English |
|
|
Ilja Hurník |
1922 |
2013 |
Czech |
sonata da camera for flute, oboe, cello and harpsichord |
|
David N. Johnson |
1922 |
1987 |
American |
|
|
Kelsey Jones |
1922 |
2004 |
Canadian |
|
|
Leo Kraft |
1922 |
2014 |
American |
|
|
Otmar Mácha |
1922 |
2006 |
Czech |
|
|
Ester Mägi |
1922 |
|
Estonian |
|
|
Tale Ognenovski |
1922 |
2012 |
Macedonian |
|
|
Pierre Petit |
1922 |
2000 |
French |
|
|
Allen Sapp |
1922 |
1999 |
American |
|
|
Kazimierz Serocki |
1922 |
1981 |
Polish |
|
|
Attia Sharara |
1922 |
|
Egyptian |
|
|
Francis Thorne |
1922 |
2017 |
American |
|
|
Leif Thybo |
1922 |
2001 |
Danish |
|
|
Camillo Togni |
1922 |
1993 |
Italian |
Helian di Trakl, Rondeaux per dieci, Blaubart (opera) |
|
George Walker |
1922 |
2018 |
American |
|
|
Felix Werder |
1922 |
2012 |
German-born Australian |
|
electronic music
|
Raymond Wilding-White |
1922 |
2001 |
English |
|
|
James Wilson |
1922 |
2005 |
Irish |
|
|
Iannis Xenakis |
1922 |
2001 |
Greek |
Metastaseis |
avant-garde, stochastic music
|
Zhu Jian'er |
1922 |
2017 |
Chinese |
|
|
Doris Akers |
1923 |
1995 |
American |
|
|
Warren Barker |
1923 |
2006 |
American |
|
|
Leslie Bassett |
1923 |
2016 |
American |
|
|
Jocelyne Binet |
1923 |
1968 |
Canadian |
|
|
Jan Boerman |
1923 |
|
Dutch |
|
|
Teresa Borràs i Fornell |
1923 |
2010 |
American |
|
|
James Clifford Brown |
1923 |
2004 |
English |
|
|
Arthur Butterworth |
1923 |
2014 |
English |
|
influenced by Sibelius
|
Jean Catoire |
1923 |
2005 |
French |
|
|
Chou Wen-chung |
1923 |
2019 |
Chinese/American |
Landscapes |
|
Radim Drejsl |
1923 |
1953 |
Czech |
|
|
Madeleine Dring |
1923 |
1977 |
English |
|
|
Asankhan Dzhumakhmatov |
1923 |
2008 |
Kyrgyzstani |
|
|
Karel Goeyvaerts |
1923 |
1993 |
Belgian |
Sonata for Two Pianos, Nr. 2 for thirteen instruments, Nr. 5 met zuivere tonen, Aquarius (opera) |
neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music
|
Simeon ten Holt |
1923 |
2012 |
Dutch |
Canto Ostinato |
minimalism
|
Jiří Hudec |
1923 |
1996 |
Czech |
|
|
Jean Eichelberger Ivey |
1923 |
2010 |
American |
|
|
Rune Lindblad |
1923 |
1991 |
Swedish |
|
|
György Ligeti |
1923 |
2006 |
Hungarian |
Atmosphères, Musica ricercata, Lux Aeterna |
avant-garde, micropolyphony, polystylism
|
Ursula Mamlok |
1923 |
2016 |
German-born, American |
|
|
Peter Mennin |
1923 |
1983 |
American |
|
|
Vasilije Mokranjac |
1923 |
1984 |
Serbian |
|
|
Rexho Mulliqi |
1923 |
1982 |
Albanian |
|
|
Daniel Pinkham |
1923 |
2006 |
American |
|
|
Mel Powell |
1923 |
1998 |
American |
|
|
Stefan Remenkov |
1923 |
1988 |
Bulgarian |
|
|
Elena Romero |
1923 |
1996 |
Spanish |
|
|
Ned Rorem |
1923 |
|
American |
Our Town, 3 symphonies |
|
Triphon Silyanovski |
1923 |
2005 |
Bulgarian |
|
|
Donald Swann |
1923 |
1994 |
English |
|
|
Lester Trimble |
1923 |
1986 |
American |
|
|
Ludmila Ulehla |
1923 |
2009 |
American |
|
|
Gerhard Wimberger |
1923 |
2016 |
Austrian |
|
|
Friedrich Zehm |
1923 |
2007 |
German |
|
|
Claude Abravanel |
1924 |
2012 |
Swiss |
|
|
Leni Alexander |
1924 |
2005 |
German-Chilean |
|
|
Axel Borup-Jørgensen |
1924 |
2012 |
Danish |
|
|
Altamiro Carrilho |
1924 |
2012 |
Brazilian |
|
|
Pierre Cochereau |
1924 |
1984 |
French |
|
|
Jeanne Colin-De Clerck |
1924 |
|
Belgian |
|
|
Ikuma Dan |
1924 |
2001 |
Japanese |
Symphony No. 4 (1965), Sonata for flute and piano (1986) |
atonality
|
Stephen Dodgson |
1924 |
2013 |
British |
|
|
Heimo Erbse |
1924 |
2005 |
German |
|
|
Arthur Frackenpohl |
1924 |
2019 |
American |
|
|
Lejaren Hiller |
1924 |
1994 |
American |
HPSCHD (collaboration with John Cage) |
computer music, stochastic music
|
Stanley Hollingsworth |
1924 |
2003 |
American |
|
|
Egil Hovland |
1924 |
2013 |
Norwegian |
|
church music
|
Klaus Huber |
1924 |
2017 |
Swiss |
|
|
Maurice Jarre |
1924 |
2009 |
French |
|
|
Lockrem Johnson |
1924 |
1977 |
American |
|
|
Milko Kelemen |
1924 |
2018 |
Croatian |
|
|
Ezra Laderman |
1924 |
2015 |
American |
|
|
Yehoshua Lakner |
1924 |
2003 |
Israeli |
|
|
Benjamin Lees |
1924 |
2010 |
American |
Concerto for String Quartet and Orchestra |
|
Riichiro Manabe |
1924 |
2015 |
Japanese |
|
|
Franco Mannino |
1924 |
2005 |
Italian |
|
|
Angela Morley |
1924 |
2009 |
English |
|
|
Krystyna Moszumańska-Nazar |
1924 |
2009 |
Polish |
|
|
Serge Nigg |
1924 |
2008 |
French |
|
|
Luigi Nono |
1924 |
1990 |
Italian |
Il canto sospeso, Intolleranza 1960, Prometeo |
avant-garde
|
Gladys Nordenstrom |
1924 |
2016 |
American |
|
|
Mikhaïl Nossyrev |
1924 |
1981 |
Russian |
|
Modernist
|
Julia Perry |
1924 |
1979 |
American |
|
|
Joly Braga Santos |
1924 |
1988 |
Portuguese |
|
|
Ruth Schönthal |
1924 |
2006 |
German |
|
|
Jitka Snížková |
1924 |
1989 |
Czech |
|
|
Robert Starer |
1924 |
2001 |
Austrian-born American |
|
|
Otar Taktakishvili |
1924 |
1989 |
Georgian |
|
|
Ernest Tomlinson |
1924 |
2015 |
English |
|
|
Georgi Tutev |
1924 |
1994 |
Bulgarian |
|
|
Yasushi Akutagawa |
1925 |
1989 |
Japanese |
Rapsodia per orchestra (1971) |
atonality
|
Jurriaan Andriessen |
1925 |
1996 |
Dutch |
|
|
Louis Barron |
1925 |
2008 |
American |
|
electronic music
|
Veniamin Basner |
1925 |
1996 |
Russian |
|
|
Robert Beadell |
1925 |
1994 |
American |
The Number of Fools (opera) |
jazz-influenced
|
Gustavo Becerra-Schmidt |
1925 |
2010 |
Chilean |
|
|
Cathy Berberian |
1925 |
1983 |
American |
Stripsody |
avant-garde
|
Luciano Berio |
1925 |
2003 |
Italian |
Sequenza; Sinfonia |
avant-garde, polystylism
|
Edith Borroff |
1925 |
2019 |
American |
|
|
André Boucourechliev |
1925 |
1997 |
French |
|
|
Pierre Boulez |
1925 |
2016 |
French |
Le marteau sans maître; …explosante-fixe…; Répons |
avant-garde, serialism, aleatory, polystylism
|
Tristram Cary |
1925 |
2008 |
English-Australian |
|
|
Charles Chaynes |
1925 |
2016 |
French |
|
|
Aldo Clementi |
1925 |
2011 |
Italian |
|
|
Andrei Eshpai |
1925 |
2015 |
Russian |
|
|
Cromwell Everson |
1925 |
1991 |
South African |
|
|
Jindřich Feld |
1925 |
2007 |
Czech |
|
|
Eloy Fominaya |
1925 |
2002 |
American |
|
|
Fernando González Casellas |
1925 |
1998 |
Argentine |
|
|
Ron Goodwin |
1925 |
2003 |
British |
New Zealand Suite |
best known as a composer of film scores
|
Clytus Gottwald |
1925 |
|
German |
|
|
Manos Hatzidakis |
1925 |
1994 |
Greek |
|
|
Svatopluk Havelka |
1925 |
2009 |
Czech |
|
|
Bertold Hummel |
1925 |
2002 |
German |
|
|
Ginette Keller |
1925 |
|
French |
|
|
Giselher Klebe |
1925 |
2009 |
German |
|
|
Gerard Kockelmans |
1925 |
1965 |
Dutch |
|
|
Włodzimierz Kotoński |
1925 |
2014 |
Polish |
Concerto per quattro, for piano, harpsichord, guitar, harp, and orchestra |
|
Frank Lewin |
1925 |
2008 |
American |
|
|
Teo Macero |
1925 |
2008 |
American |
One and Three Quarters |
microtonal, jazz-influenced
|
Kiril Makedonski |
1925 |
1984 |
Macedonian |
five symphonies, two ballets, two symphonic poems, choral music and songs |
|
Ivo Malec |
1925 |
2019 |
French |
Cantate pour elle; Dodecameron; Lumina |
|
Kirke Mechem |
1925 |
|
American |
four operas (Tartuffe), two symphonies, choral music |
|
Miroslav Miletić |
1925 |
2018 |
Croatian |
|
|
Nguyễn Văn Quỳ |
1925 |
|
Vietnamese |
|
|
Julián Orbón |
1925 |
1991 |
Spanish/Cuban |
Three Symphonic Versions |
|
Michel Philippot |
1925 |
1996 |
French |
|
|
Hans-Hubert Schönzeler |
1925 |
1997 |
German-born Australian |
|
|
Gunther Schuller |
1925 |
2015 |
American |
|
jazz-influence; Third Stream
|
Vladimir Shainsky |
1925 |
2017 |
Russian |
|
|
Hale Smith |
1925 |
2009 |
American |
|
|
Claudio Spies |
1925 |
2020 |
Chilean-American |
|
|
Ernie Stires |
1925 |
2008 |
American |
|
|
Boris Tchaikovsky |
1925 |
1996 |
Russian |
|
|
Mikis Theodorakis |
1925 |
|
Greek |
Symphony No. 7; Kata Saddukaion Pathi (Sadducean-Passion) |
also composer of popular songs and film scores including Zorba the Greek; Serpico
|
Sulkhan Tsintsadze |
1925 |
1991 |
Georgian |
|
|
Vladimir Vavilov |
1925 |
1973 |
Russian |
|
|
Paul W. Whear |
1925 |
|
American |
Catharsis Suite for orchestra; Lancaster Overture for orchestra; Catskill Legend for band |
|
Sergei Agababov |
1926 |
1959 |
Russian |
|
|
Herbert H. Ágústsson |
1926 |
2017 |
Icelandic |
|
|
Garbis Aprikian |
1926 |
|
Armenian |
|
|
Rodolfo Arízaga |
1926 |
1985 |
Argentine |
|
|
John Bevan Baker |
1926 |
1994 |
British |
Suite for Piano; The Seer (opera) |
|
Edward Bland |
1926 |
2013 |
American |
|
|
Brian Bonsor |
1926 |
2011 |
Scottish |
|
|
Modesta Bor |
1926 |
1998 |
Venezuelan |
|
|
Brian Brockless |
1926 |
1995 |
English |
|
|
Earle Brown |
1926 |
2002 |
American |
December 1952; Available Forms I & II |
open form; graphic notation
|
Louis Calabro |
1926 |
1991 |
American |
|
|
Edwin Carr |
1926 |
2003 |
New Zealander |
|
|
Jacques Castérède |
1926 |
2014 |
French |
|
|
Friedrich Cerha |
1926 |
|
Austrian |
Spiegel |
|
Janine Charbonnier |
1926 |
|
French |
|
|
Barney Childs |
1926 |
2000 |
American |
|
extended technique, improvisation, indeterminacy
|
Eregzengiin Choidog |
1926 |
1988 |
Mongolian |
|
|
Jani Christou |
1926 |
1970 |
Greek |
Mysterion, Praxis for 12 |
atonality, meta-serialism,[clarification needed] improvisation
|
Francis Dhomont |
1926 |
|
French |
|
|
Manuel Enríquez |
1926 |
1994 |
Mexican |
|
|
Franco Evangelisti |
1926 |
1980 |
Italian |
Incontri di fasce sonore |
electronic music
|
Morton Feldman |
1926 |
1987 |
American |
Rothko Chapel, String Quartet No. 2 |
|
Carlisle Floyd |
1926 |
|
American |
Susannah; Wuthering Heights; Of Mice and Men |
|
Kenneth Gaburo |
1926 |
1993 |
American |
The Flow of (u) |
|
Johann Melchior Gletle |
1926 |
1983 |
Swiss |
Vespers in Vienna |
|
Čestmír Gregor |
1926 |
2011 |
Czech |
|
|
Eric Gross |
1926 |
2011 |
Austrian-Australian |
|
|
Hans Werner Henze |
1926 |
2012 |
German |
Ondine |
polystylism
|
Lee Hoiby |
1926 |
2011 |
American |
|
|
Zhun Huang |
1926 |
|
Chinese |
|
|
Ben Johnston |
1926 |
2019 |
American |
Sonata for Microtonal Piano; String Quartet No. 4 (Variations on "Amazing Grace") |
microtonal music
|
Betsy Jolas |
1926 |
|
French |
|
|
Werner Kaegi |
1926 |
|
Swiss |
|
electronic music
|
Melinda Kistétényi |
1926 |
1999 |
Hungarian |
|
|
Gottfried Michael Koenig |
1926 |
|
German-Dutch |
Project 1 |
computer music, electronic music
|
Karl Kohn |
1926 |
|
American |
|
|
Oldřich František Korte |
1926 |
2014 |
Czech |
Concerto Grosso |
neo-classicism, expressionist, neo-romantic
|
Meyer Kupferman |
1926 |
2003 |
American |
|
|
György Kurtág |
1926 |
|
Hungarian |
Játékok |
|
Doming Lam |
1926 |
|
Chinese |
|
|
John Lambert |
1926 |
1995 |
British |
|
|
Celso Garrido Lecca |
1926 |
|
Peruvian |
|
|
Ton de Leeuw |
1926 |
1996 |
Dutch |
|
|
Maria de Lourdes Martins |
1926 |
2009 |
Portuguese |
|
|
Janez Matičič |
1926 |
|
Slovenian |
|
|
Hans Otte |
1926 |
2007 |
German |
|
|
Carmen Petra-Basacopol |
1926 |
|
Romanian |
|
|
Claire Polin |
1926 |
1995 |
American |
|
|
Marga Richter |
1926 |
|
American |
Concerto for Piano and Violas, Cellos and Basses |
|
William Schmidt |
1926 |
2009 |
American |
|
|
William O. Smith |
1926 |
2020 |
American |
Concerto for Jazz Soloist and Orchestra |
jazz-influenced; serialism; avant-garde
|
Kurt-Heinz Stolze |
1926 |
1970 |
German |
|
|
Natela Svanidze |
1926 |
|
Georgian |
|
|
Cornel Trăilescu |
1926 |
2019 |
Romanian |
|
|
David Tudor |
1926 |
1996 |
American |
|
|
Anatol Vieru |
1926 |
1998 |
Romanian |
Concerto for violin, cello and orchestra; seven symphonies; eight string quartets |
modality
|
Robert Wykes |
1926 |
|
American |
|
|
Rolv Yttrehus |
1926 |
2018 |
American |
|
|
Aleksandr Zatsepin |
1926 |
|
Russian |
|
|
Marilyn J. Ziffrin |
1926 |
2018 |
American |
|
|
André Almuró |
1927 |
2009 |
French |
|
|
W. D. Amaradeva |
1927 |
2016 |
Sri Lankan |
|
|
Paul Angerer |
1927 |
2017 |
Austrian |
|
|
John Beckwith |
1927 |
|
Canadian |
|
|
Pascal Bentoiu |
1927 |
2016 |
Romanian |
|
|
Josef Berg |
1927 |
1971 |
Czech |
|
|
Joseph Castaldo |
1927 |
2000 |
American |
|
|
Asger Lund Christiansen |
1927 |
1998 |
Danish |
|
neoclassicism
|
Dolores Claman |
1927 |
|
Canadian |
|
|
John Diercks |
1927 |
|
American |
|
|
Emma Lou Diemer |
1927 |
|
American |
|
|
Franco Donatoni |
1927 |
2000 |
Italian |
|
|
John W. Downey |
1927 |
2004 |
American |
|
|
Donald Erb |
1927 |
2008 |
American |
Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra |
jazz-influenced, aleatory, electronic music, eclectic
|
Pierre Henry |
1927 |
2017 |
French |
Symphonie pour un homme seul |
musique concrète
|
Elaine Hugh-Jones |
1927 |
|
Welsh |
|
|
Wilfred Josephs |
1927 |
1997 |
English |
|
|
John Joubert |
1927 |
2019 |
English |
|
|
Wilhelm Killmayer |
1927 |
2017 |
German |
Sinfonia I–III, Song cycles |
|
Osvaldo Lacerda |
1927 |
2011 |
Brazilian |
|
|
Vlastimil Lejsek |
1927 |
2010 |
Czech |
|
|
Bernhard Lewkovitch |
1927 |
|
Danish |
|
|
Janet Maguire |
1927 |
|
Austrian |
|
|
Richard Maxfield |
1927 |
1969 |
American |
|
|
Ștefan Niculescu |
1927 |
2010 |
Romanian |
Ison II |
|
Bernard Parmegiani |
1927 |
2013 |
French |
|
electronic or acousmatic music
|
Wayne Peterson |
1927 |
|
American |
The Face of the Night, the Heart of the Dark |
electro-acoustic, and electronic music
|
Witold Szalonek |
1927 |
2001 |
Polish |
|
|
William Ennis Thomson |
1927 |
|
American |
|
|
George Balch Wilson |
1927 |
|
American |
|
|
Thomas Wilson |
1927 |
2001 |
Scottish |
|
|
Çesk Zadeja |
1927 |
1997 |
Albanian |
|
|
Margrit Zimmermann |
1927 |
2020 |
Swiss |
|
|
Samuel Adler |
1928 |
|
American (German-born) |
|
|
Luna Alcalay |
1928 |
2012 |
Austrian |
|
|
Ruth Anderson |
1928 |
2019 |
American |
|
|
Tadeusz Baird |
1928 |
1981 |
Polish |
|
|
Jean Barraqué |
1928 |
1973 |
French |
Piano Sonata, Chant après chant |
serialism
|
Lubor Bárta |
1928 |
1972 |
Czech |
Piano Trio in C Major, Concertino for trombone and piano |
|
Frank Bencriscutto |
1928 |
1997 |
American |
Concerto Grosso for saxophone quartet and band |
concert band music
|
Euel Box |
1928 |
2017 |
American |
|
|
Vitaly Bujanovsky |
1928 |
1993 |
Russian |
|
|
Jean-Michel Damase |
1928 |
2013 |
French |
|
|
George Dreyfus |
1928 |
|
French |
|
|
Jacob Druckman |
1928 |
1996 |
American |
Windows |
|
Du Mingxin |
1928 |
|
Chinese |
|
|
Judith Dvorkin |
1928 |
1995 |
American |
|
|
David Farquhar |
1928 |
2007 |
New Zealander |
A Unicorn for Christmas, Ring Round the Moon |
neoclassicism
|
Nicolas Flagello |
1928 |
1994 |
American |
|
Neoclassicism
|
Valentin Gheorghiu |
1928 |
|
Romanian |
|
|
Otar Gordeli |
1928 |
1994 |
Georgia |
|
|
Beverly Grigsby |
1928 |
|
American |
|
|
Bengt Hambraeus |
1928 |
2000 |
Swedish |
|
|
Robert Helps |
1928 |
2001 |
American |
|
|
Frigyes Hidas |
1928 |
2007 |
Hungarian |
|
|
Miloslav Ištvan |
1928 |
1990 |
Czech |
|
|
Karl Korte |
1928 |
|
American |
|
|
Bidzina Kvernadze |
1928 |
2010 |
Georgian |
|
|
Kamilló Lendvay |
1928 |
2016 |
Hungarian |
|
|
Henk van Lijnschooten |
1928 |
2006 |
Dutch |
|
|
Zdeněk Lukáš |
1928 |
2007 |
Czech |
|
|
Ennio Morricone |
1928 |
2020 |
Italian |
|
also a composer of film music: Once Upon a Time in America; The Mission; The Good, the Bad and the Ugly; A Fistful of Dollars; Once Upon a Time in the West
|
Diether de la Motte |
1928 |
2010 |
German |
operas, orchestra, chamber |
|
Thea Musgrave |
1928 |
|
Scottish |
|
|
Jorge Peña Hen |
1928 |
1973 |
Chilean |
|
|
Thomas Rajna |
1928 |
|
Hungarian |
|
|
Einojuhani Rautavaara |
1928 |
2016 |
Finnish |
Cantus Arcticus; Symphony No. 7 "Angel of Light"; Piano Concerto No. 3 "The Gift of Dreams" |
|
Ronald Stevenson |
1928 |
2015 |
British |
|
|
Karlheinz Stockhausen |
1928 |
2007 |
German |
Kontra-Punkte; Gesang der Jünglinge; Klavierstücke; Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Inori, first six operas of the Licht cycle |
avant-garde, electronic music, serialism, aleatory, intuitive music, formula composition, polystylism
|
Jay Sydeman |
1928 |
|
American |
|
|
Peter Tahourdin |
1928 |
2009 |
English-born Australian |
|
|
Tommy Tycho |
1928 |
2013 |
Hungarian-Australian |
|
|
Raymond Warren |
1928 |
|
British |
|
|
Nikolla Zoraqi |
1928 |
1991 |
Albanian |
|
|
Harry Bannink |
1929 |
1999 |
Dutch |
|
|
Erling Bjerno |
1929 |
|
Danish |
|
|
Augustyn Bloch |
1929 |
2006 |
Polish |
|
|
Antonio Braga |
1929 |
2009 |
Italian |
|
|
Reiner Bredemeyer |
1929 |
1995 |
German |
|
|
Theo Bruins |
1929 |
1993 |
Dutch |
|
|
Nini Bulterijs |
1929 |
1989 |
Belgian |
|
|
Geghuni Hovannesi Chitchian |
1929 |
|
Armenian |
|
|
Dinos Constantinides |
1929 |
|
Greek-American |
Antigone (opera), Cello Concerto "Shenzhen" |
|
George Crumb |
1929 |
|
American |
Ancient Voices of Children, Black Angels |
extended technique, numerology
|
Samar Das |
1929 |
2001 |
Bangladeshi |
|
|
Edison Denisov |
1929 |
1996 |
Russian |
L'écume des jours (opera), Requiem, 2 Symphonies, Violin Concerto, Flute Concerto |
avant-garde, serialism, extended technique, polystylism, electronic music
|
Frédéric Devreese |
1929 |
|
Belgian |
|
|
Petr Eben |
1929 |
2007 |
Czech |
|
|
Hormoz Farhat |
1929 |
|
Iranian |
|
|
Luc Ferrari |
1929 |
2005 |
French |
Presque rien No. 1: "Le Lever du jour au bord de la mer" |
electronic music
|
Carlton Gamer |
1929 |
|
American |
|
|
Jerry Goldsmith |
1929 |
2004 |
American |
|
also composer of film scores, Music for Orchestra; Fireworks
|
Alun Hoddinott |
1929 |
2008 |
Welsh |
|
|
Pedro Iturralde |
1929 |
|
Spanish |
|
|
Leonard Kastle |
1929 |
2011 |
American |
|
|
Waldemar Kazanecki |
1929 |
1991 |
Polish |
|
|
Charles Knox |
1929 |
|
American |
|
neo-classical, musical palindromes
|
Ctirad Kohoutek |
1929 |
2011 |
Czech |
|
|
Boris Kravchenko |
1929 |
1979 |
Russian |
|
|
Kenneth Leighton |
1929 |
1988 |
English |
|
|
Miłosz Magin |
1929 |
1999 |
Polish |
|
|
André Mathieu |
1929 |
1968 |
Canadian |
|
|
Teizo Matsumura |
1929 |
2007 |
Japanese |
|
atonality
|
Toshiro Mayuzumi |
1929 |
1997 |
Japanese |
|
|
Robert Muczynski |
1929 |
2010 |
American |
|
|
Ron Nelson |
1929 |
|
American |
Rocky Point Holiday |
|
Aleksandra Pakhmutova |
1929 |
|
Russian |
|
|
Henri Pousseur |
1929 |
2009 |
Belgian |
Scambi; Votre Faust; Trois visages à Liège; Couleurs croisées |
serialism, aleatory, eclectic, polystylism, electronic music, world music, popular music influence,
|
André Previn |
1929 |
2019 |
German/American |
A Streetcar Named Desire |
|
Josef Anton Riedl |
1929 |
2016 |
German |
|
|
Bogusław Schaeffer |
1929 |
2019 |
Polish |
|
|
Peter Sculthorpe |
1929 |
2014 |
Australian |
Requiem; Kakadu; Earth Cry; Rites of Passage |
|
Hans Stadlmair |
1929 |
2019 |
Austrian |
Trumpet Concerto with strings; Saxofonia; Miró |
|
Siegfried Strohbach |
1929 |
2019 |
German |
5 Galgenlieder; Ein Stern aus Jacob |
|
James Helme Sutcliffe |
1929 |
2000 |
American |
|
|
Avet Terterian |
1929 |
1994 |
Armenian |
|
|
Lloyd Ultan |
1929 |
1998 |
American |
|
|
James Yannatos |
1929 |
2011 |
American |
|
|
Akio Yashiro |
1929 |
1976 |
Japanese |
piano concerto |
atonality
|
Gerd Zacher |
1929 |
2014 |
German |
|
|
Muhal Richard Abrams |
1930 |
2017 |
American |
|
|
Yardena Alotin |
1930 |
1994 |
Israeli |
|
|
David Amram |
1930 |
|
American |
|
|
Robert Ashley |
1930 |
2014 |
American |
In Memoriam... Kit Carson (opera) |
electronic music, extended techniques
|
Larry Austin |
1930 |
2018 |
American |
Improvisations for Orchestra and Jazz Soloists |
electronic music, computer music, jazz-influenced
|
Petar Bergamo |
1930 |
|
Croatian |
|
Romanticism, atonality
|
Claude Bolling |
1930 |
|
French |
Suite for flute and jazz piano trio |
jazz-influenced
|
Jacques Calonne |
1930 |
|
Belgian |
|
|
John Carmichael |
1930 |
|
Australian |
|
|
Robert Cogan |
1930 |
|
American |
|
|
John Davison |
1930 |
1999 |
American |
|
|
Pierre-Max Dubois |
1930 |
1995 |
French |
|
|
Jean Guillou |
1930 |
2019 |
French |
|
|
Friedrich Gulda |
1930 |
2000 |
Austrian |
|
|
Cristóbal Halffter |
1930 |
|
Spanish |
Líneas y puntos; Don Quixote |
eclectic, electronic music
|
Christopher Headington |
1930 |
1996 |
British |
|
|
Ryōhei Hirose |
1930 |
2008 |
Japanese |
|
|
Nikolai Karetnikov |
1930 |
1994 |
Russian |
Symphony No. 3, Concert Piece for piano |
|
Antoinette Kirkwood |
1930 |
2014 |
English |
|
|
Günter Kochan |
1930 |
2009 |
German |
|
|
Gordon Langford |
1930 |
2017 |
English |
Facets of Glass; Rhapsody for Trombone |
brass band music
|
Theo Loevendie |
1930 |
|
Dutch |
|
|
Lu Yen |
1930 |
2008 |
Chinese-born Taiwanese |
|
|
Gudrun Lund |
1930 |
|
Danish |
|
|
Usko Meriläinen |
1930 |
2004 |
Finnish |
|
|
William P. Perry |
1930 |
|
American |
|
|
Betty Roe |
1930 |
|
English |
|
|
Dieter Schnebel |
1930 |
2018 |
German |
Mahler-Moment; Maulwerke; Baumzucht |
|
Pieter van der Staak |
1930 |
2007 |
Dutch |
|
|
Tōru Takemitsu |
1930 |
1996 |
Japanese |
A Flock Descends into the Pentagonal Garden; Toward the Sea |
neo-impressionism
|
Eino Tamberg |
1930 |
2010 |
Estonian |
|
|
Veljo Tormis |
1930 |
2017 |
Estonian |
|
|
Nancy Van de Vate |
1930 |
|
American |
|
|
Joan Franks Williams |
1930 |
2003 |
American |
|
|
Robert William Witt |
1930 |
1967 |
American |
|
neoclassical
|
Heinz Werner Zimmermann |
1930 |
|
German |
|
|
Louis W. Ballard |
1931 |
2007 |
American |
|
|
Vytautas Barkauskas |
1931 |
2020 |
Lithuanian |
|
|
Martin Boykan |
1931 |
|
American |
Echoes of Petrarch; Piano Trio No. 2; String Quartet No. 3 |
serialism
|
Sylvano Bussotti |
1931 |
|
Italian |
|
|
Charles Camilleri |
1931 |
2009 |
Maltese |
|
|
Nancy Laird Chance |
1931 |
|
American |
|
|
F. R. C. Clarke |
1931 |
2009 |
Canadian |
|
|
Lucia Dlugoszewski |
1931 |
2000 |
American |
|
|
Felicia Donceanu |
1931 |
|
Romanian |
|
|
Frederick A. Fox |
1931 |
2011 |
American |
|
|
Robert Gauldin |
1931 |
|
American |
|
|
Lucien Goethals |
1931 |
2006 |
Belgian |
|
serialism, electronic music
|
Sofia Gubaidulina |
1931 |
|
Russian |
Offertorium; Music for Flute, Strings, and Percussion |
|
Donald Harris |
1931 |
2016 |
American |
|
|
Hikaru Hayashi |
1931 |
2012 |
Japanese |
Viola Concerto "Elegia" |
|
Derek Holman |
1931 |
2019 |
English |
|
|
Josef Maria Horváth |
1931 |
|
Hungarian |
|
|
Mauricio Kagel |
1931 |
2008 |
Argentine / German |
Staatstheater; Kantrimiusik; Ludwig van |
polystylism
|
Rudolf Kelterborn |
1931 |
|
Swiss |
|
|
Krzysztof Komeda |
1931 |
1969 |
Polish |
|
|
Rudolf Komorous |
1931 |
|
Canadian |
|
|
Yüksel Koptagel |
1931 |
|
Turkish |
|
|
André Laporte |
1931 |
|
Belgian |
Das Schloss |
eclectic
|
David Lumsdaine |
1931 |
|
Australian |
|
|
Maria Dolores Malumbres |
1931 |
2019 |
Spanish |
|
|
Myriam Marbe |
1931 |
1997 |
Romanian |
|
|
Donald Martino |
1931 |
2005 |
American |
|
|
Arne Nordheim |
1931 |
2010 |
Norwegian |
Epitaffio; The Tempest (ballet); Magma |
many works include electronics
|
Ib Nørholm |
1931 |
2019 |
Danish |
|
|
Ivo Petrić |
1931 |
2018 |
Slovenian |
|
|
Leon Schidlowsky |
1931 |
|
Chilean-Israeli |
|
|
Makoto Shinohara |
1931 |
|
Japanese |
Fragmente |
electronic music, influence of traditional Japanese music
|
Yuzo Toyama |
1931 |
|
Japanese |
|
|
Peter Westergaard |
1931 |
2019 |
American |
|
|
Malcolm Williamson |
1931 |
2003 |
Australian |
Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations |
|
Elaine Barkin |
1932 |
|
American |
|
|
François Bayle |
1932 |
|
French |
|
|
Niccolò Castiglioni |
1932 |
1996 |
Italian |
|
|
Henning Christiansen |
1932 |
2008 |
Danish |
|
fluxus
|
Rudi Martinus van Dijk |
1932 |
2003 |
Dutch |
|
|
Tod Dockstader |
1932 |
2008 |
American |
|
electronic music
|
James Douglas |
1932 |
|
Scottish |
|
|
Alexander Goehr |
1932 |
|
English |
Arianna |
twelve-tone, later modal, eclectic
|
Pelle Gudmundsen-Holmgreen |
1932 |
2016 |
Danish |
|
|
André Hajdu |
1932 |
2016 |
Israeli |
|
|
Baligh Hamdi |
1932 |
1993 |
Egyptian |
|
|
Diana Pereira Hay |
1932 |
|
Danish |
|
|
Hans G. Helms |
1932 |
2012 |
German |
|
|
Marta Jiráčková |
1932 |
|
Czech |
|
|
M. William Karlins |
1932 |
2005 |
American |
Works for Saxophone; works for Double Bass[vague] |
|
Wojciech Kilar |
1932 |
2013 |
Polish |
Krzesany |
holy minimalism; also composer of film music: Dracula (film music)
|
Bronius Kutavičius |
1932 |
|
Lithuanian |
|
|
Henri Lazarof |
1932 |
2013 |
Bulgarian |
|
|
Martin Mailman |
1932 |
2000 |
American |
|
|
Tera de Marez Oyens |
1932 |
1996 |
Dutch |
|
|
Richard Meale |
1932 |
2009 |
Australian |
Voss |
avant-garde
|
Per Nørgård |
1932 |
|
Danish |
Voyage into the Golden Screen |
|
Coleridge-Taylor Perkinson |
1932 |
2004 |
American |
|
|
Malcolm Peyton |
1932 |
|
American |
|
|
Gundaris Pone |
1932 |
1994 |
Latvian-American |
|
|
Max Schubel |
1932 |
2010 |
American |
|
|
Kilza Setti |
1932 |
|
Brazilian |
|
|
Rodion Shchedrin |
1932 |
|
Russian |
Lolita; 2 symphonies; The Carmen Ballet; 6 piano concertos |
polystylism
|
Sergei Slonimsky |
1932 |
2020 |
Russian |
|
polystylism
|
Claude T. Smith |
1932 |
1987 |
American |
|
|
Gitta Steiner |
1932 |
1990 |
American |
|
|
Muammer Sun |
1932 |
|
Turkish |
|
|
Gilles Tremblay |
1932 |
2017 |
Canadian |
Sonorisation du Pavillon du Québec; Fleuves |
electronic music, serialism
|
John Williams |
1932 |
|
American |
also composer of film scores, The Five Sacred Trees |
|
Hugh Wood |
1932 |
|
English |
Symphony; Cello Concerto; Piano Concerto; Violin Concerto No. 1; Scenes from Comus |
symphonic serialism
|
Leonardo Balada |
1933 |
|
Spanish-American |
6 symphonies[vague]; 6 operas[vague] |
Avant-garde, later folk-influenced
|
Easley Blackwood Jr. |
1933 |
|
American |
|
polyrhythm, microtone
|
Seóirse Bodley |
1933 |
|
Irish |
|
|
Michael Brimer |
1933 |
|
Australian |
|
|
Colin Brumby |
1933 |
2018 |
Australian |
|
|
Walter Buczynski |
1933 |
|
Canadian |
|
|
Justin Connolly |
1933 |
|
British |
|
modernism
|
Ramiro Cortés |
1933 |
1984 |
American |
|
serialism, atonality
|
Pozzi Escot |
1933 |
|
American |
|
|
Antón García Abril |
1933 |
|
Spanish |
|
|
Henryk Górecki |
1933 |
2010 |
Polish |
Symphony of Sorrowful Songs |
holy minimalism
|
Don Kay |
1933 |
|
Australian |
|
|
István Láng |
1933 |
|
Hungarian |
|
|
Bo Linde |
1933 |
1970 |
Swedish |
|
Neoromanticism
|
Altaf Mahmud |
1933 |
1971 |
Bangladeshi |
|
|
W. Francis McBeth |
1933 |
2012 |
American |
|
|
Arne Mellnäs |
1933 |
2002 |
Swedish |
|
|
Akira Miyoshi |
1933 |
2013 |
Japanese |
|
|
Harrison Oxley |
1933 |
2009 |
British |
|
|
Krzysztof Penderecki |
1933 |
2020 |
Polish |
Threnody for the Victims of Hiroshima; St. Luke Passion; Polish Requiem; Symphony No. 2: Christmas |
avant-garde, extended technique, later neoromanticism, polystylism
|
Yves Prin |
1933 |
|
French |
|
neo-impressionism
|
Eric Salzman |
1933 |
2017 |
American |
|
avant-garde, atonal, electronic, new music theater
|
John Sanders |
1933 |
2003 |
English |
|
|
George Tibbits |
1933 |
2008 |
Australian |
|
|
Tôn-Thất Tiết |
1933 |
|
Vietnamese-French |
|
|
Roland Trogan |
1933 |
2012 |
American |
|
|
Bertram Turetzky |
1933 |
|
American |
|
|
Xin Huguang |
1933 |
2011 |
Chinese |
Gada Meilin |
|
Pierre Ancelin |
1934 |
2001 |
French |
|
|
Alain Bancquart |
1934 |
|
French |
|
|
İlhan Baran |
1934 |
|
Turkish |
|
|
Harrison Birtwistle |
1934 |
|
English |
The Mask of Orpheus (opera), Silbury Air |
|
Rob du Bois |
1934 |
2013 |
Dutch |
Pastorale VII; Concerto for Two Violins and Orchestra |
serialism, improvisation, musical quotation
|
Benjamin Boretz |
1934 |
|
American |
|
|
Jeremy Dale Roberts |
1934 |
2017 |
English |
I heard a Voice; Cello Concerto - Deathwatch; Croquis; Capriccio |
|
Mario Davidovsky |
1934 |
2019 |
American |
|
|
Peter Maxwell Davies |
1934 |
2016 |
English |
Taverner, Eight Songs for a Mad King, Symphony No. 1, Symphony No. 3, Symphony No. 6, Strathclyde Concertos, Naxos Quartets |
|
Peter Dickinson |
1934 |
|
English |
|
|
Anthony Gilbert |
1934 |
|
British |
|
|
Vinko Globokar |
1934 |
|
French |
|
|
Geoffrey Grey |
1934 |
|
British |
|
|
Jan Klusák |
1934 |
|
Czech |
|
polystylism
|
Nicole Lachartre |
1934 |
1991 |
French |
|
|
William Mathias |
1934 |
1992 |
Welsh |
Let the people praise Thee, O God |
|
Siegfried Matthus |
1934 |
|
German |
Judith, Te Deum |
|
Zhanneta Metallidi |
1934 |
2019 |
Russian |
|
|
Gonzalo de Olavide |
1934 |
2005 |
Spanish |
|
|
Paul Panhuysen |
1934 |
2015 |
Dutch |
|
|
Raymond Premru |
1934 |
1998 |
American |
|
|
Bernard Rands |
1934 |
|
English |
|
|
Roger Reynolds |
1934 |
|
American |
|
|
Alan Ridout |
1934 |
1996 |
British |
|
|
Alfred Schnittke |
1934 |
1998 |
Russian |
10 symphonies, notably the First Symphony (1969–1972), the Third (1981), Fourth (1984), and Fifth (1988) Symphonies; and the Viola (1985) and 1st Cello (1985–1986) Concertos, First Concerto Grosso (1977), Second (1980) and Third (1983) String Quartets and the String Trio (1985) |
polystylism
|
Ramon Sender |
1934 |
|
Spanish |
|
electronic music
|
Avo Sõmer |
1934 |
|
American |
|
|
Walter Steffens |
1934 |
|
German |
|
|
James Tenney |
1934 |
2006 |
American |
|
|
Alicia Terzian |
1934 |
|
Argentine |
|
|
Fisher Tull |
1934 |
1994 |
American |
|
|
Bernard Vitet |
1934 |
2013 |
French |
|
|
Richard Wernick |
1934 |
|
American |
|
|
Christian Wolff |
1934 |
|
American |
Summer, for string quartet; Pebbles, for violin and piano |
indeterminacy
|
Arlene Zallman |
1934 |
2006 |
American |
|
|
Tomislav Zografski |
1934 |
2000 |
Macedonian |
Passacalia; Skherzo; Sonata for Two Pianos; In praise of Ciryl and Methodius |
|
Vasif Adigozalov |
1935 |
2006 |
Azerbaijani |
|
|
Luis Advis |
1935 |
2004 |
Chilean |
|
|
Theodore Antoniou |
1935 |
2018 |
Greek |
|
|
Ayo Bankole |
1935 |
1976 |
Nigerian |
|
|
Jiří Bárta |
1935 |
2012 |
Czech |
Concerto for Orchestra |
|
Derek Bell |
1935 |
2002 |
Irish |
|
|
Nigel Butterley |
1935 |
|
Australian |
|
|
Chen Gang |
1935 |
|
Chinese |
Butterfly Lovers' Violin Concerto (collaboration with He Zhanhao) |
|
John Eaton |
1935 |
2015 |
American |
|
microtonal music
|
Biancamaria Furgeri |
1935 |
|
Italian |
|
|
Helen Gifford |
1935 |
|
Australian |
|
|
Kazuko Hara |
1935 |
2014 |
Japanese |
|
|
Elgar Howarth |
1935 |
|
English |
|
|
Teiji Ito |
1935 |
1982 |
Japanese |
|
|
Samuel Jones |
1935 |
|
American |
|
|
Sandor Kalloś |
1935 |
|
Russian |
|
|
Giya Kancheli |
1935 |
2019 |
Georgian |
7 symphonies |
holy minimalism
|
Georg Katzer |
1935 |
2019 |
German |
Baukasten für Orchester [de]; D-Dur Musikmaschine [de] |
|
Helmut Lachenmann |
1935 |
|
German |
Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern |
extended technique
|
François-Bernard Mâche |
1935 |
|
French |
|
|
Pierre Mariétan |
1935 |
2003 |
Swiss |
|
|
Diego Masson |
1935 |
|
French |
|
|
Nicholas Maw |
1935 |
2009 |
English |
Odyssey; The World in the Evening |
|
Khayyam Mirzazade |
1935 |
2018 |
Azerbaijani |
|
|
Akin Euba |
1935 |
|
Nigerian |
|
|
Jacqueline Nova |
1935 |
1975 |
Colombian |
|
|
Arvo Pärt |
1935 |
|
Estonian |
Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten |
holy minimalism, polystylism
|
Terry Riley |
1935 |
|
American |
In C |
minimalism
|
Aulis Sallinen |
1935 |
|
Finnish |
The King Goes Forth to France |
|
Peter Schat |
1935 |
2003 |
Dutch |
|
|
Kurt Schwertsik |
1935 |
|
Austrian |
|
|
Noam Sheriff |
1935 |
2018 |
Israeli |
|
|
Donald Sur |
1935 |
1999 |
American |
|
|
Conrad Susa |
1935 |
2013 |
American |
|
|
Gloria Wilson Swisher |
1935 |
|
American |
|
|
André Tchaikowsky |
1935 |
1982 |
Polish |
|
|
Jiří Teml |
1935 |
|
Czech |
|
|
Wang Qiang |
1935 |
|
Chinese |
|
|
La Monte Young |
1935 |
|
American |
The Well-Tuned Piano |
minimalism, microtonal music, improvisation, Asian-music influence
|
Mirjana Živković |
1935 |
2020 |
Serbian |
|
|
Gilbert Amy |
1936 |
|
French |
|
serialism, electronic music, also composer of film music
|
Izabella Arazova |
1936 |
|
Armenian |
Concerto for Orchestra |
|
Richard Rodney Bennett |
1936 |
2012 |
English |
|
|
David Blake |
1936 |
|
British |
|
|
Herbert Blendinger |
1936 |
2020 |
German-Austrian |
viola concerto, cantata Mdia in vita, string quartets |
also a violist
|
Harold Budd |
1936 |
|
American |
|
avant-garde, ambient music
|
Cornelius Cardew |
1936 |
1981 |
English |
Treatise; The Great Learning |
serialism, improvisation, aleatory
|
Monic Cecconi-Botella |
1936 |
|
French |
|
|
Michel Decoust |
1936 |
|
French |
|
|
Aleksandar Džambazov |
1936 |
|
Macedonian |
Rhapsody for Skopje, Seven dance variations for piano and orchestra |
|
Iván Erőd |
1936 |
2019 |
Hungarian-Austrian |
opera Seidenraupen, song cycle Milchzahnlieder, piano trios |
|
Malcolm Forsyth |
1936 |
2011 |
Canadian |
|
|
Erika Fox |
1936 |
|
British |
|
|
Éric Gaudibert |
1936 |
2012 |
Swiss |
|
|
Frans Geysen |
1936 |
|
Belgian |
|
|
Malcolm Goldstein |
1936 |
|
American |
|
|
Daniel Goode |
1936 |
|
American |
|
|
Barbara Heller |
1936 |
|
German |
|
|
Michael Hennagin |
1936 |
1993 |
American |
|
|
Takekuni Hirayoshi |
1936 |
1998 |
Japanese |
|
|
Mogens Winkel Holm |
1936 |
1999 |
Danish |
|
|
Maki Ishii |
1936 |
2003 |
Japanese |
|
|
Oleksandr Krasotov |
1936 |
2007 |
Ukrainian |
|
|
Ladislav Kupkovič |
1936 |
2016 |
Slovak |
Vier Präparierter Texte |
Wandelkonzerte, historicism
|
Young-ja Lee |
1936 |
|
South Korean |
|
|
Gérard Masson |
1936 |
|
French |
|
|
Colin Mawby |
1936 |
2019 |
English |
Laudate Pueri Dominum; Requiem of Hope; The Quest |
|
Sheila Nelson |
1936 |
|
English |
|
|
Jocy de Oliveira |
1936 |
|
Brazilian |
|
|
Anthony Payne |
1936 |
|
English |
|
|
Erika Radermacher |
1936 |
|
German |
|
|
Steve Reich |
1936 |
|
American |
Piano Phase; Music for 18 Musicians |
minimalism; Neoconservative postmodernism
|
Aribert Reimann |
1936 |
|
German |
Lear; Nahe Ferne; Wolkenloses Christfest |
|
Vivian Adelberg Rudow |
1936 |
|
American |
|
|
Elliott Schwartz |
1936 |
2016 |
American |
Equinox for orchestra |
|
Brunhilde Sonntag |
1936 |
2002 |
German |
|
|
Robert Suderburg |
1936 |
2013 |
American |
Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII ("Ceremonies") |
|
John White |
1936 |
|
English |
Cello and Tuba Machine; 175 piano sonatas |
|
Hans Zender |
1936 |
2019 |
German |
Stephen Climax (opera) |
|
Keiko Abe |
1937 |
|
Japanese |
|
|
Edward Applebaum |
1937 |
|
American |
|
|
Rafig Babayev |
1937 |
1994 |
Azerbaijani |
|
|
Jan Bach |
1937 |
|
American |
|
|
Junsang Bahk |
1937 |
|
South Korean |
|
|
Osvaldas Balakauskas |
1937 |
|
Lithuanian |
|
|
Janet Beat |
1937 |
|
Scottish |
|
|
David Bedford |
1937 |
2011 |
British |
|
|
David Behrman |
1937 |
|
American |
|
|
Constança Capdeville |
1937 |
1992 |
Portuguese |
|
|
Azio Corghi |
1937 |
|
Italian |
Divara – Wasser und Blut |
|
Zbigniew Bargielski |
1937 |
|
Polish |
|
|
Miguel Ángel Coria |
1937 |
2016 |
Spanish |
|
|
David Cornwall |
1937 |
2006 |
American |
|
|
Gordon Crosse |
1937 |
|
British |
|
|
David Del Tredici |
1937 |
|
American |
Child Alice; Final Alice |
neoromanticism
|
Harutiun Dellalian |
1937 |
1990 |
Armenian |
|
|
Anatoly Dokumentov |
1937 |
|
Russian |
|
|
John Ferritto |
1937 |
2010 |
American |
|
|
Misha Geller |
1937 |
2007 |
Russian |
Concerto for Violin, Piano and Orchestra |
|
Philip Glass |
1937 |
|
American |
Violin Concerto; operas; 8 symphonies |
minimalism
|
Lóránt Hajdú |
1937 |
|
Hungarian |
|
|
Jon Hassell |
1937 |
|
American |
|
|
Walter Hekster |
1937 |
2012 |
Dutch |
|
|
Katherine Hoover |
1937 |
2018 |
American |
|
|
Shamshi Kaldayakov |
1937 |
1992 |
Kazakhstani |
|
|
Nikolai Kapustin |
1937 |
2020 |
Russian |
|
|
Povl Kjøller |
1937 |
1999 |
Danish |
|
|
Marta Lambertini |
1937 |
2019 |
Argentine |
|
|
Philip Ledger |
1937 |
2012 |
British |
|
|
Paul Méfano |
1937 |
|
French |
|
|
Robert Moran |
1937 |
|
American |
|
|
Gösta Neuwirth |
1937 |
|
Austrian |
|
|
Bo Nilsson |
1937 |
2018 |
Swedish |
|
|
Irina Odagescu |
1937 |
|
Romanian |
|
|
John Ogdon |
1937 |
1989 |
English |
|
|
Jean-Louis Petit |
1937 |
|
French |
|
|
Jože Privšek |
1937 |
1998 |
Slovenian |
|
|
Irma Ravinale |
1937 |
2013 |
Italian |
|
|
Rolf Riehm |
1937 |
|
German |
Les Chants de la Revolution sont des Chants de l’Amour |
|
Edwin Roxburgh |
1937 |
|
English |
|
|
Valentin Silvestrov |
1937 |
|
Ukrainian |
Symphony No. 5 |
|
Dmitry Smolsky |
1937 |
2017 |
Belarusian |
|
|
Joop Stokkermans |
1937 |
2012 |
Dutch |
|
|
Loris Tjeknavorian |
1937 |
|
Iranian-Armenian |
|
|
Wang Xilin |
1937 |
|
Chinese |
|
folk-influenced
|
Olly Wilson |
1937 |
2018 |
American |
|
|
Guy Woolfenden |
1937 |
2016 |
English |
|
|
Yehuda Yannay |
1937 |
|
American-Israeli |
At the End of the Parade; Radiant Inner Light; Piano Concerto |
extended techniques, multimedia, postmodern
|
Maryanne Amacher |
1938 |
2009 |
American |
|
|
Elizabeth R. Austin |
1938 |
|
American |
|
|
Virko Baley |
1938 |
|
Ukrainian-American |
|
|
Bart Berman |
1938 |
|
Dutch-Israeli |
|
|
E. Clement Bethel |
1938 |
1987 |
Bahamian |
|
|
Howard Blake |
1938 |
|
English |
|
|
Jean-Claude Risset |
1938 |
2016 |
French |
|
|
William Bolcom |
1938 |
|
American |
Songs of Experience; Songs of Innocence |
|
David Borden |
1938 |
|
American |
|
|
Glen Carter-Varney |
1938 |
|
Australian |
|
|
Álvaro Cassuto |
1938 |
|
Portuguese |
|
serialism, neotonality
|
Paul Chihara |
1938 |
|
American |
Shogun: The Musical |
|
Gloria Coates |
1938 |
|
American |
Music on Open Strings |
|
John Corigliano |
1938 |
|
American |
Symphony No. 2; A Dylan Thomas Trilogy |
polystylism, also compose of film music: The Red Violin
|
Alvin Curran |
1938 |
|
American |
For Cornelius; Songs and Views of the Magnetic Garden; Inner Cities |
|
Jean-Claude Éloy |
1938 |
|
French |
|
Electroacoustic music
|
Givi Gachechiladze |
1938 |
|
Georgian |
|
|
Calvin Hampton |
1938 |
1984 |
American |
|
|
John Harbison |
1938 |
|
American |
The Great Gatsby |
Neoconservative postmodernism
|
Paavo Heininen |
1938 |
|
Finnish |
|
|
Hans-Joachim Hespos |
1938 |
|
German |
Seiltanz |
avant-garde, extended techniques
|
Jacques Hétu |
1938 |
2010 |
Canadian |
|
|
Tyzen Hsiao |
1938 |
2015 |
Taiwanese |
|
|
Ashenafi Kebede |
1938 |
1998 |
Ethiopian |
The Shepherd Flutist |
|
Raja Hossain Khan |
1938 |
1989 |
Bangladeshi |
|
|
Zygmunt Krauze |
1938 |
|
Polish |
|
|
Piotr Lachert |
1938 |
2018 |
Polish |
|
|
Douglas Leedy |
1938 |
2015 |
American |
|
|
Reinbert de Leeuw |
1938 |
2020 |
Dutch |
|
|
Mesías Maiguashca |
1938 |
|
Ecuadorian |
F-Melodies; Ayayayayay |
electronic music; spectralism
|
Barton McLean |
1938 |
|
American |
Rainforest Images (jointly composed with Priscilla McLean) |
postmodernist, ambient, drone, minimalist, musique concrète, computer music
|
Dexter Morrill
|
1938
|
2019
|
American
|
Crosswalk, Getz Variations, Hudson River Dreams, Iron Horse Concerto, Fantasy Quintet, Ponzo, Roxbury Preludes, Three Lyric Pieces, Stelladagio, Walden Nocturnes
|
computer music, jazz-influenced, electronic music, improvisation
|
Michael Parsons |
1938 |
|
English |
|
|
Piera Pistono |
1938 |
|
Italian |
|
|
Simon Preston |
1938 |
|
English |
|
|
Dianne Goolkasian Rahbee |
1938 |
|
American |
|
|
Michel Rateau |
1938 |
|
French |
|
|
Frederic Rzewski |
1938 |
|
American |
The People United Will Never Be Defeated! |
|
Tona Scherchen |
1938 |
|
Swiss |
|
|
José Serebrier |
1938 |
|
Uruguayan |
|
|
Mieko Shiomi |
1938 |
|
Japanese |
|
|
Gregory Short |
1938 |
1999 |
American |
|
|
Christopher Steel |
1938 |
1991 |
British |
|
|
Atli Heimir Sveinsson |
1938 |
2019 |
Icelandic |
|
|
Yuji Takahashi |
1938 |
|
Japanese |
|
|
Cornelia Tăutu |
1938 |
2019 |
Romanian |
|
|
Dimitri Terzakis |
1938 |
|
Greek |
|
|
Joan Tower |
1938 |
|
American |
Petroushskates; Concerto for Orchestra; Sequoia; Fanfare for the Uncommon Woman |
|
Jan Vriend |
1938 |
|
Dutch |
|
|
Charles Wuorinen |
1938 |
2020 |
American |
Time's Encomium; 8 symphonies; chamber music |
twelve-tone technique, serialism
|
José Antonio Abreu |
1939 |
2018 |
Venezuelan |
|
|
Alojz Ajdič |
1939 |
|
Slovenian |
|
|
Louis Andriessen |
1939 |
|
Dutch |
|
minimalism
|
Jon Appleton |
1939 |
|
American |
|
|
Elinor Armer |
1939 |
|
American |
|
|
Charles Boone |
1939 |
|
American |
|
|
Leo Brouwer |
1939 |
|
Cuban |
|
|
Wendy Carlos |
1939 |
|
American |
Switched-On Bach (record album of transcriptions, produced with the use of a Moog synthesizer) |
Electronic music (original and transcriptions)
|
Gian Paolo Chiti |
1939 |
|
Italian |
|
|
Maija Einfelde |
1939 |
|
Latvian |
|
|
Oleg Felzer |
1939 |
1998 |
Azerbaijani |
|
|
Jonathan Harvey |
1939 |
2012 |
English |
Mortuos Plango Vivos Voco; Advaya; Bhakti; Wheel of Emptiness |
spectralism
|
Heinz Holliger |
1939 |
|
Swiss |
Schneewittchen |
|
Nicolaus A. Huber |
1939 |
|
German |
|
|
Tom Johnson |
1939 |
|
American |
An Hour for Piano |
minimalism
|
Mikheil Kobakhidze |
1939 |
2019 |
Georgian |
|
|
Barbara Kolb |
1939 |
|
American |
|
|
Jaroslav Krček |
1939 |
|
Czech |
|
|
Jean-Pierre Leguay |
1939 |
|
French |
|
|
Arkady Luxemburg |
1939 |
|
Moldovan |
|
|
Ma Shui-Long |
1939 |
2015 |
Taiwanese |
|
|
Tigran Mansurian |
1939 |
|
Armenian |
|
|
Bruce Mather |
1939 |
|
Canadian |
|
|
John McCabe |
1939 |
2015 |
English |
Chagall Windows; symphonies; ballets; string quartets |
|
María Luisa Ozaita |
1939 |
2017 |
Spanish |
|
|
Florencio Pozadas |
1939 |
1968 |
Bolivian |
|
electroacoustic music
|
Patric Standford |
1939 |
2014 |
English |
Symphony No.1 "The Seasons"; A Christmas Carol Symphony; Cello Concerto; Christus Requiem |
|
Tomáš Svoboda |
1939 |
|
Czech-American |
Overture of the Season; Marimba Concerto; "Children's Treasure Box" piano series |
|
Zsigmond Szathmáry |
1939 |
|
Hungarian |
|
|
Richard Teitelbaum |
1939 |
2020 |
American |
|
|
Boris Tishchenko |
1939 |
2010 |
Russian |
|
polystylism
|
Inger Wikström |
1939 |
|
Swedish |
|
|
James Willey |
1939 |
|
American |
|
|
Ellen Taaffe Zwilich |
1939 |
|
American |
|
neoromanticism
|
Dieter Acker |
1940 |
2006 |
German |
|
|
Juraj Beneš |
1940 |
2004 |
Slovak |
|
|
Margaret Brouwer |
1940 |
|
American |
|
|
Graciela Castillo |
1940 |
|
Argentine |
|
electroacoustic
|
Julius Eastman |
1940 |
1990 |
American |
|
|
Joseph Fennimore |
1940 |
|
American |
Berlitz: Introduction to French; Eventide |
eclectic
|
Henry Flynt |
1940 |
|
American |
|
|
Eleanor Hovda |
1940 |
2009 |
American |
|
|
Alden Jenks |
1940 |
|
American |
|
|
Terry Jennings |
1940 |
1981 |
American |
|
minimalist
|
David C. Johnson |
1940 |
|
American |
|
|
Ken-Ichiro Kobayashi |
1940 |
|
Japanese |
|
|
Maria Teresa Luengo |
1940 |
|
Argentine |
|
|
Dorothy Rudd Moore |
1940 |
|
American |
|
|
Gary Lee Nelson |
1940 |
|
American |
|
|
Nguyen-Thien Dao |
1940 |
2015 |
Vietnamese-French |
|
|
Jorge Peixinho |
1940 |
1995 |
Portuguese |
|
electronic music
|
Peer Raben |
1940 |
2007 |
German |
|
|
Dan-Alexandru Voiculescu |
1940 |
2009 |
Romanian |
|
|
Alexander Yossifov |
1940 |
2016 |
Bulgarian |
|
|
Frank Zappa |
1940 |
1993 |
American |
The Perfect Stranger; The Yellow Shark |
|
Adrienne Albert |
1941 |
|
American |
|
|
Stephen Albert |
1941 |
1992 |
American |
Symphony No. 1: Riverrun |
|
Judith Margaret Bailey |
1941 |
|
English |
|
|
Anđelka Bego-Šimunić |
1941 |
|
Bosnian |
|
neoclassicism
|
Konrad Boehmer |
1941 |
2014 |
Dutch |
|
|
Derek Bourgeois |
1941 |
2017 |
English |
|
|
Geoffrey Burgon |
1941 |
2010 |
British |
Magnificat and Nunc Dimittis; Monty Python's Life of Brian (film score) |
|
David Cope |
1941 |
|
American |
|
|
James Di Pasquale |
1941 |
|
American |
|
|
Johannes Fritsch |
1941 |
2010 |
German |
|
|
Kay Gardner |
1941 |
2002 |
American |
|
|
Angelo Gilardino |
1941 |
|
Italian |
|
|
Adolphus Hailstork |
1941 |
|
American |
|
|
Sorrel Hays |
1941 |
2020 |
American |
|
|
Moya Henderson |
1941 |
|
Australian |
Lindy |
|
Valeri Kikta |
1941 |
|
Ukrainian |
|
|
Philip Krumm |
1941 |
|
American |
|
|
Antony le Fleming |
1941 |
|
English |
|
|
Paul Alan Levi |
1941 |
|
American |
|
|
John Melby |
1941 |
|
American |
|
|
Yvar Mikhashoff |
1941 |
1993 |
American |
|
|
John Mitchell |
1941 |
|
American |
|
|
Richard Nanes |
1941 |
2009 |
American |
|
|
Emmanuel Nunes |
1941 |
2012 |
Portuguese |
Machina Mundi; Quodlibet |
electronic music
|
Sook-Ja Oh |
1941 |
|
Korean |
|
|
Magaly Ruiz |
1941 |
|
Cuban |
|
|
Erkki Salmenhaara |
1941 |
2002 |
Finnish |
|
minimalism
|
Serge Tcherepnin |
1941 |
|
American |
|
|
Richard Edward Wilson |
1941 |
|
American |
|
|
Birgitte Alsted |
1942 |
|
Danish |
|
|
Philip Bračanin |
1942 |
|
Australian |
|
|
John Cale |
1942 |
|
Welsh |
|
|
John Barnes Chance |
1942 |
1972 |
American |
Elegie; Variations on a Korean Folk Song |
|
Brian Cherney |
1942 |
|
Canadian |
|
|
Charles Dodge |
1942 |
|
American |
Earth's Magnetic Field |
electronic music, computer music
|
Chinary Ung |
1942 |
|
Cambodian |
|
|
Adel Kamel |
1942 |
2003 |
Egyptian |
|
|
Volker David Kirchner |
1942 |
2020 |
German |
Die Trauung (opera); Missa Moguntina (Mainz Mass); Symphony No. 2 "Mythen" |
|
Jonathan Kramer |
1942 |
2004 |
American |
|
postmodernism
|
Tomás Marco |
1942 |
|
Spanish |
Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 Anatomía fractal de los ángeles; Ojos verdes de luna |
avant-garde, neoclassical, folk-influenced, eclectic
|
Ingram Marshall |
1942 |
|
American |
|
|
David Matthews |
1942 |
|
English |
|
|
Paul McCartney |
1942 |
|
English |
Liverpool Oratorio; Standing Stone; Ecce Cor Meum |
member of The Beatles and Wings
|
John McGuire |
1942 |
|
American |
Pulse Music III; A Capella |
electronic music, fusion of serialism and minimalism, postminimalism
|
Priscilla McLean |
1942 |
|
American |
Rainforest Images (jointly composed with Barton McLean) |
postmodernist, ambient, drone, minimalist, musique concrète, computer music
|
Haruna Miyake |
1942 |
|
Japanese |
|
|
Meredith Monk |
1942 |
|
American |
|
|
Gentil Montaña |
1942 |
2011 |
Colombian |
|
|
David Padrós |
1942 |
2016 |
Catalan |
|
|
Horațiu Rădulescu |
1942 |
2008 |
Romanian/French |
six string quartets |
spectralism
|
Diogenes Rivas |
1942 |
|
Venezuelan |
|
|
Daniel Roth |
1942 |
|
French |
|
|
Wojciech Rybicki |
1942 |
|
Polish |
|
|
Shigeaki Saegusa |
1942 |
|
Japanese |
Piano Concerto |
avant-garde
|
Clive Strutt |
1942 |
|
English |
The Tragedy of Man |
neoromantic
|
Kyungsun Suh |
1942 |
|
Korean |
|
|
Viktor Suslin |
1942 |
2012 |
Russian |
|
|
José Antônio Rezende de Almeida Prado |
1943 |
2010 |
Brazilian |
|
|
Solange Ancona |
1943 |
|
French |
|
|
Daniel Börtz |
1943 |
|
Swedish |
|
|
Joanna Bruzdowicz |
1943 |
|
Polish |
|
|
Gavin Bryars |
1943 |
|
English |
Jesus' Blood Never Failed Me Yet, Doctor Ox's Experiment |
|
Laura Clayton |
1943 |
|
American |
|
|
Eleanor Cory |
1943 |
|
American |
|
|
Edward Cowie |
1943 |
|
English |
|
|
William Duckworth |
1943 |
2012 |
American |
|
|
Hugues Dufourt |
1943 |
|
French |
|
|
Dennis Eberhard |
1943 |
2005 |
American |
|
|
Ross Edwards |
1943 |
|
Australian |
|
|
Margriet Ehlen |
1943 |
|
Dutch |
|
|
Julio Estrada |
1943 |
|
Mexican |
|
|
Brian Ferneyhough |
1943 |
|
English |
Etudes Transcendantales |
New Complexity
|
Faraj Garayev |
1943 |
|
Azerbaijani |
|
|
Rolf Gehlhaar |
1943 |
2019 |
American |
Sub rosa; Five German Dances |
electronic music, sound installations
|
Heinz Karl Gruber |
1943 |
|
Austrian |
Frankenstein!!, Charivari, Aerial |
|
Robin Holloway |
1943 |
|
English |
|
|
Bill Hopkins |
1943 |
1981 |
English |
En Attendant; Sensation |
|
Jerry Hunt |
1943 |
1993 |
American |
|
|
Ilaiyaraaja |
1943 |
|
Indian |
How to Name it; Nothing but wind; Thiruvasagam -An Oratorio; The Music Messiah; India 24 hours; |
Indian Classical (Carnatic), Western classical, Fusion, Jazz, Indian folk
|
Zoltán Jeney |
1943 |
2019 |
Hungarian |
|
|
Alexander Knaifel |
1943 |
|
Russian |
The Canterville Ghost |
modernism, polystylism
|
Morten Lauridsen |
1943 |
|
American |
vocal works |
|
Tania León |
1943 |
|
Cuban |
|
|
Fred Lerdahl |
1943 |
|
American |
|
Neoconservative postmodernism
|
Bruce MacCombie |
1943 |
2012 |
American |
|
|
Bill McGlaughlin |
1943 |
|
American |
Remembering Icarus; Walt Whitman's Dream |
|
Krzysztof Meyer |
1943 |
|
Polish |
12 string quartets |
|
Costin Miereanu |
1943 |
|
French |
|
|
Alejandro Núñez Allauca |
1943 |
|
Peruvian |
|
|
Marta Ptaszynska |
1943 |
|
Polish |
|
|
Joseph Schwantner |
1943 |
|
American |
Aftertones of Infinity; A Sudden Rainbow |
|
Alice Shields |
1943 |
|
American |
|
|
Roger Smalley |
1943 |
2015 |
Australian (born English) |
Pulses; 2 piano concertos |
serialism, eclectic
|
Pril Smiley |
1943 |
|
American |
|
electronic music
|
Tim Souster |
1943 |
1994 |
British |
|
|
Ivan Tcherepnin |
1943 |
1998 |
French-American |
|
|
Vangelis |
1943 |
|
Greek |
|
electronic music
|
Michael Vetter |
1943 |
2013 |
German |
Missa Universalis |
new-age, Zen-influenced
|
Alexander Vustin |
1943 |
2020 |
Russian |
Word |
|
Udo Zimmermann |
1943 |
|
German |
|
opera
|
William Albright |
1944 |
1998 |
American |
|
polystylistic
|
Alison Bauld |
1944 |
|
Australian |
|
|
Gilbert Biberian |
1944 |
|
British |
|
|
Willem Breuker |
1944 |
2010 |
Dutch |
|
|
Neely Bruce |
1944 |
|
American |
|
postminimalist
|
Tatyana Chudova |
1944 |
|
Russian |
|
|
Barry Conyngham |
1944 |
|
Australian |
|
|
Lyell Cresswell |
1944 |
|
New Zealander |
|
|
Péter Eötvös |
1944 |
|
Hungarian |
Love and Other Demons |
eclectic, extended technique, electronic music, folk-music influence
|
John Fodi |
1944 |
2009 |
Canadian |
|
|
Christopher Gunning |
1944 |
|
British |
|
|
John Hawkins |
1944 |
2007 |
Canadian |
|
|
York Höller |
1944 |
|
German |
Schwarze Halbinseln; Der Meister und Margarita |
electronic music, serialism, Gestalt composition
|
Karl Jenkins |
1944 |
|
Welsh |
The Armed Man; Adiemus; Requiem |
|
Thomas Koppel |
1944 |
2006 |
Danish |
|
avant-garde
|
Beatriz Lockhart |
1944 |
2015 |
Uruguayan |
|
|
Arif Mirzayev |
1944 |
|
Azerbaijani |
|
|
Pehr Henrik Nordgren |
1944 |
2008 |
Finnish |
|
|
Michael Nyman |
1944 |
|
English |
The Man Who Mistook His Wife for a Hat |
minimalism
|
Claire Renard |
1944 |
|
French |
|
|
Goff Richards |
1944 |
2011 |
English |
|
|
Rhian Samuel |
1944 |
|
Welsh |
|
|
Leif Segerstam |
1944 |
|
Finnish |
|
|
John Tavener |
1944 |
2013 |
English |
|
holy minimalism
|
László Vidovszky |
1944 |
|
Hungarian |
|
|
Ahmed Achour |
1945 |
|
Tunisian |
Concerto for clarinet and orchestra |
|
Graciela Agudelo |
1945 |
2018 |
Mexican |
|
|
Charles Amirkhanian |
1945 |
|
American |
|
|
Georges Aperghis |
1945 |
|
Greek |
|
|
Clarence Barlow |
1945 |
|
Indian-British |
|
|
Anthony Braxton |
1945 |
|
American |
|
|
Ole Buck |
1945 |
|
Danish |
|
|
Boudewijn Buckinx |
1945 |
|
Belgian |
|
|
Judith Clingan |
1945 |
|
Australian |
|
|
Rauf Dhomi |
1945 |
|
Kosovan |
|
|
Edward Gregson |
1945 |
|
English |
|
|
Keith Jarrett |
1945 |
|
American |
|
|
Ivan Karabyts |
1945 |
2002 |
Ukrainian |
|
|
Shirish Korde |
1945 |
|
American |
|
|
Fredric Kroll |
1945 |
|
American |
|
|
Chan-Hae Lee |
1945 |
|
South Korean |
|
|
Thomas Oboe Lee |
1945 |
|
Chinese-American |
|
|
Jacques Lenot |
1945 |
|
French |
|
|
Luca Lombardi |
1945 |
|
Italian |
|
|
Younghi Pagh-Paan |
1945 |
|
South Korean |
|
|
Thomas Pasatieri |
1945 |
|
American |
|
|
Russell Peck |
1945 |
2009 |
American |
|
|
Johnterryl Plumeri |
1945 |
2016 |
American |
|
|
Basil Poledouris |
1945 |
2006 |
American |
|
|
Štěpán Rak |
1945 |
|
Czech |
|
|
Doug Riley |
1945 |
2007 |
Canadian |
|
|
John Rutter |
1945 |
|
English |
choral music |
|
Carol Sams |
1945 |
|
American |
Beauty and the Beast (children's opera) |
|
İstemihan Taviloğlu |
1945 |
2006 |
Turkish |
|
|
Thomas Wells |
1945 |
|
American |
|
|
Maury Yeston |
1945 |
|
American |
Tom Sawyer: A Ballet in Three Acts, Concerto for Cello and Orchestra, An American Cantata |
Broadway musicals Nine, Titanic, Grand Hotel
|
Judith Lang Zaimont |
1945 |
|
American |
|
|
Zhao Jiping |
1945 |
|
Chinese |
|
|
Barbara Benary |
1946 |
2019 |
German |
|
|
Gilius van Bergeijk |
1946 |
|
Dutch |
|
|
Niels Bernhart |
1946 |
2008 |
Danish |
|
|
Renate Birnstein |
1946 |
|
German |
|
|
Robert Boury |
1946 |
|
American |
|
|
Anne Boyd |
1946 |
|
Australian |
|
|
Martin Bresnick |
1946 |
|
American |
|
|
Geneviève Calame |
1946 |
1993 |
Swiss |
|
|
Suzanne Ciani |
1946 |
|
American |
|
electronic music
|
Pierre Even (composer) |
1946 |
|
Luxembourgian |
|
|
Michael Finnissy |
1946 |
|
English |
|
|
Zsolt Gárdonyi |
1946 |
|
Hungarian German |
Magnificat, Mozart Changes (organ) |
|
Janice Giteck |
1946 |
|
American |
|
|
Gérard Grisey |
1946 |
1998 |
French |
Vortex temporum |
|
Ann-Elise Hannikainen |
1946 |
2012 |
Finnish |
|
|
Ho Wai-On |
1946 |
|
British |
|
|
Tristan Keuris |
1946 |
1996 |
Dutch |
|
|
Ladislav Kubík |
1946 |
2017 |
Czech-American |
|
|
Yasuo Kuwahara |
1946 |
2003 |
Japanese |
|
|
Peter Lieberson |
1946 |
2011 |
American |
|
|
Ulrich Leyendecker |
1946 |
2018 |
German |
|
|
Vladimir Martynov |
1946 |
|
Russian |
|
minimalism
|
Dimitri Nicolau |
1946 |
2008 |
Italian |
|
|
David Noon |
1946 |
|
American |
|
|
Pierre Pincemaille |
1956 |
2018 |
French |
|
|
Nicola Piovani |
1946 |
|
Italian |
|
|
Kenneth Platts |
1946 |
1989 |
British |
|
|
Robert Xavier Rodriguez |
1946 |
|
American |
|
|
Tolib Shakhidi |
1946 |
|
Tajik |
|
|
Giuseppe Sinopoli |
1946 |
2001 |
Italian |
|
|
Denis Smalley |
1946 |
|
New Zealander |
|
electroacoustic music, acousmatic music
|
Richard St. Clair |
1946 |
|
American |
The Lamentations of Shinran; Album of Ragtime Pieces for Piano; Love-Canzonettes for Chorus; Piano Sonatas |
Neoromanticism
|
Pēteris Vasks |
1946 |
|
Latvian |
|
|
Diderik Wagenaar |
1946 |
|
Dutch |
|
|
Dana Wilson |
1946 |
|
American |
|
|
Heinz Winbeck |
1946 |
2019 |
German |
|
|
John Adams |
1947 |
|
American |
Nixon in China; Harmonielehre; Shaker Loops, Short Ride in a Fast Machine; Violin Concerto |
post-minimalism
|
David Ahern |
1947 |
1988 |
Australian |
|
|
Liana Alexandra |
1947 |
2011 |
Romanian |
|
|
Franghiz Ali-Zadeh |
1947 |
|
Azerbaijani |
|
|
Laurie Anderson |
1947 |
|
American |
|
|
Ruth Bakke |
1947 |
|
Norwegian |
|
|
Jean-Yves Bosseur |
1947 |
|
French |
|
|
Alan Bullard |
1947 |
|
English |
|
|
Michel Chion |
1947 |
|
French |
|
|
Anders Eliasson |
1947 |
2013 |
Swedish |
four symphonies |
|
Jack Gallagher |
1947 |
|
American |
|
|
Donald Grantham |
1947 |
|
American |
|
|
Barry Guy |
1947 |
|
British |
|
|
John S. Hilliard |
1947 |
|
American |
Baron Cimetiere's Mambo |
|
Ko Fan-long |
1947 |
|
Taiwanese |
|
|
Jo Kondo |
1947 |
|
Japanese |
|
|
Grigoriy Korchmar |
1947 |
|
Russian |
|
|
Nikolai Korndorf |
1947 |
2001 |
Russian and Canadian |
|
|
Zarrina Mirshakar |
1947 |
|
Tajik |
|
|
Tristan Murail |
1947 |
|
French |
Gondwana |
spectral music
|
Paul Patterson |
1947 |
|
English |
|
|
Morris Pert |
1947 |
2010 |
Scottish |
|
|
Karl Aage Rasmussen |
1947 |
|
Danish |
|
|
Václav Riedlbauch |
1947 |
2017 |
Czech |
|
|
Salvatore Sciarrino |
1947 |
|
Italian |
|
|
Howard Skempton |
1947 |
|
English |
|
|
Emil Tabakov |
1947 |
|
Bulgarian |
|
|
Roger Craig Vogel |
1947 |
|
American |
|
|
Gwyneth Van Anden Walker |
1947 |
|
American |
|
|
Zunduin Khangal |
1948 |
1996 |
Mongolian |
|
|
Claude Baker |
1948 |
|
American |
|
|
Josef Bardanashvili |
1948 |
|
Georgian |
|
|
Gisèle Barreau |
1948 |
|
French |
|
|
Michael Berkeley |
1948 |
|
English |
|
|
Chester Biscardi |
1948 |
|
American |
|
|
Glenn Branca |
1948 |
2018 |
American |
|
avant-garde
|
Stephen Brown |
1948 |
|
Canadian |
|
|
Diana Burrell |
1948 |
|
English |
|
|
Brian Elias |
1948 |
|
British |
|
|
Brian Eno |
1948 |
|
English |
|
ambient music, minimalism
|
Richard Festinger |
1948 |
|
American |
|
|
Jani Golob |
1948 |
|
Slovenian |
|
|
Mikko Heiniö |
1948 |
|
Finnish |
|
|
Bern Herbolsheimer |
1948 |
2016 |
American |
Aria da capo (opera) |
|
Bo Holten |
1948 |
|
Danish |
|
|
Jean-Michel Jarre |
1948 |
|
French |
|
|
Kerstin Jeppsson |
1948 |
|
Swedish |
|
|
Theo Jörgensmann |
1948 |
|
German |
|
|
Marjan Mozetich |
1948 |
|
Canadian |
|
|
Peter Ruzicka |
1948 |
|
German |
|
|
Allen Shawn |
1948 |
|
American |
|
|
Dmitri Smirnov |
1948 |
2020 |
Russian / British |
Tiriel (opera), Thel (opera) |
serialism, collage, electroacoustic music, polystylism, musical cryptography
|
Jukka Tiensuu |
1948 |
|
Finnish |
|
|
Julia Tsenova |
1948 |
2010 |
Bulgarian |
Sinfonia con piano concertante; Endless Circle for string quintet; Musica Solitudinis; Four songs, to poems by Emily Dickinson |
|
Claude Vivier |
1948 |
1983 |
Canadian |
Kopernikus: Rituel de la Mort |
spectral music, Asian-music influence
|
Fu Tong Wong
|
1948
|
|
Chinese-American
|
Symphony: The Hero with Great Eagle
|
|
Eleanor Alberga |
1949 |
|
Jamaican |
|
|
Kalevi Aho |
1949 |
|
Finnish |
|
|
Carlos Azevedo |
1949 |
2012 |
Portuguese |
|
|
Carol E. Barnett |
1949 |
|
American |
|
|
Leonid Bobylev |
1949 |
|
Russian |
Symphony (1985), Concerto for viola and string orchestra (1970) |
|
Jolyon Brettingham Smith |
1949 |
2008 |
English |
|
|
John Casken |
1949 |
|
English |
|
|
Daniel Catán |
1949 |
2011 |
Mexican |
Florencia en el Amazonas; Rappaccini's Daughter |
neo-impressionism
|
Chan Ka Nin |
1949 |
|
Canadian |
|
|
Daniel Steven Crafts |
1949 |
|
American |
|
|
Rocco Di Pietro |
1949 |
|
Italian |
|
|
Dean Drummond |
1949 |
2013 |
American |
|
|
Tim Hodgkinson |
1949 |
|
English |
|
|
Michel Herr |
1949 |
|
Belgian |
|
|
Michaël Lévinas |
1949 |
|
French |
|
|
Dan Locklair |
1949 |
|
American |
|
|
Fernando Mencherini |
1949 |
1997 |
Italian |
|
|
Theodore Papakonstantinou |
1949 |
1970 |
Cypriot |
|
|
Stephen Paulus |
1949 |
2014 |
American |
Pilgrim's Hymn; The Road Home; |
|
Geoffrey Poole |
1949 |
|
English |
|
|
Christopher Rouse |
1949 |
2019 |
American |
Karolju; Phantasmata; Trombone Concerto; Symphony No. 1; Symphony No. 2 |
|
Poul Ruders |
1949 |
|
Danish |
|
|
Thomas Schmidt-Kowalski |
1949 |
2013 |
German |
|
|
Dave Smith |
1949 |
|
English |
|
|
Steven Stucky |
1949 |
2016 |
American |
Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 |
|
Vladimir Tošić |
1949 |
|
Serbian |
|
|
Kevin Volans |
1949 |
|
South African |
Hunting Gathering |
|
Philip Wilby |
1949 |
|
English |
|
brass-band music
|
Ernani Aguiar |
1950 |
|
Brazilian |
|
|
Beth Anderson |
1950 |
|
American |
|
|
Robert Black |
1950 |
1993 |
American |
|
|
Gene Bowen |
1950 |
|
American |
|
|
Stephen Chatman |
1950 |
|
Canadian |
|
|
David B. Doty |
1950 |
|
American |
|
|
Elena Firsova |
1950 |
|
Russian / British |
The Nightingale and the Rose |
|
Olivier Greif |
1950 |
2000 |
French |
|
|
Åse Hedstrøm |
1950 |
|
Norwegian |
|
|
Alistair Hinton |
1950 |
|
Scottish |
|
|
Christopher Hobbs |
1950 |
|
English |
|
|
Otomar Kvěch |
1950 |
2018 |
Czech |
|
|
Emmanuel Gyimah Labi |
1950 |
|
Ghanaian |
|
|
Lam Manyee |
1950 |
|
Chinese |
|
|
Libby Larsen |
1950 |
|
American |
Marimba Concerto |
|
Elodie Lauten |
1950 |
2014 |
American |
|
|
Arturo Márquez |
1950 |
|
Mexican |
Danzón no. 2 |
|
Joseph Pehrson |
1950 |
2020 |
American |
|
|
Stephen Oliver |
1950 |
1992 |
English |
|
|
Jay Reise |
1950 |
|
American |
|
|
Joe Hisaishi |
1950 |
|
Japanese |
|
also notable as a film composer
|
Lepo Sumera |
1950 |
2000 |
Estonian |
|
electro-acoustic music
|
William Sweeney |
1950 |
|
Scottish |
|
folk-influenced
|
Carl Verbraeken |
1950 |
|
Belgian |
|
|
Rafał Augustyn |
1951 |
|
Polish |
|
|
Alan Belkin |
1951 |
|
Canadian |
|
|
Michael Blake |
1951 |
|
South African |
French Suite |
|
John Burke |
1951 |
2020 |
Canadian |
|
|
Howard J. Buss |
1951 |
|
American |
Modern Times |
|
Chen Qigang |
1951 |
|
Chinese-French |
|
|
Anthony Davis |
1951 |
|
American |
|
|
Paul Dresher |
1951 |
|
American |
|
|
Huib Emmer |
1951 |
|
Dutch |
|
|
Richard Emsley |
1951 |
|
British |
|
|
James Erber |
1951 |
|
British |
|
|
Lorenzo Ferrero |
1951 |
|
Italian |
Salvatore Giuliano, La Conquista, Risorgimento! |
postmodern
|
David Froom |
1951 |
|
American |
|
|
Nancy Galbraith |
1951 |
|
American |
|
postmodern/postminimalist
|
Francisco Guerrero Marín |
1951 |
1997 |
Spanish |
|
|
Halina Harelava |
1951 |
|
Belarusian |
|
|
Earl Howard |
1951 |
|
American |
|
avant-garde
|
Brian Israel |
1951 |
1986 |
American |
|
|
Viera Janárceková |
1951 |
|
Slovakian |
|
|
Patricia Jünger |
1951 |
|
Swiss-Austrian |
|
|
Aivars Kalējs |
1951 |
|
Latvian |
|
Neoromanticism
|
Patrick Larley |
1951 |
|
British |
|
|
Mona Lyn Reese |
1951 |
|
American |
|
|
Michael Rosenzweig |
1951 |
|
South African |
Symphony in One Movement; String Quartet No. 2 |
|
Doina Rotaru |
1951 |
|
Romanian |
Concerto for clarinet and orchestra; Florilegium, concerto for flute and flutes orchestra; Wings of Light for 24 flutists |
|
Craig Russell |
1951 |
|
American |
|
|
Robert Savage |
1951 |
1993 |
American |
"An Eye-Sky Symphony" |
|
George Tsontakis |
1951 |
|
American |
|
|
Hans Abrahamsen |
1952 |
|
Danish |
|
|
Sérgio Assad |
1952 |
|
Brazilian |
|
|
Simon Bainbridge |
1952 |
|
British |
|
|
Gerald Barry |
1952 |
|
Irish |
|
|
Max Beckschäfer |
1952 |
|
German |
Michelangelo-Fragmente, vocal music |
also academic for music theory
|
Judith Bingham |
1952 |
|
British |
|
|
Roger Bourland |
1952 |
|
American |
|
|
David Carlson |
1952 |
|
American |
|
|
Mark Carlson |
1952 |
|
American |
|
|
Rhys Chatham |
1952 |
|
American |
|
avant-garde, minimalism
|
Maia Ciobanu |
1952 |
|
Romanian |
|
|
Tina Davidson |
1952 |
|
American |
|
|
Richard Einhorn |
1952 |
|
American |
Voices of Light (oratorio); The Origin (opera/oratorio) |
|
Reinhard Febel |
1952 |
|
German |
opera Sekunden und Jahre des Caspar Hauser, Wolkenstein, Sinfonie |
|
Heiner Goebbels |
1952 |
|
German |
|
|
Stephen Hartke |
1952 |
|
American |
|
|
Margriet Hoenderdos |
1952 |
2010 |
Dutch |
|
|
Scott Johnson |
1952 |
|
American |
|
|
Oliver Knussen |
1952 |
2018 |
British |
Where the Wild Things Are |
|
Lev Konov |
1952 |
|
Russian |
|
|
Gerd Kühr |
1952 |
|
German |
operas Stallerhof, Tod und Teufel |
|
Christian Lauba |
1952 |
|
Tunisian born French |
The Lose Forest for ensemble of 12 saxophones, Neuf études pour saxophone |
|
Irfan Ljubijankić |
1952 |
1995 |
Bosnian |
|
|
Philippe Manoury |
1952 |
|
French |
60th Parallel (opera), Pluton for piano and live electronics |
punctualism, computer-assisted composition
|
Kazuhiro Morita |
1952 |
|
Japanese |
|
|
Dominic Muldowney |
1952 |
|
English |
|
|
Alla Pavlova |
1952 |
|
Russian |
|
|
Qu Xiao-Song |
1952 |
|
Chinese |
|
|
Godfried-Willem Raes |
1952 |
|
Belgian |
|
|
Wolfgang Rihm |
1952 |
|
German |
12 string quartets; Die Eroberung von Mexico (opera) |
New Simplicity, expressionism, neoromanticism
|
Kaija Saariaho |
1952 |
|
Finnish |
L’amour de loin; Adriana Mater; La Passion de Simone |
|
Tatyana Sergeyeva |
1952 |
|
Russian |
|
|
Motoyuki Shitanda |
1952 |
|
Japanese |
|
|
Ryuichi Sakamoto |
1952 |
|
Japanese |
|
|
Peter-Jan Wagemans |
1952 |
|
Dutch |
|
|
Moshe Zorman |
1952 |
|
Israeli |
|
|
John Luther Adams |
1953 |
|
American |
Various pieces inspired by Alaskan landscapes |
|
Martin Amlin |
1953 |
|
American |
|
|
Avril Anderson |
1953 |
|
English |
|
|
Patrick Ascione |
1953 |
2014 |
French |
Divertissement |
Electroacoustic and Acousmatic music
|
Daniel Asia |
1953 |
|
American |
|
|
Roger Bellon |
1953 |
|
French |
|
|
Josefina Benedetti |
1953 |
|
American |
|
|
Susan Morton Blaustein |
1953 |
|
American |
|
|
Cornelis de Bondt |
1953 |
|
Dutch |
|
|
Hans-Jürgen von Bose |
1953 |
|
German |
Piano music |
|
Wendy Mae Chambers |
1953 |
|
American |
|
|
Chen Yi |
1953 |
|
Chinese |
|
|
Andrew Culver |
1953 |
|
American |
|
|
Stéphane Delplace |
1953 |
|
French |
|
|
Jody Diamond |
1953 |
|
American |
|
|
Violeta Dinescu |
1953 |
|
Romanian |
Der 35. Mai (children's opera) |
|
Arnold Dreyblatt |
1953 |
|
American |
|
|
Denis Dufour |
1953 |
|
French |
Cycle Plis de perversion, Bocalises, Messe à l'usage des vieillards, Hérisson Cathédrale |
instrumental perceptive morphology, acousmatic music, mixed music, electronic music
|
Nicolas Economou |
1953 |
1993 |
Cypriot |
|
|
René Eespere |
1953 |
|
Estonian |
|
|
Eibhlis Farrell |
1953 |
|
Irish |
|
|
David Felder |
1953 |
|
American |
|
|
David First |
1953 |
|
American |
|
|
Georg Friedrich Haas |
1953 |
|
Austrian |
Double Concerto for accordion, viola and chamber ensemble, Concerto for violin and orchestra |
spectral music
|
He Xuntian |
1953 |
|
Chinese |
|
|
Adriana Hölszky |
1953 |
|
Romanian-German |
|
|
Juhani Komulainen |
1953 |
|
Finnish |
|
|
Peter Scott Lewis |
1953 |
|
American |
|
|
Tod Machover |
1953 |
|
American |
|
|
Jeff Manookian |
1953 |
|
American |
|
|
Wim Mertens |
1953 |
|
Belgian |
The Belly of an Architect (incl. Struggle for Pleasure), Maximizing the Audience |
minimalism
|
Akira Nishimura |
1953 |
|
Japanese |
|
|
Anthony Powers |
1953 |
|
British |
|
|
Alexander Raskatov |
1953 |
|
Russian |
|
|
Roberto Sierra |
1953 |
|
Puerto Rican |
Missa Latina |
|
Vladimir Soltan |
1953 |
1997 |
Belarusian |
|
|
Z. Randall Stroope |
1953 |
|
American |
"Inscription of Hope", "The Pasture", "Homeland" |
|
James Wood |
1953 |
|
English |
Stoicheia, Ho shang Yao |
microtonality, percussion, voice
|
Takashi Yoshimatsu |
1953 |
|
Japanese |
Symphony No. 2 |
|
Zhou Long |
1953 |
|
Chinese |
|
|
Lidia Zielińska |
1953 |
|
Polish |
|
|
John Zorn |
1953 |
|
American |
|
Avant-garde
|
Richard Blackford |
1954 |
|
English |
|
|
Sylvie Bodorová |
1954 |
|
Czech |
|
|
Elisabetta Brusa |
1954 |
|
Italian |
|
|
Robert Carl |
1954 |
|
American |
|
|
Chan Wing-wah |
1954 |
|
Chinese |
|
|
Nicolas Collins |
1954 |
|
American |
|
electronic music
|
Michael Daugherty |
1954 |
|
American |
UFO |
|
Paul Dirmeikis |
1954 |
|
American |
Message laisse à Pondichéry le 18 novembre 1973 |
eclectic
|
Joël-François Durand |
1954 |
|
French |
Piano Concerto |
|
María Escribano |
1954 |
2002 |
Spanish |
|
|
Eric Ewazen |
1954 |
|
American |
|
|
Susan Frykberg |
1954 |
|
New Zealander |
|
electroacoustic
|
Ge Gan-ru |
1954 |
|
Chinese |
|
Elliot Goldenthal |
1954 |
|
American |
|
|
Irina Hasnaș |
1954 |
|
Romanian |
|
|
Birgit Havenstein |
1954 |
|
German |
|
|
Anders Hillborg |
1954 |
|
Swedish |
|
|
Vladimír Hirsch [fr; it; pl; cs] |
1954 |
|
Czech |
|
avant-garde
|
Brenda Hutchinson |
1954 |
|
American |
|
|
Stephen Jaffe |
1954 |
|
American |
|
|
Denise Kelly |
1954 |
|
Irish |
|
|
Eric Moe |
1954 |
|
American |
|
|
John Musto |
1954 |
|
American |
|
|
Șerban Nichifor |
1954 |
|
Romanian |
|
|
Betty Olivero |
1954 |
|
Israeli |
|
|
Cecilie Ore |
1954 |
|
Norwegian |
|
|
Tobias Picker |
1954 |
|
American |
|
|
Arturo Rodas |
1954 |
|
Franco-Ecuadorian |
Arcaica, a concerto for percussion & orchestra; 24.5 Preludes for piano; El Árbol de los Pájaros (The birds tree): opera "for the voice of the instruments" |
avant-garde, polystylism
|
Jan Sandström |
1954 |
|
Swedish |
Motorbike Concerto, Es ist ein Ros entsprungen, Rekviem |
|
Paweł Szymański |
1954 |
|
Polish |
|
|
Carl Vine |
1954 |
|
Australian |
|
|
Judith Weir |
1954 |
|
British |
|
|
René Wohlhauser |
1954 |
|
Swiss |
|
|
Bob Chilcott |
1955 |
|
British |
Choral music |
|
David Conte |
1955 |
|
American |
|
|
Pascal Dusapin |
1955 |
|
French |
Perelà, uomo di fumo |
|
Roland Dyens |
1955 |
2016 |
Tunisian-French |
|
|
Mark Edgley Smith |
1955 |
2008 |
English |
|
|
Ludovico Einaudi |
1955 |
|
Italian |
|
minimalism
|
Juraj Filas |
1955 |
|
Slovak |
|
|
Diamanda Galás |
1955 |
|
American |
|
|
Kyle Gann |
1955 |
|
American |
|
Just intonation
|
Naji Hakim |
1955 |
|
Lebanese-French |
|
|
Toshio Hosokawa |
1955 |
|
Japanese |
Vision of Lear, Circulating Ocean, Voiceless Voice in Hiroshima |
neo-impressionism
|
David A. Jaffe |
1955 |
|
American |
"Silicon Valley Breakdown"; "The Seven Wonders of the Ancient World" |
computer music, folk-music-influenced
|
Olli Kortekangas |
1955 |
|
Finnish |
|
|
Bernardo Kuczer |
1955 |
|
Argentinian |
Civilización o Barbarie |
Electronic music
|
Jukka Linkola |
1955 |
|
Finnish |
|
|
Pedro Luís Neves |
1955 |
|
Portuguese |
|
|
Michael Obst |
1955 |
|
German |
Solaris |
electronic music
|
Gérard Pape |
1955 |
|
American |
|
electronic music
|
Bright Sheng |
1955 |
|
Chinese |
The Silver River |
Folk-influenced
|
Tibor Szemző |
1955 |
|
Hungarian |
|
|
Krassimir Taskov |
1955 |
|
Bulgarian |
|
|
Ian Venables |
1955 |
|
English |
Songs of Eternity and Sorrow, Remember This |
|
Ye Xiaogang |
1955 |
|
Chinese |
|
|
Eduardo Alonso-Crespo |
1956 |
|
Argentine |
|
|
Javier Álvarez |
1956 |
|
Mexican |
Metro Chabacano, Temazcal |
|
Regina Harris Baiocchi |
1956 |
|
American |
|
|
Sally Beamish |
1956 |
|
British |
|
|
Chiara Benati |
1956 |
|
Italian |
|
|
Tim Brady |
1956 |
|
Canadian |
|
|
Benet Casablancas |
1956 |
|
Spanish |
|
|
Richard Danielpour |
1956 |
|
American |
Margaret Garner |
|
Daniel Dorff |
1956 |
|
American |
|
|
Anne Dudley |
1956 |
|
English |
|
|
Dror Elimelech |
1956 |
|
Israeli |
|
|
Michelle Ekizian |
1956 |
|
American |
|
|
Miguel Frasconi |
1956 |
|
American |
|
|
Kenneth Fuchs |
1956 |
|
American |
Falling Man (for baritone voice and orchestra, text by Don DeLillo, adapted by J. D. McClatchy) |
American Symphonic School
|
Vladimír Godár |
1956 |
|
Slovak |
|
|
Michael Gordon |
1956 |
|
American |
|
|
Philip Grange |
1956 |
|
English |
|
|
Guo Wenjing |
1956 |
|
Chinese |
|
Opera
|
Madeleine Isaksson |
1956 |
|
Swedish |
|
|
Jouni Kaipainen |
1956 |
2015 |
Finnish |
|
|
Makiko Kinoshita |
1956 |
|
Japanese |
|
|
Graeme Koehne |
1956 |
|
Australian |
Inflight Entertainment (oboe concerto); Tivoli Dances |
|
Leon Milo |
1956 |
2014 |
American |
TimeTexture for piano and electronics |
electroacoustic music
|
Thomas Pernes |
1956 |
2018 |
Austrian |
|
avant-garde
|
Paul Phillips |
1956 |
|
American |
|
|
Iris ter Schiphorst |
1956 |
|
German |
|
|
Oliver Schroer |
1956 |
2008 |
Canadian |
|
|
Stefano Scodanibbio |
1956 |
2012 |
Italian |
|
|
Laurence Traiger |
1956 |
|
American |
|
|
Miguel del Águila |
1957 |
|
Uruguayan-American |
Concierto en Tango, Conga, Salon Buenos Aires, Violin Concerto, Wind Quintet No. 2 |
|
Masamichi Amano |
1957 |
|
Japanese |
|
|
Gheorghi Arnaoudov |
1957 |
|
Bulgarian |
|
minimalism
|
Charles Roland Berry |
1957 |
|
American |
|
|
Linda Bouchard |
1957 |
|
Canadian |
|
|
Mary Ellen Childs |
1957 |
|
American |
|
|
James Clarke |
1957 |
|
English |
|
|
Chaya Czernowin |
1957 |
|
Israeli |
|
|
Alexandre Danilevsky |
1957 |
|
Russian-born French |
|
|
Andrew Ford |
1957 |
|
English-born Australian |
|
|
Ellen Fullman |
1957 |
|
American |
|
|
Jiří Gemrot |
1957 |
|
Czech |
|
|
Guan Xia |
1957 |
|
Chinese |
Symphonic Overture No. 1 |
|
Regina Irman |
1957 |
|
Swiss |
|
|
Ivo Josipović |
1957 |
|
Croatian |
|
|
Elena Kats-Chernin |
1957 |
|
Australian |
|
|
Camille Kerger |
1957 |
|
Luxembourg |
|
|
Kim Jin-hi |
1957 |
|
South Korean |
|
|
David Lang |
1957 |
|
American |
The Little Match Girl Passion |
|
Jorge Liderman |
1957 |
2008 |
American |
|
|
Paul Moravec |
1957 |
|
American |
Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery |
|
Zurab Nadareishvili |
1957 |
|
Georgian |
|
|
Pan Shiji |
1957 |
|
Taiwanese |
String Quartet no. 4 |
|
Gerhard Präsent |
1957 |
|
Austrian |
Himmelslicht; Missa minima; Trio intricato |
|
Gerhard Schedl |
1957 |
2000 |
Austrian |
Slow, Cello Concerto |
|
Petros Shoujounian |
1957 |
|
Armenian-Canadian |
|
|
Cong Su |
1957 |
|
Chinese |
|
|
Tan Dun |
1957 |
|
Chinese |
Water Passion after St. Matthew |
Extended technique, Folk-influenced; also composer of film music: Crouching Tiger, Hidden Dragon
|
Michael Glenn Williams |
1957 |
|
American |
|
|
Falko Steinbach |
1957 |
|
German |
|
|
Eve Beglarian |
1958 |
|
American |
|
|
Karl Gottfried Brunotte |
1958 |
|
German |
|
|
Giulio Castagnoli |
1958 |
|
Italian |
Concerto for Cello and Double Orchestra; Concerto for Piano and Orchestra; Missa Sancti Evasii |
|
Oscar van Dillen |
1958 |
|
Dutch |
|
|
Paul Elwood |
1958 |
|
American |
|
|
Suzanne Giraud |
1958 |
|
French |
|
|
Juliana Hall |
1958 |
|
American |
|
|
Hanna Havrylets' |
1958 |
|
Ukrainian |
|
|
Richard Kastle |
1958 |
|
American |
|
Neoclassical
|
Mark Kilstofte |
1958 |
|
American |
|
|
Christian Lindberg |
1958 |
|
Swedish |
Arabenne, Mandrake in the Corner |
|
Magnus Lindberg |
1958 |
|
Finnish |
Kraft; Clarinet Concerto |
|
Mladen Milicevic |
1958 |
|
Bosnian/American |
cl? – for prepared clarinet and electronics (1985) |
experimental music, sound installation, and film music
|
Jun Miyake |
1958 |
|
Japanese |
|
|
Mo Wuping |
1958 |
1993 |
Chinese |
|
|
Esa-Pekka Salonen |
1958 |
|
Finnish |
LA Variations; Insomnia |
|
Thomas Simaku |
1958 |
|
Albanian |
|
|
Bent Sørensen |
1958 |
|
Danish |
|
|
Rafał Stradomski |
1958 |
|
Polish |
|
|
Nigel Westlake |
1958 |
|
Australian |
|
|
Julia Wolfe |
1958 |
|
American |
|
|
Sinta Wullur |
1958 |
|
Indonesian-Dutch |
|
|
Akio Yasuraoka |
1958 |
|
Japanese |
|
|
Jay Alan Yim |
1958 |
|
American |
|
|
Andrew York |
1958 |
|
American |
|
|
Hiroaki Zakōji |
1958 |
1987 |
Japanese |
|
|
Davide Zannoni |
1958 |
|
Italian |
|
|
Caroline Ansink |
1959 |
|
Dutch |
|
|
Richard Barrett |
1959 |
|
Welsh |
Construction |
electroacoustic music, improvisation
|
Kendall Durelle Briggs |
1959 |
|
American |
|
|
Sebastian Currier |
1959 |
|
American |
|
|
Paul Doornbusch |
1959 |
|
Australian |
|
computer music, electroacoustic music
|
Alfio Fazio |
1959 |
|
Italian |
|
|
Vladimír Franz |
1959 |
|
Czech |
|
|
Lucio Garau |
1959 |
|
Italian |
|
|
James Harley |
1959 |
|
Canadian |
|
|
Adina Izarra |
1959 |
|
Venezuelan |
|
|
Vakhtang Kakhidze |
1959 |
|
Georgian |
|
|
Shigeru Kan-no |
1959 |
|
Japanese |
Play Station Cycles; Simulation Cycles |
|
Ana Lara |
1959 |
|
Mexican |
|
|
James MacMillan |
1959 |
|
Scottish |
The Sacrifice; Veni veni Emmanuel (percussion concerto); The Confession of Isobel Gowdie; St. John Passion; 3 symphonies |
|
Steve Martland |
1959 |
2013 |
English |
|
|
John Palmer |
1959 |
|
British |
|
|
Victor Rasgado |
1959 |
|
Mexican |
|
|
Erkki-Sven Tüür |
1959 |
|
Estonian |
6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots |
|
Nobuo Uematsu |
1959 |
|
Japanese |
Liberi Fatali |
|
Robert Ian Winstin |
1959 |
2010 |
American |
|
|
Maria de Alvear |
1960 |
|
Spanish-German |
|
|
Dirk Brossé |
1960 |
|
Belgian |
|
|
George Benjamin |
1960 |
|
English |
Sudden Time; Antara |
|
Nigel Clarke |
1960 |
|
English |
Samurai; A Richer Dust (Symphony No 1.); The Miraculous Violin; Mysteries of the Horizon (Trumpet/Cornet Concerto); Earthrise; Gagarin |
|
Sidney Corbett |
1960 |
|
American |
|
|
Nathan Currier |
1960 |
|
American |
Gaian Variations |
|
Karlheinz Essl, Jr. |
1960 |
|
Austrian |
Lexikon-Sonate |
|
Detlev Glanert |
1960 |
|
German |
operas Leyla und Medjnun, Caligula, Solaris |
|
Osvaldo Golijov |
1960 |
|
Argentine |
|
|
Annie Gosfield |
1960 |
|
American |
|
|
Julian Grant |
1960 |
|
English |
|
|
Georg Hajdu |
1960 |
|
German |
|
|
Pertti Jalava |
1960 |
|
Finnish |
Music for orchestra (including five symphonies), chamber ensembles, big band, jazz ensembles, wind band and choir |
|
Aaron Jay Kernis |
1960 |
|
American |
Musica Instrumentalis, Colored Field |
|
Priti Paintal |
1960 |
|
Indian |
|
|
Alexander Shchetynsky |
1960 |
|
Ukrainian |
|
|
William Susman |
1960 |
|
American |
Marimba Montuño (solo); Camille (chamber ensmeble); Trailing Vortices (chamber orchestra); Fate of the Lhapa (film score) |
postminimalism; also composer of film music: Native New Yorker
|
Mark-Anthony Turnage |
1960 |
|
English |
Greek; From All Sides; Mambo, Blue and Tarantella (violin concerto); From the Wreckage (trumpet concerto); Fractured Lines (percussion concerto); Five Views of a Mouth (flute concerto); A Fast Stomp |
|
Ana-Maria Avram |
1961 |
2017 |
Romanian |
|
spectral music
|
John Burge |
1961 |
|
Canadian |
|
|
Unsuk Chin |
1961 |
|
South Korean |
Alice in Wonderland; Violin Concerto; Fantasie mécanique; Cantatrix Sopranica |
|
Marc-André Dalbavie |
1961 |
|
French |
|
|
Nailia Galiamova |
1961 |
|
Uzbekistani |
|
|
Lucio Gregoretti |
1961 |
|
Italian |
|
|
Jorge Grundman |
1961 |
|
Spanish |
|
|
Daron Hagen |
1961 |
|
American |
|
|
Jake Heggie |
1961 |
|
American |
Dead Man Walking |
|
Hanna Kulenty |
1961 |
|
Polish |
Ad Unum, Breathe, The Mother of Black Winged-Dreams, Trumpet Concerto, String Quartet No. 4 |
|
Lowell Liebermann |
1961 |
|
American |
|
|
Peter Machajdík |
1961 |
|
Slovak / German |
Namah; Double Bayan Concerto; Farewell Fanfares; Lasea; Nell'autunno del suo abbraccio insonne |
postminimalism, electronic music
|
Alo Mattiisen |
1961 |
1996 |
Estonian |
|
|
Erica Muhl |
1961 |
|
American |
Consolation |
|
Remilson Nery |
1961 |
|
Brazilian |
Works for classical guitar, piano, strings, brass, woodwinds, percussion, chamber music, including mixed choir and children’s choir |
|
Michael Torke |
1961 |
|
American |
"Vanada"; Javelin; Rapture (percussion concerto); Ecstatic Orange |
|
Roman Turovsky-Savchuk |
1961 |
|
Ukrainian/American |
Tombeau for Omelyan Kovch |
historicist–neo-Baroque
|
Peter Zagar |
1961 |
|
Slovak |
|
|
Mohamed Abdelwahab Abdelfattah |
1962 |
|
Egypt |
Die Wunderzahl, String Quartet No. 2 "Monamnamat" |
electroacoustic, postmodernism
|
Michael Abels |
1962 |
|
American |
Global Warming |
|
Sylvia Constantinidis |
1962 |
|
Venezuelan-American |
|
|
Arne Eigenfeldt |
1962 |
|
Canadian |
|
|
Carl Faia |
1962 |
|
American |
|
|
Stefano Gervasoni |
1962 |
|
Italian |
|
|
Jack Gibbons |
1962 |
|
English |
Ave Verum Corpus, Choral works, Serenade for string orchestra, Song cycles, Piano works |
|
Jennifer Higdon |
1962 |
|
American |
|
|
Craig Hella Johnson |
1962 |
|
American |
Numerous choral compositions and arrangements |
|
Claus-Steffen Mahnkopf |
1962 |
|
German |
|
|
P. Q. Phan |
1962 |
|
Vietnamese |
|
|
Surendran Reddy |
1962 |
2010 |
South African |
|
|
Rudi Spring |
1962 |
|
German |
Heimkunft, chamber symphonies, song cycles |
|
Kaoru Wada |
1962 |
|
Japanese |
|
|
Graham Waterhouse |
1962 |
|
English |
Piccolo Quintet, Three Pieces for Solo Cello, Gestural Variations |
|
Sandeep Bhagwati |
1963 |
|
Indian |
opera Ramanujan |
|
Michel Bosc [fr] |
1963 |
|
French |
|
|
Philip Cashian |
1963 |
|
British |
|
|
Graham Fitkin |
1963 |
|
British |
|
|
Michael Zev Gordon |
1963 |
|
British |
|
|
Svante Henryson |
1963 |
|
Swedish |
|
|
Sophie Lacaze |
1963 |
|
French |
|
|
Shinkichi Mitsumune |
1963 |
|
Japanese |
|
|
Hikari Ōe |
1963 |
|
Japanese |
|
|
John Pickard |
1963 |
|
British |
|
|
Fausto Romitelli |
1963 |
2004 |
Italian |
|
|
Calliope Tsoupaki |
1963 |
|
Greek |
|
|
Hana Vejvodová |
1963 |
1994 |
Czech |
Brass Quintet |
|
Edson Zampronha |
1963 |
|
Brazilian |
Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a |
|
Luca Belcastro |
1964 |
|
Italian |
|
|
Marco Betta |
1964 |
|
Italian |
|
|
Scott Boerma |
1964 |
|
American |
|
|
Boris Böhmann |
1964 |
|
German |
|
|
Gregers Brinch |
1964 |
|
Danish |
|
|
Judy Dunaway |
1964 |
|
American |
|
avant-garde
|
Julia Gomelskaya |
1964 |
2016 |
Ukrainian |
|
|
Fiona Joy Hawkins |
1964 |
|
Australian |
|
|
Jun Nagao |
1964 |
|
Japanese |
|
|
Javier Parrado |
1964 |
|
Bolivian |
|
|
Cristian Pațurcă |
1964 |
2011 |
Romanian |
|
|
Richard Rijnvos |
1964 |
|
Dutch |
Block Beuys |
|
Anton Batagov |
1965 |
|
Russian |
|
post-minimalist
|
Irina Bogushevskaya |
1965 |
|
Russian |
|
|
Zana Clarke |
1965 |
|
Australian |
|
|
Carin Bartosch Edström |
1965 |
|
Swedish |
|
|
Moritz Eggert |
1965 |
|
German |
|
|
Thierry Escaich |
1965 |
|
French |
|
|
Yoshiki Hayashi |
1965 |
|
Japanese |
|
|
Yuri Khanon |
1965 |
|
Russian |
The Shagreen Bone, The Symphony of Dogs, The Middle Symphony, Agonia Dei, What Zarathustra Said Indeed |
polystylism, neoclassicism
|
Gordon McPherson |
1965 |
|
Scottish |
|
|
Peter Nardone |
1965 |
|
Scottish |
|
|
Bernd Redmann |
1965 |
|
German |
opera Die Gehetzten, orchestra Fiasko, chamber Migrant |
|
Georgia Spiropoulos |
1965 |
|
Greek |
Klama, for mixed choir & live electronics |
avant-garde
|
Paul Steenhuisen |
1965 |
|
Canadian |
|
|
Mats Wendt |
1965 |
|
Swedish |
Eddan – The Invincible Sword of the Elf-Smith |
|
Roberto Carnevale |
1966 |
|
Italian |
Linae (1992–1995) |
|
Nicholas Frances Chase |
1966 |
|
American |
|
|
Juan J. Colomer |
1966 |
|
Spanish |
La complicidad del espectro |
|
Jan Müller-Wieland |
1966 |
|
German |
operas Gastspiel, Komödie ohne Titel, Das Märchen der 672. Nacht |
|
John Psathas |
1966 |
|
New Zealand |
|
|
Juan María Solare |
1966 |
|
Argentine |
|
|
Donald Reid Womack |
1966 |
|
American |
|
|
Julian Anderson |
1967 |
|
British |
|
|
Mark Applebaum |
1967 |
|
American |
|
|
Derek Bermel |
1967 |
|
American |
|
|
Sansan Chien |
1967 |
2011 |
Chinese |
|
|
Salvatore Di Vittorio |
1967 |
|
Italian |
|
|
Amos Elkana |
1967 |
|
Israeli |
|
|
Jens Josef |
1967 |
|
German |
Musik für Flöte(n), Viola und Kontrabass, chamber music |
|
Andreas Kunstein |
1967 |
|
Dutch |
|
|
Olli Mustonen |
1967 |
|
Finnish |
|
|
Alberto Posadas |
1967 |
|
Spanish |
|
|
Eric Qin |
1967 |
1993 |
American |
|
experimental music
|
Christopher Theofanidis |
1967 |
|
American |
|
Xu Yi |
1967 |
|
Chinese |
|
|
Jun Yamaguchi |
1967 |
|
Japanese |
|
|
Hiroyuki Yamamoto |
1967 |
|
Japanese |
|
|
Laura Andel |
1968 |
|
Argentine |
|
|
Joe Cutler |
1968 |
|
British |
|
|
Jens Joneleit |
1968 |
|
German |
operas Der Brand, Piero &‐ Ende der Nacht, Metanoia. Über das Denken hinaus |
|
Johannes Kretz |
1968 |
|
Austrian |
|
|
Francisco Lara |
1968 |
|
Spanish |
|
|
Olga Neuwirth |
1968 |
|
Austrian |
|
avant-garde
|
Roxanna Panufnik |
1968 |
|
English |
|
|
Alwynne Pritchard |
1968 |
|
British |
|
|
Nicola Campogrande |
1969 |
|
Italian |
|
|
Andrea Cera |
1969 |
|
Italian |
|
Electroacoustic
|
Johanna Doderer |
1969 |
|
Austrian |
|
Opera
|
Ciarán Farrell |
1969 |
|
Irish |
|
|
Pierre Kolp |
1969 |
|
Belgian |
|
avant-garde
|
Yannis Kyriakides |
1969 |
|
Cypriot |
|
|
Jocelyn Morlock |
1969 |
|
Canadian |
|
|
Patrick Nunn |
1969 |
|
British |
|
|
Roy Zu-Arets |
1969 |
|
American-Israeli |
|
|
Michel van der Aa |
1970 |
|
Dutch |
After Life |
|
Rodolfo Acosta |
1970 |
|
Colombian |
|
|
David Bruce |
1970 |
|
British-American |
|
|
Fred Momotenko |
1970 |
|
Russian-Dutch |
|
|
Graziella Concas |
1970 |
|
Italian |
|
|
Donnacha Dennehy |
1970 |
|
Irish |
|
|
Daniel Felsenfeld |
1970 |
|
American |
Insomnia Redux |
|
Arlene Sierra |
1970 |
|
American |
|
|
Fazıl Say |
1970 |
|
Turkish |
1001 Nights in the Harem, Istanbul Symphony |
Piano symphony Turkish music (style)
|
Eric Whitacre |
1970 |
|
American |
Cloudburst, Lux Aurumque, Water Night |
choral music
|
Thomas Adès |
1971 |
|
English |
Powder Her Face; Asyla; Traced Overhead |
|
Yoshino Aoki |
1971 |
|
Japanese |
|
|
Richard Causton |
1971 |
|
English |
|
|
Carlo Forlivesi |
1971 |
|
Italian |
Requiem |
|
Michael Hersch |
1971 |
|
American |
Symphony No. 1; Fracta; Arraché |
|
Klaus Lang |
1971 |
|
Austrian |
|
|
Paweł Mykietyn |
1971 |
|
Polish |
|
|
Takatomi Nobunaga |
1971 |
|
Japanese |
String Quartet |
|
Guto Puw |
1971 |
|
Welsh |
|
|
Tomomi Adachi |
1972 |
|
Japanese |
|
|
Natasha Barrett |
1972 |
|
British |
|
electroacoustic
|
Hiba Kawas |
1972 |
|
Lebanese |
|
|
Bappa Mazumder |
1972 |
|
Bangladeshi |
|
|
Kevin Puts |
1972 |
|
American |
|
|
André Ristic |
1972 |
|
Canadian |
|
|
Lera Auerbach |
1973 |
|
Russian |
|
|
Fred Jonny Berg |
1973 |
|
Norwegian |
|
|
J. Ryan Garber |
1973 |
|
American |
Parabolisms; Resonances |
|
Nihad Hrustanbegovic |
1973 |
|
Bosnian-Dutch |
Stork suite; Sevdah Medieval Rhapsody |
minimalism; also a composer of film music, and an improviser
|
Mindia Khitarishvili |
1973 |
|
Georgian |
|
|
Andrew March |
1973 |
|
English |
Marine — à travers les arbres |
|
Jörg Widmann |
1973 |
|
German |
Fantasie for clarinet solo; First String Quartet |
|
Kristoffer Zegers |
1973 |
|
Dutch |
|
|
Ehesuma |
1974 |
|
Chinese |
|
|
Marek Brezovský |
1974 |
1994 |
Slovak |
|
|
Derek Charke |
1974 |
|
Canadian |
Past Winters Solstice, for piano trio |
|
Julian Cochran |
1974 |
|
English-born Australian |
|
|
Tim Benjamin |
1975 |
|
Anglo-French |
|
|
Avner Dorman |
1975 |
|
Israeli |
|
|
Bongani Ndodana-Breen |
1975 |
|
South African |
|
|
Olesya Rostovskaya |
1975 |
|
Russian |
Concert for oboe |
|
Đuro Živković |
1975 |
|
Serbian-Swedish |
|
|
Ali Ahmadifar |
1976 |
|
Iranian |
|
|
Pritom Ahmed |
1976 |
|
Bangladeshi |
|
|
Svitlana Azarova |
1976 |
|
Ukrainian Dutch |
Diagram for 5 cellos |
|
Tomi Räisänen |
1976 |
|
Finnish |
A Walk Through the Fields of Symmetry |
|
Frederik Magle |
1977 |
|
Danish |
Concerto for organ and orchestra |
|
Wu Fei |
1977 |
|
Chinese |
|
|
Daniel Hensel |
1978 |
|
German |
|
|
Jimmy López |
1978 |
|
Peruvian |
Arco de luz |
|
Tarik O'Regan |
1978 |
|
British-American |
|
|
Mehdi Hosseini |
1979 |
|
Iranian |
|
|
Christophe Bertrand |
1981 |
2010 |
French |
|
|